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Journal articles on the topic 'Kazakh Folk literature'
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1
Ashirkhanova, K., and Zh Suinzhanova. "Reflection of Folk Healing in Kazakh and Turkish Oral Literature." Iasaýı ýnıversıtetіnіń habarshysy 122, no. 4 (December 30, 2021): 37–46. http://dx.doi.org/10.47526/2021-4/2664-0686.04.
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Folk healing is one of the oldest, most important objects of the study of oral folk art. It is important to study the history, to determine the place of folk healing in science. In Kazakh folklore science, the roots of folk healing, known by various names, have their roots in the pre-Islamic Turkic belief system. At the root of the Kazakh traditional folk healing are the Kok-Tengri religion, shamanic beliefs / Baksanism. Folk healing, which plays a rather important role in our daily life, has developed so widely in the Turkic world that its application can be seen in any sphere of life. The purpose of this study is to study various analyses, opinions, approaches concerning folk healing, as well as the results of the study of Kazakh and foreign scientists regarding Kazakh folk healing. It is also possible to prove through the judgments of researchers that in the works of oral folk art accumulated over the centuries, one can also find reflections and experiences of our ancestors concerning everyday life, traditions, and a healthy lifestyle. The article discusses various names, definitions of the concept of folk healing in Kazakh and Turkish oral literature, examples, methods of treatment that are not found in other literary works about folk healing except the book Korkyt Ata, which is a priceless pearl of oral folk healing.
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Ainabek, Aidana, Bekzhan Abdualiuly, Samal Zhuanyshpaeva, Aliya Ongarbayeva, Aigul Aitymova, and Assem Belgibekova. "The Effects of Teaching Toponyms and Folk Geography Terms with Information Technologies in Literature Courses." International Journal of Education in Mathematics, Science and Technology 12, no. 2 (November 23, 2023): 532–51. http://dx.doi.org/10.46328/ijemst.3897.
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Kazakh and Nogai peoples have shared many similar experiences throughout history. In the theoretical dimension of this study, the common features of Kazakh and Nogai communities in the fields of language, culture and geography are analyzed in a comparative perspective. In the research dimension, the common history of Kazakh and Nogai peoples, language kinship and similarities in the formation of place names were discussed in detail, and the cultural and linguistic ties of these two communities were taught with the support of information technologies. In this context, a pre-test post-test design with control group was applied in the study. Experimental applications were applied in Kazakh Language and Literature course. Toponyms and folk geography terms in Kazakh and Nogai languages were taught with the support of information technologies in the experimental group and traditional teaching in the control group (6 weeks). Kazakh and Nogai Language Achievement Tests and Attitude towards the Course Scale were used as measurement tools in the research. Mann Whitney U test, one of the Non-Parametric statistics, was used to analyze the research data. According to the research findings, a significant difference was found in favor of the experimental group in terms of Kazakh Toponyms and Folk Geography Terms. However, no significant difference was found between the achievements of the experimental and control groups in teaching Nogai Toponyms and Folk Geography Terms. Finally, it was found that the information-supported teaching activities applied in the study positively affected the students' attitudes towards the course.
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Azi, Essentugel A., Samet Azap, and Nurbol A. Saduakas. "Көшпенді сал-серілерінің халықтық-діни көзқарастары." BULLETIN of the L.N. Gumilyov Eurasian National University. Historical sciences. Philosophy. Religion Series 138, no. 1 (2022): 142–54. http://dx.doi.org/10.32523/2616-7255-2022-138-1-142-154.
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The «serilik» tradition is of great importance in the history of the cultural heritage of nomads, including the culture of the Kazakh people. «Sal-seriler» is the spiritual image of the Kazakh Steppe, which adheres to the traditions, has a universal human value, is rich in educational and educational heritage. The article considers the work of the Kazakh «Sal-Seri», which combines a wide variety of Arts in the history of the culture of the nation, the art of speech, that is, the art of poetry, singing, composition, improvisation, eloquence and eloquence on the basis of historical, cultural and literary sources. The scientific and creative work of the Masters of the word in the history of national literature, the culture of language, the system of artistic thinking, the national spirit and consciousness, and the national and spiritual values are presented philosophically. Most of the spiritual culture of the Kazakh people was repressed, banned, and the names of many prominent figures, cultists and followers of cultural traditions were forgotten. Their return to the people, their involvement in cultural life creates the need for a holistic understanding of the eternal spiritual values created by them, which has every reason to take its rightful place in universal culture. A huge role in the socio-political and spiritual life of Kazakhs of the XV-XIX centuries was played by representatives of oral poetry – poets, zhyrau, sal and seri. «Sal and Seri» through his work is a connecting beginning of the spiritual experience of the people, accumulating a repetition of the experience of previous generations. As a public figure, «Sal and seri», worried about the future, became enemies to all the authorities – both their rich and their colonialists. «Sal-seri», which expressed a progressive mood, reflected moral, ethical, sociocultural, philosophical and historical ideas and knowledge in a new way in their works, served as defenders of the interests of the people. If the artistic heritage of «Sal-Seri» is a special type of creativity, then their image is a vivid reflection of the national mentality.
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YESBALAYEVA, R., and Sh KUDAIBERGENOVA. "ZHUMABAY ABILOV AND GENESIS AND THE GENRE STUDY OF THE KAZAKH COMEDY." Turkology 111, no. 3 (September 15, 2022): 48–65. http://dx.doi.org/10.47526/2022-3/2664-3162.03.
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The article deals with the study of Kazakh comedy. A scientific analysis is carried out on the basis of the research of the scientist Zhumabay Abilov regarding the genesis and genre features of the Kazakh comedy. As the history of the emergence of comedy recedes into antiquity, the history of the study of Kazakh comedy continues to fade. In the literature of any country, there is a tendency to study the genre of comedy in written literature, and types of comedy in oral literature are not taken into account. Perhaps that is why until that time we knew only such types of Kazakh comedy as "Satirical Comedy" and "Lyrical Comedy". And Zhumabay Abilov, who studied Kazakh comedy in close connection with folklore, introduced the previously unused genre of “dialogue-comedy” into literary circulation. Every country, every nation has its own satire. The systematization of the forms of oral satire, called folk comedy, and its scientific tracking require a comprehensive study. The article presents examples of oral creativity, which is the beginning of our national literature, in the Kazakh folk theater, and conclusions about stable coordinating factors from the research work of the scientist Zhumabay Abilov "Kazakh Comedy". The study and classification of the genre of dialogue-comedy has a scientific basis.
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Ainabek, Aidana, Bekzhan Abdualiuly, Kassiyet Molgazhdarov, Botagoz Artymbayeva, Aida Aubakirova, and Samal Zhuanyshpaeva. "Effects of Language Learning Strategies on Teaching Toponyms and Folk Geography Terms in Kazakh and Nogai Languages." Journal of Ethnic and Cultural Studies 11, no. 2 (May 14, 2024): 140–63. http://dx.doi.org/10.29333/ejecs/2071.
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The study investigates the effect of language learning strategies in teaching toponyms in Kazakh and Nogai languages on students' achievement and attitudes. The study was conducted at a university's literature faculty in Astana, Kazakhstan, during the academic year 2023-2024, using an experimental research model. The experimental and control groups of the study consisted of 69 students studying in the 2nd grade at the Kazakh Literature Department in Astana, Kazakhstan. In the experimental group, Kazakh and Nogai toponyms were taught using language learning strategies, while the control group was taught using the lecture method. Experimental implementations lasted for six weeks in both groups. The data was collected using the Kazakh Toponymy Achievement Test, the Nogai Toponymy Achievement Test, and the Attitude Towards Activities Scale. The results showed that the experimental group students achieved higher levels of success in Kazakh and Nogai toponyms and developed positive attitudes towards the activities compared to their peers in the control group. Consequently, two recommendations emerged from the findings. First, teaching programs should be developed for effective language learning strategies in literature and language classes. Second, guidebooks and worksheets that exemplify language learning strategies in Kazakh and Nogai toponym subjects, in particular, and in literature courses, in general, should be created.
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Kenzhetaeva, Aliya, Karlgash Aitkalieva, and Tolkyn Amreyeva. "Integration of Experience and Achievements in the Development of Performing Skills of Kazakh Dance in Higher Education Institutions of the Republic of Kazakhstan." Harmonia: Journal of Arts Research and Education 23, no. 1 (June 29, 2023): 53–63. http://dx.doi.org/10.15294/harmonia.v23i1.43859.
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The main purpose of this research is to study the experience and achievements of previous generations of folk dance performers to improve work with future choreographers who study Kazakh folk dance in higher education institutions of the Republic of Kazakhstan. The study’s methodological approach is the search and theoretical analysis of sources aimed at studying both the history of the Kazakh folk dance itself and the development of the performing skills methods of Kazakh dance in future choreographers. This research uses typological, historical, and thematic analysis methods from used literature collected during the writing of the article. The author analyzes the historical stages of the development of the professional training of choreographers-performers and the influence of the experiences and achievements of previous generations on the performing skills of future choreographers in Kazakh higher educational institutions. This study also found that modern teaching is based on the integration of experience and achievements in the art of choreography for the development of performing skills and choreographer-performer skills of Kazakh folk dances in higher educational institutions of the Republic of Kazakhstan. This research work is of practical importance in the study, as well as training of future choreographers who study dance in various areas of original folk art in higher education institutions of the Republic of Kazakhstan.
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Pangereev, A. Sh, and M. R. Baltymova. "Children's folklore as a special kind of traditional culture." Bulletin of the Karaganda University. Philology series 99, no. 3 (September 30, 2020): 91–95. http://dx.doi.org/10.31489/2020ph3/91-95.
