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Journal articles on the topic 'Keats, John, 1795-1821 Aesthetics'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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1

Baharul, Sheik. "A Symphony of Senses: The Poetic Art of Keats and Rabindranath." INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND ANALYSIS 08, no. 01 (2025): 34–38. https://doi.org/10.5281/zenodo.14608122.

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This research article intricately explores the sensuousness in the selected works of two literary giants, John Keats (1795-1821) and Rabindranath Tagore (1861-1941) in a nutshell. Keats, renowned for his extraordinary ability to evoke sensual experiences, is widely regarded as a masterful exponent of sensuousness. His poetry is distinguished by vivid and evocative descriptions of nature, which underscore the profound connection between the human senses and the natural world. Through a nuanced analysis of Keats' poetic oeuvre, this study reveals the ways in which the poet skillfully employs sen

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2

Sakula, Alex. "John Keats (1795-1821)." Journal of Medical Biography 10, no. 2 (2002): 108. http://dx.doi.org/10.1177/096777200201000210.

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3

Taylor, Selwyn. "John Keats (1795–1821)." Journal of Medical Biography 2, no. 4 (1994): 209–16. http://dx.doi.org/10.1177/096777209400200404.

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4

Carter, Richard. "John Keats (1795-1821): Poet and Physician." World Journal of Surgery 20, no. 3 (1996): 375–77. http://dx.doi.org/10.1007/pl00024595.

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5

Keats, John, and James B. Young. "Two Sonnets by John Keats (1795-1821)." Methodist DeBakey Cardiovascular Journal 16, no. 4 (2020): 326. http://dx.doi.org/10.14797/mdcj-16-4-326.

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6

阮美慧, 阮美慧. "從葉珊的文學軌跡與轉折，觀察一九五—六○年代臺灣「詩現代化」進程的問題". 臺灣文學研究集刊 31, № 31 (2024): 001–31. http://dx.doi.org/10.53106/181856492024020031001.

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<p>&quot;楊牧（1940-2020），花蓮人，本名王靖獻，早年筆名葉珊，為「戰間世代」詩人。高中時期（1955）即參與由陳錦標主編的《海鷗》詩刊，借《東台日報》副刊發行，這應是葉珊最早的文學起點。1958年，北上。因而認識，如吳望堯、余光中、夏菁、葉維廉、周夢蝶、瘂弦、洛夫、商禽等「現代派」詩人群，彼此形成一個有力的文化圈網絡，而共同參與「詩現代化」的進程。1959年，葉珊進入東海大學就讀。學院中的文學陶養讓他對英國浪漫派詩人濟慈（John Keats，1795-1821）醉心，同時受業於徐復觀、接受中國古典文學及思想的薰陶，因此游藝於東／西方文學之中。1964年，他至美國求學，期間師事陳世驤而受中國文學「抒情傳統」的啟發，擺盪在臺美兩地及「他者」與「自我」之間，重新在中國／西方的文學傳統中，鍛鑄現代詩的新精神及新方法。同時，他也檢視反思臺灣詩壇「虛無」的詩風，重建一條自己的詩路。因此，葉珊一九六〇年代後期，開始轉變並省思自己詩的寫作，其中不單是美學風格的變化，更是臺灣詩壇「詩現代化」及文學史敘事的問題。此一歷程，顯映臺灣一九五〇、六〇年代「現代詩」的發展進程，它是如何演變與實踐？何以它促使了1964年本土詩社「笠」成立，繼之1972-73年，引來沸沸揚揚的「現代詩」論戰？此一反思，可以更精確爬梳，戰後臺灣「現代詩」早期的發展過程，避免統稱式的論述框架，

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7

Keats, John, and Nada Grošelj. "John Keats: <i>Hiperion</i>." Keria: Studia Latina et Graeca 26, no. 2 (2024): 239–49. https://doi.org/10.4312/keria.26.2.239-249.

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Od antike navdahnjeni ep Hiperion (Hyperion) je njegov avtor, predstavnik druge generacije angleških romantičnih pesnikov John Keats (1795–1821), zapustil v dveh nedokončanih različicah; novejša, Hiperionov padec (The Fall of Hyperion), je dejansko predelava prejšnje, ki jo predstavljamo v tem prispevku. Keats je začel pisati Hiperiona jeseni 1818 in ga do aprila 1819 že opustil. Septembra je pisal pesniškemu kolegu in dobremu prijatelju Johnu Hamiltonu Reynoldsu, da je čez Hiperiona naredil križ, vendar se je v jeseni 1819 v resnici posvečal predelavi, namreč Hiperionovemu padcu. Obe različic

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8

Livesley, Brian. "'Little Keats' and His Congenital Diseases." Bulletin of the Royal College of Surgeons of England 94, no. 4 (2012): 1–7. http://dx.doi.org/10.1308/147363512x13189526440519.

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Many articles and detailed biographies about John Keats (1795–1821) describe how he qualified as an apothecary in 1816 but I have found no evidence that those who have written about him, including several medical practitioners, have explored the significance of his small height. This was stated by his personal friend and portrait painter, Joseph Severn, to have been five feet and three quarters of an inch. It is therefore not surprising he was called 'Little Keats's by his fellow surgical students at Guy's Hospital.

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9

Linares, Gabriel. "“New phoenix wings”: el soneto “A John Keats (1795-1821)” de Jorge Luis Borges." Anuario de Letras Modernas 25, no. 1 (2022): 60–73. http://dx.doi.org/10.22201/ffyl.01860526p.2022.25.1.1713.

