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Journal articles on the topic 'Katherine Mansfield and Virginia Woolf'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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1

Thomas, Sue. "Revisiting Katherine Mansfield, Virginia Woolf and the Aesthetics of Respectability." English Studies 94, no. 1 (2013): 64–82. http://dx.doi.org/10.1080/0013838x.2012.721242.

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2

Meisel, Perry. "Katherine Mansfield and Virginia Woolf: A Public of Two. Angela Smith." Modern Philology 100, no. 1 (2002): 160–64. http://dx.doi.org/10.1086/493177.

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3

Protopopova, D. "CLAIRE DAVISON. Translation as Collaboration: Virginia Woolf, Katherine Mansfield and S.S. Koteliansky." Review of English Studies 66, no. 274 (2014): 396–98. http://dx.doi.org/10.1093/res/hgu085.

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4

Cortés Vieco, Francisco José. "(Im)perfect celebrations by intergenerational hostesses." International Journal of English Studies 20, no. 1 (2020): 93–111. http://dx.doi.org/10.6018/ijes.364191.

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Katherine Mansfield and Virginia Woolf nourished a peculiar stream of parallel foreignness and kinship with each other as coetaneous writers. This article explores the likenesses and dialogues between Mansfield’s story “The Garden Party” and Woolf’s Mrs. Dalloway to detect and depict how bourgeois women, like Laura Sheridan and Clarissa Dalloway, albeit from two different generations, are indoctrinated by social etiquette, class consciousness and the prevailing archetype of domestic femininity inherited from Victorian times. Integrated into their compulsory roles as angelic daughters and wives

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5

Garvey, Johanna X. K. "Book Review: Word of Mouth: Body Language in Katherine Mansfield and Virginia Woolf." MFS Modern Fiction Studies 43, no. 4 (1997): 1024–27. http://dx.doi.org/10.1353/mfs.1997.0087.

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6

Kubasiewicz, Mirosława. ""2 hours priceless talk" - on the Friendship between Katherine Mansfield and Virginia Woolf." Explorations: A Journal of Language and Literature 6 (December 15, 2018): 37–51. http://dx.doi.org/10.25167/exp13.18.6.4.

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7

Goldman, J. "Eileen Barrett and Patricia Cramer eds., Virginia Woolf: Lesbian Readings; Angela Smith, Katherine Mansfield and Virginia Woolf: A Public of Two." English 52, no. 202 (2003): 97–100. http://dx.doi.org/10.1093/english/52.202.97.

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8

Mattisson, Jane. "Modernist Short Fiction by Women. The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf." English Studies 95, no. 5 (2014): 589–90. http://dx.doi.org/10.1080/0013838x.2014.926670.

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9

Blakemore, Diane. "Parentheticals and point of view in free indirect style." Language and Literature: International Journal of Stylistics 18, no. 2 (2009): 129–53. http://dx.doi.org/10.1177/0963947009105341.

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This article explores the functions of parentheticals in Free Indirect Style (FIS), and in particular their role in enabling the author to represent thoughts from a variety of perspectives — including his own. I argue that while there is a sense in which a FIS text can achieve relevance by creating a sense of mutuality that is unmediated by the presence of the author, there are also features which allow the author to signal his own attitudes towards the characters whose thoughts he is representing. Indeed, as Dillon and Kirchhoff (1976) and Fludernik (1993) have shown, an author is able to com

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10

Mullholland, T. "CLAIRE DREWERY, Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf." Notes and Queries 60, no. 3 (2013): 462–63. http://dx.doi.org/10.1093/notesj/gjt101.

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11

Jensen, Meg. "The Writer's Diary as Borderland: The Public and Private Selves of Virginia Woolf, Katherine Mansfield and Louisa May Alcott." Life Writing 9, no. 3 (2012): 315–25. http://dx.doi.org/10.1080/14484528.2012.689952.

