Academic literature on the topic 'Kawabata, Yasunari, Japanese literature'
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Journal articles on the topic "Kawabata, Yasunari, Japanese literature"
Patán, Federico. "De bellas durmientes y putas tristes." Anuario de Letras Modernas 14 (July 31, 2009): 131–38. http://dx.doi.org/10.22201/ffyl.01860526p.2008.14.680.
Full textChe Man, Siti Hajar, and Ratna Roshida Ab Razak. "Japanese Culture in Modern Malay Literature: Experiences and Observations of Malay Writers." Malay Literature 28, no. 1 (June 1, 2015): 91–106. http://dx.doi.org/10.37052/ml.28(1)no4.
Full textBrown, Sidney DeVere. "Yasunari Kawabata (1899-1972): Tradition versus Modernity." World Literature Today 62, no. 3 (1988): 375. http://dx.doi.org/10.2307/40144283.
Full textGrubor, Svetlana. "Nature in the works of Yasunari Kawabata." Bastina, no. 51 (2020): 211–22. http://dx.doi.org/10.5937/bastina30-27507.
Full textNguyen Thi Thanh, Nga. "Decrypting Japanese culture through symboys in Snow country by Kawabata Yasunari." Journal of Science Social Science 65, no. 5 (May 2020): 24–32. http://dx.doi.org/10.18173/2354-1067.2020-0025.
Full textNoviana, Fajria. "DAERAH SALJU YANG “DINGIN” Tinjauan terhadap Novel Daerah Salju Karya Kawabata Yasunari." IZUMI 3, no. 2 (July 10, 2014): 61. http://dx.doi.org/10.14710/izumi.3.2.61-67.
Full text兪 載 信. "A sutdy on smells Kawabata Yasunari literature-forcusing on the Abura." Journal of Japanese Culture ll, no. 36 (February 2008): 259–73. http://dx.doi.org/10.21481/jbunka..36.200802.259.
Full textKōno, Kensuke, and Ron Martin Wilson. "The collaboration of ‘ghostwriting’ and literature – the case of Kawabata Yasunari." Japan Forum 30, no. 1 (January 2, 2018): 60–68. http://dx.doi.org/10.1080/09555803.2017.1307256.
Full textWulandari, Anastasia Dewi, and Lina Meilinawati Rahayu. "KONSTRUKSI GENDER DALAM NOVEL UTSUKUSHISA TO KANASHIMI TO KARYA YASUNARI KAWABATA (Gender Construction in Yasunari Kawabata’s Utsukushisa To Kanashimi To)." METASASTRA: Jurnal Penelitian Sastra 8, no. 2 (June 6, 2016): 179. http://dx.doi.org/10.26610/metasastra.2015.v8i2.179-192.
Full textPramadityas, Ainsya Rakhmidianty, Idah Hamidah, and Hartati Hartati. "An Analysis of The Image of Woman Based on Yukiguni Novel by Kawabata Yasunari." J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang 3, no. 1 (May 20, 2021): 7. http://dx.doi.org/10.20884/1.jlitera.2021.3.1.2397.
Full textDissertations / Theses on the topic "Kawabata, Yasunari, Japanese literature"
Tsutsumi, Setsuko. "Kawabata Yasunari : interweaving the "old song of the East" and avant-garde techniques /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/6657.
Full textWren, James Allan. "Differences without distinction : ideology and the performative contexts of fictional self-representation in modern Japanese literature /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/6668.
Full textMazza, Caterina. "Les enjeux de la réécriture. : Potentialités et limites de la relecture parodique du canon moderne dans la littérature japonaise contemporaine." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015INAL0006.
