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Relevant bibliographies by topics / Keizersgracht

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Academic literature on the topic 'Keizersgracht'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Keizersgracht"

1

Fokke, van der Meer. "De Groene Helm aan de Keizersgracht." Amstelodamum 94, no. 4 (2007): 3–16. https://doi.org/10.5281/zenodo.580781.

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In 1652 kocht Joachim Irgens een huis aan de Keizersgracht in Amsterdam, genaamd de Groene Helm, voor het voor die tijd zeer grote bedrag van zesendertigduizend gulden. Wie was deze man, over wie in Denemarken en Noorwegen veel geschreven is, maar die in Nederlandse publicaties veelal slechts in enkele bijzinnen wordt genoemd. Wat deed hij in Amsterdam, waar precies stond dat kapitale huis en heeft hij nog andere sporen in Nederland achtergelaten?

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2

Dove, Richard, and Fritz H. Landshoff. "Amsterdam, Keizersgracht 333, Querido Verlag. Erinnerungen eines Verlegers." Modern Language Review 88, no. 2 (1993): 525. http://dx.doi.org/10.2307/3733877.

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3

The Rijkmuseum Bulletin, Editors. "A History of the Occupants of 187 Keizersgracht." Rijksmuseum Bulletin 65, no. 1 (2017): 14–27. http://dx.doi.org/10.52476/trb.9774.

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4

Kok, Erna E. "Joachim von Sandrart, aristocrat-painter in Amsterdam, 1637-1645." Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online 70, no. 1 (2020): 258–93. http://dx.doi.org/10.1163/22145966-07001012.

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In this article, the central issue is the interaction between Sandrart’s friendship networks, his art production and success in Amsterdam. His famous literary life’s work the Teutsche Academie, and Lebenslauf, his (auto) biography, will also be involved. Sandrart’s stay in Amsterdam (1637-1645) was the true springboard for his career. Upon arrival in Amsterdam, he immediately positioned himself in the network of influential entrepreneurs, connoisseurs and magistrates by moving into a patrician residence on the Keizersgracht. Sandrart’s wealthy bloedvrienden (family members) with important soci

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5

van der Sijs, Nicoline. "Hoeveel dialecten werden er gesproken in negentiende-eeuws Amsterdam?" Taal en Tongval 73, no. 1 (2021): 45–79. http://dx.doi.org/10.5117/tet2021.2.vand.

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Abstract How many dialects were spoken in nineteenth-century Amsterdam? In his Algemeen Nederduitsch en Friesch Dialecticon (1874) Johan Winkler stated, after consultation with Jan ter Gouw, that in 19th-century Amsterdam 19 different dialects could be distinguished. This article investigates whether it is possible to find evidence for this assertion in the surviving language material. For this purpose all language phenomena mentioned in 57 sources up till the mid-twentieth century have been put into a database, with information on the neighbourhood where they were used, and other metadata. Th

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6

Parlett, Malcolm. "Facing Death' - Daan Van Praag interviewed by Malcolm Parlett." British Gestalt Journal 13, no. 1 (2004): 30–37. http://dx.doi.org/10.53667/ocnq6916.

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"Editor's Note: In the autumn of 2003, Daan van Praag, the distinguished Dutch Gestalt therapist and trainel was informed that he had incurable cancer and only a few months to live. The following interview took place in March 2004, at Daan's home overlooking the Keizersgracht in Amsterdam. In the interview, Daan speaks about his experience in coming to terms with his illness, and the privilege he feels in being able to draw upon his many years of Gestalt experience to help him face death. He touches on many themes - his feeling of wider connectedness to his 'world', the importance of contact,

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7

Postma, Hugo J. "De Amsterdamse verzamelaar Herman Becker (ca. 1617-1678); Nieuwe gegevens over een geldschieter van Rembrandt." Oud Holland - Quarterly for Dutch Art History 102, no. 1 (1988): 1–19. http://dx.doi.org/10.1163/187501788x00546.

