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Journal articles on the topic 'Kazakh Aesthetics'
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1
Temirgazina, Zifa K. "Transculturalism and Its Manifestation in the Poetics of Lyric Texts." Polylinguality and Transcultural Practices 18, no. 1 (December 15, 2021): 29–43. http://dx.doi.org/10.22363/2618-897x-2021-18-1-29-43.
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Using the example of the work of the Soviet Russian poet Pavel Nikolaevich Vasilyev, the author shows the representation of transcultural aesthetics in a literary text created in Russian by a Russian author, formed in the conditions of the borderline coexistence of two cultures: Russian and Kazakh. His works can be classified as borderland literature, in which the combination of the Russianlanguage discourse and the paradigm of the steppe, nomadic culture generates a hybrid text with a peculiar artistic aesthetics and poetics, which can be traced at the external and internal deep levels. The I of the author with borderline thinking has a stable ethnic identity, while openly showing its bicultural affiliation, which is quite consistent with the thesis about the flexibility of the cultural identity of a transcultural poet or writer. At the external text level of works of art, transculturalism finds expression in themes, in exoticisms, in foreign language insertions. The transcultural essence of the authors consciousness generates hybrid texts containing symbiotic verbal images and techniques that demonstrate hybrid canons and symbols (symbols of wormwood, horse), incorporating elements of Kazakh and Russian cultural stereotypes and codes (stereotypical ideas about the Asian appearance of Kazakhs), which coexist without conflict in the artistic picture of the world of Vasilyev. As a result, a poetic picture of the world, unique in aesthetics, enriched with the paradigms of two different cultures, which is the property of the Russian cultural space, appears.
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Aitimov, M., and А. Naimanbayev. "ARTISTIC IMAGES OF ALASH FIGURES IN MODERN KAZAKH PROSE." BULLETIN Series of Philological Sciences 75, no. 1 (April 12, 2021): 193–200. http://dx.doi.org/10.51889/2021-1.1728-7804.32.
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Novels of modern Kazakh prose are the result of creative work in the system of national and world literary processes. The works of modern writers, who are followers of artists who described various periods in the history of the Kazakh people, have a direct impact on the formation and renewal of the historical and national consciousness of the current reader. The article examines the features of the image of historical reality and artistic solutions in modern Kazakh novels, reveals how documentary is combined in them with artistic fiction. The analysis is performed on a material of novels Sabit Dosanov "Kylburau", “Yiyk". The article analyzes how modern Kazakh novels depict human life against the background of nature, how national and ethnographic traditions relate to the realities of time, and other features of the aesthetics of the artistic solution. The authors also note that in these works, writers try to create literary and artistic images of Alash leaders Alikhan Bokeikhanov, Akhmet Baitursynov and other historical figures.
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Karimova, G. "THE CONNECTION BETWEEN TEACHING THE DRAMA AND BRANCHES OF SCIENCE." BULLETIN Series of Philological Sciences 73, no. 3 (July 15, 2020): 358–64. http://dx.doi.org/10.51889/2020-3.1728-7804.56.
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Nowadays it is very important to determine cross curriculum methodology of teaching Modern Kazakh Drama with other subjects. If the Literature is the Art of the word, the Drama is one of the means of the Literature for human cognition. Being one of approaches of displaying the vital fact, Drama has got close ties with such sciences as Linguistics, History, Psychology, Aesthetics, Culture and Literature. Modern Kazakh Drama, which has creatively absorbed traditions of the World Classic Drama, has defined independent branch of the National Drama and its innovative development. The pace of Information Technologies development, lack of motivation in mastering the art of speech, loss of interest in reading the classic literature force scientists, methodologists, parents and society to think. The article discusses possibilities of Literature heritage analysis in accordance with the nature of art as well as the author's understanding of ideological and aesthetic reality, formation of sensory sensation skills, perception, synthesis and understanding of the content, basic idea of a work in a conjunction of Literature with other branches of science.
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Solovieva, Greta. "Abai About the Whole Man: Unity of Truth, Goodness and Beauty." Al-Farabi 74, no. 2 (June 30, 2021): 18–32. http://dx.doi.org/10.48010/2021.2/1999-5911.02.
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Kazakh philosophy, being ethics, aesthetics and at the same time metaphysics, fulfills a great mission: to be a teaching about a beautiful and righteous life. Expressing the spirit of Kazakh culture, Abai Kunanbayev creates at the same time a new value paradigm that determined the life and fate of his native people. The brilliant thinker connects the transformed East and the rethought West, a thinking heart and a conscientious mind under the leadership of Faith. From these positions, he reveals the essence of the philosophy of the “whole person”: overcoming ignorance, laziness, greed, envy, mastering knowledge, understanding work as a condition of full life, developing the ability to think, do good and contemplate beauty. This is the path of the Kazakh people into the space of world history, where they will become an example for other peoples in comprehending the spiritual meanings of life and affirming high moral values.
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Aitimov, М., and G. Karimova. "NATIONAL CHARACTER IN THE MODERN KAZAKH NOVEL ( based on the novel trilogy by S. Elubai “Lonely Yurt ”)." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 200–204. http://dx.doi.org/10.51889/2020-4.1728-7804.41.
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The article examines how modern Kazakh novels in the framework of historical reality show the traditions and customs of our people, formed over the centuries, it is considered how the authors find an artistic solution to depict the customs and customs of the people. The national character is conveyed through the content and form of the epic. The article notes that the experience of our ancestors, which has developed over thousands of years, should be continued in the future.The image of the national character is particularly evident in modern Kazakh novels, created in the last quarter of the XX century and at the beginning of the XXI century. The author of the article considers the features of the aesthetics of the artistic solution in S. Elubay's novel “Ak Boz Uy” (Lonely Yurt): from the documentary fiction is born, against the background of nature the realities of human life are revealed, national and ethnographic traditions are shown in comparison with the reality of time, etc.
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Tebegenov, T., M. Aitimov, and N. Sagingan. "THE REALISM OF THE CHARACTER AND INTEGRITY OF THE ARTISTIC IMAGINATION IN THE KAZAKH PROSE." BULLETIN Series of Philological Sciences 72, no. 2 (June 30, 2020): 325–33. http://dx.doi.org/10.51889/2020-2.1728-7804.49.
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This article reveals the features of writing the socio-psychological relationship of nature-man-society in modern Kazakh prose ("Prisoner of the prison of glory" by K. Zhienbai), as a socio-psychological aspect. The image of the youth the writer highlights the personality of the Kazakh guys from a new point of view, awakened from the turmoil of national liberation the path of the 80 - ies of XX century, the combination of a realistic nature and artistic imagination in fiction – is that people deserve a space of thinking. In addition, the novel analyzes the features of the aesthetics of artistic solutions that reveal the authenticity of human life in nature, the comparison of national and ethnographic traditions with the reality of time, and others. The complex structure of artistic truth is determined from the poetic nature of epic works, which include the independent psychological world of people and social relations of other individuals and groups directly related to them.
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Tokshylykova, G., G. Karimova, and Zh Tutbaeva. "CONNECTION AND FUNCTION OF INTERTEXTUALITY ELEMENTS IN KOBO ABE'S NOVELS." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 352–59. http://dx.doi.org/10.51889/2020-4.1728-7804.71.
