Log in

Relevant bibliographies by topics / Katherine Mansfield / Journal articles

To see the other types of publications on this topic, follow the link: Katherine Mansfield.

Journal articles on the topic 'Katherine Mansfield'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 May 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Katherine Mansfield.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Podbrežnik, Andrej. "Katherine Mansfield in Slovene translations." Acta Neophilologica 34, no. 1-2 (December 1, 2001): 39–57. http://dx.doi.org/10.4312/an.34.1-2.39-57.

Full text

Abstract:

During her short life Katherine Mansfield wrote numerous short stories, which place her among the best authors of this genre in world literature. The au thor of this paper tries to establish the reception of Mansfield's work and the critics' response in Slovenia. First translations of her stories were published in various Slovene magazines and reviews after the Second World War. However, the most complete and artistically successful presentation of her work was prepared in 1963 when Jože Udovič published twenty-eight short stories written by this author under the title Katherine Mansfield: The Garden Party. Udovič also contributed the introduction about the author and her work. The book was very well received in Slovenia not only by the reading public, but also by critics, who praised Mansfield and Udovič's translation as well. After that more than twenty years passed, before Katarina Mahnič translated Katherine Mansfield's short story "The Singing Lesson" in 1988. We can conclude that hopefully some new translations of Katherine Mansfield's stories will appear soon.

APA, Harvard, Vancouver, ISO, and other styles

2

Kubasiewicz, Mirosława. "Katherine Mansfield – tłumaczka Stanisława Wyspiańskiego – Sędziowie." Przekładaniec, no. 45 (April 14, 2023): 76–109. http://dx.doi.org/10.4467/16891864pc.22.011.17172.

Full text

Abstract:

Katherine Mansfield – the Translator of Stanisław Wyspiański’s The Judges In 2014 Edinburgh University Press published the third volume of Katherine Mansfield’s “Collected Works” – The Poetry and Critical Writings of Katherine Mansfield – which included all her translations, not only those of the works by A. Kuprin, A. Chekhov and F. Dostoyevsky, but for the first time also fragments of The Judges (Sędziowie) by Stanisław Wyspiański. The article explains a possible genesis of this translation, connected with the person of Florian Sobieniowski, who acquainted Mansfield with the work of the Polish playwright. The influence of Wyspiański on Mansfield was considerable at the time and might have been instrumental in her decision to undertake the translation already in 1909, or perhaps later, around 1912, when John Middleton Murry, the editor of Rhythm, decided to devote a whole issue of the magazine to the work of the Polish author. The translation may have also been done in 1917, the year entered on the manuscript by Murry, Mansfield’s husband and the editor of her work after the writer’s death. Mansfield did not know Polish, so she used the German translation of Sędziowie (Gericht) by Kasimir Różycki as a reference. Her translation, however, more faithful to the original, goes beyond the German text, which is a prose summary of the play. To show the quality of Mansfield’s translation, the article compares the solutions adopted by each translator to render the meaning of the same fragments of the play. Mansfield’s version suggests a close collaboration with Sobieniowski to find the rhythm, sound and meaning of the original, a pattern of work which she fully developed in her later translating collaboration with Samuel Koteliansky.

APA, Harvard, Vancouver, ISO, and other styles

3

Smith, Angela, and Rhoda B. Nathan. "Katherine Mansfield." Modern Language Review 85, no. 2 (April 1990): 426. http://dx.doi.org/10.2307/3731840.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Kelly, Alice. "Mansfield Mobilised: Katherine Mansfield, the Great War and Military Discourse." Modernist Cultures 12, no. 1 (March 2017): 78–97. http://dx.doi.org/10.3366/mod.2017.0157.

Full text

Abstract:

This article examines the military discourse that Katherine Mansfield appropriated in her letters, focusing on three particular letter clusters from 1915, 1918, and 1919. I argue that the First World War and its accompanying rhetoric provided an important stimulus for Mansfield's writing and later functioned as a counter-trope for her own personally more serious battle with illness. Both Mansfield's deliberate and unintentional incorporation of military discourse in her correspondence resulted in a hybridized figurative language – an example of what Allyson Booth has called elsewhere ‘civilian modernism’ – which was significant for Mansfield's later literary development, and more broadly for our understanding of literary modernism.

