Relevant bibliographies by topics / Keith Jarrett

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Keith Jarrett'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Keith Jarrett"

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Blume, Gernot. "Blurred affinities: tracing the influence of North Indian classical music in Keith Jarrett's solo piano improvisations." Popular Music 22, no. 2 (2003): 117–42. http://dx.doi.org/10.1017/s0261143003003088.

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In the first forty years of his career, American pianist Keith Jarrett has established a reputation in multiple stylistic directions. Jarrett has typically incorporated influences as varied as bebop, country, rock, gospel, minimalism, baroque and classical styles into his often lengthy improvisations. Vital to his musical persona, but less obvious, is the influence North Indian classical music has had in shaping Jarrett's improvisatory strategies. Although he never formally studied Indian music, and although his instrument – the piano – is far removed from the conceptual backdrop of North Indi
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Monteil, Pierre-Olivier. "À l'écoute de Keith Jarrett." Autres Temps. Les cahiers du christianisme social 65, no. 1 (2000): 99–103. http://dx.doi.org/10.3406/chris.2000.2189.

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Dobbins, Bill, and Ian Carr. "Keith Jarrett: The Man and His Music." Notes 49, no. 1 (1992): 141. http://dx.doi.org/10.2307/897230.

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Early, Gerald. "Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s." Daedalus 148, no. 2 (2019): 67–82. http://dx.doi.org/10.1162/daed_a_01743.

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In the 1970s, pianist Keith Jarrett emerged as a major albeit controversial innovator in jazz. He succeeded in making completely improvised solo piano music not only critically acclaimed as afresh way of blending classical and jazz styles but also popular, particularly with young audiences. This essay examines the moment when Jarrett became an international star, the musical and social circumstances of jazz music immediately before his arrival and how he largely unconsciously exploited those circumstances to make his success possible, and what his accomplishments meant during the 1970s for jaz
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Gagatsis, Alexander. "Keith Jarrett: A Biography. By Wolfgang Sandner. Translated by Chris Jarrett. Sheffield: Equinox, 2020. 215 pp. ISBN 9781800500112." Popular Music 40, no. 1 (2021): 178–80. http://dx.doi.org/10.1017/s0261143021000222.

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Inck, Thomas. "A Beginner’s Mind: On Beginning Psychoanalytic Schooling … Bion, Keith Jarrett, and the Primal Scene." Studies in Gender and Sexuality 17, no. 3 (2016): 216–20. http://dx.doi.org/10.1080/15240657.2016.1200901.

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Ake, David. "The Emergence of the Rural American Ideal in Jazz: Keith Jarrett and Pat Metheny on ECM Records." Jazz Perspectives 1, no. 1 (2007): 29–59. http://dx.doi.org/10.1080/17494060601061014.

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Adler, Jeffrey S. "Review: A People’s Archive of Police Violence in Cleveland, Bishop Chui, Jarrett Drake, Melissa Hubbard, Jasmine Jones, Carol Steiner, Stacie Williams, Keith Wilson, Volunteer Activists and Archivists." Public Historian 40, no. 4 (2018): 190–92. http://dx.doi.org/10.1525/tph.2018.40.4.190.

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West, Aaron J. "Keith Jarrett's The Köln Concert." Jazz Perspectives 8, no. 1 (2014): 99–102. http://dx.doi.org/10.1080/17494060.2014.961332.

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Moreno, J. "Body'n'Soul?: Voice and Movement in Keith Jarrett's Pianism." Musical Quarterly 83, no. 1 (1999): 75–92. http://dx.doi.org/10.1093/mq/83.1.75.

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Dissertations / Theses on the topic "Keith Jarrett"

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Barakat, Alexandra. "Improvisation(s) solo au piano : Keith Jarrett (the Köln concert) : mouvement(s) et frontière(s)." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3002.

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Nous avons appréhendé Köln Concert comme une sorte de symptôme. Il présente à l’analyse un ensemble de caractéristiques rarement coprésentes. C’est en ce sens une œuvre utile, prétexte à évaluer des phénomènes parfois contradictoires, du moins qu’on a l’habitude d’opposer (composé/improvisé, écrit/oral, savante/populaire). Enregistré à l’opéra de Cologne en 1975, par Keith Jarrett, il représente une vente record dans l’histoire du jazz, à cheval entre deux époques, comme le basculement dans l’ère post-moderne, qui traduit l’existence d’un flou esthétique, d’un état intermédiaire où la notion d
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Broström, Olle. "Effekter av plankning : Utvecklande av solospel på piano." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3900.

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Improvisation är konsten att komponera, uttala, arrangera eller framställa någonting ej förberett. Hur gör man då för att lära sig musikalisk improvisation? Vanligen sker detta med hjälp av en musikteoretisk ingång. Detta arbete syftar därför till att ta reda på vad ett inlärningssätt på en gehörsbaserad grund kan ha för effekter. Metoden har varit att planka olika pianisters solon på samma låt och göra en egen inspelning, även den på samma låt både före och efter plankningen för att kunna jämföra dessa båda inspelningar och observera vilka resultat arbetet givit. Det har även gjorts en inspel
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Elsdon, Peter Stanley. "Keith Jarrett's solo concerts and the aesthetics of free improvisation from 1960-1973." Thesis, University of Southampton, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364749.