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The article deals with the formation of folklore, its influence on the development of traditional culture, song art of the Kazakh people and their features, the role of the Kazakh people in preserving spiritual wealth and values. A review of scientific research on oral literature, analyzed the collection of folk motifs, their distribution among the people, and mythical stories in ancient Turkic monuments. Based on the research, the ways of forming the spiritual values of the Kazakh people through national literature and culture, the importance of folk heritage as a means of preserving traditional culture are identified. The special role of children's folklore in the education of the younger generation and the formation of spiritual values is shown. It is revealed that the folklore genre forms the traditional culture and closely develops together with the people for many centuries.
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DEMİRCİ, Ümit Özgür, Mehmet HAZAR, İbrahim ÖZKAN, and Ali KILIÇ. "Kazakh Epic Janibek Batır." Journal of Old Turkic Studies 6, no. 2 (July 19, 2022): 272–364. http://dx.doi.org/10.35236/jots.1144775.
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There are many opinions about the Kazakhs being one of the Turkish tribes living in Central Asia since the time of the Saka-Scythians and appearing on the stage of history. According to the most common view, Kazakhs emerged when a community that did not comply with Abulhayhan Khan tended to live in a nomadic way between the Chu and Talas rivers. In Kazakh Turkish, the word dastan corresponds to the words jir, epos, köne epos, dastan. For heroic epics, batir jiri, batik epos, heroic epos; love epics are used as gaşıgtik jir, romandik epos, liro epostik jir. As in most epic traditions, Kazakh epics are sung in a mixed form in verse and prose, and traditional instruments such as dombra and kopuz are used in the verse. Telling an epic is called jirla-. While heroic epics are sung in the style of jır, love epics are told in the style of black dead. This epic, which is in the library of Muhtar Avezov Literature and Art Institute, is a copy of Aqıt Qajji Ülimjiwlı. Taken from the fifty-ninth volume of the multi-volume publication Atalar Sözü published by the Kazakh Language Development Institute. As the subject, it tells the heroism of the Kazakh folk hero named Janibek, some of his adventures and his fame among the people, and also reveals the life lived in the Kazakh steppes of that period in a plain language. In this study, the translated text of the work, the transfer of the text to Turkey Turkish and its index are presented to the attention of researchers as well as those who are interested in this field.
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Babadjanova, Nazokat. "STUDYING THE EPIC STORY "YUSUF AND ZULAIKHA"IN THE TURKISH FOLK LITERATURE." INTERNATIONAL JOURNAL OF WORD ART 3, no. 3 (March 30, 2020): 22–29. http://dx.doi.org/10.26739/2181-9297-2020-3-3.
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The article analyzes the history of the study of the work of art based on the ancient epic plot about Yusuf and Zulaikha which is widespread in the literature of the Turkic peoples. Sources testify that the evolution of Joseph's plot was a very complex and at the same time multi-layered stage of evolution.The artistic evolution of this plot is determined on the basis of the analysis of scientific sources on Tatar, Turkish, Kazakh, Azerbaijani and Turkmen literature.
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ASHIMOVA, Dinara. "RESEARCH THE TALE OF ER-TOSTUK BY PSYCHOANALYTIC THEORY." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (January 1, 2021): 371–77. http://dx.doi.org/10.47832/2717-8293.1-3.29.
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Kazakh folk literature has an important place in the stories that the Kazakh people, who have a wide field, have spoken orally, developed and reflected their own characteristics. One of them is the story of Er-Tostuk. Among Kazakh Turks, Potanin was the first person to compile the story of Er-Tostuk. Er-töstük has an important place among the Turkish people. It doesn't just belong to a certain ring. Although each community has put a new shape in its own way, it is almost identical in content. The characters in it are similar in Turkish Tales, Kyrgyz tales and Gagavuz tales.
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ASHIMOVA, Dinara. "RESEARCH THE TALE OF ER-TOSTUK BY PSYCHOANALYTIC THEORY." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (January 1, 2021): 371–77. http://dx.doi.org/10.47832/2717-8293.1-3.29.
Full textAbstract:
Kazakh folk literature has an important place in the stories that the Kazakh people, who have a wide field, have spoken orally, developed and reflected their own characteristics. One of them is the story of Er-Tostuk. Among Kazakh Turks, Potanin was the first person to compile the story of Er-Tostuk. Er-töstük has an important place among the Turkish people. It doesn't just belong to a certain ring. Although each community has put a new shape in its own way, it is almost identical in content. The characters in it are similar in Turkish Tales, Kyrgyz tales and Gagavuz tales.
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Tanauova, Zh. "The Connection of Humorous Stories with Other Genres of Folklore." Iasaýı ýnıversıtetіnіń habarshysy 122, no. 4 (December 30, 2021): 47–56. http://dx.doi.org/10.47526/2021-4/2664-0686.05.
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Until now, Kazakh folk prose has been widely studied cognitively. In general, folklore as a science pays great attention to the genre of prose. However, it would be wrong to say that all genres of Kazakh folklore have been studied and known to the broad masses. Despite the large number of humorous stories, in Kazakh folklore they are considered within other genres of prose. In other words, humorous stories in Kazakh folklore were not the subject of a separate, special study. If we pay attention to the opinions expressed in the writings of famous scientists-researchers in the field of folklore, it is confirmed that humorous stories are a branch of folk literature that is passed down from generation to generation. Despite the fact that humorous stories have been previously studied, it is natural that the latest advances in science raise questions that need to be revised, so we realized the importance of humorous stories in the work of our people and their study is a scientifically relevant topic. Thus, based on previous studies of the genres of folklore, this article examines the connection between humorous stories and other genres.
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Abzhet, B. S., М. М. Bakhtybayev, and К. М. Zhetibayev. "Legends, Traditions and Written Information about Syganak." Iasaýı ýnıversıtetіnіń habarshysy 125, no. 3 (September 15, 2022): 48–58. http://dx.doi.org/10.47526/2022-3/2664-0686.04.
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The article will focus on written sources and folk tales about the medieval city of Syganak. Syganak, which was a city of the Oguz tribes, later passed into the jurisdiction of the Kipchak tribes. After the invasion of the Mughals led by Genghis Khan, Syganak was restored and became a religious center during the Golden Horde. After Berke Khan accepted Islam from the sages, the Yasaviya tariqa was revived in the city of Syganak. Relying on the hikmet of Khoja Ahmed Yasawi, one can see the revival of the Zhyrau oral literature of the Kazakh people on the basis of strengthening Sufi literature. In this study, based on the Sufi literature of poets and zhyrau, born in the era of Nogaili and the Kazakh Khanate, the formation of genres such as «terme», «tolgau», characteristic of oral literature, is analyzed. The development of the city of Syganak and the role of the indigenous population living in it in the spread of Islam since the adoption of Islam are mentioned, as well as the work of religious scholars from this city to convert the conquered Mughal tribes to Islam. In addition, the historical significance of the city of Syganak for the Kazakh people and its influence on the formation of culture is noted. It also emphasizes the importance of recording folk tales about the once spiritual and cultural city of Syganak, which are still preserved in the memory of the people, in light of the disappearance of legends that were passed from mouth to mouth.
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McGuire, Gabriel. "Aqyn agha? Abai Zholy as socialist realism and as literary history." Journal of Eurasian Studies 9, no. 1 (January 2018): 2–11. http://dx.doi.org/10.1016/j.euras.2017.12.001.
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In Mukhtar Auezov's 1942 novel Abai Zholy, socialism is an end anticipated not just by history but more specifically by Kazakh literary history. In his earlier scholarly writings, Auezov had presented Abai as a transformational figure in the emergence of written Kazakh literature. In the novel, Abai becomes not only a literary innovator but also a political reformist: Auezov's Abai is horrified by the harsh and feudalistic behavior of his father Qunanbai, a wealthy local leader, and finds companionship and inspiration in his encounters with a series of famous 19th century Kazakh aqyns (bards). Auezov thus used Abai Zholy to argue that Kazakh folk literature had always been animated by a spirit of social critique which, in its laments and desires, had anticipated the Soviet world. This paper compares these aqyns’ depiction in the novel first with Auezov's earlier scholarship on the 19th century and second with the content of the aqyns’ own surviving works. These ideas reflected both contemporaneous shifts in Soviet nationalities policy and the influence of socialist realist literary models, which commonly staged both literary history and generational conflicts as allegories of political change.
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Baltymova, M. R., and A. Sh Pangereyev. "Children’s folklore is the source of the preservation of folk traditions." Bulletin of L.N. Gumilyov Eurasian National University. PHILOLOGY Series 143, no. 2 (June 30, 2023): 115–21. http://dx.doi.org/10.32523/2616-678x-2023-143-2-115-121.
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The article discusses the importance of children’s folklore in the preservation of folktraditions. Folklore works occupy an important place in the aesthetic education of the futuregeneration. Introducing children to the genres of folklore, retelling what they have heard,teaching expressive pronunciation of proverbs, sayings, riddles will help solve the problems ofaesthetic education. Consequently, Kazakh children’s folklore is the basis for the developmentand renewal of national culture. This is an indelible legacy that determines the essence andcontent of existence, historical destiny, existence, and worldview of a national civilization. Theconcepts developed in the years after gaining sovereignty in order to consolidate the personalityof the child, the noble heritage of our people, respect for Kazakh folklore, traditions, love forthe country, land, actions of moral and aesthetic feelings, reveal the role of oral literature inpreserving patriotism, morality, humanism, aesthetic culture and spiritual wealth, life in theconsciousness of the people this people in the past, dreams, customs. Folklore works for childrenrepresent the noble heritage of our people, accumulated over centuries, based on the formationof children’s own fantasies, requirements, thoughts, opportunities to perceive aesthetically, tofeel the surrounding phenomenon in accordance with the age of preschoolers. Folklore worksfor children are a valuable genre that listens to children with interest, increases their creativeabilities, develops logical thinking and vocabulary.