APA, Harvard, Vancouver, ISO, and other styles

5

Bennett, Andrew. "HATING KATHERINE MANSFIELD." Angelaki 7, no. 3 (December 2002): 3–16. http://dx.doi.org/10.1080/0969725022000032445.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

May, Brian. "Katherine Mansfield, Postimpressionist." MFS Modern Fiction Studies 69, no. 1 (March 2023): 22–47. http://dx.doi.org/10.1353/mfs.2023.0001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Kimber. "“Always Trembling on the Brink of Poetry”: Katherine Mansfield, Poet." Humanities 8, no. 4 (October 23, 2019): 169. http://dx.doi.org/10.3390/h8040169.

Full text

Abstract:

Today, Katherine Mansfield is well known as one of the most exciting and cutting-edge exponents of the modernist short story. Little critical attention, however, has been paid to her poetry, which seems a strange omission, given how much verse she wrote during the course of her life, starting as a very young schoolgirl, right up until the last months prior to her death in 1923. Even Mansfield devotees are not really familiar with any poems beyond the five or six that have most frequently been anthologised since her death, and few editions of her poetry have ever been published. Mansfield’s husband, John Middleton Murry, edited a slim volume, Poems, in 1923, within a few months of her death, followed by a slightly extended edition in 1930, and Vincent O’Sullivan edited another small selection, also titled Poems, in 1988. Unsurprisingly, therefore, critics and biographers have paid little attention to her poetry, tending to imply that it is a minor feature of her art, both in quantity and, more damagingly, in quality. This situation was addressed in 2016, when EUP published a complete and fully annotated edition of Mansfield’s poems, edited by myself and Claire Davison, incorporating all my recent manuscript discoveries, including a collection of 36 poems—The Earth Child—sent unsuccessfully by Mansfield to a London publisher in 1910. This discovery in 2015 revealed how, at the very moment when Mansfield was starting to have stories accepted for commercial publication, she was also taking herself seriously as a poet. Indeed, had the collection been published, perhaps Mansfield might now be celebrated as much for her poetry as for her short stories. Therefore, this article explores the development of Mansfield’s poetic writing throughout her life and makes the case for her reassessment as an innovative poet and not just as a ground-breaking short story writer.

APA, Harvard, Vancouver, ISO, and other styles

8

史, 艳轲. "A Literary Stylistic Analysis of Katherine Mansfield’s Miss Brill." Pacific International Journal 7, no. 1 (February 15, 2024): 6–9. http://dx.doi.org/10.55014/pij.v7i1.492.

Full text

Abstract:

Katherine Mansfield, one of the most renowned female writers in the world of literature, created 93 works in her brief lifetime, many of which are considered classics by posterity. Mansfield’s outstanding contribution to literature lies in her innovation in the realm of short stories, and she is widely recognized as one of the finest short story writers in the history of English literature. Miss Brill is one such masterpiece, depicting the story of Miss Brill as she dresses neatly and goes to the park on a Sunday, sitting on a bench and observing the people passing by, listening to their conversations and the band playing. She imagines herself as a part of their world, but her illusions are shattered by a young couple, and she returns home, disheartened, to what feels like a cupboard of a home. This short story exemplifies the artistic techniques in Mansfield's storytelling, with one of the prominent features being the charm emanating from the stylistic choices in her works. Literary stylistics is concerned with the language features of literary works, exploring how authors use language to express the themes of their works and enhance their aesthetic value. This paper will delve into literary stylistics, focusing on the text of the short story Miss Brill, examining its lexical features, grammatical features, and figures of speech to explore how Mansfield uses specific language choices to convey and enhance the thematic significance and aesthetic effects of her work.

