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Relevant bibliographies by topics / Kecak

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Journal articles

Academic literature on the topic 'Kecak'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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Journal articles on the topic "Kecak"

1

Sanger, Annette, Kecak Ganda Sari, I. Gusti Putra, and David Lewiston. "Kecak from Bali: Kecak Ganda Sari." Asian Music 22, no. 1 (1990): 176. http://dx.doi.org/10.2307/834303.

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2

Ekaputra, Ida Bagus Rahadi, I. Gede Partha Sindu, and P. Wayan Artha Suyasa. "Film Dokumenter Tari Kecak Bedulu “Terkikisnya Eksistensi Di Tanah Kelahirannya”." Kumpulan Artikel Mahasiswa Pendidikan Teknik Informatika (KARMAPATI) 8, no. 2 (2019): 96. http://dx.doi.org/10.23887/karmapati.v8i2.17933.

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Tari Kecak Bedulu yang juga disebut Tari Cak Bedulu, menjadi tarian perintis lahirnya tari touristik. Lahirnya tarian kecak ini memang sengaja diubah mengingat tingginya minat wisatawan saat itu akan pementasan seni tradisional. Industri pariwisata yang baru tumbuh belum mendapat perhatian pemerintahan kolonial. Film dokumenter dapat menjadi media untuk memberikan informasi sejarah Tari Kecak Bedulu. Penelitian ini bertujuan untuk (1) menghasilkan rancangan dan mengimplementasikan hasil rancangan Film Dokumenter Tari Kecak Bedulu (2) mengetahui respon masyarakat terhadap hasil akhir Film Dokum

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3

Harnish, David, and David Lewiston. "Kecak from Bali." Ethnomusicology 35, no. 2 (1991): 302. http://dx.doi.org/10.2307/924750.

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4

Sumiati, Sumiati, and Lasmery RM Girsang. "KONSTRUKSI PESAN TARI ‘KECAK’ PADA MASYARAKAT BADUNG, BALI." Bricolage : Jurnal Magister Ilmu Komunikasi 4, no. 01 (2018): 064. http://dx.doi.org/10.30813/bricolage.v4i01.1653.

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<p>ABSTRACT<br />Bali becomes the world’s tourism that has varied culture, one of them is ‘Tari Kecak’ (‘Tari Cak’ or ‘Fire Dance’). Different with other dance using music (‘gamelan’), ‘Tari Kecak’ just uses the dancer’s sound/shouting like “cak cak ke cak cak ke”as the art. Through qualitative research based on constructive paradigm, the researcher depended on participative observation and in depth interview to the key informants and informants (from local society and tourists). By using Semantic Meaning Theory from Charles Osgood, the results show five meanings from ‘Tari Kecak’,

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5

Darmawan, I. Putu Ikka, Ni Wayan Ardini, and I. Gede Mudana. "Kecak Touristic Performance in Uluwatu Temple: Its Aspects of Vocal Karawitan." Jurnal Bali Membangun Bali 1, no. 1 (2020): 65–72. http://dx.doi.org/10.51172/jbmb.v1i1.109.

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The writers conducted the process of observation, literature study, and interviews with the head of Karang Boma Studio, Pecatu Village to get information related to the Kecak performance at Uluwatu Temple. The uniqueness of this Kecak art can be seen in the presentation that uses human voice accompaniment. Processing melodies and interlocking cak patterns really requires strong breathing. The aesthetic value can be seen from the wholeness in the presentation of Kecak which is presented in its entirety with the patterns arranged in the Kecak's vowels by highlighting the harmonious vocal process

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6

Harnish, David, and David Lewiston. "Bali: Gamelan and Kecak." Ethnomusicology 34, no. 3 (1990): 492. http://dx.doi.org/10.2307/851644.

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7

Dasen, Patrik Vincent, and I. Wayan Dibia. "Kecak: The Voice Chant of Bali." Cahiers de musiques traditionnelles 17 (2004): 348. http://dx.doi.org/10.2307/40240532.

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8

Adyasputri, A. A. Istri Ayesa Febrinia, I. Putu Gde Surya Adhitya, and I. Putu Adiartha Griadhi. "THE RELATIONSHIP BETWEEN WORKING POSTURE WHILE SEWING WITH OCCURENCE OF MYOFASCIAL PAIN SYNDROME UPPER TRAPEZIUS MUSCLE ON TAILORS IN KECAK GARMENT." Majalah Ilmiah Fisioterapi Indonesia 7, no. 3 (2019): 9. http://dx.doi.org/10.24843/mifi.2019.v07.i03.p03.

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Penjahit merupakan salah satu pekerjaan yang banyak ditekuni oleh masyarakat Bali. Namun, penjahit jarang memperhatikan postur kerja saat menjahit. Hal ini dapat dapat menyebabkan myofascial pain syndrome otot upper trapezius jika dilakukan dalam jangka waktu lama. Tujuan dari penelitian ini adalah untuk mengetahui hubungan postur kerja saat menjahit dengan terjadinya myofascial pain syndrome otot upper trapezius pada penjahit di Kecak Garmen. Penelitian ini merupakan penelitian analitik dengan rancangan cross- sectional. Pengambilan sampel dilakukan dengan teknik Simple Random Sampling. Jumla

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9

Putra Kencana, I. Putu Adis, I. Gede Mudana, and Ni Wayan Ardini. "Identity of Kecak Touristic Performance in Uluwatu Temple." Journal of Music Science, Technology, and Industry 3, no. 1 (2020): 57–62. http://dx.doi.org/10.31091/jomsti.v3i1.963.

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Touristic performances at Uluwatu Temple have some differences in other tourist attractions, so this research was conducted aimed at providing information or an overview of identity in tourist performances at Uluwatu Temple itself. This study uses qualitative methods that prioritize objectivity and honesty in gathering data so that the results obtained will be truly based on research. The results obtained from this study are the performing arts tour in Uluwatu Temple has an identity and characteristics on the presentation. The presentation is good in terms of a strategic place with views of cl

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10

Gde Yadnyawati, Ida Ayu, I. Nyoman Winyana, I. Wayan Sukadana, et al. "KECAK RAMAYANA DAN BALLET RAMAYANA WAKIL UNHI DI PENTAS INTERNATIONAL “KUMBH MELLA” TRIVANI, ALLAHABAD, ULTRA PARADESH INDIA UTARA." JURNAL SEWAKA BHAKTI 3, no. 1 (2019): 50–109. http://dx.doi.org/10.32795/jsb.v3i1.520.

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Pengaruh dan penyebaran Ramayana sebagai sebuah konsep cerita yang bersumber dari sastra Ramayana tidak dipungkiri telah menyebar di Indonesia semenjak Hindu dikenalkan. Ada berbagai sumber yang dapat dijadikan bukti hidupnya cerita Ramayana di dalam kehidupan masyarakat Hindu khususnya. Di Bali sendiri cerita ramayana tidak saja menjadi pergulatan pengamat budaya khususnya sastra-sastra yang seringkali secara eksis digemakan lewat bentuk seni budaya. Kecak merupakan salah satu bentuk karya seni pertunjukan klasik yang mengambil inspirasi dari cerita Ramayana. Sangat beralasan ketertarik

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