Academic literature on the topic 'Karanga (African people) – Zimbabwe'

This paper presents findings from a qualitative research that focused on providing a comprehensive description of the Shona subject relation. Shona is a Bantu language spoken by around 75% of the over 13million people making up the Zimbabwean population plus the other speakers in neighbouring countries like Zambia, Botswana and South Africa. The paper reveals the types of phrases that typically perform the subject role in the language. The research concentrated mainly on the language as used by speakers of the dialect spoken by the Karanga people of Masvingo Province (the region around Great Zimbabwe) and the Zezuru dialect spoken by people of central and northern Zimbabwe (the area around Harare Province).

Multiple identities are not an event, neither are they overnight occurrences. They undergo constructions and reconstructions over time. The BaTonga, Shangwe, and Karanga speaking people in the Musampakaruma Chiefdom of north-western Zimbabwe are not an exception. Forced colonial displacements and post-independence involuntary (and/or voluntary) migrations resulted in their settling in the Musampakaruma Chiefdom from which they have now come to negotiate for space, and ultimately their identities too, in the Zimbabwean mainstream nation-state making process. For years, these three ethnic groups have had a primodalist alliance to identity wherein their identification with ancestral places of origin appeared to have been common. This, however, has changed as the new terrain has offered them new options prompting rethinking of identity and ethnicity concepts. Using qualitative and historical ethnographic data obtained in Musampakaruma from April to September 2017, this paper reports the historical and contemporary socio-political experiences of the people in the area advancing the multiple identity phenomena. Taking Musampakaruma as a case, the broad nation-state identity is re-engaged in the paper from the perspective of so-called marginalised groups showing that while landscape and socio-ethno-identities are determinants of ‘multi-personalities’, deep theorisation of identity and ethnicity is required in nation-state development because ethnicities are based on interactions resulting in negotiated identities.

"This article is an exposition of the transformation of ZANU from being, primarily, a nationalist movement into an ethnic oriented party. Since its formation in 1963, ZANU was gripped by ethnicity, resulting in factions and contestations developing among party members. These contestations developed into open conflicts along tribal lines. The paper argues that ethnicity was so acute among ZANU party members to an extent that divisions were clearly drawn along the Shona sub-ethnic groups of Manyika (easterners), Karanga (southerners), and Zezuru (northerners). The competition for leadership positions and the fighting among members of these ethnic groups resulted in the death of some members of the party and the expulsion of others from the party. It is argued in the article that the persecution of Ndabaningi Sithole and his fallout as the ZANU president was a result of the ethnicisation of ZANU and the liberation struggle. The removal of Sithole as the party president and his replacement by Robert Mugabe exhibits these contestations among the Zezuru, Karanga and Manyika ethnic groups. We argue that the deposition of Sithole from ZANU in 1975 and his castigation as a “sell-out” and “tribalist” was a ploy by Robert Mugabe and other ZANU leaders to get rid of him and to replace him along ethnic grounds. The ethnic card was deployed to serve selfish political interests. It is these ethnic contestations and fighting which also brewed conflict and enmity between Mugabe in particular and Ndabaningi Sithole, among other factors. This hatred was clearly displayed later in the struggle for supremacy between Sithole’s new party, ZANU-Ndonga and Robert Mugabe’s ZANU-PF. It is stressed in the article that this enmity also culminated in the denial of a hero status to Sithole when he died in 2000. We also argue that the deposition of Sithole from ZANU is one of the reasons why the Ndau people of Chipinge always voted for him and not Robert Mugabe in elections. Keywords: Zimbabwe, Ethnicisation, Downfall, Contestations, ZANU, Hero status."

ABSTRACTThe ageing of Third World populations and its implications for planning in social welfare has received little attention in the literature until now. This article explores the need radically to alter Western models of care for elderly people in an African context, arguing that in situations of mass poverty and gross economic differentiation a concentration on social welfare for urban formal sector employees is inappropriate. Zimbabwe is used as a case study. The situation of the aged in Zimbabwe is analysed from existing but scanty data, and sets of policy proposals that have relevance to the national economy and to the rural, urban and commercial farming sectors are discussed.

