Relevant bibliographies by topics / Katherine Mansfield

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Katherine Mansfield'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 May 2024

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Journal articles on the topic "Katherine Mansfield"

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Podbrežnik, Andrej. "Katherine Mansfield in Slovene translations." Acta Neophilologica 34, no. 1-2 (December 1, 2001): 39–57. http://dx.doi.org/10.4312/an.34.1-2.39-57.

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During her short life Katherine Mansfield wrote numerous short stories, which place her among the best authors of this genre in world literature. The au thor of this paper tries to establish the reception of Mansfield's work and the critics' response in Slovenia. First translations of her stories were published in various Slovene magazines and reviews after the Second World War. However, the most complete and artistically successful presentation of her work was prepared in 1963 when Jože Udovič published twenty-eight short stories written by this author under the title Katherine Mansfield: The Garden Party. Udovič also contributed the introduction about the author and her work. The book was very well received in Slovenia not only by the reading public, but also by critics, who praised Mansfield and Udovič's translation as well. After that more than twenty years passed, before Katarina Mahnič translated Katherine Mansfield's short story "The Singing Lesson" in 1988. We can conclude that hopefully some new translations of Katherine Mansfield's stories will appear soon.
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Kubasiewicz, Mirosława. "Katherine Mansfield – tłumaczka Stanisława Wyspiańskiego – Sędziowie." Przekładaniec, no. 45 (April 14, 2023): 76–109. http://dx.doi.org/10.4467/16891864pc.22.011.17172.

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Katherine Mansfield – the Translator of Stanisław Wyspiański’s The Judges In 2014 Edinburgh University Press published the third volume of Katherine Mansfield’s “Collected Works” – The Poetry and Critical Writings of Katherine Mansfield – which included all her translations, not only those of the works by A. Kuprin, A. Chekhov and F. Dostoyevsky, but for the first time also fragments of The Judges (Sędziowie) by Stanisław Wyspiański. The article explains a possible genesis of this translation, connected with the person of Florian Sobieniowski, who acquainted Mansfield with the work of the Polish playwright. The influence of Wyspiański on Mansfield was considerable at the time and might have been instrumental in her decision to undertake the translation already in 1909, or perhaps later, around 1912, when John Middleton Murry, the editor of Rhythm, decided to devote a whole issue of the magazine to the work of the Polish author. The translation may have also been done in 1917, the year entered on the manuscript by Murry, Mansfield’s husband and the editor of her work after the writer’s death. Mansfield did not know Polish, so she used the German translation of Sędziowie (Gericht) by Kasimir Różycki as a reference. Her translation, however, more faithful to the original, goes beyond the German text, which is a prose summary of the play. To show the quality of Mansfield’s translation, the article compares the solutions adopted by each translator to render the meaning of the same fragments of the play. Mansfield’s version suggests a close collaboration with Sobieniowski to find the rhythm, sound and meaning of the original, a pattern of work which she fully developed in her later translating collaboration with Samuel Koteliansky.
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Smith, Angela, and Rhoda B. Nathan. "Katherine Mansfield." Modern Language Review 85, no. 2 (April 1990): 426. http://dx.doi.org/10.2307/3731840.

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Kelly, Alice. "Mansfield Mobilised: Katherine Mansfield, the Great War and Military Discourse." Modernist Cultures 12, no. 1 (March 2017): 78–97. http://dx.doi.org/10.3366/mod.2017.0157.

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This article examines the military discourse that Katherine Mansfield appropriated in her letters, focusing on three particular letter clusters from 1915, 1918, and 1919. I argue that the First World War and its accompanying rhetoric provided an important stimulus for Mansfield's writing and later functioned as a counter-trope for her own personally more serious battle with illness. Both Mansfield's deliberate and unintentional incorporation of military discourse in her correspondence resulted in a hybridized figurative language – an example of what Allyson Booth has called elsewhere ‘civilian modernism’ – which was significant for Mansfield's later literary development, and more broadly for our understanding of literary modernism.
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Bennett, Andrew. "HATING KATHERINE MANSFIELD." Angelaki 7, no. 3 (December 2002): 3–16. http://dx.doi.org/10.1080/0969725022000032445.

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May, Brian. "Katherine Mansfield, Postimpressionist." MFS Modern Fiction Studies 69, no. 1 (March 2023): 22–47. http://dx.doi.org/10.1353/mfs.2023.0001.