Full textThe overall aim of my research is to investigate whether and, if so, how the use of intertextual tropes like parody and pastiche have been a determining factor in the “translation” of the modern canon in contemporary Japanese literature. In order to investigate these aspects, I have explored as a case study three works completely different in terms of style and themes, but that share a common hypotext: in fact, I analyse in this research the parodies of Yukiguni, the worldwide renowned masterpiece of Kawabata Yasunari, realized by Ogino Anna, Shimizu Yoshinori and Inoue Hisashi (respectively in Watashi no aidokusho 『私の愛毒書』, 1991; Ese monogatari 『江勢物語』, 1991; Kirikirijin, 『吉里吉里人』, 1981).Through a comparative examination of the chosen texts, but also considering the critical discourse on the “canonization” of the works of Kawabata and the non-negligible role of their translations for the western audience, I try to demonstrate the strategic importance of intertextual practices in contemporary Japanese literary scene: the exploration of the use of parody and pastiche in postmodern Japanese context highlight the challenging perspective of a literature that reflect on itself by reflecting itself
Le prospettive di ricerca di questo studio si concentrano attorno ad un asse tematico che apre la dimensione letteraria giapponese contemporanea al dibattito critico internazionale : nucleo essenziale del nostro percoso è infatti la proposta di un'analisi, realizzata attraverso la messa in relazione di un corpus di testi esemplari, dell'esperienza della riscrittura parodica del canone letterario moderno nel Giappone contemporaneo.In particulare, il caso di studio analizzato è quello delle riscritture realizzate da tre autori contemporanei (Ogino Anna, Shimizu Yoshinori, Inoue Hisashi) che hanno in commune ipotesti estremamente celebri : Yukiguni ("Il paese delle nevi") e Izu no odoriko ("La ballerina del paese delle nevi"), di Katawabe Yasunari, primo Nobel giapponese per la letteratura
Serrano, Muñoz Jordi. "Literature, Discourse, and Hegemony: National narratives of Japan in te U.S. and Spain." Doctoral thesis, Universitat Pompeu Fabra, 2019. http://hdl.handle.net/10803/667497.
Full textEsta tesis explora la relación entre literatura y poder en la construcción y reproducción de discursos de representación nacional, también conocidos como narrativas nacionales. Los mecanismos de esta relación se exponen a través del desarrollo de un caso en particular: la narrativa nacional de Japón que circula del comentario de su literatura en traducción en Estados Unidos y en España. La muestra se ciñe a la recepción de cuatro autores: Kawabata Yasunari, Mishima Yukio, Ōe Kenzaburō y Murakami Haruki, en el período que va entre 1945 y 2018. El corpus de textos críticos se examina en busca de temas que en su circulación constituyan una idea particular de Japón que viaja intertextualmente. Una vez identificada esta narrativa nacional, se compara con el discurso hegemónico occidental de representación de Japón para ver los espacios de simbiosis discursiva entre cultura y hegemonía.
Lee, Yun, and 李韻. "The acceptance of Modern Japanese Writers in Songfen Guo’s Literature: With reference to Ryunosuke Akutagawa and Yasunari Kawabata." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/jj36by.
Full text國立臺灣大學
日本語文學研究所
107
The purpose of this study is to explore the acceptance of modern Japanese writers’ works in Songfen Guo’s literary creations, as a writer who grew up in the end of the Japanese rule and exiled in the United States. After the failure of the Defend Diaoyutai Movement, Songfen Guo resumed his work as writer in 1983. Past research has repeatedly mentioned that Songfen Guo’s works should be deeply influenced by Japanese modern literature, and Songfen Guo himself has clearly pointed out that writers Akutagawa Ryunosuke, Kawabata Yasunari are his respected writers. However, no specific comparative studies have been implemented yet. Therefore, this study selected Songfen Guo’s “Grass”, “On writing”, “Moon seal”. By examining the contents of these three works and compared with “Kappa”, “The man of west”, “Absorbed in writing popular novels” by Akutagawa and “The moon on the water” by Kawabata, it can be seen to understand how he explained, cited and derived the literary works of these two modern Japanese writers. This study firstly examines Songfen Guo’s collections and interviews to confirm evidence of his relationship with Japanese modern writers. On top of that, the second chapter of this study focuses on the relationship between Akutagawa and Songfen Guo. By comparing the similar experiences and specific text analysis, we can obtain the common points of the two writers. Furthermore, the third chapter of this study is to derive in the similar setting and description between Kawabata’s “The moon on the water” and Songfen Guo’s “Moon seal”. Both works are interpreted in the setting of the characters about “Wife caregiver /Cared Husband” behind, thus there is a gender consciousness of “dominant men/dominated women.” The connection between the creations of the two writers is thereby demonstrated. Based on the results of the above investigations, we can find that Songfen Guo uses the Japanese modern literature to describe the survival dilemma of the post-war Taiwanese people and the mental pain they carry. Through this analysis, we will be better able to grasp the literary qualities of Songfen Guo’s works performance.