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Ishkalova, G. "KAZAKH TRADITIONAL HUNTING IN FOLKLORE." History of the Homeland 98, no. 2 (June 29, 2022): 244–54. http://dx.doi.org/10.51943/1814-6961_2022_2_244.
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The folklore of each nation is an indicator of national culture, its national identity, historical memory and worldview. Adapting to the environment, the people form their unique material and spiritual culture in accordance with the way of life. The Kazakh people, like other peoples, tried to interpret and convey the events of everyday life in various ways. Although folklore is an art created by the people, based on human wisdom, but it also acts as a true historical source. In folklore there are descriptions of historical events, pictures of everyday life and economic activity are reflected. Thus, the data of oral folk art are narrative sources among other types of sources. In accordance with the above facts, the author aims to consider traditional hunting on the examples of Kazakh folklore. In particular, on the basis of fairy tales, heroic and lyrical songs, ritual folklore and didactic folklore, the scenes of traditional hunting and the place of hunting in society are studied. An attempt was made through Kazakh folklore to show the national character and originality of traditional hunting, and the relationship between oral literature and ethnography was also revealed.
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ŁAWRYNOW, DARIA. "Cossack Military Culture as Expressed in Folklore." Revista de etnografie și folclor / Journal of Ethnography and Folklore 2023, no. 1-2 (2023): 57–76. http://dx.doi.org/10.59277/jef.2023.1-2.04.
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The article presents main examples of Cossack military culture and his role in the daily lives of Kuban, Ural and Kazakh Cossack communities. The investigated material consists of a corpus of oral works (songs, proverbs), examples of rituals, elements of the physical education system and folk games. Cossack folk culture and traditions were based upon the fundament of military society. Its members placed their identity in the broader context of warfare, which they understood both as a source of income and glory, as both a practical and ethical interpretation of their historical role. The article's methodology is based on the functional analysis, ethnographic studies and comparative literature methods. Research on this aspect of Cossack culture is an important element of broader studies on Cossack identity. The analyzed materials shed light on the process of creating historical memories and identities of Cossack communities and fits into a wider range of Cossack studies. Keywords: Cossack folklore, military culture, Kuban Cossack, Kazakh Cossack, Ural Cossack.
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Erofeeva, Irina V. "“Good” or “Saint” Janibek Khan (1342–1357) in the Oral Historical Memory of the Nomads-Kazakhs." Golden Horde Review 9, no. 1 (March 29, 2021): 149–65. http://dx.doi.org/10.22378/2313-6197.2021-9-1.149-165.
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Research objectives: To identify the main reasons for the formation of the cult of Janibek Khan of the Golden Horde in the oral historical memory of the nomadic steppe tribes which was embodied in the narrative tradition of Kazakhs from the fifteenth to eighteenth century. Research materials: The texts of the Kazakh folklore sources from the last quarter of the eighteenth to the beginning of twentieth century, published in different genres (tales, epics, legends, fairy tales) and dedicated to Janibek Khan or characters of the oral narratives closely related to him. Results and novelty of the research: The historiography of the Golden Horde and the medieval history of Kazakhstan considers it conventional wisdom that Uzbek Khan (r. 1313–1342) played the decisive role in the Islamization of the tribal population of the Ulus of Jochi during the fourteenth century. However, none of the Kazakh folklore sources recorded from the last quarter of eighteenth to beginning of twentieth century mentions his name. Rather, this role is given to the son and successor of Uzbek, Janibek Khan, who is the most popular character of oral narratives of Kazakhs dedicated to the Eurasian Middle Ages. This fact leads to the conclusion that the innovative activities of Uzbek in the field of religion covered mainly the western part of the Ulus of Jochi but had a limited impact on the steppe nomads of the Eastern Dasht-i Kipchak. The main role in the spread of Islam and Islamic culture to the east of the Ural River valley, in the territory of the ethnic nomadic ancestors of the Kazakh tribes, was played by Janibek Khan, which was reflected in the popular historical consciousness of Kazakhs. This article demonstrates the influence of Sufism’s cult of the “saints” borrowed by Muslim communities of the steppe in the process of sacralization of the historical Janibek Khan in the Kazakh narrative tradition and highlights the most characteristic features of his mythologized image. The scholarly novelty consists in the statement of the abovementioned theme of research and the structural analysis of the revealed folklore texts, which allows one to solve the long-standing problem of the association of the folk literature Janibek Khan of the Golden Horde and the historical Kazakh Khan of the same name who ruled in the eastern part of the former Ulus of Jochi in the later period.
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Muratkyzy, Mira, Akzhan Altybayeva, Assel Salykova, and Fedakar Pınar. "THE ASPECT OF FOLK PEDAGOGY IN THE PROCESS OF TEACHING FOLKLORE." 3i intellect idea innovation - интеллект идея инновация 2 (2024): 239–48. http://dx.doi.org/10.52269/22266070_2024_2_239.
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The scientific article examines the formation of folklore heritage using ethnographic data, analyzes the cultural heritage of the Kazakh people, characterizing the national worldview and national code. Such issues as the influence of folklore creative works on the spheres of «traditional education», «folk pedagogy», «ethnopedagogy» and their features, as well as the role of folklore heritage in preserving the spiritual wealth and national values of the Kazakh people are considered. A comprehensive review of scientific research in the field of folklore studies was conducted, works were considered in which lexical, linguistic, lexico-grammatical, stylistic analysis of texts of family ritual folklore was carried out. Based on the conducted research, the importance of enhancing the historical and spiritual values of our people through folklore creative works as an instrument of our traditional culture and national education were determined. Tracing the traditions and customs of the ancestors, characterizing the past and the national worldview, we came to the conclusion that the genre of folklore is a branch of knowledge that has been developed and studied for centuries and is widely used in folk pedagogy. The article analyzes the results of an association experiment conducted at the university within the framework of the discipline "Folk Verbal Literature" in order to describe the linguistic units characterizing our folklore heritage. The main goal is to popularize the application of folklore creative works to national education, to study the need to teach folklore, to form the theoretical and methodological basis of folk pedagogy using the folklore heritage as an example.
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Shokay, M. T., and R. S. Turysbek. "THE IMAGE OF KHAN ABULKHAIR IN THE HISTORICAL NOVEL «BUPAI KHANIM»." Bulletin of Dulaty University 14, no. 2 (May 20, 2024): 34–43. http://dx.doi.org/10.55956/kyzr1219.
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In the long-term practice of Kazakh literature, the importance and focus of historical novels have always been high. We will not be mistaken if we consider historical works serving the interests of the country as the main character of the Kazakh growing literature, which revive the past, reminds of the forgotten and brings to light what has remained a secret. The authors studying such works pay attention in the article to the breadth of the thematic background of Kazakh prose under sovereignty and the importance of historical novels in reviving the consciousness of the people. Taking as the main object the historical novel of the Kazakh writer Madi Ayymbetov "Bupai khanim", the image of the famous Khan of the Younger Zhuz Abulkhair Khanis considered. This novel is not able for its novelty, the fact that it was one of the few works written about a woman, and the fact that it was a work that describes the image of Abulkhair Khan, whose life was full of contradictions. In addition, the authorsurge to pay attention to the artistic tradition of Kazakh verbalart, worldview, personal position of the author in creating the image of Abulkhair. He defines the characteristic features, attaching importance to the dialogue of other characters in the novel with Abulkhair, his attitude towards him, comparisons in him. It also touches on issues of fate, folk worldview, similarity of thought with other works that may influence the artistic decision of the author.
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Mursal, A., B. Aitbayeva, and A. Yermekova. "THE SEMANTICS OF OLD-BOOK WORDS IN THE MODERN LITERARY LANGUAGE (based on the novel by writer Qazhyqumar Shabdanuly “Pana”)." Tiltanym, no. 2 (July 17, 2024): 89–99. http://dx.doi.org/10.55491/2411-6076-2024-2-89-99.
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This article analyzes the scientific findings on archaic words in Kazakh language , identifying trends in their use in contemporary literary style, which suggests the potential for the revival of Kazakh oral literature and the language of modern writers. The research material is the novel "Pana (Refuge)" by Qazhyqumar Shabdanuly, one of the founders of Kazakh written literature in China. In the course of linguistic analysis, Shabdanuly's text was compared with the kissa-saga, magical folklore, zhyrau poetry, as well as folk songs and poems. This allowed for the identification of the features and reasons for the functional use of archaic words.During the study the morphemic-semantic analysis was used, which included identifying the root and meaning of words using the comparative-historical method. This method was applied to the study of archaic words both in oral tradition and in the works of the writer. Scientific conclusions related to archaic words were expressed through the methods of systematization, grouping, analysis, description.As a result, it turned out that Q. Shabdanuly's novel “Pana” is very rich in archaic words, which are the basis of the article, and the author used them as a means of reflecting the historical reality of that time.
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Mirov, M. "THE FOUNDER OF ABAELOGY SCIENCE." BULLETIN Series of Philological Sciences 72, no. 2 (June 30, 2020): 357–63. http://dx.doi.org/10.51889/2020-2.1728-7804.55.