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This research paper describes a literary phenomenon literature of XX-XXI century - postmodernism.When the full analysis of the appearance, character development and the kinds of postmodern literature in world literature, to define the concept of the term "intertextuality", which is the main feature of postmodern literature.It was a review of the tasks of studying intertextuality in a literary text.We stopped at the bibliographies of outstanding representatives of Japanese literature, postmodernism and Kobo Abe was analyzed aspects intertekstualtnyh relations novels "Woman in the Dunes" and "Face of Another", which have been translated into the Kazakh language.Intertextual elements mentioned novels author: allusion, citation, aphorism, parody and accurate examples were given their due, and tasks.When using the new postmodern aesthetics and ease of novels Kobo Abe, intellectual level vniknuvshish deep in today's social problems and social trends, adding that became part of world literature.
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Imangali, O. "THE ARTISTIC WORLD OF NESIPBEK DAUITAYULY'S STORY “АЙҒЫРКІСІ”." BULLETIN Series of Philological Sciences 75, no. 1 (March 30, 2020): 233–39. http://dx.doi.org/10.51889/2021-1.1728-7804.40.
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The great writer Nesipbek Dauitayuly occupies a special place in our literature. Evidence of this is the owner of many literary awards, a sought-after writer. The writer's works, written in the years following independence, are valuable because the problems of Kazakh society are rooted in them. One of the main tasks of the writer is to familiarize himself with the work of national interest. The author takes upon himself the story “Айғыркісі”, which makes this task the main one in terms of content. The article provides an analytical analysis of the story of the writer “Айғыркісі”, based on the laws of the theory of literature. The study of the subject matter, content and form of the story, the system of artistic images, plot and composition, the language of the work, the use of means of expression, grinding has been carried out. The story analyzes the details of modernist, folklore, magical motives. The ways of presenting the author's concept and trends are analyzed. The author explains the purpose of the use of human-animal contact in a work of art. The analysis of the characters helpless aesthetics is carried out. The ways of conveying the concept of good and evil in the content of the story are analyzed. Thus, they determined the aesthetic value, the artistic world, and the stylistic nature of the narrative.
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Kasbayeva, G. S. "World heritage in Abay Kunanbayev’s works as the core of Kazakh spirituality." BULLETIN of the L.N. Gumilyov Eurasian National University. Historical sciences. Philosophy. Religion Series 132, no. 3 (2020): 6–13. http://dx.doi.org/10.32523/2616-7255-2020-132-3-6-13.
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Over the years, the spiritual heritage of the great Abai Kunanbayev has been studied in terms of various aspects of socio-humanitarian science, such as linguistics, literary criticism, philosophy, history, psychology, sociology, etc. This article reflects the creative intentions of the thinker, who raised the spiritual potential of the Kazakh people to the world level, as well as the influence of European and Russian culture on Abai’s work. In Hakim Abai’s works, the problems of the national life of the Kazakhs, their worldview, character, religion, mentality, language and spirituality are raised, which are an invaluable heritage for the modern younger generation. As we know that in Abai’s studies, the main object is a person, i.e. personality who is perfect and worthy of respect. The scientist-thinker deeply impressed by aesthetic, ethical preferences, dreams, the meaning of life, feelings and intuition, the peculiarities of being and thinking of his imaginary image of a perfect Kazakh. Abai’s poems are rich in philosophical reflections and patriotic appeals. He found inspiration in Kazakh folklore and preached ideas and images of national heroes. Furthermore, the article represents the connection between the achievements of Abai’s poetic heritage and its creative potential in general.
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Yerzhanova, S., and A. Zhutayeva. "APOLITICAL APPROACH AND AESTHETIC EFFECT IN CONTEMPORARY KAZAKH PROSE." BULLETIN Series of Philological Sciences 72, no. 2 (June 30, 2020): 405–11. http://dx.doi.org/10.51889/2020-2.1728-7804.65.
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This article deals with the relationship between the author`s view concerning the main idea and its impact on the reader in contemporary Kazakh prose. Features of postmodernism and its characteristic features are widely reflected in contemporary Kazakh prose. Particularly, an apolitical view and aesthetic effect establish strong connection between author and reader. The author`s apolitical point of view (approach) is directly related to the conveying themain points of idea in the process of writing. The personal opinion of the author is the main foundation for the theme and ideas of the work. The reader receives an aesthetic impression from the author’s worldview. Two categories, integrating, convey to us the relevance of a work. All these are postmodern features inherent in modern Kazakh prose. This article identifies the differences in the detailed and mental picture of the post-modernism of modern Kazakh literature and also describes their manifestations in prose scenes. The author analyzed the main problems of the writer's laboratory and discussed the idea of a postmodernist trend.
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Nurlanova, А., and B. Meshimbaeva. "THE CONSCIENCE THAT UNITED ABAY AND SHAKARIM." BULLETIN Series of Philological Sciences 75, no. 1 (March 30, 2020): 257–61. http://dx.doi.org/10.51889/2021-1.1728-7804.44.
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The work of Abay and Shakarim is a unique phenomenon that requires a careful examination of the various aspects. The article addresses the problem of spiritual harmony, literary continuity and spiritual integrity in the works of the two poets, by analyzing Shakarim's poem "Enlik-Kebek". The author composed works for the plot "Enlik-Kebek" - two stories "One word that the Kazakhs cannot forget" and "A tale of Kazakh language" and poems by Magauiya, Shakarim's «Enlik-Kebek» and M. The analysis of Auezov's play "Enlik-Kebek" reflects the creative approach, ideological and aesthetic requirements of each artist, the taste of the epoch and the environment in which he lived, and the author's attitude to the incident, along with his own judgment. During the research all of these variants were considered from the perspective of the Abay tradition, from the poetic circle of Abay.
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Orazaliyeva, E. "CULTURAL AND AESTHETIC KNOWLEDGE - A QUALITATIVE BASIS OF HUMAN CAPITAL." BULLETIN Series of Philological Sciences 75, no. 1 (April 12, 2021): 123–29. http://dx.doi.org/10.51889/2021-1.1728-7804.21.
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The article is aimed at defining cognitive concepts and principles in Kazakh linguistics based on research papers that measure the nature of the language and the semantics of the word in the context of their functioning. The analysis of the conceptual system and cognitive paradigm in the cognitive theory of the Kazakh language is becoming an urgent problem of modern interdisciplinary science with the national identity and world practice. The cognitive theory, which originates from the spiritual and value heritage of the Kazakh people harmoniously combined the foundations of linguistic cognition, and also substantiated a wide conceptual block of the human capital’s cognition. Its complex patterns contributed to the accumulation of social, psychological, ethnic and cultural methodological foundations of normalized general and private linguistics. The possibility of comparing linguistic universals using the relationship between language and cognition also characterized the influence of anthropological, axiological, anthropo-typological, areal, and geneological factors. Thus, in the history of cognitive linguistics, which studies the laws of the environment and its linguistic picture, Kazakh linguistics has designated its research format, taking into account a number of conceptual operations.
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Karimova, G., and N. Akysh. "SCIENTIFIC NECESSITY IS A NEW APPROACH WITHIN THE FRAMEWORK OF " MODERNIZATION OF PUBLIC CONSCIOUSNESS "." BULLETIN Series of Philological Sciences 73, no. 3 (July 15, 2020): 236–41. http://dx.doi.org/10.51889/2020-3.1728-7804.35.
