Academic literature on the topic 'Kenkichi'

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Journal articles on the topic "Kenkichi"

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SAALER, SVEN. "The Construction of Regionalism in Modern Japan: Kodera Kenkichi and his “Treatise on Greater Asianism” (1916)." Modern Asian Studies 41, no. 6 (2007): 1261–94. http://dx.doi.org/10.1017/s0026749x06002605.

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Around a century ago, in his “The Ideals of the East”, Okakura Tenshin (Kakuzô) proclaimed that “Asia is one”. This phrase, quoted repeatedly ever since, has been interpreted as representative of the ideology of Pan-Asianism (Han-Ajiashugi) or Asianism (Ajiashugi) in Japan. However, Okakura's writings were not widely read in Japan during the Meiji era and his originally English writings were translated into Japanese only in the 1930s. It must have been other authors that defined Pan-Asianism as a comprehensive ideology and brought this ideology closer to politics, a sphere where pan-Asian approaches were mostly rejected until the 1910s. This paper introduces the writings of Kodera Kenkichi (1877–1949), a politician and long-time member of the Lower House of the Imperial Japanese Diet, and identifies his “Treatise on Greater Asianism” (1916) as a central work in the history of the ideology of Asianism in modern Japan.
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Dissertations / Theses on the topic "Kenkichi"

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Panzenboeck, Elisabeth Patricia [Verfasser], Ariane [Akademischer Betreuer] Frey та Kenkichi [Akademischer Betreuer] Miyabayashi. "Branching Fraction Measurement of B± → χc1π+π−K± and Search for a Narrow Resonance with the Belle Experiment / Elisabeth Patricia Panzenboeck. Gutachter: Ariane Frey ; Kenkichi Miyabayashi. Betreuer: Ariane Frey". Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1063776333/34.

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Jones, Meghen. "Tomimoto Kenkichi and the discourse of modern Japanese ceramics." Thesis, 2014. https://hdl.handle.net/2144/14288.

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In Japan, ceramics has long been considered a medium associated with elevated aesthetic expression and high cultural capital. However, the late nineteenth and twentieth centuries saw transformations of its epistemological underpinnings. The collapse of the feudal system gave rise to the multivalenced concept of "art craft" (bijutsu kôgei) that included "art ceramics." For individual artists like Tomimoto Kenkichi (1886-1963), ceramics traversed a parallel path with other mediums of modern art that emphasized self-expression and hybridizations of multiple geo-historical sources. Ultimately, these ceramics became significant state-supported symbols of the nation. An analysis of the art, praxis, and theories of Tomimoto Kenkichi presents an ideal case study for illuminating the central mechanisms responsible for the emergence and development of modern Japanese art ceramics. With a wide angle yet critical perspective lacking in previous studies, this dissertation not only reveals Tomimoto's complex individual role in the history of modern ceramics, but also sheds light on the ontology of modern Japanese craft itself. By considering Tomimoto's entire oeuvre-- including calligraphy, ceramics, design goods, painting, and prints--we may track the development of his modernist embrace of the direct observation of nature, abstract form, and original expression. His praxis, synergistically modeled on William Morris and Ogata Kenzan, reveals a modernist stance towards Japanese literati culture in which ceramics became a medium negotiating between British Arts and Crafts design; modernist European sculpture; and Chinese, Korean, and Japanese historical ceramics. The dissertation's diachronic structure charts artistic concepts, ideologies, and creative works from the late Meiji to the mid-Shôwa eras, relying on formal analysis as well as organizational analysis of pedagogical systems, art organizations, and exhibition structures. Chapter One considers Tomimoto's lineal inheritances, university education, and self-study. Chapter Two explores Tomimoto's discourse of self-expression and the equivalency of artistic mediums. Chapter Three deconstructs the image of the ceramic vessel and Tomimoto's discourse of ceramic form according to respective engagements with Joseon porcelain and modernist sculpture. Chapter Four analyzes the sinophilic and modernist aspects of his overglaze enamel porcelain. Finally, Chapter Five surveys the role of exhibitions and preservation efforts in positioning ceramics as art and national tradition.
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Books on the topic "Kenkichi"

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Tomimoto, Kenkichi. Tomimoto Kenkichi ten =: Tomimoto Kenkichi. Tōkyō Kokuritsu Kindai Bijutsukan, 1991.

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Tomimoto, Kenkichi. Tomimoto Kenkichi ten =: Tomimoto Kenkichi. Tōkyō Kokuritsu Kindai Bijutsukan, 1991.

