Relevant bibliographies by topics / Katherine Mansfield and Virginia Woolf

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Academic literature on the topic 'Katherine Mansfield and Virginia Woolf'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "Katherine Mansfield and Virginia Woolf"

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Thomas, Sue. "Revisiting Katherine Mansfield, Virginia Woolf and the Aesthetics of Respectability." English Studies 94, no. 1 (2013): 64–82. http://dx.doi.org/10.1080/0013838x.2012.721242.

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Meisel, Perry. "Katherine Mansfield and Virginia Woolf: A Public of Two. Angela Smith." Modern Philology 100, no. 1 (2002): 160–64. http://dx.doi.org/10.1086/493177.

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Protopopova, D. "CLAIRE DAVISON. Translation as Collaboration: Virginia Woolf, Katherine Mansfield and S.S. Koteliansky." Review of English Studies 66, no. 274 (2014): 396–98. http://dx.doi.org/10.1093/res/hgu085.

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Cortés Vieco, Francisco José. "(Im)perfect celebrations by intergenerational hostesses." International Journal of English Studies 20, no. 1 (2020): 93–111. http://dx.doi.org/10.6018/ijes.364191.

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Katherine Mansfield and Virginia Woolf nourished a peculiar stream of parallel foreignness and kinship with each other as coetaneous writers. This article explores the likenesses and dialogues between Mansfield’s story “The Garden Party” and Woolf’s Mrs. Dalloway to detect and depict how bourgeois women, like Laura Sheridan and Clarissa Dalloway, albeit from two different generations, are indoctrinated by social etiquette, class consciousness and the prevailing archetype of domestic femininity inherited from Victorian times. Integrated into their compulsory roles as angelic daughters and wives
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Garvey, Johanna X. K. "Book Review: Word of Mouth: Body Language in Katherine Mansfield and Virginia Woolf." MFS Modern Fiction Studies 43, no. 4 (1997): 1024–27. http://dx.doi.org/10.1353/mfs.1997.0087.

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Kubasiewicz, Mirosława. ""2 hours priceless talk" - on the Friendship between Katherine Mansfield and Virginia Woolf." Explorations: A Journal of Language and Literature 6 (December 15, 2018): 37–51. http://dx.doi.org/10.25167/exp13.18.6.4.

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Goldman, J. "Eileen Barrett and Patricia Cramer eds., Virginia Woolf: Lesbian Readings; Angela Smith, Katherine Mansfield and Virginia Woolf: A Public of Two." English 52, no. 202 (2003): 97–100. http://dx.doi.org/10.1093/english/52.202.97.

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Mattisson, Jane. "Modernist Short Fiction by Women. The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf." English Studies 95, no. 5 (2014): 589–90. http://dx.doi.org/10.1080/0013838x.2014.926670.

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Blakemore, Diane. "Parentheticals and point of view in free indirect style." Language and Literature: International Journal of Stylistics 18, no. 2 (2009): 129–53. http://dx.doi.org/10.1177/0963947009105341.

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This article explores the functions of parentheticals in Free Indirect Style (FIS), and in particular their role in enabling the author to represent thoughts from a variety of perspectives — including his own. I argue that while there is a sense in which a FIS text can achieve relevance by creating a sense of mutuality that is unmediated by the presence of the author, there are also features which allow the author to signal his own attitudes towards the characters whose thoughts he is representing. Indeed, as Dillon and Kirchhoff (1976) and Fludernik (1993) have shown, an author is able to com
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Mullholland, T. "CLAIRE DREWERY, Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf." Notes and Queries 60, no. 3 (2013): 462–63. http://dx.doi.org/10.1093/notesj/gjt101.

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Dissertations / Theses on the topic "Katherine Mansfield and Virginia Woolf"

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Eriksson, Charlotte. "Katherine Mansfield och Virginia Woolf : Masker och självidentiteter." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-44885.

