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Dissertations / Theses on the topic 'Katherine Mansfield and Virginia Woolf'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Eriksson, Charlotte. "Katherine Mansfield och Virginia Woolf : Masker och självidentiteter." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-44885.

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This paper investigates the relationship between the two modernist writers Katherine Mansfield and Virginia Woolf. The two authors had a frail and complicated friendship that influenced their fiction and fictional characters more than the general public knows. My paper investigates how Woolf can have found her fictional story ideas direct from their friendship. With a comparative theory I’m finding and giving examples of how their friendship is reflected in their fictional stories, and I’m backing up my examples with citations from their own diaries, letters and notebooks. Another important pa

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2

Besnault-Levita, Anne. "L'ellipse dans les nouvelles de Katherine Mansfield, de Virginia Woolf et d'Elisabeth Bowen." Paris 3, 1996. http://www.theses.fr/1997PA030003.

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Qu'elle que soit la finesse de sa maille, le texte litteraire est, a l'image du tissu, toujours ajoure, lacunaire: aussi l'inexprimable a-t-il toujours cotoye l'exprime en litterature. Il faut cependant attendre l'epoque romantique, puis moderne, pour que le non-dit, si ce n'est le silence, devienne la clef d'une formulation consciente de l'oeuvre ouverte et le signe vide d'une lutte necessaire contre l'inevitabilite du langage. En refusant de saturer l'etendue de la page blanche, les collected stories de mansfield, de woolf et de bowen temoignent d'abord de cette resistance progressive de l'e

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3

Tarrant-Hoskins, Nicola Anne. "KATHERINE MANSFIELD AMONG THE MODERNS: HER IMPACT ON VIRGINIA WOOLF, D. H. LAWRENCE, AND ALDOUS HUXLEY." UKnowledge, 2014. http://uknowledge.uky.edu/english_etds/17.

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Katherine Mansfield among the Moderns examines Katherine Mansfield’s relationship with three fellow writers: Virginia Woolf, D. H. Lawrence, and Aldous Huxley, and appraises her impact on their writing. Drawing on the literary and the personal relationships between the aforementioned, and on letters, diaries, and journals, this project traces Mansfield’s interactions with her contemporaries, providing a richer and more dynamic portrait of Mansfield’s place within modernism than usually recognized. Hitherto, critical work has not scrutinized Mansfield in the manner I suggest: attending to repre

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4

Vialle, Elisabeth. "L'objet dans la littérature britannique de l'entre-deux-guerres : Virginia Woolf, Katherine Mansfield et Elisabeth Bowen." Paris 3, 1995. http://www.theses.fr/1995PA030073.

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5

Yeung, Siu Yin. "Modernist fiction and self: representing women and solitude in selected works by Virginia Woolf and Katherine Mansfield." HKBU Institutional Repository, 2015. https://repository.hkbu.edu.hk/etd_oa/180.

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Solitude and self have been common topics for discussion and scrutiny by philosophers, scholars and writers. However, it was not until the turn of the twentieth century, with women 's enlightenment, that one notices women writers ' interest in understanding their selves in moments of solitude. Women who were conscious of drastic social changes often examined their lives and explored their selves in solitude. Katherine Mansfield and Virginia Woolf represent women writers of their time who shared a common interest in portraying women's quests for self in solitude. The present study shows how the

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6

Correia, Alda Maria. ""A quarta dimensão do instante" : estudo comparativo da epifania nos contos de Virginia Woolf, Katherine Mansfield e Clarice Lispector." Doctoral thesis, Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, 1998. http://hdl.handle.net/10362/5922.

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Dissertação de Doutoramento em Literatura Comparada<br>O objectivo do trabalho é comparar e aproximar os contos de Virginia Woolf, Katherine Mansfield e Clarice Lispector em que a epifania é utilizada como elemento, de um modo ou de outro, determinante na estrutura da narrativa. Este confronto de textos procura provar, tendo em conta a epifania como conteúdo temático e como técnica formal, que esta é um elemento polarizador das ambiguidades modernistas, do conflito de vozes e da dissonância, concretizadas de formas semelhantes e diferentes nos contos de cada uma das escritoras. Depois de uma

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7

Menadue, Fiona Jane. ""Absence of any scars? " : a comparative study of the critical writing and short fiction of Virginia Woolf and Katherine Mansfield /." Title page, contents and conclusion only, 2000. http://web4.library.adelaide.edu.au/theses/09AR/09arm534.pdf.

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8

Drewery, Claire. "Liminal entities : transition and the 'space between' in the short fiction of Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf." Thesis, University of Hull, 2006. http://hydra.hull.ac.uk/resources/hull:5672.

