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Books on the topic 'Kathakali plays'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Pilaar, Agatha Jane. Kathakali plays in English: Librettosin English verse for twelve Kathakali plays. (Kottayam, Kerala?): A.J. Pilaar, 1993.

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2

Nāṇupiḷḷa, Panniśśēril. Śr̲ī Panniśśēriyuṭe āṭṭakathakaḷ: Sāracandrikā vyākhyānasahitaṃ. [Trivandrum]: Pannisseri Srinivasa Kurup, 1996.

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3

Tampurān, Kōṭṭayattu. Kōṭṭayattutampurānt̲e Nivātakavacakālakēyavadhaṃ: Āṭṭakkatha. Tiruvanantapuraṃ: Ōr̲iyant̲al R̲isarcc Inst̲it̲t̲yūṭṭ ānḍ Mānuskr̲ipt̲s Laibrar̲i, Kēraḷasarvvakalāśāla, 1986.

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4

Appukkuṭṭanpiḷḷa, Cavar̲a. Kathakaḷiyile manōdharmmaṅṅaḷ. Tiruvanantapuraṃ: Kēraḷa Bhāṣā Inst̲t̲it̲t̲yūṭṭȧ, 1996.

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5

Kēśavan, Kalāmaṇḍalaṃ. Rustavuṃ Sor̲ābuṃ: Āṭṭakkatha. [Cochin?]: Kalāmaṇḍalaṃ Kēśavan, 1985.

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6

Tampurān, Ār Vi Kuññukkuṭṭan. Āḷukaḷ, araṅṅukaḷ. Thrippunithura, [Kerala]: R.V. Kunjikuttan Thampuran, 2001.

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7

Zarrilli, Philli. Kathakali Dance-Drama. London: Taylor & Francis Inc, 2004.

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8

Kathakali Dance-Drama. London: Taylor & Francis Group Plc, 2004.

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9

Ke, Nāyar Eṃ Ke. Kathakaḷi. Kōṭṭayaṃ: Ḍi. Si. Buks, 1990.

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10

Menon, Kalpalli Pulapra Sankunni. Kathakaḷiyāṭṭapr̲akāraṃ. 2nd ed. Cer̲uturutti, Kerala: Kēraḷa Kalāmaṇdhalaṃ, 1989.

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11

Kr̥ṣṇannāyar. Kōṭṭayattu Tampurānte ̲āṭṭakkathakaḷ: Raṅgavyākhya. [Chegannur: Rainbow Book Publishers in association with Sangeet Natak Akademi], 2009.

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12

Kēśavan, Kalāmaṇḍalaṃ. Saint Tyagaraja's Nauca charitam: With Kathakali adaptation by Kalamandalam Kesavan; editor, Hari Kumar. Mankave: Sangeetha Sabha, 2007.

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13

Kr̥ṣṇakkaimmaḷ, Aymanaṃ. Āṭṭakkathāsāhityaṃ. 2nd ed. Tiruvanantapuraṃ: Kēraḷa Bhāṣā Inst̲ittyūṭṭ, 1989.

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14

Bolland, David. A guide to Kathakali: With the stories of 36 plays. 2nd ed. Cochin, India: Paico, 1988.

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15

Pilaar, Agatha Jane. Kathakali plays in English: Volume II: Daksha Yoga and Nala Charita. [Kottayam, Kerala?]: A.J. Pilaar, 1993.

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16

Nāyar, Nīlampērūr Rāmakr̥ṣṇan. Vāmanavijayaṃ: Āṭṭakkatha. Trivandrum: Neelamperoor Ramakrishnan Nair, 1986.

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17

Nāyar, Nīlampērūr Rāmakr̥ṣṇan. Sahasr̲amukhavadhaṃ ; Sītāparityāgaṃ ; Pakṣīndravijayaṃ: Āṭṭakkathakaḷ. Trivandrum: Neelamperoor Ramakrishnan Nair, 1986.

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18

Kathakali dance-drama: Where gods and demons come to play. London: Routledge, 2000.

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19

Uṇṇāyivāriyar. Naḷacaritaṃ: Āṭṭakkatha : Rasikakautukaṃ enna vyākhyānattōṭukūṭi. Tr̥śūr: Kēraḷa Sāhitya Akkādami, 1991.

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20

Mahābalivijayaṃ: Āṭṭakkatha. [Kodungalloor?]: Purogamana Kala Sahitya Sangam, Kodungalloor Meghala Committee, 1994.

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21

The Mahabharata in Kathakali Dance Drama. Global Vision Publishing House, 2006.

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22

Kaḷiviḷakk: Teraññeṭutta muppat āṭṭakkathakaḷ. Kōl̲ikkōṭ: Mātr̥bhūmi Pr̲int̲iṅg ānt̲ Pabḷiṣiṅg Kampani, 1988.

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23

The Ramayana in Kathakali Dance Drama. Global Vision Publishing House, 2006.

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24

Zarrilli, Philli. Kathakali Dance-Drama: Where Gods and Demons Come to Play. Routledge, 1999.

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25

Zarrilli, Philli. Kathakali Dance-Drama: Where Gods and Demons Come to Play. Routledge, 1999.

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26

Richman, Paula, and Rustom Bharucha, eds. Performing the Ramayana Tradition. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197552506.001.0001.

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Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theater. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu, and Kathakali from Kerala; Kattaikkuttu and a “mythological” drama from Tamil Nadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila. Apart from the editors’ two introductions, which orient readers to the history of Ramayana narratives by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as the performance vocabulary of their enactments, the volume includes many voices, including those of directors, performers, scholars, connoisseurs, and the scholar-abbot of a monastery. It also contains two full scripts of plays, photographs of productions, interviews, conversations, and a glossary of Indian terms. Each essay in the volume, written by an expert in the field, is linked to several others, clustered around shared themes: the politics of caste and gender, the representation of the anti-hero, contemporary reinterpretations of traditional narratives, and the presence of Ramayana discourse in everyday life.
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