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This article discusses the scientific knowledge on the basis of the science of Abaelogy and research work on the linguistic stylistic study of the poetry of Abay by linguist scientist, Professor K. Zhubanov. The opinions of scientists on the research work of Professor K. Zhubanov “Abai - a classic of Kazakh literature” are systematized. This article gives examples of word formation in the work of the great scientist K. Zhubanov about Abai, the ability to use words, supported by specific examples. In this article we will discuss the figurative butt of Professor K. Zhubanov. Of course, it cannot be said that we covered all the outstanding phrases of the author. We develop the storyline only on the basis of the study "Abai - a classic of Kazakh literature." At the same time, he can give a new meaning to ethnography, which is already familiar both in the folk tradition and in the peripheral phenomenon.In such cases, the scientist uses many methods of antithesis, gradation, contamination, pleonasm.
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Omarova, Saule. "THE DIDACTIC ESSENCE OF TURKIC PEOPLES’ POETRY." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 1 (March 24, 2022): 84–94. http://dx.doi.org/10.55808/1999-4214.2022-1.09.
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The article considers didactic motives in the works of the great thinkers of Turkic folk literature N.Ganzhaui, A. Navoi, A. Kunanbayuly. The problems of teaching poets, comprehensive education and development of intelligence, instilling moral qualities are compared and analyzed. There are edifying Gazelles, philosophical thoughts aimed at educating the younger generation with such moral qualities as diligence, humanism, patriotism, kindness, truthfulness, justice, honesty. Attention is drawn to the fact that in works representing scientific, philosophical, moral, religious ideas related to the didactic genre, and sermons, edification, a bundle, opinion, conclusion, commandment, sermon, propaganda, and not an artistic image and image prevail. Azirbayzhan, Uzbek People's statesman, the outstanding thinker N.Ganzhaui and A. Nauai are the pinnacle of Kazakh poetry, they say that the brilliant poet Abai Kunanbayev recognized himself as a teacher and received spiritual nourishment from their pearls.In Kazakh literature, it is proved by examples that "Karasozderi" and Abai's poems are traditional continuations of oriental didactic works.
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Темирова, Ж. Г., А. Д. Жакупова, and Е. А. Юрина. "Concept 'Music' as a representation of linguistic culture in the bilingual writer's translingual Russian-language literature." Russkii iazyk za rubezhom, no. 6(301) (December 20, 2023): 52–60. http://dx.doi.org/10.37632/pi.2023.301.6.007.
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В статье рассматривается явление художественного билингвизма в лингвоперсонологическом и лингвокультурологическом аспектах на материале транслингвального творчества современного казахстанского писателя-билингва Р. Ш. Сейсенбаева, индивидуально-авторская картина мира которого отражает сложный процесс взаимодействия концептуальных, символических, образных значений, объективируемых средствами казахского и русского языков и выражающих представления о мире билингвальной личности автора. Утверждается, что вне зависимости от языка-вербализатора индивидуально-авторская картина мира писателя-билингва представляет собой фрагмент национальной картины мира того народа, с каким он себя этнически идентифицирует. На примере концепта «музыка», объективированного в русско-язычных художественных текстах Сейсенбаева как образ казахской лингвокультуры, показывается специфика казахской народной музыки (жанровое своеобразие, уникальность музыкальных инструментов, характер бытования, наименования исполнителей и т. д.), а также сама атмосфера казахской жизни (национальная ментальность, специфика общения, традиции, обычаи, быт казахского народа). The article considers the phenomenon of artistic bilingualism from the perspective of linguistic personology. The study is made on the basis of translingual the work of the contemporary Kazakhstani bilingual writer R. Sh. Seisenbayev, whose author’s individual picture of the world reflects a complex process of interaction of conceptual, symbolic and figurative meanings objectified by means of the Kazakh and Russian languages and expressing bilingual author’s understanding of the world. It is assumed in the article that irrespective of the language-verbalizer, author’s individual picture of the world of a bilingual writer is a fragment of the national picture of the world of the people he identifies himself with ethnically. The concept “Music”, objectified in Seisenbayev’s works written in Russian, is used as an example demonstrating the specific nature of Kazakh folk music (genre originality, uniqueness of musical instruments, peculiarity of usage, names of performers, etc.) and the peculiar atmosphere of Kazakh life (national mentality, speech peculiarities, customs and traditions, every-day life of the Kazakh people).
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Assanova, U., А. Ashenova, and Zh Kokanova. "EDUCATION ISSUES IN PROVERBS OF THE KAZAKH AND TATAR PEOPLE." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 213–17. http://dx.doi.org/10.51889/2020-4.1728-7804.44.
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The pedagogical thoughts of any nation find their place in various cultural and spiritual heritage. One of our spiritual wealth, a treasure trove of folk literature are proverbs and sayings. Proverbs and sayings are a chronicle of centuries, a summary of the experience and life experience of the people, formulated in the form of rules. They are common to all mankind, so the proverbs of one nation can be perceived by another as their own creation. It is not difficult to notice that from the point of view of the content and methods of compiling proverbs and sayings of the Turkic peoples, especially the Kazakh-Tatar people, they are identical in the verbal and speech structure, in everyday life and world outlook, customs and traditions. From this one can understand the closeness of the Kazakh-Tatar people in spiritual, cultural and historical aspects. Pedagogical ideas based on morality and ethics, work and art, heroism and patriotism in the proverbs and sayings of the Kazakh-Tatar people occupy a special place in the education of the younger generation.
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Arukenova, Oral. "The Soviet colonialism: conscious and unconscious coding of meanings in the The Well novel by Abish Kekilbayev." Przegląd Wschodnioeuropejski 14, no. 1 (June 26, 2023): 265–74. http://dx.doi.org/10.31648/pw.9036.
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Abish Kekilbayev’s story The Well was first published in 1978 in the Kazakh language book Belaya Aruana. The story is one of the most striking works of Kazakh literature of the Soviet period and it has been translated into many languages of the world. It has been the subject of research by literary and cultural critics in Kazakhstan, Russia, Germany, the United States, Bulgaria and other countries, and it is still of interest for analysis and interpretation. In 2018, a feature film based on the novel was produced in Kazakhstan. This article examines the work as an example of coding during the ideological censorship of the Soviets and, from a psychoanalytical perspective, as a derivative of birth trauma. During the Soviet colonial period, ethnic myths acquired particular significance for Central Asian writers; they became a natural extension of the traditional folk epic and a way out of the situation: by engaging the mythical consciousness, they could encode meanings, presenting them in the form of socialist realism.
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Kamisheva, G. А., U. N. Zhanbershiyeva, and А. Т. Tulebayeva. "Eastern Motif in Kazakh Literature (based on the fairy tale “A Thousand and One Nights”)." Iasaýı ýnıversıtetіnіń habarshysy 131, no. 1 (March 30, 2024): 91–102. http://dx.doi.org/10.47526/2024-1/2664-0686.08.
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One of the relevant aspects of the study of modern comparative literature is the study of the complex of motives and motional complexes. Modern literary critics attach great importance to the motive and the motive complex. Because research on the motive and the motive complex in literature shows the influence of a certain literary period and individual folk literatures on the global literary process. Literary critics note that translated works are a separate aspect of the study, since the “plot-motive repertoire” of literature develops primarily due to translated works. The collection “One Thousand and One Nights” is recognized as one of the best examples of world literature. He entered the spiritual life, folklore and written literature of many peoples. “Tales of Scheherazade” is the most beautiful and highly artistic work among the remarkable monuments of oral literature. The life of the people is always reflected in its folklore. That is why the tale is a rich material for ethnocultural research. It will identify the main concepts of the national image of the world and track its changes. The tale is one of the traditions and genres that for many centuries have not lost their significance for world art culture. Subjects, motifs, images from folklore fairy tales are transmitted from generation to generation, play the role of carriers of cultural values and norms adopted in society. “A Thousand and One Nights” is a work that has become a phenomenon of mass culture in the fairy tale genre. There are many subjects and motives of this collection in world literature, Kazakh literature is no exception. The article examines the origin, distribution around the world, the influence on world literature of the book “One Thousand and One Nights”, which became a medieval Arabic encyclopedia, including the poetic transformation of the motives of this collection in Kazakh literature of the XIX–XX centuries. In addition, various variants of dastan SeifulmalikBadigulzhamal” from “One Thousand and One Nights” were investigated by a comparative analytical method.
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Abdullina, А. В., N. Yildiz, and Zh B. Sarsenbayeva. "THE ISSUE OF MODERN KAZAKH POSTMODERNISM AND NEO-MYTHOLOGISM IS IN THE ASPECT OF NATIONAL KNOWLEDGE (BASED ON THE STORIES OF A. KEMELBAYEVA)." Keruen 82, no. 1 (March 25, 2024): 158–68. http://dx.doi.org/10.53871/2078-8134.2024.1-13.