APA, Harvard, Vancouver, ISO, and other styles

9

Sheehy, Felicity. "The Young Katherine Mansfield." Women: A Cultural Review 29, no. 1 (January 2, 2018): 134–36. http://dx.doi.org/10.1080/09574042.2018.1425543.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Garver, Lee. "The Political Katherine Mansfield." Modernism/modernity 8, no. 2 (2001): 225–43. http://dx.doi.org/10.1353/mod.2001.0022.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Kwiatkowska, Anna. "Representations of Women in Selected Short Stories by Katherine Mansfield Viewed Through Seventeenth-century Genre Paintings." Tekstualia 1, no. 4 (January 1, 2018): 35–52. http://dx.doi.org/10.5604/01.3001.0013.5150.

Full text

Abstract:

The goal of the paper is to demonstrate the influence of the Dutch masters on the representation of women in Mansfield’s short stories. The correspondences discernible between Mansfieldian women characters and the women figures from the Dutch Old Masters’ canvases as well as Dutch painters’ techniques dealing with perspective and Mansfield’s treatment of narration show a lot in common. When introducing her female protagonists, Mansfield seems to employ certain narrative strategies that are reminiscent of the techniques utilised by the Old Masters. The paper addresses, therefore, two issues. Firstly, it deals with a transmedial aspect of Mansfield’s stories and makes an inquiry into the question of how the writer endowed her female protagonists with the characteristics that echo the features of women painted by the seventeenth-century artists. And secondly, the paper tries to establish why Mansfield would resort to the Old Masters’ canvases while constructing her modern texts. Since the topic of Dutch influences in Mansfield’s works appears to be a complex one, the paper is but an introduction into a deeper and more thorough inquiry into the works of Katherine Mansfield in relation to the 17th century paintings.

APA, Harvard, Vancouver, ISO, and other styles

12

Smith, Angela, and Pamela Dunbar. "Radical Mansfield: Double Discourse in Katherine Mansfield's Short Stories." Modern Language Review 95, no. 2 (April 2000): 485. http://dx.doi.org/10.2307/3736164.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Kaplan, Sydney Janet, and Pamela Dunbar. "Radical Mansfield: Double Discourse in Katherine Mansfield's Short Stories." Tulsa Studies in Women's Literature 19, no. 1 (2000): 137. http://dx.doi.org/10.2307/464413.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Alam, Md Saiful, Adelina Binti Asmawi, Mohib Ullah, Shafinur Nahar, and Sayeeda Fatema. "Appraising Katherine Mansfield’s Father Figures in “The Little Girl”: A Transitivity Analysis." Bulletin of Advanced English Studies 5, no. 2 (December 2020): 29–46. http://dx.doi.org/10.31559/baes2020.5.2.2.

Full text

Abstract:

This article explores the patterns of father figures, the father -child relationships and power imbalance depicted in Katherine Mansfield's “The Little Girl”, using one tool of analysis from Systemic Functional Grammar, which is Transitivity. Examined are the ways Mansfield, as a Modernist and feminist writer, thematizes and engages herself to the theme of the fathering model and the father - child relationships typical of her time in her story. The study concentrates on The Little Girl, by Mansfield, which contains father figures and children as one of the central issues. The study concludes that there is a remote father syndrome in Mansfield's “The Little Girl”, and that the fathering style and practice of the Old Father type makes the impossibility of healthy father-child relationships, and that the Old Father's conventional fatherhood creates a power imbalance between males and females, and finally there is an aspiration for the New type of father in the child’s life.

APA, Harvard, Vancouver, ISO, and other styles

15

Ferreira, Tanize Mocellin. "Miss Brill, de Katherine Mansfield." caleidoscópio: literatura e tradução 1, no. 1 (June 9, 2017): 134–54. http://dx.doi.org/10.26512/caleidoscopio.v1i1.7136.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Bilsing, Tracy. "“Mais vous savez, c'est un peu degoutant, ça”: Katherine Mansfield, Food, and the Indiscretions of the Great War." Gastronomica 15, no. 4 (2015): 50–58. http://dx.doi.org/10.1525/gfc.2015.15.4.50.