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Kimber. "“Always Trembling on the Brink of Poetry”: Katherine Mansfield, Poet." Humanities 8, no. 4 (October 23, 2019): 169. http://dx.doi.org/10.3390/h8040169.

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Today, Katherine Mansfield is well known as one of the most exciting and cutting-edge exponents of the modernist short story. Little critical attention, however, has been paid to her poetry, which seems a strange omission, given how much verse she wrote during the course of her life, starting as a very young schoolgirl, right up until the last months prior to her death in 1923. Even Mansfield devotees are not really familiar with any poems beyond the five or six that have most frequently been anthologised since her death, and few editions of her poetry have ever been published. Mansfield’s husband, John Middleton Murry, edited a slim volume, Poems, in 1923, within a few months of her death, followed by a slightly extended edition in 1930, and Vincent O’Sullivan edited another small selection, also titled Poems, in 1988. Unsurprisingly, therefore, critics and biographers have paid little attention to her poetry, tending to imply that it is a minor feature of her art, both in quantity and, more damagingly, in quality. This situation was addressed in 2016, when EUP published a complete and fully annotated edition of Mansfield’s poems, edited by myself and Claire Davison, incorporating all my recent manuscript discoveries, including a collection of 36 poems—The Earth Child—sent unsuccessfully by Mansfield to a London publisher in 1910. This discovery in 2015 revealed how, at the very moment when Mansfield was starting to have stories accepted for commercial publication, she was also taking herself seriously as a poet. Indeed, had the collection been published, perhaps Mansfield might now be celebrated as much for her poetry as for her short stories. Therefore, this article explores the development of Mansfield’s poetic writing throughout her life and makes the case for her reassessment as an innovative poet and not just as a ground-breaking short story writer.
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史, 艳轲. "A Literary Stylistic Analysis of Katherine Mansfield’s Miss Brill." Pacific International Journal 7, no. 1 (February 15, 2024): 6–9. http://dx.doi.org/10.55014/pij.v7i1.492.

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Katherine Mansfield, one of the most renowned female writers in the world of literature, created 93 works in her brief lifetime, many of which are considered classics by posterity. Mansfield’s outstanding contribution to literature lies in her innovation in the realm of short stories, and she is widely recognized as one of the finest short story writers in the history of English literature. Miss Brill is one such masterpiece, depicting the story of Miss Brill as she dresses neatly and goes to the park on a Sunday, sitting on a bench and observing the people passing by, listening to their conversations and the band playing. She imagines herself as a part of their world, but her illusions are shattered by a young couple, and she returns home, disheartened, to what feels like a cupboard of a home. This short story exemplifies the artistic techniques in Mansfield's storytelling, with one of the prominent features being the charm emanating from the stylistic choices in her works. Literary stylistics is concerned with the language features of literary works, exploring how authors use language to express the themes of their works and enhance their aesthetic value. This paper will delve into literary stylistics, focusing on the text of the short story Miss Brill, examining its lexical features, grammatical features, and figures of speech to explore how Mansfield uses specific language choices to convey and enhance the thematic significance and aesthetic effects of her work.
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Sheehy, Felicity. "The Young Katherine Mansfield." Women: A Cultural Review 29, no. 1 (January 2, 2018): 134–36. http://dx.doi.org/10.1080/09574042.2018.1425543.

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Garver, Lee. "The Political Katherine Mansfield." Modernism/modernity 8, no. 2 (2001): 225–43. http://dx.doi.org/10.1353/mod.2001.0022.

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Dissertations / Theses on the topic "Katherine Mansfield"

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Johnstone, Vanessa. ""Divine warnings" : Katherine Mansfield." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8944.

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Includes bibliographical references (leaves 85-87).
On her death in January 1923, Katherine Mansfield bequeathed a body of work - both fictional and critical-sufficient to fill several volumes. Although she was not of English origin, she nevertheless counted many celebrated figures of the era as her consorts. Why then, does she remain peripheral to the canon? This dissertation probes the problem of Mansfield's reputation, examining the reasons that she remained (and remains) insufficiently recognised for her contribution to modernist literature. It further proposes that Mansfield's writing displays many of the hallmarks of modernism for which her peers - whose writing succeeded hers by several years - would later become famous.
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Richardson, Rebecca J. Richardson Rebecca J. Richardson Rebecca J. "The garden party must go on : class sympathy and characterization in Katherine Mansfield's short stories & "A surprise" and other original short stories /." Connect to online version, 2005. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2005/105.pdf.

