Relevant bibliographies by topics / Kaji shinpan

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Academic literature on the topic 'Kaji shinpan'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Kaji shinpan"

1

Tjokrokusumo, Kezia Angelica, Siti Fatonah, Khori Alfiani, and Ardhini Wahyu Wulan. "Pengunaan Sufiks Pernyataan Biaya ~賃、~金 dan ～費 dalam Mainichi Shinbun dan Minami Nihon Shinbun." Japanology: The Journal of Japanese Studies 11, no. 2 (2024): 165–79. https://doi.org/10.20473/jjs.v11i2.59581.

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Tujuan dari penelitian ini adalah untuk mengetahui ciri-ciri turunan sufiks ～賃 (chin)、～金 (kin) dan ～費 (hi) serta kemungkinan untuk disubstitusi. Sumber data penelitian ini berasal dari berita elektronik Jepang dan sumber lain yang berhubungan dengan sufiks bahasa Jepang. Sufiks ini berkaitan dengan pernyataan pola kalimat biaya dalam bahasa Jepang. Metode penelitian yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Data penelitian ini diambil dari surat kabar elektronik Jepang yaitu Mainichi Shinbun dan Minami Nihon Shinbun. Dari hasil penelitian ditemukan
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2

Kyung, Um In. "Asakawa Noritaka and the Tanka Literary World of the Korean Peninsula : A Focus on the Magazines Keijyo-zappitsu and Shinjin." Korean Journal of Japanology 107 (May 30, 2016): 77–97. http://dx.doi.org/10.15532/kaja.2016.05.107.77.

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3

Heryanto, Naldo Yanuar. "ANALISIS WARNA PADA FILM ANIMASI “THE GARDEN OF WORDS” KARYA MAKOTO SHINKAI." GESTALT 1, no. 2 (2019): 191–200. http://dx.doi.org/10.33005/gestalt.v1i2.30.

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Film Animasi digital dua dimensi kembali bangkit di era modern ini yang cukup bervariasi dari berbagai negara, khususnya animasi dari Jepang’ yang selain diwakilkan oleh Studio Ghibli, juga ada banyak perwakilan dari karya lainnya yang menonjolkan dari aspek dan elemen desain tertentu secara dominan. Salah satu karya animasi lainnya yang cukup memiliki pengaruh besar bagi industri animasi dengan pemikiran konsep yang mendalam dapat kita temukan pada karya Makoto Shinkai, dalam bahasan kali ini adalah film “The Garden of Words” dengan analisa yang mendalam mengenai aplikasi warna secara konsept
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4

Fairuz and Jehezkiel Jeven Efraim. "The Representation of Hare Onna in Anime Tenki No Ko By Makoto Shinkai." International Journal of Scientific Research and Management (IJSRM) 11, no. 09 (2023): 1463–77. http://dx.doi.org/10.18535/ijsrm/v11i09.sh03.

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Anime is one of the media for Japanese society to convey messages. The messages are in the form of cultural values and myths that develop and originate from traditional Japanese culture. Belief in myths continues to grow, even influencing Japanese culture, art and literature. One of the myths that is still believed by Japanese people is the existence of "kami" (gods). Most Japanese people adhere to the Shinto religion and believe in Kami. We are all things that smell sacred in the surrounding natural environment. One of the “kami” that the Japanese people believe in is the Fox God Inari. The F
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5

Tinsley, Elizabeth. "The Catechism of the Gods: Kōyasan’s Medieval Buddhist Doctrinal Debates, Dōhan, and Kami Worship." Religions 13, no. 7 (2022): 586. http://dx.doi.org/10.3390/rel13070586.

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A survey of the history of medieval Kōyasan, an important mountain-based headquarters for esoteric Shingon Buddhism since the early ninth century, cannot omit significant developments in the worship of kami (tutelary and ancestral gods) from the end of the Heian period (794–1185) to the Muromachi period (1333–1573). A fundamental aspect of kami worship at Kōyasan was the regular offering to the kami (shinbōraku 神法楽) of mondō-kō 問答講 (catechism/dialogue form, or ‘question and answer’ ‘lectures’) and rongi (debate examinations in the form of mondō). The relationship between Buddhist scholarship a
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6

Marissa, Marissa, Sudjianto Sudjianto, and Rina Fitriana. "Analisis Bentuk-Bentuk Pelanggaran Maksim Percakapan pada Manga CRAYON SHINCHAN Volume 01 Karya Yoshito Usui." IDEA : Jurnal Studi Jepang 1, no. 2 (2019): 1–10. http://dx.doi.org/10.33751/idea.v1i2.1287.