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AbstractUp to now Herman Becker, one of the people who lent Rembrandt money in the straitened circumstances of the last years of his life, has had a bad press as an art-dealer who owed his wealth and influence to the exploitation of artists (Notes 1, 2). It is now possible to correct this image on the basis of recent research in the Amsterdam archives. Becker was born around 1617 and the supposition that he came from Riga in Latvia is borne out by the facts that he had contacts there, that his father Willem certainly lived there between 1640 and 1650 and that the words 'of or 'to' Riga appear

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8

Ester, Hans. "Boekbespreking - Peter Liebregts, Olf Praamstra, Wium van Zyl (red.), Zo ver & zo dichtbij. Literaire betrekkingen tussen Nederland en Zuid-Afrika. Voor Eep Francken. Aangeboden bij zijn afscheid aan de Opleiding Nederlandse Taal en cultuur van de Universiteit Leiden. Amsterdam (Suid-Afrikaanse Instituut) 2013, 325 blz. SAI-reeks, deel 13. ISBN 978-90-74112-00-0. Euro 24,50. Het boek is te verkrijgen op het secretariaat van het Zuid-Afrika-Huis, Keizersgracht 141 te Amsterdam." Nederlandse Letterkunde 19, no. 1 (2014): 94–96. http://dx.doi.org/10.5117/nedlet2014.1.este.

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9

Kunicki-Goldfinger, Jerzy J., Michel Hulst, and Ian C. Freestone. "Seventeenth-Century <em>Façon de Venise</em> Glass from De Twee Rozen Glasshouse, Amsterdam: Technology out of Step with Fashion?" Journal of Glass Studies 66 (April 4, 2025). https://doi.org/10.3998/jgs.6938.

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De Twee Rozen glasshouse was one of the best-known glasshouses in seventeenth-century Amsterdam and an important producer of glass in the Venetian style. It occupied two sites: initially at Keizersgracht, from 1621, it then moved in 1657 to Rozengracht, further from the center of the city. Production debris recovered from a deposit close to the Keizersgracht site were originally attributed to an earlier glasshouse, but a reinterpretation in light of more recent excavations firmly attributes these glasses to the first location of De Twee Rozen. We present 50 new SEM-EDS analyses of vessel glass

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10

"Een 'kamer in het rond' van Jacques Ignatius de Roore (1686-1747)." Oud Holland - Quarterly for Dutch Art History 110, no. 2 (1996): 85–93. http://dx.doi.org/10.1163/187501796x00259.

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AbstractIn his Nieuwe Schouburg Jan van Gool described a series of decorations representing episodes from the talc of Pandora, painted in 1740 by Jacques Ignatius de Roore in Amsterdam. Until now the only impression we had of these works was conveyed by two watercolours by Jurriaan Andriessen after preliminary studies by De Roore, and by one of De Roore's own preliminary studies. These were published in 1991 by J.W. Niemeijer, who also identified the house for which the decorations were painted as the building on the corner of Keizersgracht and Molenpad. Six old photographs of the vanished pai

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Books on the topic "Keizersgracht"

1

Bakker, Michel. Onze Lieve Vrouwekerk: Een herboren monument aan de Keizersgracht. Stadsuitgeverij Amsterdam, 1998.

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2

Landshoff, Fritz Helmut. Amsterdam, Keizersgracht 333, Querido Verlag: Erinnerungen eines Verlegers : mit Briefen und Dokumenten. Aufbau-Verlag, 1991.

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3

Das Haus an der Keizersgracht: Roman. Schöffling & Co., 2020.

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4

Amsterdam, Keizersgracht 333. Querido Verlag. Erinnerungen eines Verlegers. Aufbau Tb, 2001.

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Book chapters on the topic "Keizersgracht"

1

"4. On the Keizersgracht." In OCULI: Studies in the Arts of the Low Countries. John Benjamins Publishing Company, 2004. https://doi.org/10.1075/oculi.9.06ont.

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2

"Tractrix. Yearbook for the History of Science, Medicine, Technology and Mathematics, vol. 1, 1989, pp. 155, illus., ISSN 0924-0829 (copies available from Editions Rodopi BV, Keizersgracht 302-304, 1016 EX Amsterdam, The Netherlands and Editions Rodopi BV, 233 Peachtree Street N.E., Suite 404, Atlanta, GA 30303-1504, USA), Dfl. 67.-/ $ 33.50 (institutions), Dfl. 35.-/ $ 17.50 (individual subscribers direct from publishers, plus Dfl. 7.-/ $ 3.50 postage)." In Essays in the History of Therapeutics. Brill | Rodopi, 1991. http://dx.doi.org/10.1163/9789004418318_029.

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