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The article is about one of the next scientific explorations of the aesthetic world of the talented Kazakh writer OralkhanBokei, whose legacy left behind has become history today. Nowadays, not to mention individual articles, the purposeful study of the artistic works of the talented writer is not carried out scientifically in full. Stories, short stories, novels of the writer, who defined his place in the Kazakh literature through the mastery of Kazakh artistic expression, need to be reconsidered and studied.The article deals with the characteristic features of the writer's work and introduction of a clear expression of his artistic aspirations in the nature of genre by using a pattern characteristic of lyrical poetry in prose works.
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Rustemova, Z. "THE TRADITION OF ABAY, IBRAY THE KAZAKH CHILDREN'S POETRY." BULLETIN Series of Philological Sciences 73, no. 3 (July 15, 2020): 260–67. http://dx.doi.org/10.51889/2020-3.1728-7804.39.
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The article devotes theespesialities of Showinq of Abay, Ibyray`s traditions in Kazakh children literature for beqinninq of ХХ century. So, author have been qivinq his opinion to problems of thematic, ideas, qarmony, structurinq and Same in verses of poets-democtrats. In the history of culture, as you know, which people have developed and developed over the centuries, has its own national Outlook, a peculiar philosophy, folklore heritage, in a word, its own spiritual world. It is proved that at different times one of the richest zhurttardyns comes to the Treasury of national spirituality of the people. In recent years, the amount of spiritual wealth has been achieved further, both in different ways and in terms of aesthetic effect. One of the most striking examples of this concept is the Kazakh written children's literature. Today it is one of the richest in Kazakh literature, the history of which has a deep, philosophical and aesthetic meaning, always rich in thought and content.The study of the subject of literature, on the basis of which comprehensive education of children should be an in-depth study and practical use of various types of folklore for children, samples of written literature.
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Musabekova, Urzada Abilkasimovna, and Farida Balabekovna Kultursynova. "NATIONAL AND CULTURAL SPECIFICS OF REPRESENTATION OF THE CONCEPT ‘HEART’ (on materials of M. Joldasbekov’s works)." Neophilology, no. 16 (2018): 15–19. http://dx.doi.org/10.20310/2587-6953-2018-4-16-15-19.
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We reveal the specificity of the linguocultural aspect of language verbalization of the concept ‘HEART’ in the Kazakh language worldview on the example of M. Joldasbekov's publicistic and artistic works. The interest in these publications is quite high: they give an assessment of many events that humanity witnessed, and reading forces to take a fresh look at the events of those years. At the same time, taking into account the special, individual style of writing, it is impossible not to try to comprehend the imagery and aesthetic relations of the writer to the content of his own text, as well as to highlight comprehension of basic concepts of the Kazakh mentality, in particular the concept of ‘HEART’. The source of this research is the concept ‘HEART’ in the Kazakh language worldview. The research is determined by the necessity for linguistic and cognitive understanding of the content ‘HEART’, revealing the features of the concept functioning. Being the basic component of a personality in the minds of native speakers of the Kazakh language, the concept of the inner world is significant for the Kazakh-speaking society.
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Sultangalyeva, Zh. "MODERN KAZAKH POETRY AND LYRICS F.UNGARSYNOVA." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 330–35. http://dx.doi.org/10.51889/2020-4.1728-7804.67.
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The article presents a detailed analysis of the multifaceted poetic work of the famous poetess F. Ungarsynova. This is the indissoluble unity of the lyrical hero and author, and the poet's finest poetic speech, and the variety of the genre of her works, and the complex world of the image of the lyrical hero. The article attempts to describe the aesthetic worldview and work of F. Ungarsynova in a comparative manner. Particular attention is paid to the artistic world and the linguistic means of F. Ungarsynova, who have her own poetic style. Also considered is the enormous influence of the poet's work on modern Kazakh poetry. The article draws attention to the fact that the poetess managed to combine such principles as open citizenship and piercing lyricism, purity and nobility of human relations and the tragedy of unrequited love, lines about sacred friendship and wise thoughts about the poet’s craft. Her poems are an impressive picture of modern reality.
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Zharylgapov, Zh, and D. Omirbekova. "The lyrical prose in the Kazakh literature." Bulletin of the Karaganda University. Philology series 98, no. 2 (June 30, 2020): 64–69. http://dx.doi.org/10.31489/2020ph2/64-69.
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The article analyzes the experiments of theoretical research of lyrical prose. Scientific views on lyrical prose in the theory of world and national literature are systematized. Various aspects of the study of lyrical prose in Kazakh literary studies are considered. The authors turn to the analysis of the ratio of epic and lyrical components in prose, the relationship between lyricism and psychology, the relationship between the author's worldview and the character. The place of lyrical prose in the art of modern Kazakh writers is determined. The methods and techniques of using lyrical prose in the poetic system are specified. Provisions on the connection of lyricism with realism and romanticism have been developed. Special attention paid to the analysis of the functions of internal monologue and landscape in modern lyrical prose. Ideological and aesthetic features, typological aspects of Kazakh lyrical prose are revealed.
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Maslova, Valentsina A. "“The Image of the World in the Word Appeared...” (Based on the Creative Work of the Bilingual Poet Bakhyt Kairbekov)." Polylinguality and Transcultural Practices 18, no. 2 (December 15, 2021): 176–84. http://dx.doi.org/10.22363/2618-897x-2021-18-2-176-184.
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The purpose of this article is to show that the image of the world of the Kazakh poet, represented by the Russian language, differs both from the Russian image of the world and from the Kazakh, i.e. a foreign language is capable to transform the national image of the world. On the basis of the creative work of the Kazakh poet, translator Bakhyt Kairbekov, the possibility of forming a transnational consciousness through universal and national images is shown. The appeal to his work is due not only to his outstanding talent, but also to the fact that we almost do not know what a modern Kazakh is like, what the world of his ancient homeland is like, nevertheless we live side by side. It was achieved using the method of lingua-cultural interpretation, with the help of which, firstly, the discrepancy between the images of the Kazakh and Russian ethno cultures was revealed, and, secondly, the transformation of the national image of the world was recorded. All the main problems raised in the poetry of Bakhyt Kairbekov draw images of Kazakh culture, the Motherland for him has become one of the main chords of creativity, but in his work there are almost no direct nominations (fatherland, country, etc.), the homeland appears through conjugated images of a horse, heath , freedom, rivers, water, mountains, sky, stars, etc. His poetic image is not a photographic copy of the real world of a Kazakh (heath, mountains, etc.), it contains the attitude of the depicted person to the aesthetic, moral and intellectual values of his people.
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Bugenova, L., and G. Kalambayeva. "PUBLICATION OF TEXTS AS A DOCUMENTARY DEVELOPER OF THE STATE LANGUAGE." BULLETIN Series of Philological Sciences 75, no. 1 (March 29, 2021): 40–44. http://dx.doi.org/10.51889/2021-1.1728-7804.05.
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The article deals with the problems of functioning of the state language in advertising texts as a social phenomenon that affects the development of language, forming moral and spiritual values among the younger generation. The penetration of advertising slogans into the speech of recipients is noted, which confirms the role of advertising influence on the development and functioning of the language. The Kazakh language as a state language tends to expand the boundaries of functioning, as with the adoption of the law "on advertising" there was a tendency of growth of broadcasting of advertising on television channels, on radio, on billboards, in ads in the Kazakh language. Advertising carries aesthetic and cultural content, and is an indicator of the development of language, a means of introducing new words and expressions, by testing their viability in everyday life. Linguists note the presence of lexical, phonetic, grammatical and syntactic errors in advertising texts in the Kazakh language. S. Asanbayeva, G. Soltanbekova, T. Tilegenov, M. Koishygulov, D. Kozhambetov, S. Asylbekov believe that as a result of such facts in advertising in the Kazakh language is defective ("zharymzhanzharnama").