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Poon, Yuk-kang Anita. "A discourse analysis of Katherine Mansfield's The garden party and other short stories." [Hong Kong : University of Hong Kong], 1987. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12754250.

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Reimer, Melissa. "Katherine Mansfield: A Colonial Impressionist." Thesis, University of Canterbury. School of Humanities, 2010. http://hdl.handle.net/10092/5289.

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This thesis considers Katherine Mansfield’s development as a writer in relation to late nineteenth and early twentieth century developments and trends in the visual arts in New Zealand, England and France. Mansfield’s notebooks, letters and stories evidence a definite response to developments in modern art and reveal that she aligned herself more closely with painters than with her literary colleagues; something Francis Carco hints at in his fictional account of her in Les Innocents (1916): he describes Mansfield as a predatory and exploitative woman with a detached manner, who “used him just the way a painter uses a model, studying character and movements” (cited in Mortelier 150). There exists in Mansfield’s stories evidence of the influence of the Impressionist and, to a lesser degree, the Post-Impressionist painters. While this influence has been noted by a selection of critics or rather her work has been described as impressionistic, it has been neither explored nor substantiated from an art historical perspective. My methodology has entailed identifying the defining characteristics of Mansfield’s stories that are also found in Impressionism, in as much as two different aesthetic forms can be compared. I then trace the exhibition history and contemporaneous criticism of modern French art in London and Paris alongside Mansfield’s trajectory in adulthood to ascertain the degree of exposure she had to Impressionism. In addition to that which she encountered in Europe, much consideration has been given to the artistic milieu of New Zealand prior to and following her schooling in London. I have sought to identify which of the modern artists and styles Mansfield most closely identified with, and to determine how precisely and extensively she applied the Impressionists’ painterly techniques and stylistic effects to her own prose. Broadly speaking, Mansfield’s preferred subjects may be grouped under three titles: Domestic Interiors, Urban Landscapes and Rural Landscapes – these were also the Impressionists’ favoured subjects. These categories, then, form the basis of my investigations.1 This thesis also explores the degree to which Mansfield’s colonial upbringing influenced, inspired and determined the themes and issues she chose to address, from the various forms of expression that were available to her to inherit and modify. My research reveals how both the cultural climate and the unique light and landscape of her own country made her susceptible to the ideas of the Impressionists and Post-Impressionists, even before she reached the more art-oriented cities of London and Paris. Mansfield’s status as a foreigner in Europe allowed her greater freedom to experiment and greater licence to borrow from other cultural forms and traditions. Though strains of Realism, Naturalism, Symbolism and 1 The consequence of choosing to structure my material around Mansfield’s three dominant subjects has resulted in some degree of repetition within this manuscript. This also means, however, that the individual chapters are strong enough to stand alone and thus this doctoral thesis should prove a valuable reservoir for future research. 6 Expressionism are all evident in Mansfield’s modernist fiction, it is the impressionistic quality of her work – evident in the fleeting and evocative sketches of the everyday – that is the overriding feature. Her colonial heritage was not only a significant factor in this development, but to a degree, the enabling condition – allowing her to reconcile the lessons of Europe within a New Zealand literary context resulting in a unique brand of Colonial Impressionism. NOTE ON THE TEXT Mansfield’s inconsistent and idiosyncratic spelling and punctuation have been retained within quotes in this thesis. In her letters she often dispensed with apostrophes and rarely used commas, instead preferring the dash. When citing, I have chosen not to follow these particular oddities with [sic] as these would be too numerous and would disrupt the flow of the text. I have instead followed the conventions of Mansfield’s editors.
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Harland, Faye. "Katherine Mansfield and visual culture." Thesis, University of Dundee, 2017. https://discovery.dundee.ac.uk/en/studentTheses/e2872ae4-1cb3-4efb-980f-01407629a6b1.

