Log in

Relevant bibliographies by topics / Kennelly, Brendan

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Academic literature on the topic 'Kennelly, Brendan'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Kennelly, Brendan.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Kennelly, Brendan"

1

MCManus, Frank. "Brendan Kennelly." Spine 19, Supplement (July 1994): 1549–50. http://dx.doi.org/10.1097/00007632-199407001-00002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Quinn, Gerard. "Brendan Kennelly: Victors and Victims." Irish Review (1986-), no. 9 (1990): 44. http://dx.doi.org/10.2307/29735543.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Brisset, Sandrine. "“Flirting with a Risky Muse”: Brendan Kennelly and Inspired Poetry." Études irlandaises, no. 36-1 (June 30, 2011): 161–75. http://dx.doi.org/10.4000/etudesirlandaises.2217.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

O’Dwyer, Kathleen. "The Poetry of Brendan Kennelly. An Exploration of Contemporary Irish Experience." Orbis Litterarum 65, no. 2 (April 2010): 108–33. http://dx.doi.org/10.1111/j.1600-0730.2009.00981.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

POOLE, ADRIAN. "The Trojan Women: A New Version. By Brendan Kennelly. Pp. 80. Newcastle-upon-Tyne: Bloodaxe Books, 1993. Pb. £6.95." Translation and Literature 5, no. 1 (March 1996): 122–26. http://dx.doi.org/10.3366/tal.1996.5.1.122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

POOLE, ADRIAN. "The Trojan Women: A New Version. By Brendan Kennelly. Pp. 80. Newcastle-upon-Tyne: Bloodaxe Books, 1993. Pb. £6.95." Translation and Literature 5, Part_1 (January 1996): 122–26. http://dx.doi.org/10.3366/tal.1996.5.part_1.122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Lloyd, Michael, Euripides, and Brendan Kennelly. "Euripides' "The Trojan Women": A New Version by Brendan Kennelly. First Performed at the Peacock Theatre, the Abbey Theatre, Dublin, on 2 June 1993." Classics Ireland 1 (1994): 54. http://dx.doi.org/10.2307/25528265.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

McDonald, Marianne. "Rebel Women: Brendan Kennelly's Versions of Irish Tragedy." New Hibernia Review 9, no. 3 (2005): 123–36. http://dx.doi.org/10.1353/nhr.2005.0055.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Davenport, Meredith. "Unveiling Collar City: A Conversation with Brenda Ann Kenneally." Afterimage 41, no. 1 (July 1, 2013): 19–24. http://dx.doi.org/10.1525/aft.2013.41.1.19.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Brennan, Mary R., Lily Thomas, and Myriam Kline. "Prelude to Death or Practice Failure? Trombley-Brennan Terminal Tissue Injury Update." American Journal of Hospice and Palliative Medicine® 36, no. 11 (April 16, 2019): 1016–19. http://dx.doi.org/10.1177/1049909119838969.

Full text

Abstract:

In 2012, we published a study in this journal exploring the emergence of unique skin changes in end-of-life patients admitted to a palliative care unit. The purpose of the study was to describe the skin changes and identify the relationship between these changes and time of death. In the above study of 80 patients, the skin changes were found to be unique and different from Kennedy terminal ulcers and deep tissue injuries. Median time from identification of skin changes and death was 36 hours. The phenomenon was named as Trombley-Brennan terminal tissue injury. The current article presents findings that include the study of additional 86 patients. The results further validate the phenomenon and its relationship with time of death.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Kennelly, Brendan"

1

Sedlmayr, Gerold. "Brendan Kennelly's literary works : the developing art of an Irish writer, 1959-2000 /." Lewiston : the E. Mellen press, 2005. http://catalogue.bnf.fr/ark:/12148/cb40066548j.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Persson, Åke. "Betraying the age : social and artistic protest in Brendan Kennelly's work /." Göteborg : Acta universitatis gothoburgensis, 2000. http://catalogue.bnf.fr/ark:/12148/cb39136258q.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Brisset, Sandrine Michelle. "Bard of Modern Ireland : Perspectives on Voice and Mask within the Poetry of Brendan Kennelly." Paris 3, 2008. http://www.theses.fr/2008PA030151.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Guibert, Pascale. "L'ecriture du paysage chez quatre poetes irlandais contemporains : patrick kavanagh, richard murphy, brendan kennelly et seamus heaney." Paris 7, 1997. http://www.theses.fr/1997PA070046.