There is evidence from across the disciplines that at least some of the contemporary regional names of African tribes, dialects and languages are fairly recent inventions in historical terms. This article offers some evidence from Zimbabwe to show that missionary linguistic politics were an important factor in this process. The South African linguist Clement Doke was brought in to resolve conflicts about the orthography of Shona. His Report on the Unification of the Shona Dialects (1931) shows how the language politics of the Christian denominations, which were also the factions within the umbrella organization the Southern Rhodesia Missionary Conference, contributed quite significantly to the creation and promotion of Zezuru, Karanga and Manyika as the main groupings of dialects in the central area which Doke later accommodated in a unified orthography of a unified language that was given the name Shona. While vocabulary from Ndau was to be incorporated, words from the Korekore group in the north were to be discouraged, and Kalanga in the West was allowed to be subsumed under Ndebele.Writing about sixty years later, Ranger focusses more closely on the Manyika and takes his discussion to the 1940s, but he also mentions that the Rhodesian Front government of the 1960s and 1970s deliberately incited tribalism between the Shona and the Ndebele, while at the same time magnifying the differences between the regional divisions of the Shona, which were, in turn, played against one another as constituent clans. It would appear then that, for the indigenous Africans, the price of Christianity, Western education and a new perception of language unity was the creation of regional ethnic identities that were at least potentially antagonistic and open to political manipulation.Through many decades of rather unnecessary intellectual justification, and as a result of the collective colonial experience through the churches, the schools and the workplaces, these imposed identities, and the myths and sentiments that are associated with them, have become fixed in the collective mind of Africa, and the modern nation states of the continent now seem to be stuck with them. Missionaries played a very significant role in creating this scenario because they were mainly responsible for fixing the ethnolinguistic maps of the African colonies during the early phase of European occupation. To a significant degree, these maps have remained intact and have continued to influence African research scholarship.

In 1985 the Zimbabwean national election presented voters with a drama of pretence. The Zimbabwe African National Union (Patriotic Front), known as Z.A.N.U. (P.F.), the party in power, issued a manifesto for ‘unity of the working people in the advance of a just Socialist Society’; meanwhile its candidates routinely cast aspersions on (working) people who supported the major rival party, the Patriotic Front–Zimbabwe African People's Union (P.F.-Z.A.P.U.). The latter defensively called for a unified effort to ensure that multi-party liberalism would prevail in Zimbabwe; it then implicitly endorsed most of the principles of social balance through growth with equity which its alleged ‘Marxist–Leninist’ opponents had instituted.

Various human rights violations on the part of the ordinary people and human rights defenders have been reported in Zimbabwe since the late 1980s to date. It is widely acknowledged that such violations were mostly perpetrated by the government through its different organs for political and other related reasons. Human rights violations were also easily committed against ordinary people and human rights defenders because there was no Constitution that adequately protected such people's fundamental human rights (including their civil and political rights and their socio-economic rights) in Zimbabwe. Given this background, the article discusses the protection of human rights in Zimbabwe, in light of the Zimbabwe Constitution Amendment 20 of 2013 (Zimbabwe Constitution 2013). This is done in order to investigate whether the promotion, protection, enforcement and the respect for human rights in Zimbabwe has now improved. To this end, the functions of selected national human rights institutions and other related role-players, namely, the civil society, the judiciary, the law enforcement organs and the Zimbabwe Human Rights Commission are briefly discussed first. Secondly, the functions of selected regional and international institutions, namely, the Southern African Development Community, the African Union and the United Nations are discussed in relation to the protection of human rights in Zimbabwe. Thereafter, concluding remarks and possible recommendations that could be utilised to combat human rights violations and enhance the protection of human rights in Zimbabwe are provided. Keywords: human rights; judiciary; protection; enforcement; violations.

The article seeks to explore the role of African oral traditional art forms and governance in Zimbabwe for economic development. African philosophies, embedded in oral literature were part and parcel of the people’s life. Everybody participated in the activities that affected them in society. Thus African peoples used oral literature, which is dependent on the performer who formulates it on a specific occasion—this forms part of issues of governance. Some problems, which people, and Zimbabweans in particular are facing, emanate from colonialism, and have led them to believe that they had no culture or anything to shape their way of thinking. These problems have always been there, and people had a way of circumventing them through the philosophies that were embedded in their oral art forms. It is against this backdrop that the researcher seeks to explore the place of oral art forms; which include proverbs, riddles, folktales among others; and governance as vehicles to drive economic growth in Zimbabwe. The article is based on a conceptual method of study, where examples of oral art forms used have been taken from various speech communities in Africa. The researcher’s arguments are guided by the Afrocentricapproach and the discussion establishes that issues of democracy and governance were part and parcel of indigenous people’s way of doing things, in a bid to achieve economic growth in their societies.

