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Books on the topic 'Ken Loach'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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Consult the top 26 books for your research on the topic 'Ken Loach.'

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1

Hill, John. Ken Loach. London: British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-349-92473-8.

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2

Giusti, Luciano De. Ken Loach. Milano: Il castoro, 1996.

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3

Ken Loach, un observador solidario. Madrid: El País-Aguilar, 1996.

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4

Pilard, Philippe. Land and freedom, Ken Loach: Étude critique. Paris: Nathan, 1997.

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5

Institute, British Film, ed. Ken Loach: The politics of film and television. Basingstoke, Hampshire [England] ; New York: Palgrave Macmillan, 2011.

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6

Thomas, Erika. Le cinéma de Ken Loach: Misères de l'identité professionnelle. Paris, France: L'Harmattan, 2005.

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7

Which side are you on?: Ken Loach and his films. London: Bloomsbury, 2004.

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8

Loach, Ken. Ken Loach Por Ken Loach. Alba, 2000.

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9

Filmoteca de la Generalitat de Catalunya., ed. Ken Loach. [Barcelona]: Filmoteca de la Generalitat de Catalunya, 1986.

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10

Rousselet, Francis. Ken Loach, un rebelle. Editions du Cerf, 2002.

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11

Fuller, Graham, ed. Loach on Loach. Bloomsbury Publishing Plc, 1998. http://dx.doi.org/10.5040/9780571344086.

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Ken Loach is one of Britain's most distinguished, and respected, film-makers. His career embraces both film and television. His landmark TV production of Cathy Come Home caused such an outcry over the plight of the homeless that Shelter was established in response. His film work is as remarkable as his television work. He makes tough, uncompromising films about a beleaguered working class – but with a poetry (as in Kes) and with a humanity soaked in humour (as in Riff Raff and Raining Stones). His work has been feted, especially on the Continent where Riff Raff received the Felix award (Europe's equivalent of the Oscar). Raining Stones won the Jury Prize at Cannes and the Best British Film of the Year award, and Land and Freedom, his film about the Spanish Civil War, won the International Critics prize at Cannes. Loach on Loach is an exploration of Ken Loach's cinema of social conscience, making much use of interviews and conversations with the man himself.

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12

Pilard, Philippe. Land and Freedomde Ken Loach, étude critique. Nathan Université, 1999.

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13

George, McKnight, ed. Agent of challenge and defiance: Films of Ken Loach. Trowbridge: Flicks Books, 1997.

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14

Oliver, James. English With English Subtitles: The Films of Ken Loach. Screenpress Books, 2004.

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15

Which Side Are You On?: Ken Loach and His Films. Bloomsbury Publishing Plc, 2005.

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16

George, McKnight, ed. Agent of challenge and defiance: The films of Ken Loach. Westport, Conn: Greenwood Press, 1997.

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17

George, McKnight, ed. Agent of challenge and defiance: The films of Ken Loach. Trowbridge: Flicks Books, 1997.

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18

Leigh, Jacob. Cinema of Ken Loach: Art in the Service of the People. Columbia University Press, 2002.

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19

Ken Loach: The holdings of the National Film and Television Archive. British Film Institute: London, 1997.

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20

The Cinema of Ken Loach- Art in the Service of the People (Directors' Cuts). Wallflower Press, 2002.

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21

Leigh, Jacob. The Cinema of Ken Loach: Art in the Service of the People (Directors' Cuts). Wallflower Press, 2002.

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22

McKnight, George. Agent of Challenge and Defiance: The Films of Ken Loach (Contributions to the Study of Popular Culture). Greenwood Press, 1997.

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23

McKnight, George. Agent of Challenge and Defiance: The Films of Ken Loach (Contributions to the Study of Popular Culture , No 64). Praeger Paperback, 1997.

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24

Porton, Richard. Film and the Anarchist Imagination. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043338.001.0001.

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Hailed since its initial release, this book offers the authoritative account of films featuring anarchist characters and motifs. The book delves into the many ways filmmakers have portrayed anarchism's long traditions of labor agitation and revolutionary struggle. While acknowledging cinema's predilection for ludicrous anarchist stereotypes, the book focuses on films that, wittingly or otherwise, reflect or even promote workplace resistance, anarchist pedagogy, self-emancipation, and anti-statist insurrection. The book ranges from the silent era to the classics Zero de Conduite and Love and Anarchy to contemporary films like The Nothing Factory, while engaging the works of Jean Vigo, Jean-Luc Godard, Lina Wertmuller, Yvonne Rainer, Ken Loach, and others. This updated second edition reflects on several new topics, including the negative portrayals of anarchism over the past twenty years and the contemporary embrace of post-anarchism.

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25

map, Ordnance Survey. Castle Douglas, Loch Ken and New Galloway (Explorer). Ordnance Survey, 2001.

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26

Haines, Steven. The Developing Law of Weapons. Edited by Andrew Clapham and Paola Gaeta. Oxford University Press, 2014. http://dx.doi.org/10.1093/law/9780199559695.003.0011.

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This chapter discusses seven key issues. First, it discusses and defines the term ‘weapon’. Secondly, it explores the weapons law element of the law of armed conflict (LOAC), including how it relates to other existing bodies of law dealing with weapons. Thirdly, it gives an account of the development of the conventional law of weapons, because the bulk of current weapons law is contained in treaties that contain important principles underpinning weapons law and define its nature. Fourthly, it identifies these principles and comments on their importance. Fifthly, since conventional law has a vital relationship with customary law, the chapter offers some comment on the current state of the customary law of weapons. Sixthly, it returns to the issue of technology, in particular new technologies that represent significant challenges to existing law. Finally, some attempt is made to assess where the law might go in the future and what issues are likely to be on the agenda in the immediate term.

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