Relevant bibliographies by topics / Kant; harmony; harmonic reason

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Academic literature on the topic 'Kant; harmony; harmonic reason'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Kant; harmony; harmonic reason"

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Alberto, Pirni. "Hacia una crítica de la razón armónica." Con-textos kantianos, no. 2 (November 17, 2015): 20–31. https://doi.org/10.5281/zenodo.33888.

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The essay focuses on the attempt of articulating the idea of a <em>critique of harmonic reason </em>understood as a comprehensive (and not explicitly expressed) project within the Kant&rsquo;s theoretical path. In the first paragraph, the attempt of elaborating a <em>critical </em>idea of harmony is addressed both biographically and theoretically by referring to the intense period 1783-1786. In the second paragraph, we introduce and discuss a methodical idea of <em>critic harmony</em>, whose roots are grounded within the framework of both pre-critical and critical period. Finally, as presented
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Smith, Catherine. "Happiness, Competition, and Not Necessarily Arrogance in Kant." Kant-Studien 112, no. 3 (2021): 400–425. http://dx.doi.org/10.1515/kant-2021-0022.

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Abstract Kant held that human beings are competitive and not very good at living together in harmony. He also held that the principle of one’s own happiness is the central opponent of the principle of morality. According to Allen Wood, these claims are related: the competitive tendencies Kant attributes to human nature reveal, according to Wood, that the very shape of our human idea of happiness is derived from a deep-seated arrogance, incompatible with morality. I argue, by contrast, that although Kant’s discussion of human nature reveals that human happiness is complicated by interpersonal c
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Baez-Ortega, Adrian. "From Night to Light: Harmony as Allegory in Die Zauberflöte." Journal of Austrian Studies 56, no. 3 (2023): 1–33. http://dx.doi.org/10.1353/oas.2023.a906957.

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Abstract: Mozart's final opera, Die Zauberflöte , wields visual and musical metaphor to deliver possibly the most effective allegory of Enlightenment themes ever achieved in Austrian art. Supported by a systematic tonal analysis, this article reviews, integrates and expands upon decades of scholarly research on this opera, with a strict focus on the thematic symbolism of its harmonic elements. By unifying disparate sources and providing an independent overview of tonality throughout the two acts of Die Zauberflöte , this study aims to foment subtler appreciation of Mozart's application of harm
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HAHMANN, Andree. "WHAT LEIBNIZ MISSED – OR KANT MISREAD? KANT’S CRITIQUE OF LEIBNIZIAN METAPHYSICS IN LIGHT OF TWO RECENT INTERPRETATIONS." Estudos Kantianos [EK] 4, no. 02 (2017): 169–88. http://dx.doi.org/10.36311/2318-0501.2016.v4n2.11.p169.

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Kant famously criticizes Leibniz for his apparent neglect to observe the difference between two sources of cognition: understanding and intuition. This is the reason that Leibniz supposedly intellectualized the phenomena by identifying them with things in themselves. In Kantian terms, Leibniz fell prey to an amphiboly of concepts which, in the case of his understanding of substance, has led him to assume monads—that is to say, ideal unities which exist in a state of pre-established harmony; for this is the only possible form of community between ideal substances. Distinct versions of this argu
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Millare, Roland. "The Renewed Christocentric Synthesis in Joseph Ratzinger’s Logos-centric Symphony." Wrocławski Przegląd Teologiczny 31, no. 2 (2023): 243–62. http://dx.doi.org/10.52097/wpt.5917.

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This article aims to present Joseph Razinger’s Christocentric approach to the question of the relation between faith and reason. Modernity introduces the separation between faith and reason, which results in the limitation of reason and the subordination of logos to ethos. This disunity, however, between faith and reason and the primacy of the ethos over logos affects the nature and mission of theology. In contrast to the loss of the integrative harmony between faith and reason, Joseph Ratzinger argues for the distinction and unity between faith and reason built upon the primacy of logos and a
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Kormin, Nikolai Aleksandrovich. "Kant's Critique of Pure Reason: Aesthetics Inside and Outside of Transcendental Aesthetics." Философия и культура, no. 9 (September 2022): 28–86. http://dx.doi.org/10.7256/2454-0757.2022.9.38829.

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The subject of the research is the features of Kant's "Critique of Pure Reason", which contribute to the methodological acquisition of aesthetic identity, they are generated through the transition to harmony of higher cognitive abilities, set the prospect of revealing how art is possible, and declare themselves in a specific experience of color and ideality of perfection and other concepts significant for aesthetics. Transcendental aesthetics, within which the first semantic images of aesthetics as a science and cultural form are formed, as a singular a priori of the history of art, as well as
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D'Oro, Giuseppina. "Beauties of Nature and Beauties of Art: On Kant and Hegel's Aesthetics." Hegel Bulletin 17, no. 01 (1996): 70–86. http://dx.doi.org/10.1017/s0263523200003165.