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Orda, G., and G. Askarova. "CONTINUITY OF TRADITIONS OF KAZAKH CHILDREN'S LITERATURE." BULLETIN Series of Philological Sciences 75, no. 1 (March 30, 2020): 268–75. http://dx.doi.org/10.51889/2021-1.1728-7804.46.
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The article discusses the continuity of the traditions of Kazakh children's literature, which originates from the samples of oral literature. Regardless of the age of the literature, it is important to note that writers write works of art for children. One of the main functions of fiction is to educate the reader, and in any work of poets and writers, it is shown with specific examples that they remember this and write valuable things that will bring up Kazakhstani children. A scientific analysis of the artistic and aesthetic achievements of modern children's literature is carried out by analyzing the works of poets and writers who wrote for children, such as B. Zhylkybekovich, S. Duisenbiev, S. Doszhan, R. Sautbay, who learned from the classics of children's literature. The tradition of modern Kazakh children's literature is based on certain subgenres such as counting, riddles, proverbs, songs of lies, fairy tales, legends, stories. Scientific opinions are presented based on the opinions of scientists.
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Raimkulova, A., and А. Mombek. "Aspects of biculturality in the style of B. Daldenbai’s «Zheltoqsan tolquy» Symphony." Pedagogy and Psychology 44, no. 3 (September 30, 2020): 216–31. http://dx.doi.org/10.51889/2020-3.2077-6861.27.
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The study aims to identify biculturalism in the symphonic style of a representative of a younger generation of composers, a student of G. Zhubanova B. Daldenbay. As an example, we took the most performed of his symphonic compositions – the Symphony “Zheltoqsan tolquy” (“The December Wave”). Based on the musical-style analysis, the author reveals the features of compositional thinking that semiotically unite different cultural elements into a single sign-system. The issue of the applicability of the concepts «synthesis,» «dialogue,» and «clash of cultures» concerning the work under study was brought up for discussion. B. Daldenbai thinks simultaneously in two systems (traditional Kazakh and Western), freely operating with the methods of both the European and the ethnic Kazakh traditions. This manifests in structural, thematic, and genre aspects. The duality is justified both by the composer’s creative biography, who received a European education, and the subject of his reflections – the Kazakh people’s fate in the 20th century. Having almost lost the fundamentals of native culture – traditions and language – the people, who adopted the achievements of European civilization, retained their Eurasian outlook and, through it, the spiritual roots of the ethnos. Biculturalism is explained by unique aesthetic attitudes towards Eurasian thinking and cultural openness inherent in Kazakh art.
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Panzabek, B., and N. Baltabaeva. "METHODS OF TEACHING ETHNIC AND CULTURAL INFORMATION IN THE ETHNOGRAPHIC CONVERSATIONS." BULLETIN Series of Philological Sciences 72, no. 2 (June 30, 2020): 588–93. http://dx.doi.org/10.51889/2020-2.1728-7804.95.
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The article examines some issues of studying ethnocultural information in the Kazakh ethnographic stories in order to revive the national spirit, knowledge and popularization of national literature and culture. The thematic system of stories is specified, innovative methods and techniques are used through text analysis, from the point of view of knowledge. Artistic searches for ethnographic stories are systematized, structural-semantic, comparative analysis is carried out, and the artistic and aesthetic nature of the works is determined. As a result of studying ethnocultural information in ethnographic stories, the course of formation of national values among students will be discussed. The article shows how the language of the nation, the spiritual values of the nation, the cultural code of the nation, the cultural identity of the nation, consciousness, customs and traditions of the nation, which form the basis of ethnocultural information, are reflected in conversations. History shows that the authors managed to accurately combine ethnocultural information with the realities of the Kazakh people of that period. It also analyzes the effectiveness of modern technologies in teaching ethnocultural information.
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Aldanayeva,, T., and N. Mikhailova. "Worldview aspects of the kazakh women’s national costume as a factor of the development of youth thinking culture." Pedagogy and Psychology 46, no. 1 (March 31, 2021): 62–68. http://dx.doi.org/10.51889/2021-1.2077-6861.08.
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In this article, the Kazakh women's casual costume is considered as an important element of ethnic culture, an indicator of cultural development, lifestyle and thoughts of society and an individual. The concept of the research is determined by understanding the worldview foundations expressed in a logically coherent typology and style of national costume, which can become the core of the spiritual modernization of modern society. Traditional culture, in particular national costume, has been the subject of many studies in the field of education, but this potential is still almost inexhaustible for the education and development of the young people thinking culture. As a unique example of the material and spiritual well-being of the Kazakh people, the costume harmoniously combines not only information and communication, aesthetic, ideological, semiotic, axiological, but also educational functions, while maintaining practical usefulness, utility, convenience, which have been polished for centuries. In addition, as the personification of the indissoluble ties of a person with the surrounding world, the folk costume has invaluable opportunities to study the culture of other people, which is necessary for the formation of mutual tolerance.
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Solovieva, G. "Public Consciousness of Kazakhstan in Ethical and Aesthetic Measurement." Adam alemi 4, no. 86 (December 15, 2020): 123. http://dx.doi.org/10.48010/2020.4/1999-5849.13.
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Ethical and aesthetic consciousness is considered in the article as a single phenomenon with a priority of the ethical component. The analysis is carried out in comparative studies of two methods: consideration of the topic in the mirror of modern literature of Kazakhstan as a form of public consciousness and study of the same problem in the mirror of sociological material. These approaches complement each other and make it possible to identify two levels of social consciousness in the ethical and aesthetic dimension: the existing and the due. Sociology enables analysis at the first level. Literature combines both the one and the other, emphasizing the level of due, transformation of reality and resolution of the indicated contradictions. As a result, it was found that the key construct of the ethical and aesthetic consciousness of Kazakhstanis is the idea of cohesion and unity of all ethnic groups with the leading role of the Kazakh people. This idea has the deepest moral meaning and at the same time has the status of beauty, i.e. character aesthetic. Discord is always ugly. Whereas, unity in its essence is beautiful, showing a combination of good and beauty.
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Suraganov, S. K. "The leading ornamental motif koshkar muyiz in Kazakh ornamentation: in search of the primordi." Turkic Studies Journal 3, no. 2 (2021): 99–110. http://dx.doi.org/10.32523/2664-5157-2021-2-99-110.
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The ornamental motif of Koshkar Muyiz – the legacy of the Ancient times – remains key in the traditional art of felt craft. The horn-shaped figures of the Kazakhs had been a centerpiece of scholarly discourses of Kazakh, Russian and Soviet science over the entire 20th century. The first attempts to find their meaning were made by the German ethnologist R. Karutz (1911), the Russian researchers S. Dudin (1928), B. Kuftin (1926), E. Schneider (1927), and others. The horn-shaped motif had been reviewed in the works of archaeologists, art historians and ethnographers since the second half of the 20th century. Scientists determined the time of its origin, its geography, and attempted to translate its semantic content. It was found that the curvilinear motif had not appeared earlier than the New Stone Age, but in the Bronze Age, it had developed in the form of various styled designs. This motif obviously played a key role in the ornamental complex of the Turkic-Mongol peoples. Based on the interdisciplinary approach, the author offers a number of reasons to explain its viability, including the internal form of the word - name of the ornamental motif, which is epic in nature since it can cause a special aesthetic reaction in viewers. The ornamental motif seems to play the role of a “figure of memories” and have the status of a “substantiative past”. It is preserved as a linguistic objectification (name) in an extra-linguistic format as well, in the form of an Iconic Model of a transcultural anagram that reproduces the ancient ideological content with symbolic and magical scope. Acting as a canon, the Koshkar Muyiz motif is a sort of a “Signature of the Era” with its artistic charm and is constructively based on the line called the “Line of Beauty” by William Hogarth.
