Relevant bibliographies by topics / Keats, John, 1795-1821 Aesthetics

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Academic literature on the topic 'Keats, John, 1795-1821 Aesthetics'

Author: Grafiati
Published: 10 December 2022
Last updated: 31 July 2025

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Journal articles on the topic "Keats, John, 1795-1821 Aesthetics"

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Baharul, Sheik. "A Symphony of Senses: The Poetic Art of Keats and Rabindranath." INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND ANALYSIS 08, no. 01 (2025): 34–38. https://doi.org/10.5281/zenodo.14608122.

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This research article intricately explores the sensuousness in the selected works of two literary giants, John Keats (1795-1821) and Rabindranath Tagore (1861-1941) in a nutshell. Keats, renowned for his extraordinary ability to evoke sensual experiences, is widely regarded as a masterful exponent of sensuousness. His poetry is distinguished by vivid and evocative descriptions of nature, which underscore the profound connection between the human senses and the natural world. Through a nuanced analysis of Keats' poetic oeuvre, this study reveals the ways in which the poet skillfully employs sen
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Sakula, Alex. "John Keats (1795-1821)." Journal of Medical Biography 10, no. 2 (2002): 108. http://dx.doi.org/10.1177/096777200201000210.

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Taylor, Selwyn. "John Keats (1795–1821)." Journal of Medical Biography 2, no. 4 (1994): 209–16. http://dx.doi.org/10.1177/096777209400200404.

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Carter, Richard. "John Keats (1795-1821): Poet and Physician." World Journal of Surgery 20, no. 3 (1996): 375–77. http://dx.doi.org/10.1007/pl00024595.

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Keats, John, and James B. Young. "Two Sonnets by John Keats (1795-1821)." Methodist DeBakey Cardiovascular Journal 16, no. 4 (2020): 326. http://dx.doi.org/10.14797/mdcj-16-4-326.

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阮美慧, 阮美慧. "從葉珊的文學軌跡與轉折，觀察一九五—六○年代臺灣「詩現代化」進程的問題". 臺灣文學研究集刊 31, № 31 (2024): 001–31. http://dx.doi.org/10.53106/181856492024020031001.

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<p>"楊牧（1940-2020），花蓮人，本名王靖獻，早年筆名葉珊，為「戰間世代」詩人。高中時期（1955）即參與由陳錦標主編的《海鷗》詩刊，借《東台日報》副刊發行，這應是葉珊最早的文學起點。1958年，北上。因而認識，如吳望堯、余光中、夏菁、葉維廉、周夢蝶、瘂弦、洛夫、商禽等「現代派」詩人群，彼此形成一個有力的文化圈網絡，而共同參與「詩現代化」的進程。1959年，葉珊進入東海大學就讀。學院中的文學陶養讓他對英國浪漫派詩人濟慈（John Keats，1795-1821）醉心，同時受業於徐復觀、接受中國古典文學及思想的薰陶，因此游藝於東／西方文學之中。1964年，他至美國求學，期間師事陳世驤而受中國文學「抒情傳統」的啟發，擺盪在臺美兩地及「他者」與「自我」之間，重新在中國／西方的文學傳統中，鍛鑄現代詩的新精神及新方法。同時，他也檢視反思臺灣詩壇「虛無」的詩風，重建一條自己的詩路。因此，葉珊一九六〇年代後期，開始轉變並省思自己詩的寫作，其中不單是美學風格的變化，更是臺灣詩壇「詩現代化」及文學史敘事的問題。此一歷程，顯映臺灣一九五〇、六〇年代「現代詩」的發展進程，它是如何演變與實踐？何以它促使了1964年本土詩社「笠」成立，繼之1972-73年，引來沸沸揚揚的「現代詩」論戰？此一反思，可以更精確爬梳，戰後臺灣「現代詩」早期的發展過程，避免統稱式的論述框架，
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Keats, John, and Nada Grošelj. "John Keats: <i>Hiperion</i>." Keria: Studia Latina et Graeca 26, no. 2 (2024): 239–49. https://doi.org/10.4312/keria.26.2.239-249.