The paper presents factors why people are reluctant to bank money in rural Southern African countries. Six countries namely Botswana, Namibia, Mozambique, Tanzania, Zambia and Zimbabwe were used in the study. A focus group of 10 people from each of the stated Southern African countries was composed and used to obtain perceptions, views, reactions, attitudes, experiences among others on why people are reluctant to bank their money. People are unwilling to bank their money in rural Southern Africa and the reasons behind this seem to be many. If no correctional measures are put in place, rural Southern Africa will continue to be unbanked for the next five decades.

This exploratory study aimed to investigate the Employee Voice Behaviours (EVB) in the African context, and Zimbabwe was chosen as a case study. A sample of 30 volunteers was used in this study and data was collected via WhatsApp social media. The structured interviews were employed to collect data. Thus, the data was collected and placed into categories as a framework. The data analysis included descriptive statistics, multiple regression, correlation and framework. The results indicated that the majority of employees in Zimbabwe present constructive voices than destructive behaviours. The findings also established that Zimbabwean workforce remains disciplined in their organisations. The study again found that the majority of people working in organisations in Zimbabwe is neither married nor have children. Also, the majority go to church and do not consume alcohol/smoke. However, besides a small sample that could have affected the outcome, this study concludes that understanding of EVB remains elusive; therefore, more studies are required in this field. Future researchers should consider qualitative methods with larger samples to establish these variations. Besides, the current research presents significant findings that could inform policy-makers in Zimbabwean organisations.

This thesis is an investigation of the significance of Mhande song-dance in two performance contexts: the Mutoro ritual of the Karanga and the Chibuku Neshamwari Traditional Dance Competition. In addition, I undertake comparative analysis of the structure of Mhande music in relation to the structure of selected genres of Shona indigenous music. The position of Mhande in the larger context of Shona music is determined through analysis of transcriptions of the rhythmic, melodic and harmonic elements of chizambi mouth bow, karimba mbira, ngororombe panpipes, ngano story songs, game, hunting, war, and love songs. Mhande is an indigenous song-dance performed for the mutoro ceremony, the annual rain ritual of the Karanga. The Mhande repertoire consists of distinctive songs and rhythms used for communicating with the majukwa rain spirits. The rain spirits in turn communicate with God (Mwari) the provider of rain, on behalf of the Karanga. Mhande song-dance is performed exactly the same way in the annual Chibuku Neshamwari Traditional Dance Competitions as in the ritual context of the mutoro ceremony. However, in the context of the Competition, it is used for the expression of joy and as a form of cultural identity. The Competition is a forum in which Karanga songdance traditions such as Mhande, compete with other Shona song-dance traditions such as mbakumba, shangara and chinyambera. I contextualize and analyse Mhande song-dance by using the ‘Matonjeni Model’, which in terms of Karanga epistemology, is culture specific. This Model is grounded in description, interpretation and analysis; the primary methods in my research process.