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This paper investigates the relationship between the two modernist writers Katherine Mansfield and Virginia Woolf. The two authors had a frail and complicated friendship that influenced their fiction and fictional characters more than the general public knows. My paper investigates how Woolf can have found her fictional story ideas direct from their friendship. With a comparative theory I’m finding and giving examples of how their friendship is reflected in their fictional stories, and I’m backing up my examples with citations from their own diaries, letters and notebooks. Another important pa
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Besnault-Levita, Anne. "L'ellipse dans les nouvelles de Katherine Mansfield, de Virginia Woolf et d'Elisabeth Bowen." Paris 3, 1996. http://www.theses.fr/1997PA030003.

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Qu'elle que soit la finesse de sa maille, le texte litteraire est, a l'image du tissu, toujours ajoure, lacunaire: aussi l'inexprimable a-t-il toujours cotoye l'exprime en litterature. Il faut cependant attendre l'epoque romantique, puis moderne, pour que le non-dit, si ce n'est le silence, devienne la clef d'une formulation consciente de l'oeuvre ouverte et le signe vide d'une lutte necessaire contre l'inevitabilite du langage. En refusant de saturer l'etendue de la page blanche, les collected stories de mansfield, de woolf et de bowen temoignent d'abord de cette resistance progressive de l'e
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Tarrant-Hoskins, Nicola Anne. "KATHERINE MANSFIELD AMONG THE MODERNS: HER IMPACT ON VIRGINIA WOOLF, D. H. LAWRENCE, AND ALDOUS HUXLEY." UKnowledge, 2014. http://uknowledge.uky.edu/english_etds/17.

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Katherine Mansfield among the Moderns examines Katherine Mansfield’s relationship with three fellow writers: Virginia Woolf, D. H. Lawrence, and Aldous Huxley, and appraises her impact on their writing. Drawing on the literary and the personal relationships between the aforementioned, and on letters, diaries, and journals, this project traces Mansfield’s interactions with her contemporaries, providing a richer and more dynamic portrait of Mansfield’s place within modernism than usually recognized. Hitherto, critical work has not scrutinized Mansfield in the manner I suggest: attending to repre
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Vialle, Elisabeth. "L'objet dans la littérature britannique de l'entre-deux-guerres : Virginia Woolf, Katherine Mansfield et Elisabeth Bowen." Paris 3, 1995. http://www.theses.fr/1995PA030073.

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Yeung, Siu Yin. "Modernist fiction and self: representing women and solitude in selected works by Virginia Woolf and Katherine Mansfield." HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/180.

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Solitude and self have been common topics for discussion and scrutiny by philosophers, scholars and writers. However, it was not until the turn of the twentieth century, with women 's enlightenment, that one notices women writers ' interest in understanding their selves in moments of solitude. Women who were conscious of drastic social changes often examined their lives and explored their selves in solitude. Katherine Mansfield and Virginia Woolf represent women writers of their time who shared a common interest in portraying women's quests for self in solitude. The present study shows how the
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Correia, Alda Maria. ""A quarta dimensão do instante" : estudo comparativo da epifania nos contos de Virginia Woolf, Katherine Mansfield e Clarice Lispector." Doctoral thesis, Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, 1998. http://hdl.handle.net/10362/5922.

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Dissertação de Doutoramento em Literatura Comparada<br>O objectivo do trabalho é comparar e aproximar os contos de Virginia Woolf, Katherine Mansfield e Clarice Lispector em que a epifania é utilizada como elemento, de um modo ou de outro, determinante na estrutura da narrativa. Este confronto de textos procura provar, tendo em conta a epifania como conteúdo temático e como técnica formal, que esta é um elemento polarizador das ambiguidades modernistas, do conflito de vozes e da dissonância, concretizadas de formas semelhantes e diferentes nos contos de cada uma das escritoras. Depois de uma
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Menadue, Fiona Jane. ""Absence of any scars? " : a comparative study of the critical writing and short fiction of Virginia Woolf and Katherine Mansfield /." Title page, contents and conclusion only, 2000. http://web4.library.adelaide.edu.au/theses/09AR/09arm534.pdf.

