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Academic literature on the topic 'Kannada Novelists'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Kannada Novelists"

1

Kadam, Dipali M. "Diasporic consciousness in contemporary Indian women’s fiction in English: at a glance." RUDN Journal of Studies in Literature and Journalism 27, no. 3 (2022): 532–40. http://dx.doi.org/10.22363/2312-9220-2022-27-3-532-540.

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Diasporic literature is a pivotal term in literature that includes the literary works of the authors who are the outsiders for their native country but their work is deeply rooted in homeland by reflecting native culture, background, displacement and so on. Indian women’s literary work is at the forefront of diasporic literature. The advent of Indian women novelists on the literary horizon is an important development in the Indian English literature. These women writers have also contributed to other genres, such as drama, poetry and short stories, not only in English but also in regional lang
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Radder, Mangala, and Nisha Vishnoi. "Depiction of Traditionalism and feminist consciousness in Sudha Murthy’s Fictional." Journal of Advances and Scholarly Researches in Allied Education 22, no. 01 (2025): 253–60. https://doi.org/10.29070/60ch9753.

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The influence of Indian literature on the evolution of the English language is felt not just in India, but all throughout the world. One possible explanation is the significant impact of Indian novelists, from their forebears to the current crop of authors. The advent of feminist trailblazers in modern literature has worked to offer a platform to the cause of women's equality. Sudha Murthy is a best-selling novelist who writes in both Kannada and English. She has written several publications, both fictional and nonfictional, including novels, manuals, travelogues, anthologies, and essays. Murt
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3

T., Thimmanna. "A STUDY ON WOMEN'S PREDICAMENT IN SHASHI DESHPANDE'S ROOTS AND SHADOWS." Shanlax International Journal of Arts, Science and Humanities 6, S2 (2019): 135–41. https://doi.org/10.5281/zenodo.2580564.

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<em>In modern India, the status of women has been raised in the eyes of law, but they are still far from equal to men in every sphere of life. In practice, they continue to suffer discrimination, harassment, humiliation and exploitation in and outside home. Shashi Deshpande, is an award-winning Indian novelist. She is the second daughter of famous Kannada dramatist and writer Sriranga. She was born in Karnataka and educated in Bombay and Bangalore. Deshpande has degrees in Economics and Law. Shashi Deshpande emerged on the Indian fictional scene in the 1970s. She has created a place for hersel
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T., Thimmanna. "A STUDY ON WOMEN'S PREDICAMENT IN SHASHI DESHPANDE'S ROOTS AND SHADOWS." Shanlax International Journal of Arts, Science and Humanities 6, S2 (2019): 141–47. https://doi.org/10.5281/zenodo.2580566.

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<em>In modern India, the status of women has been raised in the eyes of law, but they are still far from equal to men in every sphere of life. In practice, they continue to suffer discrimination, harassment, humiliation and exploitation in and outside home. Shashi Deshpande, is an award-winning Indian novelist. She is the second daughter of famous Kannada dramatist and writer Sriranga. She was born in Karnataka and educated in Bombay and Bangalore. Deshpande has degrees in Economics and Law. Shashi Deshpande emerged on the Indian fictional scene in the 1970s. She has created a place for hersel
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5

Balakrishna, BM Hosangadi. "Dravidian Novels through Ecological Perspectives." AKSHARASURYA JOURNAL 03, no. 03 (2024): 26 to 34. https://doi.org/10.5281/zenodo.10774989.

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The present research paper is intended to explore the selected three novels in South Indian languages through an ecological perspective as the comparative study in this particular area has not been conducted so far. Carvalho (1980) by K.P. Purnachandra Tejasvi in Kannada, Enmakaje (2009) by AmbikaSutanMangad in Malayalam, Ini&hellip; by MalanmyPonnuchami in Tamil are the selected novels to be investigated. Though the Novelists of South India are unfurling the local ecological concerns, they also reveal the global connections behind these issues. Therefore, the hypothesis here is that ecology-b
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6

G., Amruthakshi. "CONTRIBUTION OF CHANDRASHEKHAR KAMBAR TO KANNADA LITERATURE- A STUDY." Shanlax International Journal of Arts, Science and Humanities 6, S2 (2019): 276–81. https://doi.org/10.5281/zenodo.2637601.

