Relevant bibliographies by topics / Kalaripayattu

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Kalaripayattu'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Kalaripayattu"

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Mandakathingal, Ashitha. "Beyond the Weapons: The Philosophy of Kalaripayattu, a South Indian Martial Art." Tattva Journal of Philosophy 16, no. 2 (2024): 117–40. https://doi.org/10.12726/tjp.32.9.

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Kalaripayattu, a traditional martial art that has evolved over centuries in the southern Indian state of Kerala, offers a rich tapestry of physical practice, ritualistic elements, and philosophical underpinnings. Beyond its function as a combat system, Kalaripayattu embodies a unique ideology that intertwines the body, mind, and spirit. While the philosophical dimensions of other martial arts have been extensively explored, Kalaripayattu remains a largely untapped wellspring of philosophical inquiry. This study delves into the intricate interplay between the martial practice, ritualistic perfo
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Vinodan, A., and S. Meera. "Exploring the Relevance of Cultural Resource Management: A Case Study of Kalaripayattu." Journal of Heritage Management 3, no. 1 (2018): 71–86. http://dx.doi.org/10.1177/2455929618773388.

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Kalari is the Malayalam (language spoken in Kerala) word for a special kind of gymnasium, where the martial art known as Kalaripayattu is practised based on the idea of a sound mind in the sound body. It is one of the most ancient and comprehensive art form of India rather the world, because it has an excellent system of physical training, effective self-defence techniques, both armed and unarmed, training for excellent flexibility for physical and mental strength and is based on the Dravidian culture of India. Kalaripayattu is considered as the basis for all martial arts. This martial art has
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Pessoa, Marcelo. "MÉTODO KYOKAI DE AQUECIMENTO E ALONGAMENTO." Revista AKEDIA - Versões, Negligências e Outros Mundos 897 (2021): 01–07. http://dx.doi.org/10.33726/nanocelleakdedit23185880v897a2021p01a07.

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The Kyokai method has been developed in the last two decades, based on technical studies on Eutony (an approach to somatic education in which the person accesses the wisdom that is proper to the body), compared to consecrated practices of warm-up / stretching performed in Yoga, Pilates and especially Martial Arts such as Kalaripayattu, Tai Chi Chuan, Qigong, Kung Fu, Karate, Judo, Jiu-Jitsu
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Moorthi, Sri S. Gohul, and Dr P. Senthilkumar. "Effect Of Kalaripayattu Training On Selected Psychomotor Variables Of IntercollegiateCricket Players." International Journal of Research Publication and Reviews 6, no. 4 (2025): 13757–60. https://doi.org/10.55248/gengpi.6.0425.1638.

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K, Dr Muhammed Najeeb. "Effect of Kalaripayattu on selected physical and psychological variables of school children." International Journal of Physical Education, Sports and Health 8, no. 4 (2021): 332–37. http://dx.doi.org/10.22271/kheljournal.2021.v8.i4f.2201.

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LOUKES, REBECCA. "Phillip Zarrilli's Knowledges: ‘About’, ‘In’, ‘For’." Theatre Research International 45, no. 3 (2020): 351–53. http://dx.doi.org/10.1017/s0307883320000383.

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There are recurring themes in Zarrilli's long career of writing about the processes of performance, and his most recent book (Toward) A Phenomenology of Acting (2020) brings together these concerns in what could be seen as a culmination of his life's work – dissolving the boundaries between the studio, the stage and the theorization of these processes. We could look briefly over the entirety of his written contribution to theatre research – from his meticulous studies of kalaripayattu and kathakali dance drama, to his groundbreaking edited collection Acting (Re)considered and the innovative co
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Prasad, Mallika, and Ram Ganesh Kamatham. "ENERGISING RASA THEORY: BREATH, EMPATHY, AND WELLBEING IN CONTEMPORARY ACTOR TRAINING." ARTS ACADEMY 2, no. 2 (2022): 38–45. http://dx.doi.org/10.56032/2523-4684.2022.2.2.38.

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Breath has emerged as the preferred locus of performance energy over the last two decades, presenting a pragmatic approach to questions of contemporary actor training, postStanislavskian approaches (such as psychophysical approaches) and vitalisation of traditional performance practices (such as Kutiyattam and Kalaripayattu). In this paper, we elaborate outwards from this “rediscovery” of breath, to offer a methodological base from which to engage the concept of Rasa which occupies a pre-eminent position within Indian aesthetics. We argue that the constellation of bodily practices arising from
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Bandyopadhyay, Nita, and Tuhin Das. "Indian Traditional Games: An Intangible Cultural Heritage to Promote Good Life among Children." Journal of Advances in Sports and Physical Education 8, no. 03 (2025): 36–40. https://doi.org/10.36348/jaspe.2025.v08i03.002.

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Culture plays a significant role in the development of the nation. India has rich cultural diversity and plurality, among which traditional game is one that used to occupy much of the leisure time of children and youth. These games are played informally with minimal equipment and infrastructure and with unwritten, simple, and flexible rules. The few popular traditional games in India are Camel Race, Game of Dice, Archery, Bull Race, Buffalo Race, Marbels, Mallakhamb, Kite flying, Hopscotch, Spinning the Top, Boat Race, and Kalaripayattu. Today's fast-paced lifestyle, urbanization, unit familie
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Joby, John. "Philosophical Overview on Indigenous Art Forms Kalaripayatt and Parichamuttukali." Ensygloge 1, no. 1 (2022): 1–3. https://doi.org/10.5281/zenodo.5889615.