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The relationship between modernist fiction and visual culture has received substantial critical attention in recent years. However, many of the studies on this intermediality focus primarily on the drama, poetry, and novels of male authors, with Virginia Woolf being the only significant exception to this rule. I propose that this engagement with the visual in modernist fiction has a different social and cultural significance in the works of women writers. With reference to the short stories of Katherine Mansfield, I will explore the attempt to establish a female literary voice in what was perhaps the greatest transitory period for the role of women in the Western world. Although studies exist that consider the relationship between Mansfield’s writing and modern art and cinema, this thesis will provide a wider context for this period of cultural history. I take a variety of technological advancements into account, examining they ways in which they collectively provided the inspiration behind modernist literature’s new subjectivity of vision. As well as film, I will discuss the arts that developed prior to or alongside it, from the magic lantern to photography, and the impact they had on literature as writers sought new forms of representation. Furthermore, I believe that I will be able to examine this shift in cultural consciousness in a unique way through my focus on Mansfield, an author whose experimental work has received far less critical attention in terms of its engagement with other media than that of her contemporaries. Through reference to the visual arts, Mansfield was able to subjectively focalise her short stories through the eyes of her characters, presenting the ways in which women see and are seen in early twentieth-century society.
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Deb, Ajanta. "Katherine Mansfield: a thematic study." Thesis, University of North Bengal, 1999. http://hdl.handle.net/123456789/1157.

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Kimber, Geraldine Maria. "Katherine Mansfield : the view from France." Thesis, University of Exeter, 2007. http://hdl.handle.net/10036/33714.

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The aim of this thesis is to assess the reason why Katherine Mansfield’s reputation in France has always been greater than in England. The thesis examines the ways in which the French reception of Mansfield has idealised her persona to the extent of crafting a hagiography. I ask: what were the motives behind the French critics’ desire to put Mansfield on a pedestal? How did the three years she spent on French soil influence her writing? How do the translations of her work collude in the myth surrounding her personality? Although several other scholars have discussed the Katherine Mansfield myth in France, this thesis is the first sustained attempt to establish interconnections between her own French influences (literary and otherwise), and the mythmaking of the French critics and translators. I have divided my thesis into six chapters. The first places Mansfield in the general literary context of her era, exploring French literary tendencies at the time and juxtaposing them with the main literary trends in England. The second chapter focuses on the writer’s trips to France, demonstrating the influence of the French experience on her life and works. The third chapter highlights specific French literary influences and how these manifest themselves in her narrative art. In the fourth, I explain the workings of the writer’s narrative art, so that when in the next chapter I study the translations via close textual analysis, it will become clear whether the beliefs and principles expressed in the original texts have been diluted during the translation process. The last chapter prior to the conclusion will follow the critical appraisal of her life and work in France from her death up to the present day, by closely analysing the differing French critical responses. The division of the thesis in this way will enable me to show how these various strands combine to create a legend which has little basis in fact, thereby demonstrating how reception and translation determine the importance of an author’s reputation in the literary world.
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Jones, Jacqueline Clare Elaine. "Katherine Mansfield and memory : Bergsonian readings." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22976.

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This thesis is the first full-length study to investigate memory discourse in Katherine Mansfield’s short stories. It presents multiple close readings of the ways in which memory is inscribed in Mansfield’s stories, taking an approach to memory drawn from the philosophy of the French philosopher Henri Bergson. What Mansfield and Bergson share in common is an idea of the insistence of memory – its survival, determination, assertion and resistance – during a period of multiple social and historical change when memory was variously seen to be in crisis. Bergson’s distinctive theory of memory which opposes temporalism (or ‘time in the mind’) with measured (or ‘spatialised’) time provides a rich interpretive tool for analysing memory in Mansfield’s fiction. Following phases of Bergson’s developing thinking, each of the four chapters introduces a different dimension of memory – the generative, the topological, the degenerative and the cosmic – through which I analyse The Aloe and Prelude, ‘At the Bay’, ‘The Garden Party’, ‘The Daughters of the Late Colonel’, ‘Bliss’ and ‘The Canary’ as well as other less well-known examples of Mansfield’s fictional and personal writings. What emerges from this process is a new Mansfield acutely sensitive to the insistent power of memory and the attenuation of time past into the present, concurrent with some of her modernist contemporaries, yet especially attuned to the signal and significant thought of Bergson.
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Sundlöf, Sten-Ove. "Stilstudie - Katherine Mansfield och Stephen King." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-160257.