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Drewery, Claire. "Liminal entities : transition and the 'space between' in the short fiction of Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf." Thesis, University of Hull, 2006. http://hydra.hull.ac.uk/resources/hull:5672.

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The relationship between literary Modernism and the short story is a neglected area, particularly in terms of women's writing. Traditionally, critical interest in Virginia Woolf's novels and essays has tended to eclipse her short fiction, whilst the stories of Dorothy Richardson and May Sinclair are virtually absent from serious critical discussion. Only Katherine Mansfield has received due attention, though rarely in relation to her women contemporaries. Since the early 1990s, however, there has been a renaissance of interest in the Modernist short story. This draws attention to a recurring p
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Pfister, Alice. "De l’impression d'enfance à l’expression adulte : l’enfance poétique comme modèle implicite d’une esthétique narrative moderne chez Pierre Loti, Marcel Proust, Colette, Virginia Woolf et Katherine Mansfield." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040188.

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Cette thèse se propose d’explorer les rapports entre enfance et sentiment poétique pour considérer la manière dont l’impression enfantine peut se faire le modèle, en filigrane, d’une esthétique narrative moderne. Un corpus composé de récits de Pierre Loti, Marcel Proust, Colette, Virginia Woolf et Katherine Mansfield permet d’analyser l’inscription fictionnelle de personnages enfants pour montrer la similitude de caractéristiques supposément enfantines et de traits relevant d’une certaine conception du récit moderne, au tournant des XIXe et XXe siècles : le primat de la subjectivité, une pénét
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Saeed, Alan Ali. "'Liberties and licences' : gender, stream of consciousness and the philosophy of Henri Bergson and William James in selected female modernist fiction 1914-1929." Thesis, Brunel University, 2015. http://bura.brunel.ac.uk/handle/2438/13582.

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This thesis reconsiders in detail the connections between a selection of innovative female modernist writers who experimented variously with stream-of-consciousness techniques, May Sinclair, Dorothy Richardson, Katherine Mansfield and Virginia Woolf. It describes in this context the impact of the philosophy and thoughts of both William James and Henri Bergson upon these women writers’ literary work. It also argues for a fundamental revision of existing understandings of this interconnection by considering the feminist context of such work and recognising that the work of these four female writ
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Books on the topic "Katherine Mansfield and Virginia Woolf"

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Newman, Hilary. Virginia Woolf and Katherine Mansfield: A creative rivalry. Cecil Woolf, 2004.

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Katherine Mansfield and Virginia Woolf: A public of two. Clarendon Press, 1999.

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Morel, Alicia. Variaciones literarias: Textos de Virginia Woolf y Katherine Mansfield. s.n.], 1990.

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Katherine Mansfield and Virginia Woolf: A personal and professional bond. P. Lang, 1996.

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Word of mouth: Body language in Katherine Mansfield and Virginia Woolf. University Press of Virginia, 1996.

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Modernist short fiction by women: The liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf. Ashgate, 2011.

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Clarice Lispector comparada: Narrativas de conscientização em Clarice Lispector, Virginia Woolf, Susan Glaspell, Katherine Mansfield e A.S. Byatt. EDUFBA, 2009.

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1979-, Andres Cuevas Isabel-Maria, ed. The aesthetic construction of the female grotesque in Katherine Mansfield and Virginia Woolf: A study of the interplay of life and literature. Edwin Mellen Press, 2011.

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Salas, Gerardo Rodríguez. The aesthetic construction of the female grotesque in Katherine Mansfield and Virginia Woolf: A study of the interplay of life and literature. Edwin Mellen Press, 2011.

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Kimber, Gerri, Todd Martin, and Christine Froula, eds. Katherine Mansfield and Virginia Woolf. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474439657.001.0001.

