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Books on the topic 'Kannada and Modern'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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1

Murthy, K. Narasimha. Modern Kannada literature. Pustakalaya Publications, 1992.

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2

Gauḍa, Ke Kuśālappa. A course in modern Kannada. University of Madras, 1991.

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3

1925-, Śarma Rāmacandra, ed. From Cauvery to Godavari: Modern Kannada short stories. Penguin Books, 1992.

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4

Krishnamacharya. Hosagannaḍanuḍigannaḍi emba hosagannaḍa vyākaraṇavu =: Hosagannadanudigannadi, a grammar of the modern Kannada language. 2nd ed. Asian Educational Services, 1988.

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5

Modern Kannada Grammar. Manohar Publications, 2007.

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6

Krishnamachariya. Grammar of the Modern Kannada Language. French & European Pubns, 2002.

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7

Krishnamachaya. A Grammar of the Modern Kannada Language. Asian Educational Services, 1988.

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8

Krishnamacharya, Basal M., and Krishnamacharya. A Grammar of the Modern Kanada Language. Asian Educational Services,India, 2000.

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9

Of many worlds: Essays on modern Kannada literature. CVG Books, 2005.

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10

Snow, Edgar. Living China: Modern Chinese Short Stories. Hyperion Books, 1988.

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11

A grammar of the Kannada language in English: Comprising the three dialects of the language (Ancient, Medieval, and Modern). Biblio Verlag, 1985.

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12

Ben-Herut, Gil. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190878849.003.0001.

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The introduction refers to modern scholarly notions about the origins of the Vīraśaiva tradition and the perceived narrative about the egalitarian and protestant dispositions of the twelfth-century devotees considered as the forefathers of the tradition. Building on recent critique of the long-standing reliance on vacanas (devotional poems associated with the twelfth-century devotees) as the main historical source about the early tradition, the introduction turns to consider previously unread Kannada hagiographies about the twelfth-century saints, which complexify common notions about the earl
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13

Ben-Herut, Gil. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190878849.003.0008.

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The conclusion provides an overview of Harihara’s treatment of the early Kannada Śivabhakti tradition in the Ragaḷegaḷu. The overview is organized according to several themes that are central in the broader study of South Asian devotional traditions: the tradition’s public memory, social inequity and conservatism, iconic worship and traditional ritual, orthodoxy and its rejection, and religious others. Harihara’s literary project is considered in terms of its appeal to large and multiple audiences in contemporaneous society, including Brahmin and educated elites and non-elite communities. The
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14

Ben-Herut, Gil. The Society of Devotees. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190878849.003.0004.

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The book’s third chapter examines the devotees’ society as it is described in the saints’ stories against the background of the tradition’s ideal of egalitarianism. The Kannada Śivabhakti tradition is famed for its uncompromising resistance to the Brahminical ideology of social supremacy, and the Ragaḷegaḷu stories exhibit different aspects of this resistance, one of which is the social diversity of the Śaiva protagonists. But it is exactly this diversity that distinguishes the social terrain of devotees in the stories from modern notions about egalitarianism. After noting Harihara’s apparent
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15

Trivedi, Poonam. Shakespearean Tragedy in India. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.53.

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The genre of tragedy, which was introduced to Indian cultures through colonial hegemony, challenged the norms of Sanskrit and other indigenous literatures. This essay explores the tensions that arose with the entry of this ‘newness’, by tracing the reception, influence and assimilation of tragedy in some of the major Indian literatures viz. Bengali, Marathi, Kannada and Hindi. The most influential examples of tragedy were those of Shakespeare, and their modes of structure and characterization, as well as the world view they incorporate, have been debated, adapted, and accepted in different way
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16

Ben-Herut, Gil. The Poetics of Bhakti. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190878849.003.0002.

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The first chapter of this book focuses on the way the tradition commemorates the Ragaḷegaḷu and its author, the unique poetics that govern the text, and the relation between the text’s form and its generation of meaning for its intended audiences. The chapter begins with an overview of the commemorative tradition pertaining to Harihara, author of the Ragaḷegaḷu. Then, through examination of some of the work’s textual particularities, it underscores Harihara’s contribution to Kannada literature in his Ragaḷegaḷu through the introduction of a new and simplified mode of literary expression (in te
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