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The academic paper entitled Philosophical Overview on Indigenous Art Forms: Kalaripayatt and Parichamuttukali is an attempt to analyze the similarities, philosophy and social problems shared in the indigenous art forms such as Kalaripayatt and Parichamuttukali. In order to examine the common ground shared between Kalaripayatt and Parichamuttukali we have learned both of these art forms along with its history. By using the analysis method proposed by Fr Vincent BW, who teaches Indian Studies: Folk Philosophya fruitful study is conducted and its results are presented in this essay.
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Tokarski, Stanisław. "Kalaripayatt, kushti and the Indian warfare." Journal of Combat Sports and Martial Arts 2, no. 1 (2011): 53–56. http://dx.doi.org/10.5604/20815735.1047132.

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Dissertations / Theses on the topic "Kalaripayattu"

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Silvestri, Laura. "Scorrere come un fiume : pratiche e teorie del corpo in movimento nel kalarippayattu, arte marziale del Kerala (India)." Paris, EHESS, 2013. http://www.theses.fr/2013EHES0570.

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Cette thèse concerne une technique corporelle originaire de l'Inde du sud, connue comme un art martial sous le nom de kalarippayattu et pratiquée dans une région incluse en bonne partie dans l'état du Kerala, où elle a été systématisée et codifiée dans les années 30 en devenant l'un des emblèmes culturels de cet état. Echappant aux tentatives de catégorisation, le kalarippayattu s'intègre actuellement à plusieurs logiques sociales, en particulier celles du sport, de la médecine et des arts du spectacle, et attire de plus un public non indien. L'étude se propose de réfléchir sur la pratique, la
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Books on the topic "Kalaripayattu"

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Denaud, Patrick. Kalaripayat: The martial arts tradition of India. Destiny Books, 2009.

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Denaud, Patrick. Kalaripayat: The martial arts tradition of India. Destiny Books, 2009.

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Denaud, Patrick. Kalaripayat: The martial arts tradition of India. Destiny Books, 2009.

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4

Journals, Martial Arts. Kalaripayattu Training Journal: Notebook and workout diary: For training session notes. Independently published, 2019.

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5

À la rencontre des grands maîtres: Capoeira, muay thaï, karaté, savate, kalaripayattu, aïkido. Éditions de l'Homme, 2004.

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6

Denaud, Patrick. Kalaripayat. Budostore, 1996.

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7

Kalaripayat: The martial arts tradition of India. Destiny Books, 2009.

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8

Danse contemporaine et théâtre indien: Un nouvel art? : Autour de Bartabas, Pina Bausch, Carolyn Carlson, Padmini Chettur, Sreenivasan Edappurath, Hassan Massoudy, Ariane Mnouchkine, Lise Noël, Shantala Shivalingappa. Presses universitaires de Vincennes, 2010.

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Book chapters on the topic "Kalaripayattu"

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Wolfgramm, Hans. "Feeling Well: Kalaripayat—An Embodied Practice of Insight Problem-Solving." In Nation-Building, Education and Culture in India and Canada. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6741-0_14.

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Vinodan, Attambayintatvida, and Sethumadhavan Meera. "Exploring Intangible Heritage Marketing in Tourism." In Conservation and Promotion of Heritage Tourism. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-6283-2.ch008.

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This chapter investigates the potential of Kalaripayattu as a tourism product. The study adopted interview method both personal and telephonic to extract primary data from practitioners and tourists. The study result shows that various facets of Kalaripayattu practices provide scope for visual engagement, psychological engagement, spiritual/wellbeing engagement, therapeutic engagement, engagement in specialized treatment, and engagement in combat and self-defense applications. These engagement are found to be appropriate to develop tourism products which could meet the general, wellness, cultu
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O’Shea, Janet. "Jeyasingh, Shobana (1957–)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem1921-1.

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Shobana Jeyasingh is a British choreographer whose work deploys both modern and postmodern aesthetics. Drawing on the bharata natyam form in which she trained, Jeyasingh deconstructs the classical vocabulary through a process she describes as ‘asking questions of the adavus [units of movement]’. Jeyasingh’s choreography also incorporates pedestrian movement, postmodern dance, ballet, and martial arts such as kalaripayattu. She works within a high modernist tradition that privileges choreographic form over dramatic expression, highlighting non-representational movement, fragmentation, and the a
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P R, Nisha. "Performing Bodies and Physical Cultures." In Jumbos and Jumping Devils. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199496709.003.0002.

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The ‘circus kalaris’ were established in north Malabar during the beginning of the twentieth century where a ‘new’ and ‘modern’ physical culture was shaped. It was undoubtedly a radical refashioning of a space, of kalaripayatt, that emerged out of the caste system and was sanctioned by its tradition. Circus kalaris were training centres where women and men from different communities got trained and went on to become renowned artistes. The chapter tries to look at how the ‘traditional’ physical cultures and the European acrobatic practices have been important in the making of an acrobatic cultu
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