Full text

Abstract:

The short fiction of modernist author Katherine Mansfield, in particular her work written during World War I, provides a distinctive glimpse into the civilian culture of war. Mansfield uses food imagery in her writing to accentuate a shifting sensibility and profoundly emotional response to her own experience of the war. Embedded throughout her letters, notebooks, and short fiction written during and soon after the Great War, are references to food, especially to meat. Mansfield's food imagery and her artistic manipulation of the act of consuming food politicizes her work and compels a reconsideration of several pieces of short fiction which engage the event of war.

APA, Harvard, Vancouver, ISO, and other styles

17

Pittaway, Gail. "Play Review." Australasian Journal of Popular Culture 8, no. 2 (September 1, 2019): 265–67. http://dx.doi.org/10.1386/ajpc_00010_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Hanson, Clare, and Julia Van Gunsteren. "Katherine Mansfield and Literary Impressionism." Modern Language Review 87, no. 4 (October 1992): 959. http://dx.doi.org/10.2307/3731470.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

BALAGUER, ENRIC. "KATHERINE MANSFIELD I MERCÈ RODOREDA." Catalan Review 9, no. 1 (January 1, 1995): 21–31. http://dx.doi.org/10.3828/catr.9.1.2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Mitchell, J. Lawrence, and B. J. Kirkpatrick. "A Bibliography of Katherine Mansfield." South Central Review 10, no. 1 (1993): 98. http://dx.doi.org/10.2307/3190289.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Ross. "Katherine Mansfield: An Anxious Legacy." Journal of Modern Literature 36, no. 4 (2013): 177. http://dx.doi.org/10.2979/jmodelite.36.4.177.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Le-Guilcher, Lucy. "Katherine Mansfield and Ali Smith." Women: A Cultural Review 20, no. 2 (August 2009): 208–10. http://dx.doi.org/10.1080/09574040903000878.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Sheehy, Felicity. "Katherine Mansfield in New Zealand." Women: A Cultural Review 28, no. 1-2 (April 3, 2017): 147–49. http://dx.doi.org/10.1080/09574042.2017.1327756.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Wevers, Lydia. "Katherine Mansfield and literary modernism." Journal of Postcolonial Writing 48, no. 4 (September 2012): 450–51. http://dx.doi.org/10.1080/17449855.2011.650519.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Shifen Gong. "Katherine Mansfield in Chinese Translations1." Journal of Commonwealth Literature 31, no. 2 (June 1996): 117–37. http://dx.doi.org/10.1177/002198949603100210.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Smith, Angela. "Katherine Mansfield at the Front." First World War Studies 2, no. 1 (March 2011): 65–73. http://dx.doi.org/10.1080/19475020.2011.555473.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Sánchez Cuervo, Margarita Esther. "“Katherine Mansfield about Katherine Mansfield”: Rhetorical Analysis of Virginia Woolf’s ‘A Terribly Sensitive Mind’." Neophilologus 99, no. 2 (November 9, 2014): 335–49. http://dx.doi.org/10.1007/s11061-014-9417-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

García Gil, Ástor. "Reseña de «Cuentos escogidos»." Asparkía. Investigació feminista, no. 43 (December 13, 2023): 299–302. http://dx.doi.org/10.6035/asparkia.7212.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Khan, Kalsoom. "A Marxist Humanist Study of Selected Short Stories of Katherine Mansfield." University of Chitral Journal of Linguistics and Literature 6, no. I (March 30, 2022): 12–25. http://dx.doi.org/10.33195/jll.v6ii.349.

Full text

Abstract:

Marxist-humanism is a significant and pertinent theory that critiques the exploitation of lower classes by bourgeois classes and lays emphasis on the value of individuals in present-day class-conscious societies. In the Marxist-humanist vision of human society, the freedom of a human being is the most important aspect of social existence which should not be usurped by elite classes. This research paper scrutinizes the Marxist-Humanist strains delineated in the thematic dimensions of the three selected short stories The Doll’s House, The Garden Party, and Life of Ma Parker by Katherine Mansfield. The nature of this paper is qualitative, and the researcher has attempted to unravel the process of dehumanization of the bourgeois sections of society which results in the alienation of the lower classes. Mansfield’s short stories have not been previously explored from a Marxist-humanist perspective and the present research contributes to the available research studies on Katherine Mansfield’s short stories.