Tsai, Chih-Yung, and 蔡志勇. "Forms of educated idler in modern Japanese Literatures, with reference to Soseki Natsume, Ranpo Edogawa and Yasunari Kawabata." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/bd8a9t.
Full text國立臺灣大學
日本語文學研究所
104
As seen in many late modern Japanese Literatures, the so-called “ educated idler ” was depicted in forms with rich diversity, especially from the works of Soseki Natsume, where the image of “ educated idler ” became a widely recognizable symbol of its kind. During the late Meiji period, the term “ educated idler ” in general was used to referring to someone who had access to receive higher education but did not engage in any particular work activities. This study aims to unveil the diversified forms of “ educated idler ” appeared in modern Japanese Literature and to identify the transformation of its representations given the social and historical context of the time period. In this study, I will be mainly focusing on Japanese writers Soseki Natsume, Ranpo Edogawa and Yasunari Kawabata, who had gained vast popularity in the late Meiji, Taisho and early Showa period respectively. Historical sources along with other references will be utilized in uncovering deep insights into characters that can be perceived as to have association with the image of “ educated idler ” to further highlight the diversities this representation truly possesses. Overall, this study has identified that the “ educated idler ” appeared in the works of Soseki Natsume has commonly two types of representation. One embodies a form of civilization criticism, as depicted in "And Then" where the protagonist Daisuke criticizes the Capitalism-centered society surrounding him and expresses alienation towards his father who is still under the influence of Feudalism. The second type can be seen from the protagonist Keitaro of “ To the Spring Equinox and Beyond ”, who comes from rural region and finds himself in dilemma between the act of pursuing pleasure and effort to elevate himself from being an “ educated idler ” in the city. This representation shows similarity with the depiction of characters appeared in the works of Ranpo Edogawa, where “ educated idler ” becomes less critical of the society and more focused on one’s pleasure fulfillment. From this perspective, the male protagonist from Yasunari Kawabata’s “ Snow Country ”, Shimamura, can also be categorized as an “ educated idler ”, as he withdraws himself from facing the reality but often feels regretful in the process of pursuing pleasure.
Gerow, Aaron Andrew. "Writing cinema film and literature in prewar Japan /." 1992. http://catalog.hathitrust.org/api/volumes/oclc/30874228.html.
Full textTypescript (photocopy). eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 112-117).
"Conflictual self in the modern world: a study of selected works by Joseph Conrad and Yasunari Kawabata." 2007. http://library.cuhk.edu.hk/record=b5893185.
Full textThesis (M.Phil.)--Chinese University of Hong Kong, 2007.
Includes bibliographical references (leaves 136-137).
Abstracts in English and Chinese.