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Katherine Mansfield’s ardent overture to Virginia Woolf launched a historic friendship of mutual admiration and fascination shot through with wary misunderstandings, rivalry, and envy. These comparative essays explore the shared terrain of these modernist women writers and shed new light on their 'curious &amp; thrilling' literary relationship – absorbing, intimate, distant, secretly critical, competitive, sometimes foundering in ‘quicksands’ – and its profound impact on their creative imaginations. Critical essays include Katherine Mansfield Essay Prizewinner Karina Jakubowicz on Woolf’s Kew
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Book chapters on the topic "Katherine Mansfield and Virginia Woolf"

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Macnamara, Katie. "How to Strike a Contemporary: Woolf, Mansfield, and Marketing Gossip." In Virginia Woolf and the Literary Marketplace. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230114791_6.

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"Katherine Mansfield, review in Athenaeum, November 1919." In Virginia Woolf. Routledge, 2003. http://dx.doi.org/10.4324/9780203444726-27.

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Ellmann, Maud. "Powers of Disgust: Katherine Mansfield and Virginia Woolf." In Katherine Mansfield and Virginia Woolf. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474439657.003.0002.

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Woolf and Mansfield are often noted for their lyricism, but they also share a powerful undercurrent of disgust. This essay considers how recent theories of disgust pertain to their writing, especially to Mansfield’s In a German Pension and Woolf’s The Years. It concludes with a comparison of two short stories, Woolf’s “The Duchess and the Jeweller” (1938) and Mansfield’s ‘Je ne parle pas français’, which have aroused disgusted reactions in their readers.
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Mundeja, Ruchi. "Katherine Mansfield and Virginia Woolf." In The Bloomsbury Handbook to Katherine Mansfield. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781350111479.ch-008.

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DiBattista, Maria. "Together and Apart." In Katherine Mansfield and Virginia Woolf. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474439657.003.0003.

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Mansfield was dead a week when Virginia Woolf confided in her diary that ‘probably we had something in common which I shall never find in anyone else’. Woolf attributed their rapport to Mansfield’s ‘caring so genuinely if so differently from the way I care about our precious art’. Perhaps only in death could Woolf finally agree to the less equivocal version of their relationship that Mansfield had put to her years before: ‘We have got the same job, Virginia, &amp; it is really very curious &amp; thrilling that we should both, quite apart from each other, be after so very nearly the same thing. We are you know; there’s no denying it.’ One can feel no need to deny it and yet still wonder what that ‘something in common’ actually was and why Woolf, given her extensive and varied circle of family and friends, felt so inconsolable upon the loss – not simply the diminishment – of it. This essay is motivated by that wonder. It explores the artistic affinity that brought Mansfield and Woolf together in a unique literary rapport but also insists on the differences – especially in their attitudes towards time as a fulfiller or thwarter of human hopes – that ultimately set them apart in their representations of ‘Life’.
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Chumak, Halyna. "‘Roses blooming under glass; lips cut with a knife’: Hermeneutics of the Modern Female Face in Woolf and Mansfield." In Katherine Mansfield and Virginia Woolf. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474439657.003.0007.

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Inspired by the interdisciplinary studies undertaken by Michael North and Rochelle Rives, this article examines conspicuous representations of the modern female face in Virginia Woolf’s Mrs Dalloway (1925) and Katherine Mansfield’s ‘Bliss’ (1918), ‘Pictures’ (1920), and ‘The Garden Party’ (1922). If writers and artists of the early twentieth century dispelled facile assumptions about a mimetic relationship between face and character, why are two modernist women writers so invested in highlighting the female face? I approach this query and the lexical visages Mansfield and Woolf craft by situating their work within a cultural-historical framework that constellates nineteenth-century physiognomy, a growing female presence in the public sphere, and the rise of modern visual technologies. Physiognomy had lost its cultural traction by the fin de siècle, but it left an indelible influence on cultural assumptions about women who crossed domestic thresholds. I demonstrate that Woolf and Mansfield convey a salient interest in the inscrutable female visage that resists being read as what Rives calls a ‘text for analysis and interpretation’. Both writers reveal concerns about the modern woman’s visual identification, but of the two, it is Mansfield who fashions corrective images and extricates the modern woman from her physiognomic past.
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Richardson, Brian. "Dangerous Reading in Mansfield’s Stories and Woolf’s ‘The Fisherman and His Wife’." In Katherine Mansfield and Virginia Woolf. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474439657.003.0009.