Thesis (DTh)--Stellenbosch University, 2006.
ENGLISH ABSTRACT: This dissertation seeks to develop further the theological interpretation of the books of Samuel, by examining I Samuel I: 1-2:10 in the context of fertility and barrenness as blessing and curse. This reading was related to the Karanga understanding of fertility and barrenness. The contribution shows how the Biblical narrative can become a resource for ethical reflection in African communities such as the Karanga women. The hypotheses that guided this study, were that: a-Fertility and barrenness in the Old Testament should be understood in close conjunction with blessing and cursing as theological concepts in ancient Israel. b-Fertility and barrenness could also be examined in a relevant and contextual manner by relating it to the culture and understanding of the Karanga people. In order to achieve this, two major tasks were attempted. One: An exegesis of I Samuel I: 12: 10 in which Vernon Robbins' method of Socio- Rhetorical criticism was used. The method helped to identify that the text is a narrative, and that the author might have been the Deuteronomistic historian, who wrote in the period of the decline of the Judean monarchy and when the Jews were in exile. The narrative is used to tell about the despair of the Jews, and to inform the Jews that there was hope for restoration if they obeyed God. This ideology is woven in the story of a barren woman Hannah who suffered the despair of barrenness and was later blessed with a child because of her prayer and obedience to God. In the narrative God is described as one who cares for the marginalised, and one who changes the lives of his people, from curse to blessing. The method also helped to realise tbe culture and context of Hannah, and made it possible to relate this culture and context to other cultures that are similar. Secondly an empirical survey was conducted amongst one hundred Karanga women. The findings were that Karanga consider fertility as blessing and barrenness as curse. The curse is experienced in the suffering of the barren women. Barrenness is used to inflict pain, to marginalise women, and has become a major cause of divorce and death through the spread of HIV and Aids. A reading of the story of Hannah helped the Karanga women to identify their barren problems with Hannah, and to find a new way of understanding their own problem in terms of hope. This study was able to prove its hypothesis both through the exegesis and the discussions of the research findings. It was found that the narrative form of the text appealed effectively to the understanding of Karanga women. This was possible because narrative is one of the methods of communication that is used effectively by the Karanga in their language. Through using Hannah as a paradigm of curse and blessing in relation to barrenness and fertility, Karanga women were challenged to view their barren situations in a different way that is open to accept change from curse to blessing. The study has also contributed to see how an old text of the time of Hannah could in the present day contextually influence Karanga women's barren experiences through holding the same culture and also by having similar experiences barren of women.
AFRIKAANSE OPSOMMING: Hierdie dissertasie poog om die teologiese interpretasie van die boeke van Samuel verder te ontwikkel by wyse van 'n ondersoek van I Samuel 1:1-2:10 in die konteks van vrugbaarheid en onvrugbaarheid as 'n seën en as 'n vervloeking. Hierdie ondersoek verwys na die Karangabevolking se begrip van vrugbaarheid en onvrugbaarheid. Die bydrae toon aan hoe die Bybelse verhaal 'n bron vir etiese nadenke onder Afrika-gemeenskappe, soos die Karangavroue, kan word. Die hipoteses wat hierdie studie gerig het, was dat: a-Vrugbaarheid en onvrugbaarheid in die Ou Testament behoort begryp te word in 'n noue verbintenis met seën en vervloeking as teologiese begrippe in antieke Israel. b-Vrugbaarheid en onvrugbaarheid kan ook ondersoek word in 'n relevante en kontekstuele wyse deur dit te verbind met die kultuur en begrip van die Karanga-mense. Om dit te vermag, is twee hooftake onderneem. Die eerste was 'n eksegese van I Samuel 1: 12: 10 waarin Vernon Robbins se metode van sosioretoriese kritiek aangewend is. Hierdie metode het gehelp om die teks as 'n narratief te identifiseer en dat die skrywer die Deuteronomiese historikus kon gewees het, wat in die periode van die monargie van Juda geskryf het en ook tydens die Jode se ballingskap. Die narratief word gebruik om aan te toon hoe wanhopig die Jode was en om hulle in te lig dat daar hoop op hul herstel was indien hulle God gehoorsaam. Hierdie ideologie is verweef in die verhaal van die onvrugbare vrou, Hanna, wat aan die wanhoop van onvrugbaarheid gely het en later met 'n kind geseën is op grond van haar gebede en gehoorsaamheid aan God. In die narratief word God as die een beskryf wat na die gemarginaliseerdes omsien en wat die lewens van sy mense vanaf vervloeking tot seën omvorm. Die metode het ook meegehelp om die kultuur en konteks van Hanna te begryp en dit moontlik gemaak om hierdie kultuur en konteks te verklaar ingevolge die van ander soortgelyke kulture. Tweedens is 'n empiriese studie onder 'n honderd Karanga-vroue onderneem. Die bevindinge was dat Karanga-vroue vrugbaarheid as 'n seën en onvrugbaarheid as 'n vervloeking beskou. Die vervloeking word in die lyding van die onvrugbare vroue ervaar. Onvrugbaarheid word aangewend om pyn en lyding te veroorsaak, om vroue te marginaliseer en het 'n belangrike bron van egskeiding en dood deur die verspreiding van HIV en Vigs geword. Deur die verhaal van Hanna te lees, het die Karanga-vroue gehelp om hul eie onvrugbaarheidsprobleme met die van Hanna te identifiseer en om nuwe wyses te vind om hul eie probleme te verstaan in terme van hoop. Hierdie studie was in staat om sy hipoteses te bewys sowel by wyse van die eksegese en ook deur die bespreking van die navorsingsbevindings. Dit is bevind dat die narratiewe vorm van die teks duidelik tot die begrip van die Karanga-vroue gespreek het. Dit was moontlik aangesien 'n verhalende trant een van die kommunikasiewyses is wat doeltreffend deur Karanga-vroue aangewend word in hul taal. Deur Hanna as 'n paradigma van vervloeking en as seën te gebruik met verwysing tot onvrugbaarheid en vrugbaarheid, is Karanga-vroue uitgedaag om hul beskouing van hul onvrugbare toestand op verskillende wyses te betrag wat oop is om 'n verandering te aanvaar vanaf vervloeking tot seën. Die studie het ook daartoe bygedra om te sien hoe 'n ou teks uit die tyd van Hanna tans kontekstueel die Karanga-vroue se onvrugbaarheidservarings kan beinvloed waar hulle uit 'n soortgelyke kultuur kom en ook soortgelyke ervarings as Hanna het as onvrugbare vroue.