Introduction: Conflictual Self in the Modern Era: Conrad and Kawabata --- p.6
Chapter Chapter One: --- Immorality and Conflictual Self in Conrad's The Return --- p.20
Chapter Chapter Two: --- The Past and Split Self in Kawabata's Thousand Cranes --- p.50
Chapter Chapter Three: --- Conflictual Self and Split Self in Conrad's The Secret Agent and Kawabata's The Sound of the Mountain --- p.81
Conclusion: Conflictual Self in Occidental and Oriental Contexts --- p.117
Bibliography --- p.136
Chang, Kai-Po, and 張凱博. "The Elderly’s Spirit(Sexuality) in the Elder Literature of Yasunari Kawabata： From the view of Yama no Oto , Mitsuumi, Nemunerubizyo and Tanpopo." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/95115044651025607191.
Full text國立政治大學
日本語文學系碩士班
98
This dissertation is viewed from the works of Yasunari Kawabata─ "Yama no Oto", "Mitsuumi", "Nemunerubizyo" and "Tanpopo" to discuss the elderly’s spirit(Sexuality) in the Elder Literature. The topic begins with the maiden work of Kawabata─ "Zyuurossai no Nikki"(1918)and goes through his other famous works─ "Izu no Odoriko", "Yukiguni", "Yama no Oto", "Senbaturu", "Nemunerubizyo", and the unfinished work─ "Tanpopo"(1968).This dissertation discusses the manner the author uses in the works’ situation to show and achieve the transcendence which is reflected by “the eye of dying”. The dissertation is composed of six chapters. The first chapter illustrates the motivation, and the methodology. The second chapter focuses on the spatiality in the Makai, the extent of distance from reality, the relationship between the elders and the Makai where they are situated. The differences among the preceding points would also be analyzed. Chapter three points out the self-identity of the elders who are aware of their aging, and shows the overlap and consonance happen between the elders and the onlookers who are observing the aging process. Chapter four would explore how the author manipulates the sound to present the confrontation of fear in death when the elders are in the unusual space of Makai, and how they take the sound for the clues of hell, trying to transcend and achieve the rebirth. In chapter five, the discussion is on the features of how the elders use the erotic affections to attract women who have sexual relations with them and grasp the features of the women’s body. Meanwhile, the theories of Sigmund Freud- "Three Essays on the Theory of Sexuality" and "The Interpretation of Dreams" are used to illustrate the connotation of the elder’s dream and their mock sexual behavior.
Bérard, Marie-Jeanne. "Érotisme pudique et dissolution des limites dans Hamaguri d’Aki Shimazaki ; suivi de Probablement personne." Thèse, 2015. http://hdl.handle.net/1866/13483.
Full textWith its active usage of veils and folding screens, modesty writing is characterized by a certain precaution – often unsettling in and of itself – that is intended to avoid exciting readers. Aki Shimazaki’s Hamaguri is constructed on such a seemingly contradictory core that transcends the taboo of incest. A comparative analysis of this novel using Duras’ The Lover and Kawabata’s The House of the Sleeping Beauties allows one to uncover a certain erotic modesty, whose defining characteristic is that it undermines transgression when the boundaries of the forbidden are broken down. In a phenomenon where opposites collide, erotic modesty bridges the dualistic gap that exists between elements once considered incompatible: body and soul, Eros and Thanatos, that which is permitted and the forbidden. Infused with this particular form of eroticism, Probablement personne acquaints readers with a young woman and her sumi-e painting professor, who is forty years her senior. An incommunicable bond develops, bordering on haunting, and ties the two closer together. Their relationship transpires in the unspoken, looks as well as gestures, gradually unveiling itself through strokes of ink on paper and floral symbolism: captivating, picked, wilted. Their drama unfolds in the grey area between what really happens, and what does not.
Books on the topic "Kawabata, Yasunari, Japanese literature"
Rinshō bungakuron: Kawabata Yasunari kara Yoshimoto Banana made. Tōkyō: Sairyūsha, 2003.
Find full textNihon bungaku no honshitsu to unmei: "Kojiki" kara Kawabata Yasunari made. Fukuoka-shi: Kyūshū Daigaku Shuppankai, 2004.