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Kabylov, A. "IRONY IN THE STYLE OF OSPANHAN AUBAKIROV." BULLETIN Series of Philological Sciences 75, no. 1 (March 30, 2020): 239–44. http://dx.doi.org/10.51889/2021-1.1728-7804.41.
Full textAbstract:
In connection with the prevailing trends of anthropocentrism in modern science, the importance of the problem of idiostyle increases in focusing on increasingly complex phenomena in human psychology and its aesthetic and philosophical cognition. Irony is one of the most important stylistic components that emphasize the individuality of the artist. One of the most effectively used critical and evaluative artistic means in the satirical and humorous stories of the outstanding Kazakh humorist Ospankhan Aubakirov is irony. The article deals with the implementation of irony in the works of the writer as an important tool in the aesthetic and artistic system of satirical works. Types of author's irony and irony from the character in humorous stories of the writer are proved by concrete examples. The author analyzes the nature and features of ironic statements conveyed by the author and characters in works of art. The author also examines the manifestations of irony at the plot level in some of the author's stories, as well as the peculiarities of linguistic and textual types of ironic meaning.
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Ivanovna Nekhvyadovich, Larisa, Shakhizada Sainbekovna Turganbayeva, Lyazzat Tuleuvna Nurkusheva, Irina Valeryevna Chernyaeva, and Erkezhan Omirhanovna Omarova. "ARTISTIC TRADITIONS OF THE EAST AND WEST IN CONTEMPORARY KAZAKH DESIGN." Humanities & Social Sciences Reviews 7, no. 6 (December 18, 2019): 762–66. http://dx.doi.org/10.18510/hssr.2019.76115.
Full textAbstract:
Purpose of the study: The purpose of the article is to determine the degree of interaction of the eastern and western art schools in the practice of Kazakh design and to identify their role in the formation and development of design in Kazakhstan.
Methodology: The study is based on a complex methodology determined by an interdisciplinary approach involving the use of the methods of historicism, systematization, stylistic analysis, and comparative analysis. The methodology was based on research concepts of T. Stepanskaya, R. Yergaliyeva, E. Balabekov, B. Amanov, A. Mukhambetova.
Main Findings: Based on the studied sources, the authors can draw the following conclusions: 1) The interaction of artistic traditions of the East and West is due to the fundamental unity of the human race, ensuring the permeability of cultural boundaries; 2) The diversity of creative individuality, originality of modern approaches combined with the achievements of traditional culture are the distinguishing features of the professional values of contemporary Kazakh design.
Applications of this study: Thus, the scientific and practical significance of the study consists in the fact that: - the results can be the basis for the development of lecture courses in the framework of educational programs of higher education institutions for the specialty “Design”; - the conclusions can serve as an impulse for creative development in the modern practice of transmitting national traditions in design.
Novelty/Originality of this study: The originality of the research is associated with the identification of trends and prospects for the development of fashion, advertising, interior, and environmental design in the modern cultural environment of Kazakhstan, as well as the establishment of the importance of spiritual and aesthetic foundations of color scheme in the disclosure of the figurative components of design projects. The novelty of the research consists in determining the influence of the traditional color scheme of Kazakh decorative and applied arts on the shaping and color scheme in the products of modern design, many of which are the main bearers of the regional ethno-semantics.
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Eralin, K. "Artistic Dimension of the Image of Abay in the Visual Arts." Turkology 6, no. 104 (December 15, 2020): 136–49. http://dx.doi.org/10.47526/2020/2664-3162.024.
Full textAbstract:
The article defines the concept of "image", "artistic image", "portrait", "artistic dimension" in visual art. It indicates the artistic activity of masters of graphics, painting, sculpture, applied art to create an artistic image of the great poet of the Kazakh people. The author concretizes the units of artistic measurement of the image of the poet of the great steppe in the visual arts in the dimension: idea, composition, color, and technique of execution. The methods of artistic measurement in the works of graphic artist Abilkhan Kasteev, Yevgeny Sidorkin, painter Nagimbek Nurmukhammedov, and sculpture of Khakimzhan Nauryzbayev are determined. The model, program and method of artistic measurement of the poet's image are characterized. The results of an experimental study on the study of the image of Abay in visual art are analyzed. It offers methodological recommendations for studying the artistic image of the great poet Abay as a means of artistic education and aesthetic education of the younger generation.
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Eralin, K. "Artistic Dimension of the Image of Abay in the Visual Arts." Turkology 6, no. 104 (December 15, 2020): 136–49. http://dx.doi.org/10.47526/2020/2664-3162.024.
Full textAbstract:
The article defines the concept of "image", "artistic image", "portrait", "artistic dimension" in visual art. It indicates the artistic activity of masters of graphics, painting, sculpture, applied art to create an artistic image of the great poet of the Kazakh people. The author concretizes the units of artistic measurement of the image of the poet of the great steppe in the visual arts in the dimension: idea, composition, color, and technique of execution. The methods of artistic measurement in the works of graphic artist Abilkhan Kasteev, Yevgeny Sidorkin, painter Nagimbek Nurmukhammedov, and sculpture of Khakimzhan Nauryzbayev are determined. The model, program and method of artistic measurement of the poet's image are characterized. The results of an experimental study on the study of the image of Abay in visual art are analyzed. It offers methodological recommendations for studying the artistic image of the great poet Abay as a means of artistic education and aesthetic education of the younger generation.
30
Valikova, Olga A., and Uldanai M. Bakhtikireeva. "A. Zhaksylykov’s novel “Singing Stones” in aspect of the literary domain theory." RUDN Journal of Studies in Literature and Journalism 24, no. 4 (December 15, 2019): 633–48. http://dx.doi.org/10.22363/2312-9220-2019-24-4-633-648.
Full textAbstract:
The authors of the article believe that the symbolic systems to which the language belongs form structured databases in a certain way - domains that develop according to specifi c rules and aff ect the culture of a language community. According to the hypothesis of the research presented in the paper, Russian-language literature is a special cultural domain generated by the ethnogenetic (in this case, Kazakh) and canonical (Russian) fi elds of culture. It was found that at the crossroads of cultures - and literatures - a new aesthetic phenomenon is being formed, which modern literary criticism has yet to describe. The main objectives of the study included interpretation of the text by the method of hermeneutic commentary, elimination of linguocultural lacunae, and complex poetic analysis. The research material was the fi rst pentalogy novel by A. Zhaksylykov “Dreams of the Damned” - “Singing Stones”. The authors conclude that modern Russian literature gravitates not so much to the Russian (in the strict sense of the term) language fi eld as to the Russophonic or translingual fi eld, using the term by professor Steven Kellman.
31
Zhirenov, S., А. Smanova, and Zh Nebesaeva. "LINGUISTIC CHARACTERISTICS OF THE SYSTEM OF NATIONAL VALUES IN ART." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 78–82. http://dx.doi.org/10.51889/2020-4.1728-7804.15.
