Relevant bibliographies by topics / Kalidasa

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Kalidasa'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Kalidasa"

1

Radice, William. "Tagore and Kalidasa." South Asia Research 16, no. 1 (April 1996): 45–60. http://dx.doi.org/10.1177/026272809601600103.

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Le Thi Bich, Thuy. "Theme of love in poetic drama Sakuntala of Kalidasa." Journal of Science Social Science 65, no. 8 (August 2020): 47–54. http://dx.doi.org/10.18173/2354-1067.2020-0048.

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In Indian literature, Kalidasa always occupies the "monopoly position of the Lord of poetry" and the Sakuntala dramatic poem is an exemplary work of the court stage norm. In Sakuntala, poet Kalidasa focuses on praising pure and faithful love. He praises the pure soul and the aspirations of love, happiness of people in life and uses love to criticize the rigid and paranoid teachings of religion, as well as the strict laws of the caste system that stifle people's hearts. Kalidasa pushes the issue of caste down to secondary position, lets love become the main theme and makes the characters act and show their personality in relationships and highlight the victory of love.
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Awasthi, Suresh, Chandra Rajan, and Kalidasa. "Kalidasa: The Loom of Time." Asian Theatre Journal 10, no. 1 (1993): 119. http://dx.doi.org/10.2307/1124222.

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Mason, David. "Shakuntala: A Play by Kalidasa (review)." Asian Theatre Journal 24, no. 2 (2007): 536–38. http://dx.doi.org/10.1353/atj.2007.0038.

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NUMATA, Ichiro. "Kingship and Brahmanas in the Dramas of Kalidasa." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 39, no. 2 (1991): 968–65. http://dx.doi.org/10.4259/ibk.39.968.

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SAWHNEY, SIMONA. "Who is Kalidasa? Sanskrit poetry in modern India." Postcolonial Studies 7, no. 3 (November 2004): 295–312. http://dx.doi.org/10.1080/1368879042000311098.

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MITSUI, Junshi. "A Study of Kavya Syntax in the Meghaduta of Kalidasa." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 45, no. 1 (1996): 481–78. http://dx.doi.org/10.4259/ibk.45.481.

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Fisher, E. "'Just Like Kalidasa': The Sakta Intellectuals of Seventeenth-century South India." Journal of Hindu Studies 5, no. 2 (June 20, 2012): 172–92. http://dx.doi.org/10.1093/jhs/his021.

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Saraswat, Satya Prakash. "Reflections on contemporary business ethics and the ancient wisdom of Kalidasa." International Journal of Indian Culture and Business Management 3, no. 6 (2010): 702. http://dx.doi.org/10.1504/ijicbm.2010.035673.

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Damrosch, David. "What could a message mean to a cloud? Kalidasa travels West." Translation Studies 1, no. 1 (January 2008): 41–54. http://dx.doi.org/10.1080/14781700701706450.

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Dissertations / Theses on the topic "Kalidasa"

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Fidahoussen, Kokar Arva. "Structure et signes dans le théâtre de Kalidasa." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376136092.

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Fidahoussen, Kokar Arva. "Structure et signes dans le théâtre de Kalidasa." Montpellier 3, 1988. http://www.theses.fr/1988MON30051.

