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1

Taishō dokkai Kawabata Yasunari: "kotoba" no shikumi. Tōkyō: Sōkyū Shorin, 1994.

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2

Sakka no shōzō: Uno Kōji, Kawabata Yasunari, Abe Tomoji. Tōkyō: Rindōsha, 2005.

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3

Rinshō bungakuron: Kawabata Yasunari kara Yoshimoto Banana made. Tōkyō: Sairyūsha, 2003.

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4

Nihon bungaku no honshitsu to unmei: "Kojiki" kara Kawabata Yasunari made. Fukuoka-shi: Kyūshū Daigaku Shuppankai, 2004.

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5

Meguriatta sakkatachi: Tanizaki Junʼichirō, Kawabata Yasunari, Inoue Yasushi, Shiba Ryōtarō, Ariyoshi Sawako, Minakami Tsutomu. Tōkyō: Heibonsha, 2009.

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6

Meguriatta sakkatachi: Tanizaki Junʼichirō, Kawabata Yasunari, Inoue Yasushi, Shiba Ryōtarō, Ariyoshi Sawako, Minakami Tsutomu. Tōkyō: Heibonsha, 2009.

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7

Meguriatta sakkatachi: Tanizaki Junʼichirō, Kawabata Yasunari, Inoue Yasushi, Shiba Ryōtarō, Ariyoshi Sawako, Minakami Tsutomu. Tōkyō: Heibonsha, 2009.

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8

Kyūsei Ichikō no bungaku: Ueda Bin, Tanizaki Junʾichirō, Kawabata Yasunari, Iketani Shinzaburō, Hori Tatsuo, Nakajima Atsushi, Tachihara Michizō-ra no keifu. Tōkyō: Kokusho Kankōkai, 2006.

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9

(Japan), Ibaraki-shi. Kawabata Yasunari sono hito to furusato: Ibaraki Shiritsu Kawabata Yasunari Bungakkan. [Ibaraki-shi]: Ibaraki-shi, 1986.

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10

Kawabata Yasunari: Utsukushii Nihon no watakushi. Kyōto-shi: Mineruva Shobō, 2004.

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11

Kawabata, Tomie. Kawabata Yasunari no furusato Shukunoshō. Ōsaka-fu Ibaraki-shi: [Kawabata Tomie], 1989.

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12

Kawabata, Tomie. Kawabata Yasunari no furusato Shukunoshō. Ōsaka-fu Ibaraki-shi: Kawabata Tomie, 1990.

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13

Taki no oto: Kaikyū no Kawabata Yasunari. Tōkyō: Kōbunsha, 1986.

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14

Kawabata Yasunari to Tōyō shisō. Tōkyō: Shintensha, 2005.

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15

Kawabata Yasunari: Makai no bungaku. Tōkyō: Kabushiki Kaisha Iwanami Shoten, 2014.

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16

Makai no jūnin Kawabata Yasunari: Sono shōgai to bungaku. Tōkyō-to Chiyoda-ku: Bensei Shuppan, 2014.

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17

Kawabata Yasunari to Mishima Yukio o meguru 21-shō. Tōkyō: Kazama Shobō, 2002.

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18

Kinenkai, Kawabata Yasunari. Bungō ga aishita bi no sekai: Kawabata Yasunari korekushon ten = A world of beauty loved by a literary legend : the collection of Yasunari Kawabata. Kamakura-shi: Kawabata Yasunari Kinenkai, 2010.

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19

Mizuhara, Sonohiro. Kyoshō ga aishita bi no sekai: Kawabata Yasunari, Higashiyama Kaii korekushon. [Tokyo: Mitsumura Insatsu Kabushiki Kaisha], 2013.

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20

1978-, Nihei Masato, ed. Kawabata Yasunari no hōhō: 20-seiki modanizumu to "Nihon" gensetsu no kōsei. Sendai-shi: Tōhoku Daigaku Shuppankai, 2011.

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21

1913-, Yoshida Hidekazu, and Hamakawa Sakae 1923-2006, eds. Nihon bungaku no hikari to kage: Kafū, Katai, Tanizaki, Kawabata. Tōkyō: Fujiwara Shoten, 2006.

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22

Mitsuko, Iwata. Kawabata Yasunari: Ushirosugata e no dokuhaku. Yumani Shobo, 1992.

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23

Yamashiki, Kojo. Bungaku ni miru ibunka komyunikeshon: Kawabata Yasunai "Izu no odoriko" no baai. Riberu Shuppan, 1993.

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24

Kawabata Yasunari bungakushō zensakuhin. Tōkyō: Shinchōsha, 1999.

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25

Yasunari, Kawabata. Kawabata Yasunari (Sakka no jiden). Nihon Tosho Senta, 1994.

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26

Kawabata Yasunari "makai" no sho. Geijutsu Shinbunsha, 1987.

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27

Mitchell, Arthur M. Disruptions of Daily Life. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752919.001.0001.

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This book explores the mass-media landscape of the early twentieth cspecific authorsentury to uncover the subversive societal impact of four major Japanese authors: Tanizaki Jun'ichirō, Yokomitsu Riichi, Kawabata Yasunari, and Hirabayashi Taiko. The book examines the literature against global realities through a modernist lens, studying an alternative modernism that challenges the Western European model. Through broad surveys of discussions surrounding Japanese life in the 1920s, the book locates and examines flourishing divergent ideologies of the early twentieth century, such as gender, ethnicity, and nationalism. It unravels how the narrative and linguistic strategies of modernist texts interrogated the innocence of this language, disrupting their hold on people's imagined relationship to daily life. These modernist works often discursively displaced the authority of their own claims by inadvertently exposing the global epistemology of East versus West. The book expands modernism studies into a more translational dialogue by locating subversions within the local historical culture and allowing readers to make connections to the time and place in which the texts were written. In highlighting the unbreakable link between literature and society, it reaffirms the value of modernist fiction and its ability to make us aware of how realities are constructed — and how those realities can be changed.
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28

Kawabata Yasunari hitomi no densetsu. PHP Kenkyujo, 1997.

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29

Kono, Hitoaki. Kawabata Yasunari: Uchinaru koto. Kyoto Shinbunsha, 1995.

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30

The Sound of the Mountain Yasunari Kawabata. Penguin Books, 2011.

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31

Kawabata Yasunari: Nihon no bigaku (Nihon bungaku kenkyu shiryo shinshu). Yuseido, 1990.

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32

Kawabata Yasunari: Osaka Ibaraki jidai to seishun shokanshu (Izumi sensho). Izumi Shoin, 1991.

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33

Murray, Giles. Exploring Japanese Literature: Read Mishima, Tanizaki and Kawabata in the Original. Kodansha America, Incorporated, 2017.

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34

Giles, Murray, ed. Exploring Japanese literature: Read Mishima, Tanizaki and Kawabata in the original. Tokyo: Kodansha International, 2007.

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35

Murray, Giles. Exploring Japanese Literature: Reading Mishima, Tanizaki, and Kawabata in the Original. Kodansha International, 2007.

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36

Petersen, Gwenn Boardman. The Moon in the Water: Understanding Tanizaki, Kawabata, and Mishima. University of Hawaii Press, 1993.

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