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Alves, Alisson de Albuquerque. "Homoerotismo em questão na literatura brasileira A condição homoafetiva nas obras Stella Manhattan e Keith Jarret no Blue Note: Improvisos de Jazz de Silviano Santiago." Universidade Estadual da Paraíba, 2010. http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/2174.

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Made available in DSpace on 2015-09-25T12:23:43Z (GMT). No. of bitstreams: 1 Alisson_Albuquerque_MLI.pdf: 758891 bytes, checksum: 1629753424d51f48bde9712e04df3834 (MD5) Previous issue date: 2010-05-12<br>The literature is a propitiate way so that several speeches, beyond what is said about the own literary phenomenon, be presented/recreated in the sense of envision possibilities of reconstruction/reframing of the subjects in the cultural space, once these ones can, on one side, make part and/or to understand the status quo hegemonic, as well as they can, on the other hand, accomplish, with e
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Douglas, Charles William. "An Overview and Performance Guide to Johannes Möller's "Shenandoah Fantasy for Two Guitars"." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505150/.

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Johannes Möller's 2014 composition Shenandoah Fantasy for Two Guitars, is a theme and variations on the American folksong Oh Shenandoah and is the composer's only work dedicated to American music. An informed performance of this work requires biographical information. Since no scholarly work on this composer is currently available, this paper includes Möller's biographical information, compositional background and performance suggestions. This information was acquired through a recorded video interview with the composer that covered his early education as a guitarist and composer, his formal c
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Books on the topic "Keith Jarrett"

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Franchi, Ivo. Keith Jarrett. Editori riuniti, 2002.

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Carr, Ian. Keith Jarrett: The man and his music. Da Capo Press, 1992.

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Carr, Ian. Keith Jarrett: The man and his music. Grafton, 1991.

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Santiago, Silviano. Keith Jarrett no blue note: Improvisos de jazz. Rocco, 1996.

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Keith Jarrett: Sein Leben, seine Musik, seine Schallplatten. Oreos, 1985.

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Keith Jarrett's the Köln concert. Oxford University Press, 2013.

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Sandner, Wolfgang. Keith Jarrett: Eine Biographie. Rowohlt Berlin, 2015.

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Jarrett, Keith. Foundations: Keith Jarrett Anthology (2 CD's). Rhino Entertainment, 1994.

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Keith Jarrett: The Man and His Music. Da Capo, 1992.

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Keith Jarrett : The Man and His Music. Paladin, 1992.

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Book chapters on the topic "Keith Jarrett"

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"JARRETT, KEITH." In Music in the 20th Century (3 Vol Set). Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-235.

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Laborde, Denis. "Ce que fait la main gauche de Keith Jarrett." In Pratiques de l’improvisation. BSN Press, 2016. http://dx.doi.org/10.3917/bsn.marg.2016.01.0115.

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Jarrett, Keith, and Pat Metheny. "Race, Place, and Nostalgia after the Counterculture: Keith Jarrett and Pat Metheny on ECM." In Jazz MattersSound, Place, and Time since Bebop. University of California Press, 2010. http://dx.doi.org/10.1525/california/9780520266889.003.0005.

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Gioia, Ted. "Freedom and Fusion." In The History of Jazz. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190087210.003.0008.

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The avant-garde (or “free jazz”) musicians who came to the forefront of jazz during the late 1950s and early 1960s mounted a revolutionary movement that challenged all the conventions of the idiom, aligning their innovations with the progressive social and political changes of the era. This chapter looks at the leading exponents of the music, including Ornette Coleman, Cecil Taylor, and Albert Ayler. But just when jazz seemed ready to sever completely its relationship with a mainstream audience, a new movement known as fusion (or jazz-rock fusion) attempted to broaden the music’s appeal by drawing on the new sounds of electrified commercial styles. Miles Davis, previously seen as an advocate of bebop, cool jazz, and other jazz movements, emerged as the leader of this new approach, signaled by the release of his hit album Bitches Brew. In the 1970s, a different kind of fusion style emerged, associated with the ECM record label in Germany, which combined jazz with ingredients drawn from classical music, world music, and other sources. This chapter traces the history of these contrasting styles and their major exponents, including Keith Jarrett, Pat Metheny, Chick Corea, Herbie Hancock, and the band Weather Report
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Elsdon, Peter. "Chapter 1." In Keith Jarrett's The Koln Concert. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:osobl/9780199779253.003.0001.

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Elsdon, Peter. "Chapter 2." In Keith Jarrett's The Koln Concert. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:osobl/9780199779253.003.0002.

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Elsdon, Peter. "Chapter 3." In Keith Jarrett's The Koln Concert. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:osobl/9780199779253.003.0003.

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Elsdon, Peter. "Chapter 4." In Keith Jarrett's The Koln Concert. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:osobl/9780199779253.003.0004.

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Elsdon, Peter. "Chapter 5." In Keith Jarrett's The Koln Concert. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:osobl/9780199779253.003.0005.

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Elsdon, Peter. "Chapter 6." In Keith Jarrett's The Koln Concert. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:osobl/9780199779253.003.0006.

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