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Relevant bibliographies by topics / Kalevala

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Journal articles

Academic literature on the topic 'Kalevala'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Kalevala"

1

Lönnroth, Harry, and Liisa Laukkanen. "Kalevala på svenska – kansalliseepoksen ruotsinnokset ja niiden peritekstit 1800-luvulta 2000-luvulle." Sananjalka 62, no. 62 (2020): 195–214. http://dx.doi.org/10.30673/sja.90729.

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Suomen kansalliseepos Kalevala ilmestyi vuosina 1835 (Vanha Kalevala) ja 1849 (Uusi Kalevala). Se on yksi harvoja suomalaisen kirjallisuuden edustajia, joiden voidaan katsoa kuuluvan maailmankirjallisuuteen. Kalevala on Elias Lönnrotin (1802–1884) luomus, ja se on käännetty tähän päivään mennessä yli 60 kielelle. Kalevalan käännökset koostuvat runomuotoisten käännösten lisäksi erilaisista proosakäännöksistä, lyhennetyistä laitoksista sekä kokonaan tai osittain mukautetuista käännöksistä.  Tämä artikkeli käsittelee Kalevalan ruotsinkielistä käännöshistoriaa, joka on jäänyt aiemmassa

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2

Häkkinen, Kaisa. "Matias Aleksanteri Castrén ja Kalevalan ruotsinnos." Suomalais-Ugrilaisen Seuran Aikakauskirja 2019, no. 97 (2019): 237–62. http://dx.doi.org/10.33340/susa.79463.

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Kun Elias Lönnrotin kokoama runoeepos, ns. Vanha Kalevala, ilmestyi vuonna 1835, se käänsi suomen kielen ja suomalaisen kulttuurin arvostuksen huimaan nousuun. Kalevala innosti myös maisteriopintojaan viimeistelevää, alkuaan pappisuralle aikonutta Matias Aleksanteri Castrénia suuntaamaan huomionsa suomen ja sen sukukielten tutkimukseen. Koska alkuperäistä Kalevalaa pystyivät lukemaan vain muutamat harvat oppineiston edustajat, Suomalaisen Kirjallisuuden Seura julisti kilpailun runomuotoisen ruotsin- tai saksankielisen käännöksen aikaansaamiseksi. Tällaisia ei kuitenkaan ilmaantunut. Hels

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3

Piechnik, Iwona. "Finnic tetrameter in J.R.R. Tolkien’s The Story of Kullervo in comparison to W.F. Kirby’s English translation of the Kalevala." Studia Linguistica Universitatis Iagellonicae Cracoviensis 138, no. 4 (2021): 201–20. http://dx.doi.org/10.4467/20834624sl.21.016.14744.

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The Finnish epic Kalevala is written in the so-called Finnic “Kalevala-metre”, typical of Finnic oral poetry. Its main features are the use of trochaic tetrameter (octosyllabic lines), alliteration, assonance, sound parallelisms and the repetition of words. It is difficult to retain those features in translation but one of the early successful attempts was the first full English translation directly from Finnish by William Forsell Kirby (1907). Kirby’s translation was a source of inspiration and the linguistic model for The Story of Kullervo, a tale written by John Ronald Reuel Tolkien (probab

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4

Tarkka, Lotte, Eila Stepanova, and Heidi Haapoja-Mäkelä. "The Kalevala's Languages: Receptions, Myths, and Ideologies." Journal of Finnish Studies 21, no. 1-2 (2018): 15–45. http://dx.doi.org/10.5406/28315081.21.1.2.02.

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Abstract In Finland, the epic Kalevala (1835, 1849) and Kalevala-meter poetry, or oral folk poetry more generally, are often seen as nationally significant symbols of Finnishness. The Kalevala is a modern literary product constructed by Elias Lönnrot out of Finnic folk poetry especially from Russian Karelia, Finland, and Ingria. Lönnrot, who was himself among the most significant collectors of oral poetry, created the Kalevala as a synthetic, organized compendium of (reconstructed) pre-modern “Finnish” culture. Beginning from the publication of the first edition in 1835, the Kalevala has been

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5

J.R.R. Tolkien. "The Kalevala." Tolkien Studies 7, no. 1 (2010): 262–78. http://dx.doi.org/10.1353/tks.2010.0002.

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6

Rahkonen, Carl, Juha Y. Pentikainen, and Ritva Poom. "Kalevala Mythology." Journal of American Folklore 105, no. 418 (1992): 505. http://dx.doi.org/10.2307/541640.

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7

Puhvel, Martin, Juha Y. Pentikainen, and Ritva Poom. "Kalevala Mythology." Ethnohistory 38, no. 3 (1991): 358. http://dx.doi.org/10.2307/482385.

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8

Suvorova, Irina M., and Liliya I. Kabanova. "Influence of Modern Sociocultural Situation on Axiosphere of Residents of Karelian Border." Journal of Frontier Studies 7, no. 3 (2022): 17–33. http://dx.doi.org/10.46539/jfs.v7i3.327.

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The article analyzes the problem of the specifics of the quality of life and value orientations of residents of the border Kalevala district of the Republic of Karelia. The retrospective aspect of the study is due to the tragic history of the separation of one people (northern Karelians) in the territory of two neighboring states (Finland and Russia) due to political events and decisions of the past. The historically established isolation (geographical and mental) of Kalevalians is also relevant in modern life. Therefore, the main goal of the study was to determine the degree of influence of s

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9

Niedling, Christian. "Der mentale Text. Zu den Entstehungsprozessen von Kalevala und Nibelungenlied." Neuphilologische Mitteilungen 122, no. 1-2 (2022): 183–209. http://dx.doi.org/10.51814/nm.107881.

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Der Beitrag vergleicht die Diskussion der Epengenese des Nibelungenliedes im Spektrum der Theorien Karl Lachmanns und Andreas Heuslers und den so genannten Kalevala-Prozess. Beide Epen werden als semi-oral bzw. traditionsorientiert betrachtet. Den Ausgangspunkt der Untersuchung bilden die Prolegomena ad Homerum Friedrich August Wolfs von 1795 und die daraus entstandene Homerische Frage. Die Auseinandersetzung mit Wolf beeinflusste die Nibelungenforschung nachhaltig und stimulierte den so genannten Kalevala-Prozess in entscheidender Weise. Für die Entstehung des Kalevala sind auch die zeitgenös

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10

Ercsey-Ravasz, Francisc. "Kullervo – A Symphony for a Tragic Hero." Studia Universitatis Babeş-Bolyai Musica 69, no. 1 (2024): 197–210. http://dx.doi.org/10.24193/subbmusica.2024.1.14.

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The last decade on the 19th century saw a major crisis of identity in what is known today as Finland. Having emerged from under centuries of Swedish rule and being incorporated into the Russian Empire, the population turned to its true ethnic roots. The compilation and the publishing of the Kalevala set in motion a series of cultural and artistic events which resonated deeply with the political aspirations of the moment. Amidst this effervescence came the young Jean Sibelius to present one of his earliest monumental works, Kullervo Op 7. Often mislabeled as a symphonic poem, this programmatic

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