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Cakuntala, vikramorvashi et malavikagnimitra sont trois pieces du dramaturge indien kalidasa (6eme siecle av. J. C. ). Elles sont analysees ici dans leurs aspects structurels et semiologiques. De l'etude de l'espace imaginaire, puis de celle du jeu des personnages, enfin de celle des modes d'expression utilises sur scene, il apparait que l'aspect poetique et suggestif de ces oeuvres l'emporte de beaucoup sur les aspects dramatiques et narratifs. Cette poesie, qui emane aussi bien du texte que des multiples formes d'art utilises et de modes d'expression typiquement indiens tel que "abhinaya" et "mudras", nous semble donc etre l'element caracteristique de ce f theatre. Destinee a faire vibrer puissamment l'emotivite des spectateurs et a les emporter vers un etat emotif quasi contemplatif du monde suggere par la scene, cette poesie est une invitation au voyage dans un imaginaire ou la religion et son ordre socio-culturel structurent toutes choses, conferant l'ordre et la beaute qui en resulte
Cakuntala, vikramorvashi and malavikagnimitra are the three dramas of an indian dramatist named "kalidasa". He lived during 600's ad. They are analysed here in their structural and semiotic aspects. Through the study of the imaginary space, created by the author, through the acting of characters, and through the expressions used on stage, it seems that the poetical and suggestive aspects dominates the dramatic and narrative aspects. This poetry which emanates from the text, as well as from the various formes of art, appears in such caracteristic elements of indian drama as "abhinaya" and "mudra". Destinated to provoke the spectators' emotions as well as to instill a contemplative condition of a suggested world, this poetry is an invitation to venture into an imaginary world, where religion and its socio-cultural order and structure are attributed to order and beauty
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3

Ramamoorthy, Kalidoss [Verfasser], Steffen [Akademischer Betreuer] Abel, Marcel [Akademischer Betreuer] Quint, and Tamara [Akademischer Betreuer] Gigolashvili. "Identification and characterization of gcc8, a glucosinolate-related mutation of Arabidopsis thaliana / Kalidoss Ramamoorthy ; Steffen Abel, Marcel Quint, Tamara Gigolashvili." Halle, 2016. http://d-nb.info/111695057X/34.

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Rawal, Lal Bhahadur. "Kalidasa ke granthaon mein Kalidasa ke granthaon mein samavisht bowgolik gnyan." Thesis, 1985. http://hdl.handle.net/2009/4672.

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Subramaniam, Shiv K. "Poetry's Afterthought: Kalidasa and the Experience of Reading." Thesis, 2019. https://doi.org/10.7916/d8-1zb1-6f36.

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This dissertation concerns the reception of the poet Kalidasa (c. 4th century), one of the central figures in the Sanskrit literary tradition. Since the time he lived and wrote, Kalidasa’s works have provoked many responses of different kinds. I shall examine how three writers contributed to this vast tradition of reception: Kuntaka, a tenth-century rhetorician from Kashmir; Vedantadesika, a South Indian theologian who lived in the thirteenth and fourteenth centuries; and Sri Aurobindo, an Indian English writer of the late nineteenth and early twentieth centuries who started out as an anticolonial activist and later devoted his life to spiritual exercises. While these readers lived well after Kalidasa, they were all deeply invested in his poetry. I wish to understand why Kalidasa’s poetry continued to provoke extended responses in writing long after its composition. It is true that readers often use past literary texts to various ends of their own devising, just as they often fall victim to reading texts anachronistically. In contradistinction to such cases, the examples of reading I examine highlight the role that texts themselves, not just their charisma or the mental habits of their readers, can have in constituting the reading process. They therefore urge us to formulate a more robust understanding of textual reception, and to reconsider the contemporary practice of literary criticism.
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Ramesh, T. S. "Kalidasana natakagala mooru pramuka vyakyanagalu-Ondu vimarshathmakaadhyayana." Thesis, 2000. http://hdl.handle.net/2009/2566.

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Gayathri, K. R. "Kalidasana upameyagalalli kandu baruva pouranika Haagu shastriya amshagalu-Ondu vimarshatmaka adhyayana." Thesis, 2001. http://hdl.handle.net/2009/2561.

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Panday, Shobhana Devi. "A critical appraisal of Kalidasa's Abhijnanasakuntalam in the light of the rasa theory." Thesis, 1996. http://hdl.handle.net/10413/8678.

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Chang, Chen-chi, and 張珍奇. "Searching for Humans' Affinity with Nature: Hindu Religious Beliefs and Philosophical Ideas in Kalidasa's Shakuntala." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/27850614769749922728.