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This paper is an attempt to sketch the general framework of Kant and Hegel's Aesthetics, which are dealt respectively in sections I and II. The first section considers Kant's stated aims in the introduction to the Critique of Judgment, his location of judgments of taste within the problematic of reflective judgment, his treatment of reflective aesthetic judgments in the analytic of the beautiful and the distinction between objective reality and subjective universal validity. The second section provides a sketch of Hegel's division of artistic beauty into symbolic, classical and romantic art in
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Sofia Shishmanova, Prof Dr, and Aneta Rinaldi. "RGB COLOR WHEEL INTENDED TO CREATE COLOR HARMONY COMPOSITIONS IN MODERN ART AND DESIGN." EPH - International Journal of Science And Engineering 4, no. 4 (2018): 45–57. http://dx.doi.org/10.53555/eijse.v4i4.163.

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The existing RYB color wheel widely used to create harmonic color compositions is not applicable in modern digital art and design. The reason is that colors formed by light, “additive colors”, and those formed by pigments, “subtractive colors” did in fact operate by different rules, and had different primary and complementary colors. So new color wheel is proposed - “RGB color wheel” suitable .to work with colors in digital environment. &#x0D; The RGB color wheel is based on the primary colors R, G, B, defined by sRGB color space, create by additive mixing 3 secondary and 6 tertiary harmonic c
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Chabni, Fayçal, Rachid Taleb, and M’hamed Helaimi. "Optimum SHEPWM for a new 21-level inverter topology using numerical optimization methods: experimental comparative study." Journal of Vibration and Control 24, no. 23 (2018): 5556–69. http://dx.doi.org/10.1177/1077546318758799.

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This article presents the application of the harmony search (HS) optimization algorithm for harmonic elimination in a new topology of multilevel inverters with a reduced number of electronic switching elements. The main objective of the harmonic elimination strategy is eliminating undesired low rank harmonics in order to improve the quality of the output waveform. The harmonic elimination strategy is achieved by solving a system of nonlinear equations. In this paper, HS optimization is applied using artificial neural networks (ANNs) on a new 21-level inverter topology. The algorithm is based o
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Langthaler, R. "Kants „moralisch-bestimmter Monotheismus“ – eine an der „wahren Aufklärung“ orientierte Kritik an Lessings Ringparabel?" Kantian journal 39, no. 2 (2020): 46–79. http://dx.doi.org/10.5922/0207-6918-2020-2-3.

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Numerous passages in the context of Kant’s philosophy of religion show without doubt his acquaintance with Lessing. But apart from the obvious affinity and agreement between Kant and Lessing with regard to many substantial questions, serious differences cannot be overlooked; the frequently diagnosed closeness and widely suspected “harmony” between the two is probably also the primary reason why important factual differences and controversial aspects have so far usually been neglected or ignored in research, although they still continue to raise problems and controversies in the context of the
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Books on the topic "Kant; harmony; harmonic reason"

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Church, Jeffrey. Kant, Liberalism, and the Meaning of Life. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197633182.001.0001.

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Abstract This book is the first extended treatment of Kant’s understanding of the meaning of life. It focuses on his largely neglected early lectures on anthropology from the 1760s and 1770s in the crucial years leading up to his Critique of Pure Reason. These lectures feature Kant at his least metaphysical, abstract, and legalistic. Instead, in these lectures, Kant adopts a naturalistic perspective, examining the purpose of the human being as an embodied, needy creature. This book argues that for the early Kant, human nature has two conflicting ends—that of wholeness and perfection—a conflict
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Book chapters on the topic "Kant; harmony; harmonic reason"

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Insole, Christopher J. "The Glorious Community." In Kant and the Divine. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198853527.003.0018.

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This chapter considers the extent to which Kant’s Kingdom of Ends, the ideal moral world, itself has some divine properties, in a sense that is documentable and precise, placing Kant in a rich Platonic tradition of philosophical reflection upon the divine. It is shown that the Kingdom of Ends is a state of plenitude, harmony, and happiness, which itself imitates and replicates defining characteristics of the being God, as understood by Kant. The suggestion is made that the concept of ‘God’ or ‘divinity’ is identical with, and stands for, the realm of freedom and reason, with the possibility of
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Guyer, Paul. "The Teleologies of Leibniz and Kant." In Leibniz and Kant. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780199606368.003.0009.