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Od antike navdahnjeni ep Hiperion (Hyperion) je njegov avtor, predstavnik druge generacije angleških romantičnih pesnikov John Keats (1795–1821), zapustil v dveh nedokončanih različicah; novejša, Hiperionov padec (The Fall of Hyperion), je dejansko predelava prejšnje, ki jo predstavljamo v tem prispevku. Keats je začel pisati Hiperiona jeseni 1818 in ga do aprila 1819 že opustil. Septembra je pisal pesniškemu kolegu in dobremu prijatelju Johnu Hamiltonu Reynoldsu, da je čez Hiperiona naredil križ, vendar se je v jeseni 1819 v resnici posvečal predelavi, namreč Hiperionovemu padcu. Obe različic
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Livesley, Brian. "'Little Keats' and His Congenital Diseases." Bulletin of the Royal College of Surgeons of England 94, no. 4 (2012): 1–7. http://dx.doi.org/10.1308/147363512x13189526440519.

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Many articles and detailed biographies about John Keats (1795–1821) describe how he qualified as an apothecary in 1816 but I have found no evidence that those who have written about him, including several medical practitioners, have explored the significance of his small height. This was stated by his personal friend and portrait painter, Joseph Severn, to have been five feet and three quarters of an inch. It is therefore not surprising he was called 'Little Keats's by his fellow surgical students at Guy's Hospital.
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Linares, Gabriel. "“New phoenix wings”: el soneto “A John Keats (1795-1821)” de Jorge Luis Borges." Anuario de Letras Modernas 25, no. 1 (2022): 60–73. http://dx.doi.org/10.22201/ffyl.01860526p.2022.25.1.1713.

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El presente artículo propone una lectura del soneto “A John Keats (1795-1821)” del poemario El oro de los tigres (1972) del escritor argentino Jorge Luis Borges (1899-1986). Dicho soneto fue escrito con motivo del ciento cincuenta aniversario de la muerte del último de los grandes románticos ingleses. Hasta ahora, las relaciones entre ambos autores se han centrado básicamente y de forma colateral en el ensayo “El ruiseñor de Keats”, del volumen Otras inquisiciones (1952). En este sentido, el artículo busca arrojar luz sobre un texto poco estudiado. La lectura ofrecida se centra en diversos asp
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Casaccia, Jessica, and Luca Borghi. "John Keats as a Medical Student." Acta medico-historica Adriatica 20, no. 2 (2022): 261–76. http://dx.doi.org/10.31952/amha.20.2.5.

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John Keats (1795-1821), besides being the famous English poet, was a student of medicine at the United Hospitals in London. On the occasion of the bicentenary of his death, we would like to pay tribute to this versatile figure with a photographic itinerary of his medical life. This article, in connection with the project “Himetop – The History of Medicine Topographical Database”, retraces objects and places where the poet lived, studied, worked, and prematurely died, showing the importance of material culture. The photographic journey starts in London with the birthplace of the poet and contin
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Dissertations / Theses on the topic "Keats, John, 1795-1821 Aesthetics"

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Kostantzer, Stephane Christian. "Les Odes de John Keats : une grammaire poétique." Université Marc Bloch (Strasbourg) (1971-2008), 2008. http://www.theses.fr/2008STR20081.

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Le projet de cette étude consiste à mettre à profit les outils de la linguistique, notamment la linguistique énonciative, pour étudier les cinq grandes odes du poète romantique anglais John Keats. Il s’agira, en combinant la théorie des opérations énonciatives, la sémantique et l’interprétation littéraire, de mieux comprendre le rôle des marqueurs grammaticaux et leur usage original dans la poétique de Keats, et de voir comment l’auteur utilise de façon signifiante les catégories grammaticales et les valeurs qui leur sont associées pour donner aux termes de l’énoncé poétique un surcroît expres
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Johnstone, Michael 1971. "Breathing eyes : Keats and the dynamics of reading." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26692.