APA, Harvard, Vancouver, ISO, and other styles

30

Maver, Igor. "Trading Places in New Zealand two women's literary search for self-realization overseas." Futhark. Revista de Investigación y Cultura, no. 9 (2014): 275–84. http://dx.doi.org/10.12795/futhark.2014.i9.10.

Full text

Abstract:

Toe paper compares sorne of the possíble reasons for the radical change of locale and overseas travel far away from home in the case of the New Zealand writer Katherine Mansfield and especially the Slovenian author Alma Maximiliana Karlin in the early twentieth-century, which shows an interesting parallelism and search for the 'othemess' of experience beyond their respective homelands. If Mansfield decided to leave New Zealand for London to study, and for the second time to avoid the provincial climate at home, then the Slovenian travel writer Alma Karlin decided to leave Europe for Asia and New Zealand at roughly the same time as Mansfield arrived in the modemist literary Bloomsbury area in London. Toe publication of Mansfield's famous collection, I11e Carden Parti; and Other Ston·es (1922), and Karlin's travel book, Solitan; Journey (Die Einsame Weltreise, 1929), almost coincided, although the two women authors never met.

APA, Harvard, Vancouver, ISO, and other styles

31

Funke, Katherine. "Katherine Mansfield canta no oceano profundo." Manuscrítica: Revista de Crítica Genética, no. 47 (December 22, 2022): 109–20. http://dx.doi.org/10.11606/issn.2596-2477.i47p109-120.

Full text

Abstract:

Em janeiro de 2023, completam-se cem anos da morte de Katherine Mansfield. Embora 62 de seus poemas tenham sido publicados sob o título Poems, já no ano de sua morte, e dezenas outros tenham vindo à tona em 1990, até totalizarem os 217 reunidos em The Collected Poems of Katherine Mansfield (2016), nenhuma editora brasileira lançou ainda um volume de poesia mansfieldiana. Estudos de tradução publicados de modo esparso têm trazido para o arquivo acessível de modo online poemas avulsos ou em série. Mas ainda não houve a edição brasileira de um título como, na Argentina, Pájaro de invierno (Maravilla), antologia bilíngue premiada pela Asociación de Literatura Infantil y Juvenil de la Argentina (ALIJA), na categoria de melhor livro traduzido do período de 2020–2021. Também na Argentina surgiu em 2006 a antologia bilíngue Té de manzanilla y outros 29 poemas (Bajolaluna), reeditada em 2018. Por aqui, o mercado editorial apenas relança os contos da escritora, quase sempre os mesmos (embora em novas traduções), ignorando também neste gênero parte de sua produção. Este artigo propõe pensar o que este panorama informa sobre o modo como o arquivo de Katherine Mansfield tem circulado no Brasil.

APA, Harvard, Vancouver, ISO, and other styles

32

Nagy-Seres, Imola. "‘I am short of puff’: Katherine Mansfield's Poetics of Breathing." Modernist Cultures 17, no. 2 (May 2022): 267–89. http://dx.doi.org/10.3366/mod.2022.0371.

Full text

Abstract:

This article investigates the medical and aesthetic role of breath in Katherine Mansfield's writing. Through an examination of Mansfield's correspondence and her short stories ‘Prelude’ (1918) and ‘Bliss’ (1918), in parallel with early twentieth-century medical and fitness literature, I argue that respiration foregrounds a kind of form-shifting expansiveness, softening the body's edges and opening it up to forces beyond rational control, while also drawing attention to the self's limitations in forging meaningful bonds with others. While Mansfield often experienced respiration as physically painful – a disrupting force that separated her from her surroundings – she also imbued breath with hopeful and life-affirming qualities that carved out an affective and creative space of unlimited possibilities. As such, in Mansfield's writings, breath links up with a sense both of loss of control and desperation, and a desire to live, feel, and create.