Jangwa music is traditional to the Manyika people of Zimbabwe. The Manyika are a sector of the Shona people, occupying a portion of Manicaland Province in the eastern part of Zimbabwe. African societies carefully craft songs for different contexts to serve a functional and educational purpose. The aim of the study was to explore the origin and the structure of jangwa music, the sociological and social psychological functions of the music and its performance, as well as its aesthetic values among the Manyika people. The study utilised focused ethnographical methods. A large group of elderly Manyika people with extensive knowledge and experience who were purposively selected acted as key informants. Data collection strategies included participant and non-participant observation during jangwa music performances, as well as in-depth individual and focus-group interviews. The study employed content analysis and selected songs were transcribed in staff notation using Crescendo Music Notation Software for analysis purposes. The outcomes of the study reveal some form of acculturation in the origin and structure of the music resulting in the music being a contemporary choral music. While some of the songs are for school sporting events, others are to demonstrate pride in teachers, community leaders and natural features within the Manyika region. However, the findings reveal that the majority of jangwa songs are for wedding and marriage ceremonies. Most of the wedding songs focus on the role of brides and married women as a whole, signifying the pivotal role they play within the Manyika society, yet a glimpse of the male roles are heard. In all the contexts, jangwa music contributes in uplifting the sociological and social psychological well-being of performers and audience members. For the Manyika people, the function of jangwa music takes precedence in its aesthetical values. Considering the diminishing of African musical arts, the study recommends the ethno-musicological use of jangwa music in informal and formal education in Zimbabwe for the promotion of indigenous knowledge systems. Jangwa song lyrics convey the distinctive values, virtues, and life skills of the Manyika people, and are therefore inextricably bound to the indigenous fabric and context-specific utilitarian purposes of the music.
Thesis (DMus)--University of Pretoria, 2016.
Music
DMus
Unrestricted

Mbira dzavadzimu music and performance practice has been in existence since the pre-colonial era. It played a crucial role in ritual and non-ritual activities of the Shona people of Zimbabwe. However, political, social and global influences as well as technological advancement have resulted in change of context and performance practice. Unfortunately, these have not been recorded for future generations. The major aim of the study is therefore to examine the change of context and performance practice of mbira dzavadzimu in Zimbabwe. This was achieved by reviewing mbira dzavadzimu music and performance practice within the modern setting of dandaro. I looked at change from a theoretical lens of the theory of diffusion, syncretism and mediatisation. The study was in the qualitative form superimposed on some case studies. Unstructured interviews, participant and non-participant observations were the main instruments used to collect data from both traditional and modern mbira performances. Data was also collected from museums, archives, radio and television stations. The study established that the changes in context and performance practice of mbira dzavadzimu in Zimbabwe were to a larger extent due to foreign influences such as colonialism, the coming of missionaries, modernisation, urbanisation, commercialisation, mediatisation, the use of modern technology and institutionalisation. Due to the aforementioned influences, the environmental settings, the change of context from sacred to secular, the relationship with ancestral spirits, musical practices, performance situations and quality of sound, have been modified and adjusted in response to the influences of the globalised world’s ever changing audience and performance space. In short, this has resulted in a shift of mbira performances from its traditional to modern settings, from the village to the city and onto the international scene with a new performer-audience setting. Various innovations were carried out on the instrument and its music as a result of the advent of modern technology. The use of microphones, modern amplification systems, recording studios, radio and television broadcast, audio and video cassettes, CDs, DVD, teaching of the instrument using audio and video instructional models and the use of internet sites in learning how to play mbira dzavadzimu and other instruments have become a reality. It has been evident from the study that urban and rural areas take up change in different ways and that in the former change is more pronounced than in the latter. Urban area communities are more “developed” than their rural counterparts because the former are more exposed to technological influences and the commercialisation of music. The study has also established that Zimbabwean mbira music is a good example of modern transculturality. The instrument and its music have played a major role in breaking down cultural boundaries and bringing the people of the world together for purposes of performing on the instrument. From the findings of this study, I attribute most of the changes to technologisation, for most of the changes that have taken place on mbira dzavadzimu were a result of the highly technologised way of life Zimbabweans now lead.