Full textAbstract:
The article considers the coding of the system of national values in Kazakh art and their linguistic expression in the linguocultural aspect. There is a linguistic representation of the place of art in the national culture, the activity of cultural values in the worldview of the ethnos. If the indicator of the culture of an ethnos is cultural values, then the value of cultural values is determined by language. Art is an indicator of cultural and social life, endowed with the ancient cultural and spiritual value of the national existence of the ethnos. Considering that different forms of art and their compositions are marked and distinguished by language, the article analyzes in detail the question of the relationship of art to language, language to art. The existence of such categories as the history of a nation and the ethics of words, culture and art of an ethnos, aesthetic cognition and taste, folk wisdom and spiritual food is considered in the existence of a language. The role of language in expressing the essence of art is described in detail.
32
Rakhipova, S., D. Toimataev, and G. Abdigalieva. "Analysis of the Category “Cultural Heritage”." Adam alemi 4, no. 86 (December 15, 2020): 136–44. http://dx.doi.org/10.48010/2020.4/1999-5849.15.
Full textAbstract:
The article examines the problems of cultural heritage, which occupies a special place in the Kazakh worldview, the historical and philosophical analysis of this topic is a requirement of modern science. This is determined by spiritual, social, political and ideological factors. By cultural heritage, we mean spiritual values such as cultural traditions, stable standards of perception and behavior, moral norms, stereotypes of thinking, political, legal and philosophical ideas, aesthetic concepts. It is these traditions that constitute the historical roots of the modern life of the people and reflect its essence. Every society has a culture formed as a result of centuries of human development. Culture as the main form of dissemination of social experience contributes to the vitality of society in history and always preserves the experience of previous generations. At the same time, the peculiarity of culture is that it is a public memory. Culture is a historical memory that always provides constant spiritual, moral and intellectual qualities to the surrounding human environment. In this case, culture is a collection of heritage information that is formed, preserved and disseminated by humanity. Historical and philosophical study of cultural heritage strengthens spiritual culture. It is important for Kazakhstan to update the philosophy based on national cultural values.
33
Oralova, G. "YERIMBET KOLDEYBEKULY'S ROLE IN AITYS." BULLETIN Series of Philological Sciences 75, no. 1 (March 30, 2020): 261–68. http://dx.doi.org/10.51889/2021-1.1728-7804.45.
Full textAbstract:
The article analyzes the role of Yerimbet Kuldeybekuly in aitys. The individual character of the poet, the essence and art of execution in the written aitys of Yerimbet Akyn were determined. The genre and cognitive nature of Yerimbet Kuldeibekuly's works in the field of letters is studied. Yerimbet Kuldeibekuly's contribution to the literature, culture and spirituality of the nation is determined through written aitys.The worldview of Yerimbet's creativity, performing aitys according to the system of riddles and answers, is analyzed. The peculiarities of Yerimbet Kuldeibekuly's enigmatic aitys, which show the continuity of a certain literary and creative environment, are analyzed, the nature of the tradition of the leading poets in the creation and solution of the enigmatic aitys is confirmed. In the ideological and compositional network of written aitys the description of the tradition of glorification of pedagogical personalities of the enlightened persons in the Zhyrau-poetic, oratory tradition of the Kazakh people is described.The aesthetic meaning of the poetic linguistic use of the aitys of Yerimbet akyn, the semantic meaning of the figurative word usage are highlighted. The nature of the creative individuality of the poet Yerimbet as a literary critic of the epoch in which he lived, the essence of the use of poetic language was determined. The examples of folk wisdom used to expand the poetic thought were considered in the context of the continuation of the tradition of skillful use of proverbs in combination with skill.
34
Kulieva, Sheker A. "Translingual text within a meaning-generating context of Russian literature." RUDN Journal of Studies in Literature and Journalism 25, no. 4 (December 15, 2020): 657–70. http://dx.doi.org/10.22363/2312-9220-2020-25-4-657-670.
Full textAbstract:
In this article, the translingual text in the aspect of its interconnection with the meaning-generating context of classical Russian literature is analyzed. The literary translingualism is defined as the phenomenon of writers who create texts in more than one language or in a language other than their primary one. This is an urgent problem for modern literary criticism, requiring an interdisciplinary approach to its study. Within the framework of translingualism theory, as the text is comprehended not only as a product of speech activity subjected to structural preparation. It turns into a zone of cross-pollination with multiple meanings, becomes a representative of cultures in their contamination, mutual repulsion, symbiosis, submission, adaptation. Intercultural communication within the literary text also affects the level of the intertext: the intertextual paradigm elements of various complexity (from selected intexts, unmodified reminiscences to expanded propositions) in a translingual text are often subject to the process of so-called intertextual acculturation, in which the intext is filled with ethnospecific linguistic and literary content. The material for the study is the literary cycle Dreams of the Damned (Sny okayannykh) by the modern Kazakhstan writer A. Zhaksylykov. Some of the intertextual echoes of the cycle with canonical texts of classical Russian literature (works by Pushkin, Yesenin, Dostoevsky, etc.) are analyzed in order to trace the adaptation process of its key motives (the motive of flight from people, the motive of wandering, the motive of the desert, the motive of the black man, etc.) to the Kazakh linguocultural and aesthetic reality. Using methods such as comparative analysis, linguopoetic commenting, intertextual analysis, the conclusion is made that an appeal to the literary works of the acquired language for a translingual author is necessary: they constitute his cognitive base, but at the same time undergo certain linguo-specific transformations, the result of which is generation of new images of the world.
35
TULEUOVA, D. A., G. A. SERIKBAEV, A. K. KURMANALIEV, J. U. PYSANOVA, Sh P. NAJIBULO, and E. A. VOSKANYAN. "Immediate results of electrochemotherapy for malignant tumors of the skin and soft tissues, cutaneous and subcutaneous metastases of melanoma." Oncologia i radiologia Kazakhstana 56, no. 2 (June 30, 2020): 23–25. http://dx.doi.org/10.52532/2663-4864-2020-2-56-23-25.
Full textAbstract:
Relevance: Surgical removal of locally advanced forms of skin cancer and multiple cutaneous and subcutaneous metastases of melanoma does not always provide satisfactory aesthetic, functional, and long-term results. The treatment outcomes
depend on the size, shape, location, and some other characteristics of the tumor. The relapse rate after surgical removal of
locally advanced skin cancer is 12.5-34%, and the long-term survival of patients with cutaneous and subcutaneous metastases
of melanoma does not exceed 30%. Cutaneous and subcutaneous metastases of melanoma and some superficial tumors are
usually initially inoperable. Their complications such as bleeding, infection, pain, and pitting cause serious clinical problems
and often require local therapy even at the 4th stage of the disease.
Electrochemotherapy (ECT) is one of the modern treatment methods for skin cancer, soft tissue sarcoma, and metastatic
melanoma. ECT is a treatment of choice in the presence of contraindications to surgical and radiation therapy. ECT combines
the physical properties of current-induced electroporation with the chemical properties of chemotherapeutic drugs. In this
method, an electric current affecting the tissue causes a temporary increase in cell membrane permeability, thereby providing
free access to the cell of large molecules, including cytostatic drugs, which are not initially transferred to the cytosol. This significantly increases the potential toxicity of cytostatic drugs.
The purpose of this study was to demonstrate the immediate results of ECT in patients with malignant tumors of the skin,
soft tissue, cutaneous, and subcutaneous melanoma metastases.