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12

Hollington, Michael. "Nicole Seifert, Von Tagebüchern und Trugbildern: Die autobiographische Aufzeichnungen von Katherine Mansfield, Virginia Woolf und Sylvia Plath [Of Diaries and Deceptions: The Autobiographical Writings of Katherine Mansfield, Virginia Woolf and Sylvia Plath] (Berlin: Kulturverlag Kadmos, 2008) 260 pp., €19 / £16. ISBN 9783865990617." Katherine Mansfield Studies 1, no. 1 (2009): 122–24. http://dx.doi.org/10.3366/e2041450109000146.

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13

Besnault-Levita, Anne. "Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf (review)." Modernism/modernity 19, no. 1 (2012): 214–16. http://dx.doi.org/10.1353/mod.2012.0004.

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14

Sotirova, Violeta. "The status of the narrator in Modernist fiction." Journal of Literary Semantics 49, no. 2 (2020): 75–97. http://dx.doi.org/10.1515/jls-2020-2021.

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AbstractThis article explores hitherto unexplored complexities in the positioning of the Modernist narrator. Taking as a starting point Banfield’s ‘empty centre’ technique, the article re-evaluates the difficulties posed by this phenomenon and develops a more thorough and a sounder understanding of ‘the empty centre’. Some of the evidence for a new theory of ‘empty centre’ passages comes from pragmatics and naturally occurring discourse data. In particular, an investigation of the impersonal uses of generic pronouns, which Monika Fludernik (1993. The fictions of language and the languages of f

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15

Jensen, Meg. "Getting to Know Me in Theory and Practice: Negotiated Truth and Mourning in Autobiographically Based Fiction (J. G. Ballard, Virginia Woolf, Katherine Mansfield, Jack Kerouac, Louisa May Alcott and me)." Literature Compass 8, no. 12 (2011): 941–50. http://dx.doi.org/10.1111/j.1741-4113.2011.00850.x.

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16

Smith, Angela. "Claire Drewery, Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf (Farnham and Burlington: Ashgate, 2011), 150 pp., £50, ISBN 978 0 7546 6646 2." Katherine Mansfield Studies 4, no. 1 (2012): 137–38. http://dx.doi.org/10.3366/kms.2012.0042.

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17

Sánchez Cuervo, Margarita Esther. "“Katherine Mansfield about Katherine Mansfield”: Rhetorical Analysis of Virginia Woolf’s ‘A Terribly Sensitive Mind’." Neophilologus 99, no. 2 (2014): 335–49. http://dx.doi.org/10.1007/s11061-014-9417-1.

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18

Neverow, Vara. "Gerardo Rodriguez-Salas and Isabel Maria Andrés-Cuevas, The Aesthetic Construction of the Female Grotesque in Katherine Mansfield and Virginia Woolf: A Study of the Interplay of Life and Literature (Lampeter, Wales: The Edwin Mellen Press, 2011), 134 pp., £39.95 (US$49.95), ISBN 978 0 7734 1565 2." Katherine Mansfield Studies 4, no. 1 (2012): 132–33. http://dx.doi.org/10.3366/kms.2012.0039.

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19

Biasio, Anne-Marie Smith-Di. "Claire Davison, Translation as Collaboration: Virginia Woolf, Katherine Mansfield and S. S. Koteliansky." Études britanniques contemporaines, no. 48 (March 23, 2015). http://dx.doi.org/10.4000/ebc.2317.

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20

Kubasiewicz, Mirosława. "Negocjacje/transakcje/interakcje – o współpracy translatorskiej Virginii Woolf, Katherine Mansfield i Samuela Koteliańskiego." Przekładaniec 32/2016 (2017). http://dx.doi.org/10.4467/16891864pc.16.018.6558.

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21

Murphy, Ffion, and Richard Nile. "Writing, Remembering and Embodiment: Australian Literary Responses to the First World War." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.526.

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This paper is part of a larger project exploring Australian literary responses to the Great War of 1914-1918. It draws on theories of embodiment, mourning, ritual and the recuperative potential of writing, together with a brief discussion of selected exemplars, to suggest that literary works of the period contain and lay bare a suite of creative, corporeal and social impulses, including resurrection, placation or stilling of ghosts, and formation of an empathic and duty-bound community. In Negotiating with the Dead, Margaret Atwood hypothesises that “all writing of the narrative kind, and perh

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