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Starting with Jerome McGann's landmark 1979 essay "Keats and the Historical Method in Literary Criticism," the recent sixteen-plus years of Keats criticism brims to overflowing with the dominance of New Historicism and its archaeological recovery of the political, historical Keats against the previous preeminence of a formalist, aesthetic Keats. The grip of New Historicism now holds tightly enough, perhaps, to the point where it suffers from a lack of attention to formalist, aesthetic, stylistic differentials and peculiarities. A critical position, then, that addresses this lack of attention l
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Elprin, Jeremy. "Challenging unsettledness : approaches to reading the letters of John keats." Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCC059.

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Cette thèse s'intéresse aux défis posés par le caractère instable des lettres de John Keats. Même si ces dernières comptent parmi les plus célèbres de toute la littérature anglaise, les critiques n'ont commencé que récemment à les envisager comme une création artistique à part entière, plutôt qu'un simple complément (aussi éclairant soit-il) à son oeuvre poétique, ou une source biographique. Afin de mener ce projet à bien, ce travail de recherche se propose d'étudier leur complexité, tant formelle que générique et matérielle. Cela implique de les examiner sous différents angles critiques — en
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Alegría, Corona Diego. "Walking as a visionary experience: the odes of John Keats." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/143422.

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Gutiérrez, Malhue Lili. "The ambivalent depiction and presence of the feminine in the work of John Keats." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/137781.

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Grodd, Elizabeth Stafford. "The Love Poems of John Clare and John Keats: A Comparative Study." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4907.

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This study addresses lesser known works of romantic poets John Clare and John Keats--Clare's Child Harold and Keats's poems to Fanny Brawne--which I refer to as their love poems because the works are informed by intense feelings the poets had for women they loved. Although these works have been the brunt of negative criticism because Clare was considered insane at the time of the composition of Child Harold and Keats was accused of using the poems to give vent to his personal sufferings, nonetheless I argue that the love poems are significant for several reasons. They are a reflection of the p
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Montheard, Oriane. "De l’un à l’autre : rencontres et contaminations dans la poésie et la correspondance de John Keats." Paris 3, 2007. http://www.theses.fr/2007PA030051.

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Cette thèse cherche à identifier l’articulation qui organise la pratique keatsienne d’une écriture à deux visages. L’écriture épistolaire et l’écriture poétique keatsiennes donnent en effet des versions différentes d’une même conception du monde, de l’écriture et de l’expérience des rapports humains axée sur une logique de l’ouverture. Dans les poèmes et dans les lettres, la rencontre et la contamination sont les deux étapes qui marquent le chemin vers l’autre, que ce soit l’interlocuteur des poèmes, le destinataire, le lecteur, l’autre féminin ou l’autre genre littéraire. Ainsi, selon leurs s
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Gilbreath, Marcia L. (Marcia Lynn). "The Apocalyptic Marriage: Eros and Agape in Keats's The Eve of St. Agnes." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc501155/.

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This analysis of Keats's poem proffers evidence and arguments to support the contention that The Eve of St. Agnes presents allegorically the poet's speculations regarding the relationship between eros and agape, speculations which include a sharp criticism of Christianity and a model for a new, more "humanistic" system of salvation. The union of Madeline and Porphyro symbolizes the reconciliation of the two opposing types of love in an apocalyptic marriage styled on the Biblical union of Christ and the Church. The irony inherent in the poem arises from Keats's use of Christian myths, symbols,
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Theobald, John. "Paradoxical solitude in the life, letters, and poetry of John Keats, 1814-1818." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/749.

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Ramadier, Bernard-Jean. "L'errance romantique : Byron, Shelley, Keats." Grenoble 3, 1998. http://www.theses.fr/1998GRE39042.

