Relevant bibliographies by topics / Ken Loach

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  1. Journal articles

Academic literature on the topic 'Ken Loach'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Ken Loach"

1

Vulbeau, Alain. "Contrepoint - Looking for Ken Loach." Informations sociales 159, no. 3 (2010): 127. http://dx.doi.org/10.3917/inso.159.0127.

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2

Trémois, Claude-Marie. "Looking for Eric, de Ken Loach." Esprit Juin, no. 6 (2009): 185. http://dx.doi.org/10.3917/espri.0906.0185.

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3

Lewis, Natasha. "On the Dole with Ken Loach." Dissent 64, no. 2 (2017): 13–16. http://dx.doi.org/10.1353/dss.2017.0049.

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4

Sáez-González, Jesús Miguel. "En un mundo libre (Ken Loach)." Vivat Academia, no. 93 (March 15, 2008): 7. http://dx.doi.org/10.15178/va.2008.93.7-8.

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5

Gibbons, Andrea. "Film Review: I, Daniel Blake I, Daniel Blake." Urbanisation 2, no. 2 (2017): 173–76. http://dx.doi.org/10.1177/2455747117734704.

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6

Bottalico, Andrea. "Quali scuse? Riflessioni sull'ultimo film di Ken Loach." SOCIOLOGIA DEL LAVORO, no. 157 (August 2020): 243–46. http://dx.doi.org/10.3280/sl2020-157013.

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7

Soares, Marcos César De Paula. "O trabalho colaborativo no cinema de Ken Loach." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 1 (2019): 251–64. http://dx.doi.org/10.5007/2175-8026.2019v72n1p251.

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The article begins with an analysis of the initial scene of the film I, Daniel Blake by the British filmmaker Ken Loach, to discuss the context in which the filmmaker's career began, amid the English debate about the legacies of Naturalism in literature and cinema. The article then turns to some of the practical consequences of this discussion of the collaborative working methods adopted by the director to ensure what he calls "portrait authenticity of the life of the English working classes."
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8

Petrie, Duncan. "Ken Loach: the politics of film and television." Historical Journal of Film, Radio and Television 32, no. 3 (2012): 473–75. http://dx.doi.org/10.1080/01439685.2012.699620.

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9

Archibald, D. "Ken Loach: the Politics of Film and Television." Screen 54, no. 3 (2013): 427–30. http://dx.doi.org/10.1093/screen/hjt025.

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10

Maria, Cristiane Toledo. "O material melodramático na forma cinematográfica de Ken Loach." Revista Crítica Cultural 7, no. 1 (2012): 169. http://dx.doi.org/10.19177/rcc.v7e12012169-179.

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Este artigo discute o projeto estético-político do cineasta inglês Ken Loach dentro da história da arte política, e como fruto de um processo histórico de crise da esquerda e fragmentação da classe trabalhadora, intensificado durante a segunda metade do século XX, especialmente em países como a Inglaterra. Observamos de que maneira a obra de Ken Loach cria uma forma que realiza um resgate de materiais melodramáticos, e as consequências de tal escolha formal para o conteúdo político de seus filmes. O filme usado como base para a análise é Terra e Liberdade (Land and Freedom, 1995), cuja forma e conteúdo, além de discutirem a guerra civil espanhola e sua relação com o contexto britânico do final do século XX, trazem à tona a discussão sobre o papel do cinema político e suas possibilidades e limites dentro da indústria cultural.
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