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<em>Chandrashekhara Kambara is a prominent Indian poet, playwright, folklorist, film director in Kannada language and the founder-vice-chancellor of Kannada University in Hampi. He is known for effective adaptation of the North Karnataka dialect of the Kannada language in his plays, kambaras plays mainly revolves around folk or mythology interlinked with contemporary issues, inculcating modern lifestyle with his hard-hitting poems and has become a pioneer of such literature. His contribution as a playwright is significant not only to Kannada theatre but also to the Indian theatre in general as
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7

VERMA, ISHITA. "An Epic with a Difference: A Narrative Study of the Tamil Epic Cilappatikaram." Revista de etnografie și folclor / Journal of Ethnography and Folklore 2025, no. 1-2 (2025): 3–18. https://doi.org/10.59277/jef.2025.1-2.01.

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The medieval period in Indian literature was a time when a number of languages developed and so did the literatures in these languages. There was a break from the ancient epic tradition of Sanskrit as several new forms evolved. This break from Sanskritisation can be observed in the literature from the South including Tamil literature. One such piece of literature to break away from the epic tradition was Cilappatikaram or The Tale of an Anklet by Ilanko Atikal. Composed in the fifth century c.e. this long narrative poem consists the use of multiple genres using both prose and poetry to convey
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8

Dr., A. Vignesh Kumar, and S. Sabeetha R. "BAMA'S SANGATI AS A UNIQUE DALIT FEMINIST NARRATION FROM SUBJUGATION TO CELEBRATION." International Journal of Interdisciplinary Research in Arts and Humanities 2, no. 1 (2017): 92–96. https://doi.org/10.5281/zenodo.345673.

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<em>“Oppression, ruled and still being ruled by patriarchy, government, </em> <em> caste and religion, Dalit women are forced to break all the strictures of the society </em> <em> in order to live”</em> (Preface, <em>Sangati</em>) India is one of the fastest growing countries in the world; yet it is notorious for its rigid caste system. The earliest records of Indian civilization are preserved in Aryan scriptures or what is today known as Hindu Scriptures. The early Indian society was constructed around Varnasrama Dharma, a labour based division of castes in India that inevitably brought racia
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9

Jyoti, Verma. "Rise and Growth of Diasporic Indian Women Writers in English: A Study of their Contribution." August 24, 2023. https://doi.org/10.5281/zenodo.8278661.

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This paper attempts to focus on the people with Indian roots in the distant land. Before and after independence, many Indians settled in other countries as immigrants. The intentions to get better jobs, a high standard of living, better opportunities, high earnings, and higher education have made these people leave their homeland and live as immigrants in other countries. Such people have to adjust to two completely different cultures, one that they have brought from India and the other that they have to face in these other countries. Many of these immigrants are keen to represent their countr
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10

Jagadeesh, Anjali, and G. Beulah. "Raja Rao's Serpent and the Rope and Kanthapura." International journal of health sciences, April 17, 2022, 4899–910. http://dx.doi.org/10.53730/ijhs.v6ns2.6183.

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Rao is a great accomplishing man who has written The Serpent and the Rope and Kanthapura, the elevating and redefining works which show man’s relationship to the supernatural absolute in terms consistent with the depiction of Indianness. Evidences are sought to analyse Indianness as marks of values and philosophy behind the character analysis and physical features. Rao imbues his English with a Dravidian tinge in whole and the taste of the Kannada village dialect in specifically. The themes of self-awareness, self-transcendence, and self-fulfillment are deliberately emphasized. The Serpent and
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Books on the topic "Kannada Novelists"

1

Akademi, Sahitya, ed. Ascent to Vyaasa Guha. Sahitya Akademi, 2018.

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