Results: Since 2017, 27 patients were treated by ECT at the Centre for bone and soft tissue tumors and melanomas of Kazakh Institute of Oncology and Radiology (Almaty, Kazakhstan). After two months, 67% of patients had a complete response
(CR), 26% – a partial response (PR), and 7% had progression of the tumor. Side effects included local edema (n=13, 40%)
which independently disappeared within several days to 2 weeks, local pains (12%) which disappeared within six months in 3%
and within a month after treatment in 11%, and hyperthermia in the early postoperative period in 6% of patients which was
stopped within 10-15 min after the procedure.
36
Dzaparova, E. B. "Poets of the Sixties as Translators of Ossetian Poetry." Nauchnyi dialog, no. 6 (June 29, 2020): 236–64. http://dx.doi.org/10.24224/2227-1295-2020-6-236-264.
Full textAbstract:
The results of a comparative analysis of multilingual texts - the original and the translation - of poetic works by Ossetian authors (M. Tsirikhova, A. Tsarukaev, R. Asaev, G. Dzugaev, H.-M. Dzuzzati, D. Darchieva, T. Tettsoeva) in the light of the translation interpretation by famous Russian poets of the sixties (E. Evtushenko, B. Akhmadulina, R. Kazakova, B. Okudzhava, Yu. Morits) are presented. In the course of comparative analysis, it was found that some translators resorted to adapted rethinking of the lines of a foreign language text (Yu. Morits, B. Akhmadulina). It was shown that for this purpose, in some places, translators violated the formal organization of the verse, expanded the original text by adding stanzas (R. Kazakov) or, conversely, narrowed the verse of the original (B. Okudzhava, B. Akhmadulina), but changes in the structure of the original did not affect the adequate perception of the text to recipients. The features of the implementation of the original pragmatic potential in translation are commented. It is noted that translators not only find lexical means characterized by semantic affinity with the words of the original, but also embody the aesthetic component of the literary text (R. Kazakova, Yu. Moritz) and others. It is stated that some poets deliberately resorted to rethinking the artistic reality captured by the author: in the language of translation, a new work is actually created based on the poem in the original (E. Evtushenko, B. Akhmadulina).
37
Tuleuova, D. A., G. A. Serikbaev, A. K. Kurmanaliev, J. U. Pysanova, Sh P. Najibulo, and E. A. Voskanyan. "Immediate results of electrochemotherapy for malignant tumors of the skin and soft tissues, cutaneous and subcutaneous metastases of melanoma." Oncologia i radiologia Kazakhstana 56, no. 2 (June 30, 2020): 31–34. http://dx.doi.org/10.52532/2521-6414-2020-2-56-31-34.
Full textAbstract:
Relevance: Surgical removal of locally advanced forms of
skin cancer and multiple cutaneous and subcutaneous metastases of melanoma does not always provide satisfactory aesthetic,
functional, and long-term results. The treatment outcomes depend on the size, shape, location, and some other characteristics
of the tumor. The relapse rate after surgical removal of locally
advanced skin cancer is 12.5-34%, and the long-term survival of
patients with cutaneous and subcutaneous metastases of melanoma does not exceed 30%. Cutaneous and subcutaneous metastases of melanoma and some superficial tumors are usually
initially inoperable. Their complications such as bleeding, infection, pain, and pitting cause serious clinical problems and often
require local therapy even at the 4th stage of the disease.
Electrochemotherapy (ECT) is one of the modern treatment
methods for skin cancer, soft tissue sarcoma, and metastatic melanoma. ECT is a treatment of choice in the presence of
contraindications to surgical and radiation therapy. ECT combines the physical properties of current-induced electroporation with the chemical properties of chemotherapeutic drugs.
In this method, an electric current affecting the tissue causes
a temporary increase in cell membrane permeability, thereby
providing free access to the cell of large molecules, including
cytostatics, which are not initially transferred to the cytosol.
This significantly increases the potential toxicity of cytostatics.
The purpose of this study was to demonstrate the immediate results of ECT in patients with malignant tumors of the
skin, soft tissue, cutaneous, and subcutaneous melanoma metastases.
Results: Since 2017, 27 patients were treated by ECT at
the Centre for bone and soft tissue tumors and melanomas
of Kazakh Institute of Oncology and Radiology (Almaty, Kazakhstan). After two months, 67% of patients had a complete
response (CR), 26% – a partial response (PR), and 7% had progression of the tumor. Side effects included local edema (n=13,
40%) which independently disappeared within several days
to 2 weeks, local pains (12%) which disappeared within six
months after treatment in 3% and within a month in 11% of
patients, and hyperthermia in the early postoperative period in
6% of patients which was stopped within 10-15 min after the
procedure
38
Ananyeva, S. V., and A. T. Khamrayev. "Bicultural aesthetic interference in translations of Kazakh poetry into English." Keruen 4, no. 69 (December 15, 2020). http://dx.doi.org/10.53871/2078-8134.2020.4-01.
Full textAbstract:
The article is devoted to the problems of poetic interference as a phenomenon of bicultural intermediate aesthetics based on the example of Kazakh poetry, translated into English. Foreign translations of the poems by Kazakh poets act as a factor in the unity of two cultural phenomena and at the same time conjugative aesthetics. Poetic heritage and translations of the poet serve as a factor of bicultural and simultaneously conjugative aesthetics. Translation analysis clearly shows that the creative writings of Kazakh poet are a bright example of not only lingualcultural but also artistic and aesthetic interferentiality. This is a condition for simultaneous "destruction" of aesthetic integrity of the original and formation of a new one in the translation. We have outlined this phenomenon as conjugative one. Thanks to the introduction into the text of the translation of Kazakh words and symbols, foreign reader often gets first emotional information of communicative, evaluative, abstract synthesis, modal, explanatory nature at the unconscious level, in other words, it focuses on the fact that (identification of common relations with surrounding reality) is common for its perception, and is alien single (about specifics of national picture of the world or fragments (often visual: ornaments, yurts, whip, etc.), and only after that receives the implicit access to the world of content and form of artistic work.
39
Ananyeva, S. V., and A. T. Khamrayev. "The phenomen of bicultural aesthetics in translation (based on Kazakh and English poetry) ." Eurasian Journal of Philology: Science and Education 175, no. 3 (2019). http://dx.doi.org/10.26577/ejph-2019-3-ph26.
Full text
40
Ananyeva, S. V., and A. T. Khamrayev. "The phenomen of bicultural aesthetics in translation (based on Kazakh and English poetry) ." Eurasian Journal of Philology: Science and Education 175, no. 1 (2019). http://dx.doi.org/10.26577/ejph.2019.v175.i3.ph26.
Full text
41
Tarina, G. K. "TOPONYMS BASED ON THE SPIRITUAL CULTURE OF THE KAZAKH PEOPLE (ON THE EXAMPLE OF ULAN DISTRICT, EAST KAZAKHSTAN REGION)." BULLETIN Series Historical and socio-political sciences 64, no. 1 (March 30, 2020). http://dx.doi.org/10.51889/2020-1.1728-5461.32.