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The relationship between literary Modernism and the short story is a neglected area, particularly in terms of women's writing. Traditionally, critical interest in Virginia Woolf's novels and essays has tended to eclipse her short fiction, whilst the stories of Dorothy Richardson and May Sinclair are virtually absent from serious critical discussion. Only Katherine Mansfield has received due attention, though rarely in relation to her women contemporaries. Since the early 1990s, however, there has been a renaissance of interest in the Modernist short story. This draws attention to a recurring p

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9

Pfister, Alice. "De l’impression d'enfance à l’expression adulte : l’enfance poétique comme modèle implicite d’une esthétique narrative moderne chez Pierre Loti, Marcel Proust, Colette, Virginia Woolf et Katherine Mansfield." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040188.

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Cette thèse se propose d’explorer les rapports entre enfance et sentiment poétique pour considérer la manière dont l’impression enfantine peut se faire le modèle, en filigrane, d’une esthétique narrative moderne. Un corpus composé de récits de Pierre Loti, Marcel Proust, Colette, Virginia Woolf et Katherine Mansfield permet d’analyser l’inscription fictionnelle de personnages enfants pour montrer la similitude de caractéristiques supposément enfantines et de traits relevant d’une certaine conception du récit moderne, au tournant des XIXe et XXe siècles : le primat de la subjectivité, une pénét

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10

Saeed, Alan Ali. "'Liberties and licences' : gender, stream of consciousness and the philosophy of Henri Bergson and William James in selected female modernist fiction 1914-1929." Thesis, Brunel University, 2015. http://bura.brunel.ac.uk/handle/2438/13582.

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This thesis reconsiders in detail the connections between a selection of innovative female modernist writers who experimented variously with stream-of-consciousness techniques, May Sinclair, Dorothy Richardson, Katherine Mansfield and Virginia Woolf. It describes in this context the impact of the philosophy and thoughts of both William James and Henri Bergson upon these women writers’ literary work. It also argues for a fundamental revision of existing understandings of this interconnection by considering the feminist context of such work and recognising that the work of these four female writ

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11

Lopoukhine, Juliana. "The poetics and politics of urban spaces; sexual difference under pressure in British women's fiction 1910-1930: Rose Macaulay, Katherine Mansfield, Virginia Woolf & Jean Rhys." Thesis, Keele University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.572425.

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From 1910 to 1930, and in the aftermath of the First World War, history and politics were focused on the city. The city crystallised what was at once a temporal crisis and a period rich in potential. It was, at the same time, a laboratory for a new Modernist aesthetics in literature and the stage on which women at last arrived. The writings of Virginia Woolf, Jean Rhys, Katherine Mansfield and Rose Macaulay take on the historical and socio-political determinations that, for women, structured urban space like a grid. The subjectivities of their female characters constitute positions which allow

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12

Lopoukhine, Juliana. "Poétiques et politiques des espaces urbains dans la fiction féminine des années 1910-1930 en Angleterre : la différence sexuelle à l’épreuve de la ville. Rose Macaulay, Katherine Mansfield, Virginia Woolf & Jean Rhys." Paris 10, 2011. http://www.theses.fr/2011PA100117.

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La ville des années 1910-30 concentre les enjeux politiques et historiques, au lendemain de la première guerre mondiale. Elle est à la fois lieu où s’imprime la crise du temps et terreau de sa potentialité, laboratoire des représentations esthétiques ou littéraires au moment moderniste et scène de l’avènement des femmes. Les récits de Rose Macaulay, Katherine Mansfield, Virginia Woolf et Jean Rhys viennent saisir les déterminations historiques et sociopolitiques comme maillage de places dans les espaces urbains de ces années charnières. La subjectivité des personnages féminins constitue la pos

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13

Waite, Rebecca S. L. "Katherine Anne Porter's "Old Mortality" and Virginia Woolf: A Study in Feminism." W&M ScholarWorks, 1998. https://scholarworks.wm.edu/etd/1539626152.

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14

Meyers, Judith Marie. ""Comrade-Twin" : brothers and doubles in the World War I prose of May Sinclair, Katherine Anne Porter, Vera Brittain, Rebecca West, and Virginia Woolf /." Thesis, Connect to this title online; UW restricted, 1985. http://hdl.handle.net/1773/9336.

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15

Thomson, Tara S. ""Behind the cotton wool": Everyday Life and the Gendered Experience of Modernity in Modernist Women's Fiction." Thesis, 2014. http://hdl.handle.net/1828/5388.

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This dissertation examines everyday life in selected works by Dorothy Richardson, Virginia Woolf, and Katherine Mansfield. It builds on recent scholarship by Bryony Randall (2007) and Liesl Olson (2009), who have argued that modernism marks a turn to the mundane or the ordinary, a view that runs contrary to the long-established understanding of modernism as characterized by its stylistic difficulty, high culture aesthetics, and extraordinary moments. This study makes a departure from these seminal critical works, taking on a feminist perspective to look specifically at how modernist authors us

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