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The article considers the development of the postmodernism in Kazakh, Russian, and French literature. The research is based on M. Epstein’s theory about the formation of the direction of post-Soviet postmodernism. The theoretical basis of the study was considered in the light of the opinions of such researchers as N. Kuchina, S. Sheyanova, Ye. Zinurova, M. Gontar, A. Maulenov, S. Takirov, S. Altybayeva, N.Syzdykbayev, D. Kaliakbar, B. Syzdykova, A. Kairbekova, B. Orazova. The practical significance of the article is determined within the framework of studying the direction of postmodernism in modern Kazakh literature. The means of the direction of postmodernism which have social, philosophical significance, were considered through the phenomenon of intertext. The main means of the phenomenon of intertextuality are the transfer of methods of simulacrum, reminiscence and postmodernism through mythical plots. The stories “Konyrkaz (Grey goose)”, “Tyrnak (Claw)”, “Yesim (Name)”, “Kosmos (Space)” by A. Kemelbayeva, who contributed to the development of postmodernism in Kazakh literature, are analyzed. The techniques of flexible postmodernism dictate the writer's ability to portray society. The paper describes the role as a national code and highlights the ethnographic character while examining issues with folk understanding, national knowledge, and legendary beliefs in the stories of A. Kemelbayeva from the perspective of intertextuality. The author’s use of mythological knowledge in her novels is examined within the context of contemporary postmodern literature and the neomiphologism dilemma. Postmodernism’s foundational concepts of mythical cognition and understanding are portrayed in a nostalgic, retrospective light, taking into account the unique characteristics of the narrative form. The article’s fundamental thesis is that the theory of the hybrid genre in the contemporary narrative system, transformation, is based on the field of neomyphologism.
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Imanberdieva, S. K. "THE ROLE OF BIOTOPONYMS IN PETS IN THE AGRICULTURAL INDUSTRY." DULATY UNIVERSITY BULLETIN 3, no. 11 (September 30, 2023): 13–29. http://dx.doi.org/10.55956/bunn6189.
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The article defines the role and function of biotoponyms in the development of animal husbandry. The origin of the "veiled" meanings of biotoponyms has been established, and on the basis of this information it has been established that they are not flora or fauna, but ancient geographical terms. For the Kazakh people, whose main occupation was cattle breeding, biotoponyms consisting of the names of domestic animals are of great importance. The purpose of the article is to determine the national identity based on the names of domestic animals in Kazakh folk literature, toponymic materials. Analysis, development and systematization of information related to the development of animal husbandry, its comparison based on the regional biotoponymy of the Kazakh people. Research methods: statistical method, comparative analysis, etymological analysis, linguo-cognitive, conceptual, component (semantic) analysis. Research work was carried out in the lexico-semantic, cognitive direction. This proves that biotoponyms containing the names of domestic animals have provided the necessary information in the development of agriculture since ancient times. The convenience of pastures, the absence of wild animals, the presence of water and grasses are important in the development of animal husbandry, therefore, not only biotoponyms that include the names of domestic animals are considered, but also toponyms that are important for the development of animal husbandry. The practical significance of the article lies in the fact that its main results can be used in such theoretical courses as lexicology, onomastics, cognitive linguistics, linguoculturology, as well as in seminars on teaching the Kazakh language.
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Kuranbek, A., and T. Orazkhan. "Creativity of Otezhan Nurgaliev and Reflections of Martin Heidegger About the Word." Al-Farabi 76, no. 4 (December 15, 2021): 87–100. http://dx.doi.org/10.48010/2021.4/1999-5911.07.
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The article analyzes the work of the outstanding Kazakh poet Otezhan Nurgaliev and the ideas of the German philosopher Martin Heidegger about the power of words and the essence of poetry in his work “On Poets and Poetry. Hölderlin. Rilke. Trakl ” on the basis of theoretical and methodological research in domestic science and world philosophy, it is also assessed whether the prerequisite for the emergence of language and the basis of the beginning of being is poetic. In the poet’s poems and reflections, the subtext of symbols and poetic images related to the spiritual being and social reality of society are traced, their significance in understanding the realities of modern society and modernity are determined. In the collection of poems «School of Athens» Otezhan Nurgaliev opened to Kazakh readers the wisdom of world philosophy and the ancient era from a new side in the language of poetry, which is close to its national reality. This approach was mastered by the poet through world philosophy and literature, as well as oriental culture, national spirituality, turkic traditions, and folk wisdom published at that time.
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Mursаlіmovа, N. M., and А. Oralbek. "CHARACTERISTICS OF THE AITYS GENRE AMONG KAZAKH AND TURKISH PEOPLE." Keruen 80, no. 3 (September 20, 2023): 140–50. http://dx.doi.org/10.53871/2078-8134.2023.3-12.
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Aitys is a special genre that occupies a special place in our national literature. All types of aitys require eloquence, mobility, and ingenuity. In Kazakh and Turkish literature this genre is in accord with social, socio-political issues. Using jokes, humor and satire in their improvised verses two poets compose dialogue on significant changes and various social phenomena within the country. At the same time by giving a clear, rational reply to the opponent, one can be on an advantageous position. Poets also use this aitys genre of verses competition to convey their inner feelings of mood. At all times, aitys genre can be called a mirror of its era. Therefore, the study of such diverse characteristics and specific features of the aitys genre, its generality as a harbinger of social situations is considered one of the main tasks of the science of Kazakh literary studies.
Improvisational talent is the natural talent of the poet. Aitys genre requires great responsibility and deep knowledge in different spheres. Accepting the advantages of other poets in his/her environment and advancing his/her knowledge should be considered as the stage of the poet's ascension.
Kazakh aitys genre works have more improvisational feature, have a large and artistic content, descriptive of a long chronicle about the country’s and people’s life, while the assonant rhymes of Turkish atyshma are subject to a special condition and certain rules of artistic schedule. It can be said that the basis of both theatrical and dramatic art is connected here. A characteristic feature of Kazakh and Turkish traditions is their formation in ancient times, when both nations had a common spiritual heritage and even a common stat.
Aitys is a common heritage of the Turkic people. Aytys genre is a phenomenon of the Turkic-speaking peoples culture that spread orally.
As the object of the study was selected and considered the artifacts of the ancient Turkic era, the first versions of aitys, as well as the works by folk poets of the XIX-XX centuries and the Kazakh and Turkish aitys types, which are main subjects for the research relevance.
The article analyzed deeply the division of the aitys genre into subtypes, its methods, features and similarities among the Turkic peoples based on the opinions and conclusions of Kazakh and Turkish scientists.
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Nurgali, S. "FEATURES OF ELOQUENCE." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 147–51. http://dx.doi.org/10.51889/2020-4.1728-7804.30.
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The article tells about one of the types of Kazakh oral literature-oratory. Oratorical art is one of the main genres of Kazakh oral literature, as well as poetic aitys. It is important to learn ancient oratorical words to improve the skills of all professions and the culture of the language in general. After all, folk Wisdom: Proverbs, sayings, sayings, such as words that expand the mind and enrich the language, there are many variants of oratory. The speaker needs strong restraint, calmness, and a pleasant voice that can bring the country to its word. Oratorical words have surnames depending on the place of pronunciation, the content (subject) and the purpose of pronunciation. Each of them has its own characteristic features. In the article, we will focus on five surnames of the oratorical word. They are social and domestic oratorical; religious oratorical, socio-political oratorical; academic oratorical; oratorical in court. In any of the oratorical words, there is a lot of generalizing words, so the stylistic norms in them are also not reflected in the frozen system, but, on the contrary, they are mixed. There are linguistic characteristics that form the basis of each type of oratorical speech. These properties will serve as a basis for a single stylistic coloring system. There is a close relationship between oratorical words.
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Iskhakov, Damir M., and Zaytuna A. Tychinskikh. "Political and ideological prerequisites for the enthronement of the Kazakh sultan Uraz-Muhammad in the Kasimov Khanate." Golden Horde Review 11, no. 2 (June 29, 2023): 397–410. http://dx.doi.org/10.22378/2313-6197.2023-11-2.397-410.
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Research objectives: The Kazakh sultan Uraz-Muhammad, who happened to find himself in the territory of the Moscow Tsardom in 1588, was elevated to the throne of the declining Kasimov Khanate in 1600. His arrival in this Turkic enclave yurt, which had been ruled by the Greater Horde dynasty (Sheikh-Avliyar, Shah-Ali, Sain-Bulat, Mustafa-Ali) for a considerable period since 1516, was a political innovation by the Kazakh sultan that remains not fully explained. At that time, representatives of other branches of the Chingisids, such as the significant group of Kuchumoviches (Shibanids), who were likely no less prominent than the Kazakh khans tracing their lineage to the Ordaids or Tukay-Timurids (more recently, primarily to the former), existed in the Moscow Tsardom. The general assessment expressed in the literature that Uraz-Muhammad’s enthronement in Kasimov was an action related to “the further implementation of the eastern policy of the Moscow Tsardom,” according to A.V. Belyakov’s words, lacks sufficient specificity. Therefore, the authors of this article considered it necessary to conduct a more detailed analysis of this issue. Research materials: The authors examined the historiography of the issue of Uraz-Muhammad’s appearance in the Moscow Tsardom, as well as the political situation at the turn of the 16th and 17th centuries in both the state and the Kazakh Khanate. Sources such as Kadyr Ali-bek’s “Jami al-tawarikh,” Siberian chronicles, as well as folk legends and traditions found in G.F. Miller’s work “History of Siberia” and Siberian Tatar local history writings were utilized. Results and novelty of the research: The conducted research allowed us to conclude that Moscow’s choice of a candidate like the Kazakh sultan Uraz-Muhammad for the Kasimov throne in 1600 was dictated by the politico-ideological considerations of the ruling elite of the Moscow Tsardom. These considerations were explained by the new challenges in the field of eastern policy that emerged on the eve of the 16th and 17th centuries, which were of great importance to the Moscow Tsardom.
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Seitimova, A. I., Y. Y. Tuite, and Savaş Şahin. "THE APPEARANCE IN THE TURKS WORLD OF NAMES RELATED TO THE PROFESSION OF TRAINING OF TRAPPING BIRDS." Tiltanym, no. 2 (July 17, 2024): 100–110. http://dx.doi.org/10.55491/2411-6076-2024-2-100-110.