Includes bibliographical references (leaves 112-120).
The aim of this qualitative, descriptive study was to determine the levels of awareness for communication and flow of information dissemination among the leadership and grassroots members of Disabled People's Organisation (DPOs) in the African Decade of Disabled People (ADDP).

AbstractThe daunting effects of climate change are more visible and acute among rural people in most developing countries. Smallholder farmers in rural communities are more encumbered by climate change impacts and they have been reeling with climate induced shocks for some time. Their vulnerability to climate change impacts is aggravated by high dependence on the climate volatile natural resource base, high poverty levels, lack of adaptive capacity, low educational levels, and lack of technoscience-based technologies among other key compounding factors. In the light of this, Zimbabwe is still crawling to implement and administer effective climate change management measures aimed at disaster risk reduction and management, vulnerability reduction, social resilience, and capacity building because of political and socioeconomic quagmires trapping the country. Consequently, rural people are the hardest hit by these developments. Climate change management connotes a human intervention to reduce the sources or enhance the sinks of greenhouse gases and adjustment to actual or expected climate and its effects, in order to moderate harm or exploit beneficial opportunities through mitigation and adaptation. Nevertheless, rural people are on record of engaging in a plethora of activities to manage climate change and its actual or potential risks. However, their efforts are marred by an avalanche of setbacks which serve as barriers to climate change management. Against this backdrop, this book chapter intends to delineate the factors serving as barriers to climate change management in Zimbabwe’s rural communities.

The Kalanga occupy the south-western parts of Zimbabwe, their larger concentration is in modern-day Bulilimamangwe district although some clusters of Kalanga people are distributed throughout Kezi, Gwanda and Tsholotsho districts, among other areas, west of Zimbabwe. The chapter acknowledges that Kalanga identities in pre-colonial Zimbabwean society were multiple, however, it mainly focusses on Kalanga religion (the Mwali/Ngwali Cult) and Kalanga language and demonstrates how these pre-colonial Kalanga forms of identities were later politicised and (re) interpreted and manipulated by colonialists, missionaries and Africans in an endeavour to construct Kalanga ethnic identity. The main purpose of the chapter is to present and reflect on selected Kalanga precolonial forms of identities and show how these were used to (re) construct the Kalanga ethnic identity in colonial Zimbabwe. The chapter further argues that identities are not fixed primordial phenomenon but are constructed and reconstructed over the longee durree using precolonial forms of identities such as language and religion.

This chapter explored the democratic rights awareness among the youth in Zimbabwe. The youth who live in urban and peri-urban spaces are relatively aware of their democratic rights and a significant number do participate in governance processes in the country, although their participation is largely defined by political party affiliation. There are those youths who are in rural and farming communities who have limited understanding of their democratic rights and responsibilities and most of them believe that participation in governance is simply about voting during national plebiscites and nothing more. The study also found that the development of rights awareness among the youths in Zimbabwe is state-centric and thus undermining the efforts towards effective youth participation. There are some civil society organizations in Zimbabwe that have worked to empower the youth in the country and to create awareness, but this has met with many challenges owing to the hegemonic influences of the ruling political elites and the general political polarization prevailing in the country.

Social networking sites and the individuated privacy of the virtual space have emerged as new forms of conflating social identities and free speech for most subaltern communities. While it is clearly accepted that the notion of social networking within most African communities has always existed as part of oramedia (orality) and has gained traction by exploiting the grapevine as a notch of communication, current communication trends, coupled with the rise of new media have brought normative and pragmatic values in the latter-day communication culture. A case study of the “Forum,” a social network from Matebeleland, Zimbabwe, is used to show how the virtual sphere has revolutionised the Habermasian public sphere. A new wave of social networking sites has emerged in which participants gather through “Internet portals” and get connected through different forms of online fora. The extent of engagement and the free speech practiced therein as part of the apparent change of people's worldviews form the basis of this chapter. Subalternised groups like the people of Matebeleland from Zimbabwe, whose sensitive discourses have been denied spaces in the local public sphere, have found a voice in social networks. Different online fora exist, and they include Facebook groups such as Inhlamba Zesintu, Luveve Ikasi Lami, Abammeli Mthwakazi, Thina AbaMpofu, etc., and Websites like iNkundla.net, Youtube, and mailing lists and listservs, such as the Forum.