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Abstrak Skripsi ini ditulis untuk meneliti bentuk pelangggaran maksim percakapan pada manga Crayon Shinchan Volume 01 karya Yoshito Usui yang dirilis pertama kali pada tahun 1992 di Jepang. Setelah meneliti bentuk dan cara melanggar maksim percakapan, penulis menghitung jumlah dan persentase dari setiap maksim yang dilanggar dan cara pelanggaran yang digunakan untuk mengetahui jenis dan cara pelanggaran maksim yang paling banyak terdapat dalam manga ini. Metode yang digunakan dalam skripsi ini adalah metode deskriptif, yaitu dengan menggambarkan konteks dan menjelaskan indikator mengapa tutura
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7

Suzuki, Yūta. "The Structure of “Jishōe” 自性会 and “Kaji sekai” 加持世界 in the Shingi-Shingon School: Shōken’s 聖憲 Daisho hyakujō daisanjū 大疏百条第三重". Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 69, № 1 (2020): 171–75. http://dx.doi.org/10.4259/ibk.69.1_171.

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8

Trubnikova, N. N. "Early Japanese Philosophers in Konjaku monogatari shū." Russian Journal of Philosophical Sciences, no. 8 (November 28, 2018): 23–45. http://dx.doi.org/10.30727/0235-1188-2018-8-23-45.

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The paper deals with the tales on the origins of Japanese Buddhism from the 11th scroll of the Konjaku monogatari shū (early 12th century). Particular attention is paid to the stories about Saichō (767–822) and Kūkai (774–835), the founders of the Tendai and Shingon schools, thinkers, whose writings have built two versions of the doctrine of the Buddhist ritual aimed at “state protection” and “benefits in this world.” From the elements familiar to the Western reader – “lives, opinions and sayings,” according to Laertius, – in these stories the first one dominates. Brief information about the d
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9

Nathan, Jishin Michon. "Contemporary Shingon." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12574736.

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This entry is primarily restricted to the priestly class of those identifying within the Shingon tradition. Shingon is one of two major schools of Buddhism identifying as Mikkyō, a Japanese Vajrayana Buddhist tradition often translated as Esoteric Buddhism. In contemporary Japan, there is relatively little crossover between schools among the priests themselves. But laity are far more likely to participate with multiple branches; even if registered as members of a particular temple, the bond is not usually strong. Shingon itself has several sub-schools, but many of the general practices and tra
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10

Трубникова, Н. Н., та А. Ю. Гунский. "«Выборка преданий о Святом» и традиция монашеских жизнеописаний в Японии". Историко-философский ежегодник, № 34 (18 листопада 2019). http://dx.doi.org/10.21267/aquilo.2019.34.43435.

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Выборка преданий о Святом ( Годэнсё: , XIVв.) представляет собой жизнеописание японского буддийского наставника Синрана (11731263). Важнейшие положения его учения наиболее радикального извода амидаизма в этом тексте не просто перечислены, но показаны в действии. Полное доверие силе Другого (будды Амиды), равенство всех людей в вере, осознание собственной греховности, подвижничество как способ воздать будде за уже обеспеченное спасение все эти установки в Выборке осуществляются в конкретных эпизодах из жизни мыслителя. При этом стиль, построение, сам подход к изложению теории на практических пр
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Books on the topic "Kaji shinpan"

1

Katō, Fumio. Shinpan Shōgai kaji jiken seiri nōto. Shin Nihon Hōki, 2008.

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2

Katō, Fumio. Shinpan Shōgai kaji jiken seiri nōto. Shin Nihon Hōki, 2008.

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3

Inaya, Yūsen. Shingon himitsu kaji shūsei. Tōhō Shuppan, 1998.

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4

Kokugoka, Japan Bunkachō, ed. Kanji shutsugen hindosū chōsa (shinbun). Bunkachō Bunkabu Kokugoka, 2007.

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5

Oda, Ryūkō. Kaji: Empowerment and healing in esoteric Buddhism. Kineizan Shinjō-in Mitsumonkai Pub., 1992.

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6

Asahi Shinbunsha. Tōkyō Honsha. Yōgo Kanji Kōetsubu., ed. Asahi shinbun no kanji yōgo jiten. Asahi Shinbunsha, 2002.

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7

Higashiyama, Kaii. Nagano-ken Shinano Bijutsukan Higashiyama Kaii Kan =: Nagano Prefectural Shinano Art Museum Higashiyama Kaii Gallery. Nagano-ken Shinano Bijutsukan, 1990.

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8

Kodomo to Kyōkasho Zenkoku Netto 21., ed. Koko ga mondai "Tsukuru Kai" kyōkasho: Shinpan rekishi, kōmin kyōkasho hihan. Ōtsuki Shoten, 2005.

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9

Kaii, Higashiyama. Nagano-ken Shinano Bijutsukan Higashiyama Kaii Kan shozōhin mokuroku =: Catalogue of collection, Nagano Prefectural Shinano Art Museum, Higashiyama Kaii Gallery. Nagano-ken kyōiku Iinkai, 1990.

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10

Kyōkai, Nihon Shinbun, ed. Senryōki no shinbun, shuppan, hōsō media-kai--Shinbun Kyōkai hō: Bessatsu. Kanazawa Bunpokaku, 2021.

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