Find full textMeguriatta sakkatachi: Tanizaki Junʼichirō, Kawabata Yasunari, Inoue Yasushi, Shiba Ryōtarō, Ariyoshi Sawako, Minakami Tsutomu. Tōkyō: Heibonsha, 2009.
Find full textMeguriatta sakkatachi: Tanizaki Junʼichirō, Kawabata Yasunari, Inoue Yasushi, Shiba Ryōtarō, Ariyoshi Sawako, Minakami Tsutomu. Tōkyō: Heibonsha, 2009.
Find full textMeguriatta sakkatachi: Tanizaki Junʼichirō, Kawabata Yasunari, Inoue Yasushi, Shiba Ryōtarō, Ariyoshi Sawako, Minakami Tsutomu. Tōkyō: Heibonsha, 2009.
Find full textKyūsei Ichikō no bungaku: Ueda Bin, Tanizaki Junʾichirō, Kawabata Yasunari, Iketani Shinzaburō, Hori Tatsuo, Nakajima Atsushi, Tachihara Michizō-ra no keifu. Tōkyō: Kokusho Kankōkai, 2006.
Find full text(Japan), Ibaraki-shi. Kawabata Yasunari sono hito to furusato: Ibaraki Shiritsu Kawabata Yasunari Bungakkan. [Ibaraki-shi]: Ibaraki-shi, 1986.
Find full textKawabata Yasunari: Utsukushii Nihon no watakushi. Kyōto-shi: Mineruva Shobō, 2004.
Find full textBook chapters on the topic "Kawabata, Yasunari, Japanese literature"
"5. Kawabata Yasunari: Shock And The Reunion With Inner Nature." In Shock and Naturalization in Contemporary Japanese Literature, 128–47. Global Oriental, 2007. http://dx.doi.org/10.1163/ej.9781905246298.i-238.32.
Full textStahl, David C. "Kawabata Yasunari’s Thousand Cranes." In Trauma, Dissociation and Re-enactment in Japanese Literature and Film, 28–88. Routledge, 2017. http://dx.doi.org/10.4324/9781315187709-3.
Full textStahl, David C. "Kawabata Yasunari’s Sleeping Beauties." In Trauma, Dissociation and Re-enactment in Japanese Literature and Film, 141–84. Routledge, 2017. http://dx.doi.org/10.4324/9781315187709-5.
Full text"PART I Woman as second nature and other fascist proclivities in Kawabata Yasunari." In The Ethics of Aesthetics in Japanese Cinema and Literature, 23–25. Routledge, 2006. http://dx.doi.org/10.4324/9780203967010-7.
Full textMitchell, Arthur M. "Shattering the Status Quo: Reading Modernism in the Early Twentieth Century." In Disruptions of Daily Life, 1–52. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752919.003.0001.
Full text"IX. Kawabata Yasunari: Eastern Approaches Snow Country." In Modern Japanese Fiction and Its Traditions, 162–81. Princeton University Press, 1987. http://dx.doi.org/10.1515/9781400856633.162.
Full text"Fascist Aesthetics and the Politics of Representation in Kawabata Yasunari." In The Culture of Japanese Fascism, 321–54. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822390701-015.
Full textCornyetz, Nina. "Fascist Aesthetics and the Politics of Representation in Kawabata Yasunari." In The Culture of Japanese Fascism, 321–54. Duke University Press, 2009. http://dx.doi.org/10.1215/9780822390701-014.
Full text"Kawabata and fascist aesthetics." In The Ethics of Aesthetics in Japanese Cinema and Literature, 44–49. Routledge, 2006. http://dx.doi.org/10.4324/9780203967010-10.
Full textTansman, Alan. ". Objects of the Sublime in Literary Writing: Yasuda Yojūrō, Yanagi Sōetsu, Kawabata Yasunari, and Shiga Naoya." In The Aesthetics of Japanese Fascism, 105–49. University of California Press, 2009. http://dx.doi.org/10.1525/california/9780520245051.003.0004.
Full text