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The training of trapper birds and hunting with them holds significant importance in traditional Kazakh society. Data about the original art of our people, which today has become a historical memorial, can be traced back to the writings of the Turks from the 6th to 7th centuries. When delving into our past and exploring historical records, our attention naturally gravitates towards the lives of the nomadic communities dwelling in the Turan steppe, particularly the expansive Kazakh Steppe, often referred to as the "black shanyrak" of the Turks. When considering Nomads, the initial images that spring to mind often involve a swift horse, a nimble greyhound, or a golden eagle. Those who engaged in the training of birds of prey for hunting purposes have left an enduring legacy that resonates through generations to come. Indeed, our focus rests on the assertion that the practice of training birds of prey for hunting originated among nomadic communities. Such scientists as Sh. Ualikhanov, A. Margulan, S. Muqanov, M. Auezov and others indicated this in their works. In folk oral literature, such literary genres as legends-stories, tall tales, fairy tales, myths about the training of hunting birds have developed, which have gone down in history and have come down to us to this day. Consequently, within Kazakh linguistics, specific linguistic elements have evolved uniquely, solely associated with the training of birds of prey and the art of falconry. The nomenclature related to the training of birds of prey represents a phenomenon that is common across various ethnic groups and languages. Therefore, the characteristics of these linguistic units are examined from various perspectives across different languages worldwide. The article examines in detail the historical intricacies of the art of training trapping birds of the nomadic Kazakh country. Moreover, within Kazakh linguistics, the characterization, artistic representation, evaluative nature, and connotation of linguistic expressions are defined and studied. Detailed exploration is conducted within scientific, theoretical, and practical realms concerning the study of nomenclature associated with the training of birds of prey.
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Abzhet, B. S. "Religious Trends During the Turkic Khaganate: Counting Down the Chronology from the Birth of Buddhism and Shamanism, Manifestation of Ideas About the Seven Treasures in Folk Literature." Turkology 4, no. 102 (October 15, 2020): 78–90. http://dx.doi.org/10.47526/2020/2664-3162.005.
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The author in his article examines the history of the emergence of some concepts that have entered the tradition of the people, which have passed into the folklore of the Turkic peoples on the basis of the religions of neighboring peoples. He also sought to comprehensively analyze the manifestations of religious beliefs and beliefs that were preserved in the memory of the people during the period of the Turkic Kaganate. At the same time, studying the mythical concept and ancient beliefs, the traditions of ancient tribes, like the yellow Uyghurs, heirs from that era, I want to determine the efforts of the ways of the onset of religious beliefs that have survived in modern Kazakh folklore. The goal of the Turkic Khanate is to describe the traditions of the Turkic written tradition on the basis of traces of stone, letter and the spread of religious movements in these eras. Plots and reflections of common religious trends and in folk literature are also based on the article.
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Malikova, A., R. Imanzhusyp, and S. Rakimzhanova. "Cultural and value concepts in oratory." Bulletin of the L.N. Gumilyov Eurasian National University. Historical Sciences. Philosophy. Religion Series 142, no. 1 (2023): 211–24. http://dx.doi.org/10.32523/2616-7255-2023-142-1-211-224.
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In today's period of dynamics and transformation, we can trace the comprehensive search of modern society for the reconstruction of the national cultural and value-based environment. Identifying your own culture from the «Soviet» and «post-Soviet» areas, revision of the spiritual values that came through the years of history, are not limited by the reconstruction of national cultural values of the past. In addition, we should build the cutting-edge ideas and new format values of our culture. Therefore, the current sociocultural situation requires a thorough consideration, a deep understanding of the spiritual and value-based direction, and identifying ways to implement it in a technogenic society (Raev, 2011: 7). We carry out this path through the study of works of scientific thinkers, the speech of our Bi orators, and the national folklore that leads to our cultural value. Kazakh Bi orators are undoubtedly the highest spiritual and cultural value of our people. Thus, Kazakh oratory is one of the universal instruments encompassing the system of identifying cultural values of our people. Its basis is in recognizing the heritage that has been entrusted to us. Cultural values come from the language of the people, mentality, religion, customs, everyday life, folk wisdom, great sayings. Among other things, we believe it is possible to avoid cultural decline, to guide and educate society properly, and to shape today's axiological system through the relics of oral literature.
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Turlybekova, Inkar, and Saule Nurkenova. "National Phraseological Units of Speech Behavior in the Kazakh, Russian and English Languages." Zeitschrift für Slawistik 69, no. 1 (March 25, 2024): 70–82. http://dx.doi.org/10.1515/slaw-2024-0004.
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Summary The relevance of the study is determined by the importance of studying the phraseological systems of a particular language through the prism of national and cultural code of ethnicity, a value-based approach to the linguistic and communicative paradigm on the example of the Kazakh, Russian and English languages, the creation of national speech universals, identifying the area of their functioning and understanding of phraseological structures by native and non-native speakers of the language. The purpose of the study is an in-depth analysis of national, and cultural characteristics through the verbalisation of thought processes displayed in a diachronic language section. The main method of investigation is theoretical, involving the collection and study of a wide range of scientific literature on the stated topic, the identification of the main national elements through the study of the lexical-structural realisation of the value priorities of the people at the level of speech behaviour. The study addresses the unique transmission of folk wisdom by intralingual and extralingual means, the verbalisation of a nation’s thought activity and its results, different aspects of the study of these issues in world science for a complete language picture of a particular nation, the basic similarities, and differences in the mechanisms of operation of different language systems are analysed in detail. The materials presented in the study can be used in further phraseological studies on the moral values of the nation on the example of linguistic culture, the creation of linguistic studies on the influence of verbal and non-verbal factors on the development of people, to study the structural, semantic, stylistic characteristics of speech behaviour, to turn scientific interests into anthropocentric trends, to record and categorise the connotations of stable units and their speech equivalents in dictionaries, textbooks, scientific studies.
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Sabdenova, G. E., and D. S. Baigunakov. "SOME ISSUES OFTHE CONFRONTATION BETWEEN YESSIM KHAN AND TURSUN KHAN(BASED ON THE MATERIALS OF SHEZHIRE AND ORAL HISTORY)." edu.e-history.kz 30, no. 2 (October 5, 2022): 221–33. http://dx.doi.org/10.51943/2710-3994_2022_30_2_221-233.
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The increasing importance of oral history and folk sources (especially shezhire in Kazakhstanhistoriography)is one of the important trends in the development of historical science. In recent years, shezhire data has become one of the active sources capable of providing interesting facts on the medieval history of Kazakhstan. Using them opens up new horizons in the history of the Kazakh Khanate. The object of the study is the political and military confrontation between Yessim Khan and Tursun Khan in 1626-1627/28. The main directions of Tursun Khan's domestic policy and military actions in the war against Yessim Khan in the process of its beginning and development as an integral part of the domestic military tragedy were chosen as the subject of the study. This also determines the chronological framework of the study, which focuses on the most intense events in the first quarter of the XVII century. Kazakh shezhire, as well as oral history, has deeply and acutely preserved the consequences of the internecine war. Especially the horrors of war were experienced by the Dulats, Katagans and other tribes who suffered great human lossesand material costs. The materials of shezhire and the oral history of the Dulat (Shuyldak genus) tribe have preserved in people's memory some intrigues, secret conspiracies and insidious deeds of Tursun Khan. As a result, apparently they became some of the reasons for the ruptureof the relationship between the two rulers. The issues analyzed in the article are poorly studied and have not received comprehensive development in the domestic scientific literature until now.
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Temirgazina, Z. K. "Eyebrows, Chintz and a Smile: Some Features of the Author’s Interpretation of the Concept BEAUTY in the Poetry of Pavel Vasiliev." Vestnik NSU. Series: History and Philology 21, no. 9 (November 16, 2022): 34–46. http://dx.doi.org/10.25205/1818-7919-2022-21-9-34-46.
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Purpose. The article examines the features of the representation of the concept BEAUTY in the poetry of Pavel Vasiliev. In his work, there is a transcultural symbiosis of Russian and Kazakh aesthetic canons of beauty.Results. Typically Kazakh features of a person's appearance look aesthetically attractive for the poet. He considers eyebrows to be an important part of a human beauty. A peculiar artistic interpretation of this detail of appearance is manifested in the epithets, in a dynamic metaphorical model [EYEBROWS → are BIRDS]. A relevant sign of beauty is the harmony – the proportionality of a person’s figure. The peculiarities of understanding the beauty of a woman in clude close attention to such details of clothes and shoes as a skirt, a shawl and heels. The skirt in the process of metonymization replaces the woman [SKIRT instead of A BEAUTIFUL WOMAN]. Semiotically relevant is the characteristic of clothing made by the fabric – chintz, silk. In the semiosis of fabric as a sign of class affiliation and financial situation, such mechanism of analogy as the metonymy is involved. Developing and supplementing the ideas of oppositeness of external and internal beauty of a person and the localization of the internal beauty in his eyes, Pavel Vasiliev defines the locus of a spiritual beauty in a smile, in the corners of a woman's lips.Conclusion. The concept of BEAUTY in Vasiliev’s poetry has the individual and author's artistic and aesthetic features, and preserves the folk aesthetic ideal of beauty at its core.
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"*A. Y. Yerlanova ." ""MASHKHUR ZHUSSIP POETICS: THE USE OF NATIONAL EXAMPLE "." Bulletin of Toraighyrov University. Philology series, no. 3,2023 (September 29, 2023): 63–73. http://dx.doi.org/10.48081/sghp2618.