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1924-, Hiruma Kazunari, ed. Itoya Kenkichi shishū. Doyō Bijutsusha, 1994.

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Yamamoto Kenkichi zenshū. Kōdansha, 1985.

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1927-, Satake Ichirō, ed. Kenkichi Iwasawa collected papers. Springer, 2001.

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Yamamoto Kenkichi haiku tokuhon. Kadokawa Shoten, 1993.

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Iwasawa, Kenkichi. Kenkichi Iwasawa collected papers. Springer, 2001.

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Satake, Ichiro, Genjiro Fujisaki, Kazuya Kato, Masato Kurihara, and Shoichi Nakajima, eds. Kenkichi Iwasawa Collected Papers. Springer Japan, 2001. http://dx.doi.org/10.1007/978-4-431-67947-9.

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Ōi, Shizuo. Nakamura Kenkichi kenkyū: Gakusei jidai no Kenkichi, shirarezaru seishun no eizō. Seibunsha, 1988.

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Ōshima Kenkichi no Tōkyō Orinpikku. Tōkai Kyōiku Kenkyūjo, 2013.

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Book chapters on the topic "Kenkichi"

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Kawahigashi, Y. "On normed rings and a theorem of Segal, II." In Kenkichi Iwasawa Collected Papers. Springer Japan, 2001. http://dx.doi.org/10.1007/978-4-431-67947-9_10.

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Iwasawa, Kenkiti, and Tsuneo Tamagawa. "Erratum to: On the group of automorphisms of a function field." In Kenkichi Iwasawa Collected Papers. Springer Japan, 2001. http://dx.doi.org/10.1007/978-4-431-67947-9_72.

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Satake, Ichiro, Genjiro Fujisaki, Kazuya Kato, Masato Kurihara, and Shoichi Nakajima. "Ueber die Struktur der endlichen Gruppen, deren echte Untergruppen sämtlich nilpotent sind." In Kenkichi Iwasawa Collected Papers. Springer Japan, 2001. http://dx.doi.org/10.1007/978-4-431-67947-9_1.

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Satake, Ichiro, Genjiro Fujisaki, Kazuya Kato, Masato Kurihara, and Shoichi Nakajima. "On group rings of topological groups." In Kenkichi Iwasawa Collected Papers. Springer Japan, 2001. http://dx.doi.org/10.1007/978-4-431-67947-9_11.

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Satake, Ichiro, Genjiro Fujisaki, Kazuya Kato, Masato Kurihara, and Shoichi Nakajima. "Über nilpotente topologische Gruppen I." In Kenkichi Iwasawa Collected Papers. Springer Japan, 2001. http://dx.doi.org/10.1007/978-4-431-67947-9_12.

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Satake, Ichiro, Genjiro Fujisaki, Kazuya Kato, Masato Kurihara, and Shoichi Nakajima. "Der Bezoutsche Satz in zweifach projektiven Räumen." In Kenkichi Iwasawa Collected Papers. Springer Japan, 2001. http://dx.doi.org/10.1007/978-4-431-67947-9_13.

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Satake, Ichiro, Genjiro Fujisaki, Kazuya Kato, Masato Kurihara, and Shoichi Nakajima. "Zur Theorie der algebraischen Korrespondenzen I, Schnittpunktgruppen von Korrespondenzen." In Kenkichi Iwasawa Collected Papers. Springer Japan, 2001. http://dx.doi.org/10.1007/978-4-431-67947-9_14.

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Satake, Ichiro, Genjiro Fujisaki, Kazuya Kato, Masato Kurihara, and Shoichi Nakajima. "Zur Theorie der algebraischen Korrespondenzen II, Multiplikation der Korrespondenzen." In Kenkichi Iwasawa Collected Papers. Springer Japan, 2001. http://dx.doi.org/10.1007/978-4-431-67947-9_15.

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Satake, Ichiro, Genjiro Fujisaki, Kazuya Kato, Masato Kurihara, and Shoichi Nakajima. "On the representation of Lie algebras." In Kenkichi Iwasawa Collected Papers. Springer Japan, 2001. http://dx.doi.org/10.1007/978-4-431-67947-9_16.

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Satake, Ichiro, Genjiro Fujisaki, Kazuya Kato, Masato Kurihara, and Shoichi Nakajima. "On linearly ordered groups." In Kenkichi Iwasawa Collected Papers. Springer Japan, 2001. http://dx.doi.org/10.1007/978-4-431-67947-9_17.

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