Full textAbstract:
In this article, on the example of toponyms of the Ulan district of the East Kazakhstan region, the author presents toponyms based on the spiritual culture of nomads. The spiritual culture of the nomadic Kazakh people is very rich and diverse. Since in our time, at the heart of any word, phrase, phraseological units and Proverbs-sayings, fairy tales and poems, prohibitions and beliefs in a large number of cognitive, cognitive data, it is considered insufficient to investigate based only on language data. Because under the cover of these collective values, such cultural values of the people as the historical and elite culture formed by this people, historical collective thinking, knowledge of the world, everyday life, social economy, life experience, moral condition, ethics and aesthetics are known in detail. The article shows how the spiritual culture of the Kazakhs was reflected in the name of localities in the Ulan district of East Kazakhstan region.
42
Auyesbayeva, P. T., T. K. Albekov, and K. B. Alpysbayeva. "WORDS OF ANCESTORS – MASTERPIECES OF KAZAKH WORD ART." Keruen 66, no. 1 (March 15, 2020). http://dx.doi.org/10.53871/2078-8134.2020.1-03.
Full textAbstract:
The article highlights the issues of scientific preparation and publication of the 100- volumes of Kazakh folklore "Word ancestors", published in the period 2004-2013, including issues of genre classification of folklore texts, principles of selection and preparation of each volume, as well as the place of this priceless spiritual heritage in the world’s culture. Kazakh folklore – is a syncretic literary art, originating from ancient times and representing folk art-aesthetic, philosophical, moral and ethical outlook. In recent years, scientific editions of folk literature, publications for children and a wide range of readers have been published, that had been collected from numerous handwritten patterns of folklore creativity which is an invaluable spiritual heritage people. At the same time we should mention that folklore collections published in the 90th - early 2000 s, covered only a small part of the rich folk heritage of Kazakhs. One of the main reasons for this was the pro-communist ideology of the Soviet political system that prevented from the development of national cultures. For this reason, hundreds of folklore religious works, works with the sence of some ethnic patriotism, freedom and independence have not been included into scientific turn over and library circulation. However those works that have been published in the Soviet period, underwent censorship and abbreviations. The main purpose of the publication was the idea of demonstrating not only the richness of Kazakh folk literature, but also implementation of publication in accordance with modern requirements of philological science, also it was important to visibly show the antiquity of the origin of national culture.
43
Kelgembayeva, B., and A. Tanzharykova. "ANIMISM AND MYTHOPOETICS OF ZHANAT ASKERBEKKYZY'S LYRICS." BULLETIN Series of Philological Sciences, June 30, 2020, 449–58. http://dx.doi.org/10.51889/2020-2.1728-7804.73.
Full textAbstract:
The article deals with the problems of mythopoetics based on the lyrical works of the famous poetess Zhanat Askerbekkyzy, included in the collection of her poems “AI-tamgyˮ. The authors make a historical review of the formation of mythopoetics as an independent section of literary criticism. The role of the moon cult in the worldview and life, customs and folklore of the Kazakh people is analyzed. Their points of contact with traces of the chemical worldview in the folklore and traditions of the peoples of the world are revealed. The poetic function of the moon cult in Kazakh literature is compared with fragments of poetic works of famous romantics of European literature. The author reveals the mythological origin of the image of the moon and the specifics of the interpretation of the image of the moon and lunar motifs in the poet's lyrics. An attempt is made to determine the stylistic originality and individuality of the poetic perception of this author. a literary analysis of the mythopoetic tradition in national poetry and artistic and aesthetic searches in modern Kazakh poetry is Carried out.
44
Orda, G. Zh, and Zh B. Sarsenbayeva. "ARTISTIC SOLUTION IN CREATING THE IMAGE OF MRS. SUZGE." Keruen 71, no. 2 (June 15, 2021). http://dx.doi.org/10.53871/2078-8134.2021.2-08.
Full textAbstract:
The article is devoted to the artistic search in the literature of the image of the last ruler of the Siberian state, one of the last representatives of the Shayban dynasty -Kushim Khan and Mrs. Suzge. Mrs. Suzge, who attracted the attention of Kazakh poets and Siberian poets from P.P. Ershova, became the main characters of poets and writers, as well as artists. The demand for the legendary life and heroism of historical figures that occupy a special place in the history ofthe nation has increased since our country gained independence. In modern poetic, prosaic and dramatic works of Kazakh literature, the image of Suzge in history becomes an artistic reality. The study provides a scientific analysis of the artistic and aesthetic achievements of literature with a comparative analysis of the research of writers of different genres.
45
"The relationship of architecture and cultural landscape on the example of the city of Almaty." Bulletin of Kazakh Leading Academy of Architecture and Construction 78, no. 4 (December 29, 2020): 20–28. http://dx.doi.org/10.51488/1680-080x/2020.4-02.
Full textAbstract:
The article substantiates the significance of the traditional culture of Kazakhstan in the field of art and design training. It describes the uniqueness of Kazakhstan's design, which is closely intertwined with various aspects of the theory and history of culture, and also reflects examples of integration into world culture. The author emphasizes the importance of studying the origins of national culture and its features, which are necessary for preserving the continuity of generations. The authors suggest using the potential of folk art heritage in the educational process for the development of aesthetic and moral qualities of the individual. Key words: education, traditional Kazakh culture, design, continuity.
46
Abduov, Muhammadgali, Nazilya Abduova, and Nicolae Stanciu. "Image, Function, Meaning, and Structure: The Role of Aphorisms in the Kazakh Epic Poem Kyz Zhibek." Studia mythologica Slavica 23 (September 18, 2020). http://dx.doi.org/10.3986/sms20202306.
Full textAbstract:
In this article, the function of aphorisms in folk song, which also contains lyrical and dramatic elements, is analysed and defined through cultural (mostly folklore) literature, and linguistic methods. The main purpose of this paper is to show the role of the gnomic words generated by folk creators in an epic poem’s plot, their main functions in the development of conflict and the aesthetic expression of the work. Therefore, the meaning of symbols has been interpreted in close connection with the actions, archetypes and metaphors inserted in the structure of the song. Using as an example the song “Kyz Zhybek”, which is a prominent creation in Kazakh folklore, and reviewing research papers on the subject, the present article follows the contrastive analysis in researching the echoes of archetypal traditions in a Muslim cultural frame. Ethnos in culture remains in an attempt to recover the identity of a group using what seems specific in folklore, history, and linguistics and to track them in an original ideology articulated on national and universal bases. This paper may help researchers when studying folklore heritage, with understanding the scope of using the aphorisms and the main function actualised by them in folk literature. In addition, the role of aphorisms in a folk song is systematised, and their historical and identity significance is underlined.
47
Tzanelli, Rodanthi. "Tourism worldmaking and market post-truth: Borat’s new spirit of capitalism." Tourist Studies, May 27, 2021, 146879762110199. http://dx.doi.org/10.1177/14687976211019909.
Full textAbstract:
The article develops a theoretical framework for the critical examination of cinematic tourist design. Considering ‘film-induced tourism’ as part of a bigger system involving the design of mobilities, it interrogates the connection between the aesthetic and ethical principles that end up informing the engineering of national hospitality in media platforms. The design, which is managed by a ‘worldmaking authority’ or network encompassing the host nation state and international tourist and media markets, conforms to the rationalised rules of what Boltanski and Chiapello termed the ‘new spirit of capitalism’, which mobilises romantic ideals of individual freedom to sell landscapes and exotic cultural characters. The phased development of such mobilities conforms to contingency and is indifferent to the welfare of particular social groups. The model is exemplified through the phased design of mobilities out of two films with virulent sexist and antisemitic content centred on the journeys of the fictional Kazakh journalist Borat to the United States.