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"Abstract. The article examines the use of national expressions, one of the features of the poetics of the poet, thinker Mashkhur Zhussip Kopeev. The purpose of the article is to identify the use of words, artistic features of the poet, reflecting his individuality, specificity in literature and thereby forming an initiative to study the poetics of the poet. The research has scientific and practical significance. It can also be used in local history lessons, in the discipline of literature of the early twentieth century and general theory of literature. The poet’s poems clearly show that the national expression, Kazakh cognition, national color play a big role in enriching Mashkhur Zhussip’s creativity, in determining his difference from other poets-writers. It can be said that this experience of the scientist, who grew up reading folk literature, and then collected folklore himself, positively influenced his work. Skillfully using national knowledge, he developed literature in terms of genre, style, art and imagery. In the article, examples taken from the works of a poet were analyzed using scientific evidence and compared with the opinions of scholars. To identify the specificity of using national elements, methods such as gathering, analyzing, comparing, and hermeneutics were employed. National elements were examined in relation to three categories: enriching the vocabulary with vernacular words, national elements in religious connotations, and archaisms. The poet’s poems from the multivolume collection of works were chosen as the object of research. Keywords: poetics, imagery, national expression, artistic specificity, artistic text "
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Zhiyenbayev, Y., and Z. Asanova. "Comparison of the Structure, Themes and Style of Gulten Akin’s Poems “Yaşlanmayan Bir Kadına Türkü” and Fariza Ungarsynova’s “Ayel”." Iasaýı ýnıversıtetіnіń habarshysy 121, no. 3 (September 30, 2021): 68–79. http://dx.doi.org/10.47526/habarshy.v3i121.735.
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Well-known are the poetic works of famous women poets of Turkic literature Gulten Akyn and Fariza Ungarsynova. However, these two poets tried to be harbingers of flaws in society, and not to become famous. Although she dealt with personal themes in the early stages of Gulten Akin's poetry, in her later poems she always dealt with social issues. In this regard, Fariza Ungarsynova also described the position of the masses in her poems. The image of a woman occupies a special place in the work of these poets, who lived simultaneously in Kazakh and Turkish literature and touching upon common themes. The aim of the research is to compare the image of a woman in the verses of two poets. In this study, the method of analyzing the text of Professor Sherif Aktash was used. The first part of article, which consists of two parts, tells about the life and literary personality of Gulten Akyn and Fariza Ungarsynova. The second part analyzes the poems of Gulten Akyn “Yaşlanmayan Bir Kadına Türkü” (“Folk Song for an Ageless Woman”) and Fariza Ungarsynova “Ayel” (“Woman”). The article reflects the ideology, structure (personality, time, space), subject matter, language and stylistic features of the poems, compares the similarities and differences of the two poems.
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Ospanov, B. "Education and influence of Abay's poetry in Nurtugan Kenjegululy's works." BULLETIN of the L.N. Gumilyov Eurasian National University. PEDAGOGY. PSYCHOLOGY. SOCIOLOGY Series 142, no. 1 (2023): 205–18. http://dx.doi.org/10.32523/2616-6895-2023-142-1-205-218.
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The author dealt with the issues of the Islamic worldview and national education in close unity in writers’creativitiesof the Syr region in the article. The ultimate goal is to assess the Islamic religion as a pillar of goodness in the nation and generation,to encourage morality, spiritual purity,and honesty, to inculcate patriotism and nationalism, and to call for science and knowledge.Themain feature of Abay's poetry was to imitate the Prophet Muhammed's life as a sample and it was not developed only inpoets' creativities of the Syr region, but it was also developed in the Kazakh literature of the last quarter of the XIXth century and at the beginning of the XXth century as it is described in the research workat the same time.It goes without saying that the art of speech reflects allthestages of people's lives, including social and political conflicts created by time, various currents in society, and psychological adventures. Nowadays compositions of contemporary poets related to religious education are investigated in detail in modern Kazakh literary research. Religion, science,and art are considered as components of one whole, which is called the knowledge of life. The purpose of the article is to assess the influence of Abay's poetry on Nurtugan's creativity and national education, connect the effect with modern pedagogical ideas and principles of education and conduct a critical analysis.The topicality of the investigationis to inform the origins of the spiritual treasures of the Oriental world, the theme of Islam,and the educational approach in Abayand Nurtugan Kenzheguly's creativities, as a single phenomenon (three pillars) rooted in the research work. The crucial intention of the article is, firstly, to produce scientific arguments and conclusions, secondly, to convey the essence of knowledge,folk education,and Islamic worldview,and, thirdly, to prove to generations that it is a spiritual value for generations in Nurtugan's creativity.The practical significance of the article is that students' comparing Abay and Nurtugan's works will expand theirIslamic knowledge value, moreover, they will get spiritual food, and they will get used to analyzingtexts. The result can be used in the pedagogical process of secondary and higher educational institutions.
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Bierzeņš, Aņss Ataols. "„f“ AND „h“ LETTERS' PROBLEM IN LATGALIAN LANGUAGE." Via Latgalica, no. 3 (December 31, 2010): 51. http://dx.doi.org/10.17770/latg2010.3.1671.
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<p>In the article is told about the problem of letters’ (and sounds’) f and h in Latgalian language. These sounds have never been in any Latgalian dialect, in foreign words speakers always have been replaced them with other sounds. At the same time letters f and h have been used in written Latgalian at all times: from the first known book „Evangelia toto anno“ to the present day. What to do in this situation: to keep the way of the still alive traditional spoken language, or to yield to the pressure of other languages?</p><p>The author analyzes a variety of sources: tells about reconstructions of source languages and opinions of their researchers about presence/absence of these sounds in them, deals with f in contemporary Eurasian languages (Eastern Slavic: Russian, Ukrainian, Belarusian; Finnic: Finnish, Estonian, Vyru; Turkic: Kyrgyz, Kazakh, Chuvash, Yakut; Persian: Pashto; Baltic: Lithuanian, Samogitian) and h in contemporary Eurasian languages (French, Kazakh, Lithuanian, Samogitian). Latgalian and Latvian dialects’ recordings, folk songs, ancient texts (from XVI–XVIII centuries), as well as Latgalian contemporary literature are analyzed. The author also evaluates inclusion of letters f and h in alphabet of the official Latgalian terms of spelling in year 2007.</p><p>Author establishes that there are five possible paths:</p><p>1) to use the f and h in all the words where they are in Latvian, Russian or other languages;</p><p>2) to keep p, k, g and c in traditionally used words, but to put f and h in newly borrowed ones;</p><p>3) do not use the f and h at all;</p><p>4) to use both variants parallely in the same words;</p><p>5) to write f and h, but to pronounce them as p and k.</p><p>Author concludes that the actualy usable are only two of them: the second one – the way of a compromise, and the third one – as the most appropriate to Latgalian phonological system.</p>
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Oralova, G. "YERIMBET KOLDEYBEKULY'S ROLE IN AITYS." BULLETIN Series of Philological Sciences 75, no. 1 (March 30, 2020): 261–68. http://dx.doi.org/10.51889/2021-1.1728-7804.45.
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The article analyzes the role of Yerimbet Kuldeybekuly in aitys. The individual character of the poet, the essence and art of execution in the written aitys of Yerimbet Akyn were determined. The genre and cognitive nature of Yerimbet Kuldeibekuly's works in the field of letters is studied. Yerimbet Kuldeibekuly's contribution to the literature, culture and spirituality of the nation is determined through written aitys.The worldview of Yerimbet's creativity, performing aitys according to the system of riddles and answers, is analyzed. The peculiarities of Yerimbet Kuldeibekuly's enigmatic aitys, which show the continuity of a certain literary and creative environment, are analyzed, the nature of the tradition of the leading poets in the creation and solution of the enigmatic aitys is confirmed. In the ideological and compositional network of written aitys the description of the tradition of glorification of pedagogical personalities of the enlightened persons in the Zhyrau-poetic, oratory tradition of the Kazakh people is described.The aesthetic meaning of the poetic linguistic use of the aitys of Yerimbet akyn, the semantic meaning of the figurative word usage are highlighted. The nature of the creative individuality of the poet Yerimbet as a literary critic of the epoch in which he lived, the essence of the use of poetic language was determined. The examples of folk wisdom used to expand the poetic thought were considered in the context of the continuation of the tradition of skillful use of proverbs in combination with skill.
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Nurlybekova, Aliya, Aidana Kudaibergen, Aizhan Kazymbetova, Magzhan Amangeldi, Aizhamal Baiseitova, Meirambek Ospanov, Haji Akber Aisa, Yang Ye, Mohamed Ali Ibrahim, and Janar Jenis. "Traditional Use, Phytochemical Profiles and Pharmacological Properties of Artemisia Genus from Central Asia." Molecules 27, no. 16 (August 11, 2022): 5128. http://dx.doi.org/10.3390/molecules27165128.