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El presente artículo propone una lectura del soneto “A John Keats (1795-1821)” del poemario El oro de los tigres (1972) del escritor argentino Jorge Luis Borges (1899-1986). Dicho soneto fue escrito con motivo del ciento cincuenta aniversario de la muerte del último de los grandes románticos ingleses. Hasta ahora, las relaciones entre ambos autores se han centrado básicamente y de forma colateral en el ensayo “El ruiseñor de Keats”, del volumen Otras inquisiciones (1952). En este sentido, el artículo busca arrojar luz sobre un texto poco estudiado. La lectura ofrecida se centra en diversos asp

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10

Casaccia, Jessica, and Luca Borghi. "John Keats as a Medical Student." Acta medico-historica Adriatica 20, no. 2 (2022): 261–76. http://dx.doi.org/10.31952/amha.20.2.5.

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John Keats (1795-1821), besides being the famous English poet, was a student of medicine at the United Hospitals in London. On the occasion of the bicentenary of his death, we would like to pay tribute to this versatile figure with a photographic itinerary of his medical life. This article, in connection with the project “Himetop – The History of Medicine Topographical Database”, retraces objects and places where the poet lived, studied, worked, and prematurely died, showing the importance of material culture. The photographic journey starts in London with the birthplace of the poet and contin

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11

Lopes, Delvanir. "“Piazza di Spagna, 26”, de Cecília Meireles." Veredas: Revista da Associação Internacional de Lusitanistas 42 (December 30, 2024): 162–78. https://doi.org/10.24261/2183-816x1242.

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Este artigo trata de um texto ceciliano até este momento apenas publicado em um periódico, o Diário de Notícias do Rio de Janeiro, em 1955, alguns anos após a viagem feita pela escritora à Itália, junto com o seu então marido Heitor Vinícius da Silveira Grillo (1902-1971). O texto de Cecília Meireles, intitulado “Piazza di Spagna, 26” traz uma série de referências importantes sobre o habitante do endereço que dá nome ao texto: John Keats (1795-1821), escritor do Romantismo inglês. Na escadaria que leva à igreja Trinità dei Monti, próxima à Fontana della Barcaccia, a escritora carioca vai traça

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12

Lindsey, Kiera. "‘Grave-Paved Stars’: Comparing the Death of Two Artists in Nineteenth-Century Rome." European Journal of Life Writing 9 (July 6, 2020): LW&D108—LW&D131. http://dx.doi.org/10.21827/ejlw.9.36902.

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Adelaide Ironside (1831–1867) is best known as the ﬁrst Australian-born artist to train overseas. While her life offers a portal into Republican Sydney, Pre-Raphaelite London and Risorgimento Rome, the nature of her archive also highlights the limits of historical method and the need to employ what Virginia Woolf called ‘the biographer’s licence’ when researching and writing about subjects with problematic sources. In this article, I employ biographical license to contrast the better-known and better-documented death of the English poet John Keats (1795–1821), with the few records associated w

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13

Soltan Beyad, Maryam, and Mahsa Vafa. "Transcending Self-Consciousness: Imagination, Unity and Self-Dissolution in the English Romantic and Sufis Epistemology." International Journal of Linguistics, Literature and Translation 3, no. 8 (2021): 08–18. http://dx.doi.org/10.32996/ijllt.2021.4.8.2.

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English Romantic literature of the late eighteenth and early nineteenth centuries often recounts an individual life journey which depicts physical and spiritual pilgrimage and traverses both the inner and outer world to liberate the self and reach a revelatory moment of unification where the division between human mind and the external world is reconciled. For the Romantic poets this reconciliatory state cannot be achieved through rational investigation but via the power of imagination. In this regard, there is striking resemblance between the mystical and philosophical thought of Sufism and t

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14

"John Keats (1795-1821): Physician and Surgeon." American Journal of Ophthalmology 157, no. 2 (2014): 463. http://dx.doi.org/10.1016/s0002-9394(13)00807-6.

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15

Dias, Miguel. "Em Torno da Não-Recepção de John Keats no Portugal de Oitocentos." Revista de Estudos Anglo-Portugueses/Journal of Anglo-Portuguese Studies, 2017, 61–75. http://dx.doi.org/10.34134/reap.1991.26.03.

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John Keats (1795-1821) is widely regarded as a main figure in the scope of English Romantic Literature. Although the poet lived a short life, the quality of his work has earned him a place in the literary cannon, alongside Lord Byron (1788-1824) and Percy Bysshe Shelley (1792-1822), within the second generation of English romantic poets. The reception of Keats in Portugal, however, took place long after the poet achieved literary recognition in England. There were virtually no references to the poet, either in published volumes or in the Portuguese press of the 19th century, and the first tran

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16

"‘When I have fears that I may cease to be’ by John Keats (1795–1821)." BMJ Supportive & Palliative Care 5, no. 5 (2015): 538–40. http://dx.doi.org/10.1136/bmjspcare-2015-001062.

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17

Sheik, Baharul. "A Symphony of Senses: The Poetic Art of Keats and Rabindranath." INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND ANALYSIS 08, no. 01 (2025). https://doi.org/10.47191/ijmra/v8-i01-04.

Full text

Abstract:

This research article intricately explores the sensuousness in the selected works of two literary giants, John Keats (1795-1821) and Rabindranath Tagore (1861-1941) in a nutshell. Keats, renowned for his extraordinary ability to evoke sensual experiences, is widely regarded as a masterful exponent of sensuousness. His poetry is distinguished by vivid and evocative descriptions of nature, which underscore the profound connection between the human senses and the natural world. Through a nuanced analysis of Keats' poetic oeuvre, this study reveals the ways in which the poet skillfully employs sen

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