APA, Harvard, Vancouver, ISO, and other styles

33

Snyder, Carey. "Katherine Mansfield,Rhythm, and Metropolitan Primitivism." Journal of Modern Periodical Studies 5, no. 2 (April 2015): 139–60. http://dx.doi.org/10.5325/jmodeperistud.5.2.0139.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Hanson, Clare, and Roger Robinson. "Katherine Mansfield: In from the Margin." Modern Language Review 90, no. 4 (October 1995): 989. http://dx.doi.org/10.2307/3733085.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Gomes, C. M. "O Conto Moderno de Katherine Mansfield." Todas as Letras: Revista de Língua e Literatura 17, no. 2 (August 25, 2015): 29–36. http://dx.doi.org/10.15529/1980-6914/letras.v17n2p29-36.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Smith, Angela. "GUTS – Katherine Mansfield as a Reviewer." Katherine Mansfield Studies 1, no. 1 (October 2009): 3–18. http://dx.doi.org/10.3366/e2041450109000043.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Nardin, Jane. "Katherine Mansfield and Elizabeth von Arnim’sVera." Notes and Queries 62, no. 3 (July 9, 2015): 450.1–451. http://dx.doi.org/10.1093/notesj/gjv084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Rodríguez Salas, Gerardo. "An annotated bibliography on Katherine Mansfield." Revista Alicantina de Estudios Ingleses, no. 17 (2004): 307–32. http://dx.doi.org/10.14198/raei.2004.17.19.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Drewery, Claire. "Katherine Mansfield and World War One." Women's Writing 24, no. 1 (September 14, 2016): 123–25. http://dx.doi.org/10.1080/09699082.2016.1232629.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Harding, Bruce. "Katherine Mansfield and the (post)colonial." Journal of Postcolonial Writing 50, no. 6 (April 2014): 753–55. http://dx.doi.org/10.1080/17449855.2014.900233.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

MIZUTA, KEIKO. "KATHERINE MANSFIELD AND THE PROSE POEM." Review of English Studies XXXIX, no. 153 (1988): 75–83. http://dx.doi.org/10.1093/res/xxxix.153.75.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Pirie, Mark. "Katherine Mansfield : A Pioneer Performance Poet?" Journal of Commonwealth Literature 34, no. 2 (June 1999): 97–104. http://dx.doi.org/10.1177/002198949903400209.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Azevedo Filho, Moisés Silva de, and Clara Morghana Pereira Silva. "Relações de poder e existência autêntica em "As Filhas do Falecido Coronoel", de Katherine Mansfield." Enlaces 4 (December 29, 2023): e023008. http://dx.doi.org/10.55847/enlaces.v4i.1029.

Full text

Abstract:

O presente artigo tem como principal proposta analisar o conto As Filhas do Falecido Coronel (1920), da escritora neozelandesa Katherine Mansfield, sob a perspectiva de existência autêntica com a finalidade de identificar meios de interferência e opressão sociais sobre as protagonistas e, para tal, destacaremos trechos da narrativa em questão para análise. A pesquisa será bibliográfica e de caráter analítico, tendo como aporte teórico pressupostos, sobretudo, de Michel Foucault (1996), para contribuir com as discussões acerca das relações de poder, e de Miroslawa Kubasiewicz (2011), pesquisadora polonesa que lançou mão da ideia de “existência autêntica”, noção em voga em muitas narrativas de Katherine Mansfield. Nossa proposta assume que as protagonistas do conto de Mansfield, as irmãs Constantia e Josephine, adotam papéis sociais impostos a elas devido a relações de poder constituídas no patriarcalismo que as impelem de exercer suas vontades após a morte do pai, ao passo que têm dificuldades em lidar com variados compromissos póstumos.

APA, Harvard, Vancouver, ISO, and other styles

44

Eman Fathi Yahya. "Imagery in Katherine Mansfield's Short Story "Bliss"." Journal of the College of Basic Education, no. 47 (January 23, 2023): 1–14. http://dx.doi.org/10.35950/cbej.vi47.9667.