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Les trajectoires errantes des existences de byron, shelley et keats s'organisent en itineraires par l'ecriture poetique. D'autre part, l'etude de la traduction onirique de l'errance dans les oeuvres fait emerger une convergence profonde des trois poetes par leur usage des images et des symboles en relation avec le theme. Un + complexe d'ahasverus ; informe a des degres divers des poemes aussi differents que childe harold's pilgrimage, don juan , alastor , et endymion. La structure totalisante du mythe du juif errant, mise en evidence par les anthropologues et les sociologues, superpose ontogen
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Books on the topic "Keats, John, 1795-1821 Aesthetics"

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Harold, Bloom, ed. John Keats. Chelsea House Publishers, 2007.

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Wyrwa, Christiane. John Keats (1795-1821): Annäherungen an Leben und Werk. Scaneg, 1995.

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Pinion, F. B. A Keats chronology. Macmillan Press, 1992.

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John, Keats. The letters of John Keats, 1814-1821. Harvard University Press, 1999.

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John, Keats. John Keats. Pearson Longman, 2007.

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John, Keats. John Keats. Pearson Longman, 2007.

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John, Keats. Selected letters of John Keats. Harvard University Press, 2002.

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1920-1984, Matthews G. M., ed. John Keats: The critical heritage. Routledge, 1995.

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Library, Houghton, ed. John Keats, 1795-1995: With a catalogue of the Harvard Keats Collection. Houghton Library, 1995.

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Homchaudhuri, S. Keats, a reading of his major poems. Reliance Pub. House, 1991.

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Book chapters on the topic "Keats, John, 1795-1821 Aesthetics"

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Sallé, Jean-Claude. "Keats, John (1795–1821)." In A Handbook to English Romanticism. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22288-9_42.

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Sallé, Jean-Claude. "Keats, John (1795–1821)." In A Handbook to English Romanticism. Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-13375-8_42.

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Orel, Harold. "John Keats (1795–1821)." In William Wordsworth. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230501904_7.

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Franklin, Caroline. "John Keats (1795–1821)." In The Longman Anthology of Gothic Verse. Routledge, 2024. http://dx.doi.org/10.4324/9781003576389-31.

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Eisner, Eric. "A Friendly Return of the Author: John Keats (1795–1821)." In Celebrity Authorship and Afterlives in English and American Literature. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55868-8_2.

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"John Keats (1795-1821)." In A Century of Sonnets, edited by Paula R. Feldman and Daniel Robinson. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195115611.003.0047.

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Abstract John Keats’s first published poem, like Wordsworth’s, was a sonnet:”To Soli­ tude” appeared in John and Leigh Hunt’s newpaper, the Examiner, in 1816. Keats continued to write sonnets throughout his short career, variously experimenting with new forms and practicing old ones. Keats’s sonnets are lush, impassioned and psychological, informed by a sense of the poet’s own short lifespan troped by the brief duration of the form itself. His long, ornate early poem “Endymion” (1818) inspired savage reviews. He wrote his finest poems, including “The Eve of St. Agnes,” “Lamia,” “La Belle Dame
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"John Keats (1795–1821)." In London. Harvard University Press, 2015. http://dx.doi.org/10.2307/j.ctv22jnsm7.81.

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Bauer, Mark S. "John Keats (1795–1821)." In A Mind Apart. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195336405.003.0047.

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Abstract Ode on Melancholy No, no! go not to Lethe, neither twist Wolf’s-bane, tight-rooted, for its poisonous wine; Nor suffer thy pale forehead to be kissed By nightshade, ruby grape of Proserpine; Make not your rosary of yew-berries, Nor let the beetle nor the death-moth be Your mournful Psyche, nor the downy owl A partner in your sorrow’s mysteries; For shade to shade will come too drowsily, And drown the wakeful anguish of the soul. But when the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an Apri
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"John Keats (1795–1821) 440." In The Longman Anthology of Gothic Verse. Routledge, 2014. http://dx.doi.org/10.4324/9781315834023-40.

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"John Keats (1795–1821; English)." In Romanticism: 100 Poems. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108867337.030.

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