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In this essay I will present a stylestudy of he New Zeeland born author Katherine Mansfield, 1888 - 1923 and american master of horror, Stephen King, born 1947. The main focus is to analyze how they use the literary tools of time, place and focalisation and to make a literary experiment where I practise the learnings I have made.  I will try to answer how the authors use time, place and focalisation in the novels? In my literary experiment, can I find the differences and similarities? I have studied two shortstorys: Katherine Mansfields The Garden Party and from Stephen King, 1922.I read my first short story from Mansfield and King more than twenty years ago and over the years they have stayed in my memory as strong and positive experiences of reading. My aim is to learn more about the author's style with special attention to time, place and focalisation.  The tools for this is studies of their works in connection to these three concepts and a literary experiment where I try to mimic the authors. In this my work I have found similarities and differencies between the two authors. Differencies coming from the different times when they write: Mansfield from early 1900  modernism and romanticism and King contemporary literature and horror. I have deepened my understanding of place and time and captured new knowledge about focalization, a term that was new to me as I started the course. Both authors write chronologically over different timespace (one day and a decade). They use dialogue, both internal and external. They switch between external nd internal/varied internal focalization wich makes the novels fascinating and intriguing. I have found that is is possible to cross the style of the tho authors and create a credible story.
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Santos, Camila Carmo dos. "Os espaços na ficção de Katherine Mansfield." Master's thesis, Porto : [Edição do Autor], 2010. http://hdl.handle.net/10216/55959.

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Books on the topic "Katherine Mansfield"

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Daly, Saralyn R. Katherine Mansfield. New York: Twayne Publishers, 1994.

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Kascakova, Janka, Gerri Kimber, and Władysław Witalisz. Katherine Mansfield. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003199526.

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Fullbrook, Kate. Katherine Mansfield. Bloomington: Indiana University Press, 1986.

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Dupuis, Michel. Katherine Mansfield. Lyon: La Manufacture, 1988.

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Boon, Kevin. Katherine Mansfield. Petone [N.Z.]: Nelson Price Milburn, 1991.

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Katherine Mansfield. Brighton, Sussex: Harvester Press, 1986.

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Katherine Mansfield. Vero Beach, FL: Rourke Corp., 1990.

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Katherine Mansfield. Tavistock, Devon, U.K: Northcote House in association with the British Council, 2004.

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Phillimore, Jane. Katherine Mansfield. Hove: Wayland, 1989.

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Nathan, Rhoda B. Katherine Mansfield. New York: Continuum, 1988.

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Book chapters on the topic "Katherine Mansfield"

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Williams, Merryn. "Katherine Mansfield." In Six Women Novelists, 58–79. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18979-3_4.

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Alexander, Vera. "Mansfield, Katherine." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14250-1.

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Drews, Jörg, and Vera Alexander. "Katherine Mansfield." In Kindler Kompakt Englische Literatur 20. Jahrhundert, 45–46. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_5.

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Miao, Tracy. "Waves and ‘moment[s] of suspension’." In Katherine Mansfield, 171–82. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003199526-15.

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Cappuccio, Richard. "Absence, Distance and Influence." In Katherine Mansfield, 85–100. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003199526-8.

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Kascakova, Janka, Gerri Kimber, and Władysław Witalisz. "Introduction." In Katherine Mansfield, 1–6. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003199526-1.

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Kwiatkowska, Anna. "The Function of the Domestic Garden Space in ‘Prelude’ and ‘At the Bay’." In Katherine Mansfield, 183–99. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003199526-16.

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Kimber, Gerri. "‘From the other side of the world’." In Katherine Mansfield, 9–23. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003199526-3.

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Lawattanatrakul, Anna. "Making Music, Making Room." In Katherine Mansfield, 159–70. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003199526-14.

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Kaplan, Sydney Janet. "Katherine Mansfield's American Legacy." In Katherine Mansfield, 143–56. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003199526-12.

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Conference papers on the topic "Katherine Mansfield"

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"The Pursuit of Inner Peace—The Modernistic Narration in Katherine Mansfield’s Short Stories." In 2019 International Conference on Advances in Literature, Arts and Communication. The Academy of Engineering and Education (AEE), 2019. http://dx.doi.org/10.35532/jahs.v1.005.

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Zhang, Songni. "On Novel Dialogue Translation from the Perspective of Adaptation Theory: A Case Study of Katherine Mansfield’s Short Stories." In Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.92.

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