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The fiction of both Katherine Mansfield and Virginia Woolf contains numerous depictions of characters in the act of reading. In many of these instances, reading is a dubious or even dangerous activity, causing the protagonists to misinterpret the world around them, misapply literary allusions, or draw incorrect and potentially harmful conclusions from their reading. We see this in Mansfield’s stories ‘The Tiredness of Rosabel,’ ‘A Cup of Tea,’ ‘Bliss,’ ‘Marriage à la Mode,’ and ‘The Little Governess’ which depict readers who mistake, misapply, or misconstrue their reading in different ways. Woolf also depicts many dubious acts of reading, one of the most curious being the misogynist fairy tale that Mrs Ramsay reads aloud to her son, James. Noting the problematic aspects of reading in Mansfield can help us model an alternative interpretation of the fairy tale within the novel in line with Woolf’s ironic use of allusion elsewhere in the text.
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Froula, Christine. "Katherine’s Secrets." In Katherine Mansfield and Virginia Woolf. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474439657.003.0005.

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When Mansfield offered Woolf ‘scrupulously truthful’ friendship – ‘the freedom of the city without any reserves at all’ – Woolf had already playfully described her as ‘utterly unscrupulous’. Attacking ‘the same job’ of creating a new postwar aesthetics, they shared ‘priceless talk’ about their ‘precious art’ even as their friendship foundered in distance, absence, ‘quicksands’ of insincerity, misunderstandings, secrets, silences – reserves of all sorts. This essay considers this competitive, irreplaceable literary friendship through the veil of Katherine’s secrets, things we see that Virginia evidently couldn’t, or could see only after Mansfield’s death: Mansfield’s 1919 letters about Night and Day; her ‘doubtful’ unsigned 1920 review of it, ‘A Tragic Comedienne’; her 1915 war story, ‘An Indiscreet Journey’, unpublished until after her death, and its resonances with Colette’s war journalism; the open secrets of her posthumously published Doves’ Nest and Journal, which flow into Woolf’s creation of The Waves. Whether Mansfield’s mercurial ‘we’ voices their ‘public of two’, her exclusive alliance with Murry against Bloomsbury, or their postwar generation’s ‘change of heart’, her work, talk, and thought participate in – and even inspire – that ‘thinking in common’ Woolf theorises in A Room of One’s Own and abstracts as ‘the life of anybody’ in The Waves.
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Froula, Christine. "Introduction: Thinking Sideways through One’s Sisters." In Katherine Mansfield and Virginia Woolf. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474439657.003.0001.

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‘She’s always there’, sighed someone at the 2017 Katherine Mansfield Conference when Virginia Woolf’s name cropped up yet again, and the audience sighed with her: ‘she’s always there’. Mansfield’s ardent overture of friendship to Woolf launched a relationship of mutual admiration and fascination shot through with misunderstanding, wariness, rivalry and envy. Now ‘curious &amp; thrilling’, now warm, absorbing and intimate; now distant, dormant, secretly dismissive, always competitive, often foundering in ‘quicksands’, their six-year friendship was, for all its ambivalence, uniquely valued by them both for the sake of their ‘precious art’....
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Mitchell, J. Lawrence. "‘Not the kind to die’: Katherine Mansfield and the Unquiet Ghost of ‘little brother’." In Katherine Mansfield and Virginia Woolf. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474439657.003.0015.

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This article documents the longstanding and special bond of affection between Katherine Mansfield and her brother Leslie Heron Beauchamp (known as ‘Chummie’ and ‘Bogey’ by family) and the often oblique but artful ways this bond is reflected in her stories. With the aid of War Office records, contemporary New Zealand newspaper reports, and Beauchamp family letters in the Alexander Turnbull Library, the essay specifically addresses hitherto unknown, yet biographically significant, issues concerning Leslie’s education, his social life and military training in England, and his accidental death in Flanders. In so doing, the essay thereby corrects some misapprehensions about Leslie and the nature and extent of Mansfield’s relationship with him.
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