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碩士
東吳大學
英文學系
97
In Kalidasa’s play Shakuntala, the Hindu ideals of harmonious relationship between humans and the natural world are expressed. The heroine Shakuntala shows her intimacy for the trees and the animals, and the hero Dushyanta shows his compassion for the animals as well. However, in the epic version, Dushyanta is described as a brutal king when he hunts and kills animals in the forest. Therefore, not only will I deal with Shakuntala’s affinity with the natural world, but also attempt to clarify Kalidasa’s reasons for the changes in Dushyanta’s attitudes toward the animal life in the play. I will use Hindu religious beliefs (vegetarianism and reincarnation) and philosophical ideas (dharma and the unity of atman and Brahman) to show the ecological concepts expressed in the play Shakuntala as well as humans’ affinity with the natural world. 　　This thesis is divided into five parts, including introduction, three chapters and conclusion. First of all, the importance of the play and the author’s biography are provided in the introduction. In addition, this chapter will illustrate the similarities and differences between the play and the epic as well as the author’s motivation for the adaptation. In the second chapter, Hindu religious beliefs – vegetarianism and reincarnation – are discussed in detailed as well as the examples are taken from the Hindu scriptures demonstrating that Hindus shows respect for the plants, the animals, and the planets to provide a solid background for the play. In the third chapter, I attempt to apply two Hindu philosophical ideas – dharma and the unity of atman and Brahman – to the play itself. Finally, I present a conclusion and provide a condensed summary of the whole thesis.
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Books on the topic "Kalidasa"

1

Kalidasa. Delhi: Raj Publications, 2002.

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2

author, Tripathy P. C., Kālidāsa, and Kālidāsa, eds. Meghadutam of Kalidasa. Gurgaon: Shubhi Publications, 2013.

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Kalidasa: A novel. New Delhi: National Book Trust, 2011.

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Kālidāsa. Malavikagnimitra of Kalidasa. Medak, A.P: Sri Rama Nama Ksetram, 1998.

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Kālidāsa. Raghuvaṃśa of Kalidasa. Edited by C. R. Devadhar. India: Motilal Banarsidass, 2005.

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Kālidāsa. Tales from Kalidasa. Calcutta: BookClub, 1991.

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Complete works of Kalidasa. Thrissur: Geetha Pvt. Ltd., 2000.

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Comics Collection (University of Pennsylvania), ed. Kalidasa: Master poet and dramatist. Mumbai: Amar Chitra Katha, ACK Media, 2010.

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James, Laurence. Aja & Indumati: From the Sanskrit epic by Kalidasa. Belfast: Lapwing, 2005.

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Srivastava, Kamal Shankar. The work of Kalidasa and its depiction in Indian art. Varanasi City: Sangeeta Prakashan, 2005.

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Book chapters on the topic "Kalidasa"

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Singh, R. P. "Kalidasa." In Hinduism and Tribal Religions, 1–2. Dordrecht: Springer Netherlands, 2021. http://dx.doi.org/10.1007/978-94-024-1036-5_137-1.

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Ray, Sitansu. "Madana (The Mythical Love-God) in Kalidasa and Tagore." In Allegory Old and New, 303–8. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-1946-7_22.

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Ojwang, Dan. "Indian Ocean Travel and Belonging in Nanji Kalidas Mehta’s Dream Half-Expressed." In Reading Migration and Culture, 46–63. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137262967_3.

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Swaroop, Suchethana. "The sublimity of Kalidasa." In Beyond East and West, 222–48. Routledge India, 2019. http://dx.doi.org/10.4324/9780429269226-19.

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Swaroop, Suchethana. "Kalidasa’s prayer." In Beyond East and West, 128–57. Routledge India, 2019. http://dx.doi.org/10.4324/9780429269226-13.

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Sinha, Bijon. "Innocent victim or scheming seductress?: Euripides’ Phaedra (Hippolytus) and Kalidas’s Urvashi (Vikramorvasiyam): a comparative study of two tragic heroines." In Tragic Heroines on Ancient and Modern Stage, 121–29. Centro de Estudos Clássicos e Humanísticos, 2010. http://dx.doi.org/10.14195/978-989-8281-41-8_7.

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