Full text

Abstract:

Since the death of Katherine Mansfield, the kind of attention her short stories have received has followed an understandably meandering path. There is no doubt that she joins D.H.Lawrence and Aldous Huxly among others in parading those she knew in real life through the pages of her fiction-and no one more consistently than herself.(Magalaner,p.413). The vision of the human condition which emerges from Katherine Mansfield's stories is a painful one. It is predicated upon the notion that to be human is to be a victim and that life preys upon those least capable of defending themselves against the impossible and intolerable situations it presents. Each stage and condition of life has inescapable situations peculiar to it. Women are victimized by the basic fact of their sex: demanding and insensitive men brutalize them, child birth exploits them, and female self-sacrifice is regarded by the male world as routine and expectable. The young and naïve are victimized by the process of learning the lessons life waits to teach: the fact of death, the relentless passage of beauty and vigor, the disappointment of idealism. The old are victimized by loneliness and sickness,by fear of death,by the thoughtless energy of the younger world around them.Mansfield's sympathies are torn between her commitment to life itself, the potential beauty of experience,and the apparent denial of that potential beauty when the chips are down. To enter into a relationship with another person is,according to Mansfield,to be victimized by the one most loved,most trusted .The only option is to become a victimizer,to inflict the pain,betray the trust.

APA, Harvard, Vancouver, ISO, and other styles

45

March-Russell, Paul. "The Bloomsbury Handbook to Katherine Mansfield, Todd Martin (ed.) (2021)." Short Fiction in Theory & Practice 12, no. 1 (April 1, 2022): 105–9. http://dx.doi.org/10.1386/fict_00054_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Jafari, Maryam, Shiva Zaheri Birgani, and Mahnaz Soqandi. "Bergsonian Study: Time Experience According to Adolescence in Mansfield’s Stories." Britain International of Humanities and Social Sciences (BIoHS) Journal 1, no. 1 (June 23, 2019): 9–15. http://dx.doi.org/10.33258/biarjohs.v1i1.2.

Full text

Abstract:

With the advent of modernism and new philosophical and scientific ideas, the concept of time was treated in a new way. Bergson’s philosophy about time had a great influence on modernist writers and artist. One of the writers who were influenced by him is Katherine Mansfield. Therefore we could see Bergson’s theory of time used by her in her stories to convert her own messages. Katherine Mansfield was one of these writers that made use of different techniques in her stories in order to show time. She was much influenced by the French philosopher Henri Bergson and made use of his thoughts in her stories. This paper is going to present how Mansfield shows the concept of time in her stories and what strategies she uses to show the inner time and outer time of her characters. The study also wants to show effects of time on her characters and how being in a certain age of life, status and class in society affects the perceiving of time in people. The major concern of these stories is to show the significance of time according to Bergson’s linear and subjective theory of time. These stories show how characters experience duration in their mind and how the linear passage of time mainly affects them. The main purpose of this paper is to study the notion of time according to Bergson’s linear and subjective time in Mansfield’s stories. According to this theory there are two kinds of time, the spatial time and duration (inner time). Reality is only in the duration of individuals and the only way to achieve freedom is through duration.

APA, Harvard, Vancouver, ISO, and other styles

47

Martin, Kirsty. "D. H. Lawrence, Katherine Mansfield and Happiness." Katherine Mansfield Studies 2, no. 1 (October 2010): 87–99. http://dx.doi.org/10.3366/kms.2010.0008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Trotter, David. "Modernism Reloaded: The Fiction of Katherine Mansfield." Affirmations: of the modern 1, no. 1 (July 15, 2013): 21. http://dx.doi.org/10.57009/am.76.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Kaščáková, Janka. "Modernism vs. modernity: Katherine Mansfield as critic." Brno studies in English, no. 2 (2016): [5]—19. http://dx.doi.org/10.5817/bse2016-2-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

O'Sullivan, Vincent. "Honorary President of the Katherine Mansfield Society." Katherine Mansfield Studies 1, no. 1 (October 2009): vii—viii. http://dx.doi.org/10.3366/e204145010900002x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!