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In his response to the polemical writings of the Leibnizian Eberhard, Kant claims that the Critique of Pure Reason might well be the true apology for Leibniz. While that view might be an exaggeration, this chapter argues that there are important similarities and revealing differences between Leibniz and Kant on another point mentioned in that text: namely, between the Leibnizian view of the harmony between the realms of nature and grace and the Kantian view of the union between our concept of nature and our concept of freedom, the central thought of the third Critique, and of the necessary rea
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Insole, Christopher J. "From Freedom to Freedom." In Kant and the Divine. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198853527.003.0004.

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This chapter studies the significant shift, in the 1760s and 1770s, in Kant’s conception of what human freedom must consist in: from compatibilism to transcendental freedom. We find that in his early thought, a deterministic conception of freedom is not merely presented as compatible, in some sense, with a notion of freedom. Although committed to a ‘Newtonian’ account of the behaviour of the physical universe, the success of such accounts, for the pre-critical Kant, is grounded upon a Platonic conception of fundamental reality, which makes recourse to the notion of an intrinsic teleology withi
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Fonseca, Valter Machado da. "Environmental education: Interweaving knowledge for the ecology of knowledges." In Harmony of Knowledge: Exploring Interdisciplinary Synergie. Seven Editora, 2023. http://dx.doi.org/10.56238/sevened2023.006-079.

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The environmental crisis reveals the crisis of ocidental civilization, of its nature project and its project of mankind. Such project is externalized in the fragmentation of knowledge and in the teaching practice which separates teachers and students from nature problems and matters of everyday life. This work discusses the importance for the construction of a curriculum model, based on the relation between nature-man and an interdiciplinary conception of this relation. The Environmental Education does not have to be seen as another discipline (obrigatory by law), but it should be assumed as k
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Huron, David. "Types of Part-Writing." In Voice Leading. The MIT Press, 2016. http://dx.doi.org/10.7551/mitpress/9780262034852.003.0008.

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Four additional perceptual principles are described that are occasionally linked to the practice of voice leading: onset synchrony, limited density, timbral differentiation, and source location. Composers appear to treat these additional principles as compositional “options” that shape the music-making in perceptually unique ways. It is suggested that the reason why these four principles are often ignored is that they easily conflict with other goals that composers commonly pursue. Other goals include the goal of ensemble balance, lyric intelligibility, harmonic clarity, and rhythmic uniformit
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Crow, Bill. "The Bass in Jazz." In The Oxford Companion To Jazz. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195125108.003.0052.

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Abstract The string bass has been called the “heartbeat of jazz” for good reason. It provides a deep pulse, sometimes felt as much as it is heard, giving the music both a harmonic and a rhythmic foundation. As in many other forms of music, the role of the bass in jazz is mainly supportive. Bass players certainly have developed marvelous techniques for soloing, especially in recent years. But a bassist doesn’t have to be a great soloist to be in demand. The main thing other jazz musicians want from a bass player is “good notes,” bass notes that thread through the harmony in an interesting way,
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Debost, Michel. "Appoggiatura." In The Simple Flute. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195145212.003.0008.

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Abstract Of two slurred notes, the second is almost always less intense than the first, because in general the first one is an appoggiatura (from the Italian appoggiare). The word means “to lean upon,” either because the note is outside the harmony (1) or part of a dissonant chord (2), creating tension, or because it is leading to (3) or longing for resolution and release (4). From the point of view of instrumental playing, it must be kept in mind that a lifting finger (A2 to B 2, or E2 to F2) will resolve naturally. But falling fingers (B 2 to A2, or F2 to E2) have an organic tendency to rein
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Graudiņa, Elīna. "Cilvēka dabiskais stāvoklis mūsdienās." In Filosofiskā antropoloģija III: Rakstu krājums. Rīgas Stradiņa universitāte, 2024. http://dx.doi.org/10.25143/rsu_filos-antrop-iii_2024_isbn-9789934618390.247-284.

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In the first article of this volume, Elīna Graudiņa examined the “natural state” of human in the works of three Enlightenment thinkers: Hobbes, Locke and Rousseau. Further research on the topic has led to the insights summarised in the new text entitled “The Natural Condition of Human Today”. The link between Enlightenment ideas and modernity begins with Kant’s anthropology. In this section Graudiņa focuses on the theme of values and its correlation with the concept of freedom, education, development of democracy and civil society. In this context, Hannah Arendt’s analysis of totalitarianism i
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