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The flora of Kazakhstan is characterized by its wide variety of different types of medicinal plants, many of which can be used on an industrial scale. The Traditional Kazakh Medicine (TKM) was developed during centuries based on the six elements of ancient Kazakh theory, associating different fields such as pharmacology, anatomy, pathology, immunology and food nursing as well as disease prevention. The endemic Artemisia L. species are potential sources of unique and new natural products and new chemical structures, displaying diverse bioactivities and leading to the development of safe and effective phytomedicines against prevailing diseases in Kazakhstan and the Central Asia region. This review provides an overview of Artemisia species from Central Asia, particularly traditional uses in folk medicine and the recent numerous phytochemical and pharmacological studies. The review is done by the methods of literature searches in well-known scientific websites (Scifinder and Pubmed) and data collection in university libraries. Furthermore, our aim is to search for promising and potentially active Artemisia species candidates, encouraging us to analyze Protein Tyrosine Phosphatase 1B (PTP1B), α-glucosidase and bacterial neuraminidase (BNA) inhibition as well as the antioxidant potentials of Artemisia plant extracts, in which endemic species have not been explored for their secondary metabolites and biological activities so far. The main result of the study was that, for the first time, the species Artemisia scopiformis Ledeb. Artemisia albicerata Krasch., Artemisia transiliensis Poljakov, Artemisia schrenkiana Ledeb., Artemisia nitrosa Weber and Artemisia albida Willd. ex Ledeb. due to their special metabolites, showed a high potential for α-glucosidase, PTP1B and BNA inhibition, which is associated with diabetes, obesity and bacterial infections. In addition, we revealed that the methanol extracts of Artemisia were a potent source of polyphenolic compounds. The total polyphenolic contents of Artemisia extracts were correlated with antioxidant potential and varied according to plant origin, the solvent of extraction and the analytical method used. Consequently, oxidative stress caused by reactive oxygen species (ROS) may be managed by the dietary intake of current Artemisia species. The antioxidant potentials of the species A. schrenkiana, A. scopaeformis, A. transiliensis and Artemisia scoparia Waldst. & Kitam. were also promising. In conclusion, the examination of details between different Artemisia species in our research has shown that plant materials are good as an antioxidant and eznyme inhibitory functional natural source.
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Yerlanova, Ayaulym. "THE POETICS OF MASHHUR ZHUSUP'S POEMS OF THE EDUCATIONAL DIRECTION." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 4 (December 15, 2022): 102–9. http://dx.doi.org/10.55808/1999-4214.2022-4.10.
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This article examines the poetics of the poems of the poet, philosopher, folklorist Mashkhur Zhusup Kopeev of the educational direction. The purpose of the article is to study the poetics of the poet's works of an educational direction in accordance with modern requirements, to popularize the educational aspect of the poet. Since the works of Mashkhur Zhusup, who made a significant contribution to Kazakh literature, were classified by genre, a number of scientific works were researched and written, the relevance of a separate consideration of works of educational orientation has not disappeared. The works of this direction were considered together with poems on religious themes, propaganda themes, and social motives. It can be noted that the works of the poet of the enlightenment direction have their own significance in literature. The research has a scientific, practical significance. It can be used in the courses «Mashkhurtanu», literature lessons, local history of the early twentieth century and in general on the theory of literature. Mashhur Zhusup is a poet who wrote in all areas of the genre of literature. Starting with poetry and focusing even on heavy epic works, he left behind major sagas. After all, the works of a scientist who left a twenty-volume legacy are not limited to prose. Although several scientific works on the poet's work have been written, I still cannot say that they have been fully studied. Since the subject matter of the left heritage is very extensive, the genre character is complex, rich in artistic features, deep consonance with Eastern Turkic literature, the activity of collecting samples of oral folk art, the main idea of his works, the study of his work require many years of painstaking work. The work of this rich heir, which is the basis of our current scientific work, is a drop of great work. The picture of the social situation of the early twentieth century formed the basis of the works of representatives of that era. Because literature is a mirror of life. The desire for freedom, liberation, the appeal of the population to reading, education, science, political and social problems have become an urgent problem for every nation. Immediately, as to rid the people of this idiocy, he adhered to the idea that reading is knowledge. I tried to «wake up"» the people. From this point of view, it should be recognized that the literature of the early twentieth century is the literature of the liberation aspiration, the «awakening» of the people. Mashkhur Zhusup did not refrain from these questions either.
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Taimova, G. Z., and B. S. Begmanova. "Transformation of National Values in Turkic Folklore." Keruen 74, no. 1 (March 15, 2022): 180–89. http://dx.doi.org/10.53871/2078-8134.2022.1-14.
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The study of the history of the origin of the Turkic-speaking countries, their common sociogenetic and psychological and moral aspects is tantamount to reconstructing the centuries-old history of Central Asia. Today it is very important to study the culture, political, social, ethnic and literary world of the Turkic world. Bringing Turkic folklore to the world press is the main task of our time. Re-expression of the unity of the Turkic peoples and countries is one of the main problems of modern oral literature. That is why the title of this scientific article is named to satisfy these interests. The topic of the article is very relevant due to these goals and objectives. Another purpose of the scientific article is to systematize the formed, accumulated and written periods of the Turkic oral literature according to certain methods, including composition, motive, similarity of characters, and draw conclusions. In addition to the problems of Turkic folklore, their similarities in the genre of prose are also mentioned. Until now, Turkic oral literature did not have a common system and evidence of the full spread of the genre of folk prose. In textual criticism and scientific work there is a lot of confusion of some definitions, homonyms, terms. In this regard, the literature of the Turkic countries divides the genre of prose into its own classifications. In connection with this issue, another goal of this article is the classification of the legendary prose of Turkic literature, its classification according to certain characteristics, the analysis of commonalities and differences in the problem of definitions. The nature and mythological features of the legends, myths and legends of the Turkic peoples are not ignored. In addition, the main relevance of the Turkic literary world and the commonality of the worldview and differences with the mythological, prosaic knowledge of other peoples are analyzed. As examples, the similarity of man and the environment in Turkic legends, ancient ideas about heaven and earth are considered, and special conclusions are drawn. The article also scientifically examines the worldview, culture, common customs, common works and images of similar characters of the ancient Turkic peoples in the formation of the spirituality of the nomadic Turkic people. The scientific article has been studied and compiled using comparative analysis, analysis, systematization, historical-typological, ethnogenetic methods of the text, and appropriate conclusions have been drawn. The scientific article is written based on the works of researchers of history and Turkic, Kazakh folklore, as well as on the basis of information from the Internet. DOWNLOADS
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Göher Balçin, Feyzan. "Animal style in Siberian and Central Asian Music." Altaistics, no. 4 (January 2, 2024): 83–91. http://dx.doi.org/10.25587/2782-662-2023-4-83-91.
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In traditional music, it is possible to talk about stylizations that have persisted for many years and are widespread. The musical styles mentioned are often linked to social traditions and various cults. This work is themed on the «animal style», which we claim is a dominant style in Siberian and Central Asian music. This article is a continuation of the study titled «Animal Style in the Music of Central Asian and Siberian Turks», published in 2020, and the research I submitted as my second doctoral thesis at the Department of History at Ankara University in 2018. This article has been prepared for the purpose of briefly introducing the scope of our animal style claim and the subheadings it includes. The study is a summary of the studies on the folk music of Sakhas-Yakuts, Tuvans, Khakas, Altai, Nenets, Khanty-Mansi in Siberian peoples and Mongols, Bashkirs, Kazakhs, Kyrgyz, Azerbaijanis in Central and Western Asia. The data of this descriptive study have been obtained as a result of field research along with literature review.
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Auyesbayeva, P. T., T. K. Albekov, and K. B. Alpysbayeva. "WORDS OF ANCESTORS – MASTERPIECES OF KAZAKH WORD ART." Keruen 66, no. 1 (March 15, 2020). http://dx.doi.org/10.53871/2078-8134.2020.1-03.
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The article highlights the issues of scientific preparation and publication of the 100- volumes of Kazakh folklore "Word ancestors", published in the period 2004-2013, including issues of genre classification of folklore texts, principles of selection and preparation of each volume, as well as the place of this priceless spiritual heritage in the world’s culture. Kazakh folklore – is a syncretic literary art, originating from ancient times and representing folk art-aesthetic, philosophical, moral and ethical outlook. In recent years, scientific editions of folk literature, publications for children and a wide range of readers have been published, that had been collected from numerous handwritten patterns of folklore creativity which is an invaluable spiritual heritage people. At the same time we should mention that folklore collections published in the 90th - early 2000 s, covered only a small part of the rich folk heritage of Kazakhs. One of the main reasons for this was the pro-communist ideology of the Soviet political system that prevented from the development of national cultures. For this reason, hundreds of folklore religious works, works with the sence of some ethnic patriotism, freedom and independence have not been included into scientific turn over and library circulation. However those works that have been published in the Soviet period, underwent censorship and abbreviations. The main purpose of the publication was the idea of demonstrating not only the richness of Kazakh folk literature, but also implementation of publication in accordance with modern requirements of philological science, also it was important to visibly show the antiquity of the origin of national culture.
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Tоrtkulbaeva T.A. "THE HERITAGE OF KAZAKH POETS AND ZHYRAUS (BARDS) IN THE TERRITORY OF KARAKALPAKSTAN." EPRA International Journal of Research & Development (IJRD), February 19, 2021, 62–65. http://dx.doi.org/10.36713/epra6372.
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There are analyzed characteristic features of Kazakh folklore which are performed by poets and zhyraus (bards) in the territory of Karakalpakstan. In this article we tried to analyze characteristic features of Kazakh folklore which are performed by poets and zhyraus (bards) in the territory of Karakalpakstan. The aim of this article is to reveal the peculiarities of coexistence and relations between Kazakh, Uzbek and Karakalpak folklore and literature on the base of studying the development of tutor-apprentice traditional methods of poetical and performing skills of Kazakh poets and zhiraus (performers of folk creative works-poems, eposes, etc. in the own accompaniment in dombra, a national two-stringed musical instrument) in Karakalpakstan. KEYWORDS: Kazakh poets and jyraus; folklore; comparative analyses; national literature; regional literature; world literature; culture; interrelations; eposes