Full text

Abstract:

Ce travail a une double ambition : a travers les poemes de quatre poetes irlandais - seamus heaney, patrick kavanagh, brendan kennelly et richard murphy - degager ce que leurs paysages expriment, afin de parvenir a determiner ce que le paysage, en tant que genre, tend a representer. Il n'a pas pour but de definir cette poesie, mais d'en eclairer un aspect - le travail du paysage - en vue d'une reflexion plus grande sur la place de l'ecriture dans la composition du paysage. C'est pourquoi nous ne recensons pas les paysages typiquement irlandais, mais tentons de penetrer en deca des elements depeints, afin de mettre en evidence comment ils le sont et dans quel but. Nous ne nous attardons pas a l'aspect visuel du lieu represente, ni a l'emplacement geographique de son site d'origine, mais determinons ce qu'un paysage particulier nous revele de l'idee de paysage, au sein de laquelle il s'inscrit. Quatre etapes jalonnent notre cheminement. Dans la premiere partie sont exposes les roles du poete au sein de la societe, puis de l'homme sur le paysage, tels que l'on peut les degager de representations d'etendues de pays. La seconde partie va, elle, a la recherche de la condition et des sentiments humains dont temoignent les formes paysageres. Approfondissant encore ce que les paysages revelent de l'homme, en tant qu'etre agissant et creant, nous precisons dans la troisieme partie le travail de cet homme tel qu'on le ressent exprime par des paysages, et souligne par leur ecriture. Nous remontons enfin jusqu'aux instants premiers de ce travail, eux aussi representes par certains paysages et leur poetique. On peut apprehender ceux-la comme une tentative d'explicitation - grace a des images renvoyant a l'exterieur - du principe de la creation artistique. Ainsi un paysage ne devrait-il pas etre considere comme une simple description de la nature, mais comme une manifestation de notre role de creation
By the careful study of the poems of four irish poets - seamus heaney, patrick kavanagh, brendan kennelly and richard murphy - we try to specify what their landscapes express so that we can then determine what landscape, as a genre, actually represents. This is no presentation of their poetry since we focus on one of its aspects : what work is expressed through landscape. This leads us to concentrate more intently on the role of writing in the creation of landscape. Thus have we not made a list of the typically irish landscapes. We have tried to go beyond what is just depicted in order to show how and why this depiction was done. We do not so much consider either the visual aspect of the written place or its original geographic situation as what, as a particular landscape, it reveals about the idea of landscape, to which it gives a form. There are four stages to our progression towards what is seemingly expressed through a landscape. At first, the parts played by the poet in the building of society, and by man in the building of landscape are presented. These we have been able to define through the study of the way some exterior scenes were represented. In the second part, we try to determine which living conditions and human feelings are betrayed by such or such landscape. In the third part, we continue our search beyond the description of the exterior world and discover what a particular landscape reveals about man as a doer and as a creator. We then concentrate on his precise work, which we see expressed by some landscapes, and even stressed by the way they are written. We finally reach the very first moments of this work of creation, also represented by some landscapes and their writing. These landscapes can be considered as attempts at making explicit - thanks to images from the exterior world - the principle of artistic creation. So, a landscape should not be thought of as a mere description of nature but as an expression of our function as creators

APA, Harvard, Vancouver, ISO, and other styles

5

McDonagh, John. "Narrating the nation? : post-colonial perspectives on Patrick Kavanagh's 'The great hunger' (1942) and Brendan Kennelly's 'Cromwell' (1983)." Thesis, University of Warwick, 1998. http://wrap.warwick.ac.uk/36345/.

Full text

Abstract:

The nature of Irish post-colonialism is not fixed. The chronological periods surrounding the colonial era in Irish history are relatively unproblematic, but the real debate emerges in the analysis of the effect of the colonial era on perceptions of national identity and how these perceptions were altered or underpinned in the post-colonial nation state. The complexities involved in accurately defining the coloniser and the colonised, the colonial identity and the post-colonial identity, serve to illuminate the fact that these concepts are based on interpretations of complex and unresolved relationships which have emerged over hundreds of years. To arrive prematurely at definitive conclusions as to their nature only serves to perpetuate stereotypes beyond which the post-colonial debate must move. The best that can be hoped for is that a reasonable and sustainable position can be found in relation to the larger question of Ireland's complicated post-colonial identity. The nature of Irish colonisation and its consequences require the examination of the plurality of possible interpretations. There are no fixed boundaries but rather a series of relational positions which must be occupied on the nature of possession and dispossession, cultural connectedness and dislocation and consequent perceptions of national identity.

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Kennelly, Brendan"

1

Brisset, Sandrine. Brendan Kennelly: Behind the smile. Dublin: Raglan Books, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Brendan Kennelly: A host of ghosts. Dublin: Liffey Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

McDonagh, John. A partially annotated bibliography of the work of Brendan Kennelly. [s.l.]: typescript, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Persson, Åke. Betraying the age: Social and artistic protest in Brendan Kennelly's work. Göteborg: Acta Universitatis Gothoburgensis, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Sedlmayr, Gerold. Brendan Kennelly's literary works: The developing art of an Irish writer, 1959-2000. Lewiston, N.Y: Edwin Mellen Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Brennan, Howard L. Eyewitness to history: The Kennedy assassination as seen by Howard L. Brennan. Waco, Tex: Texian Press, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

McDonagh, John. Narrating the nation?: Post-colonial perspectives on Patrick Kavanagh's 'The great hunger' (1942) and Brendan Kennelly's 'Cromwell' (1983). [s.l.]: typescript, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

The Essential Brendan Kennelly. Bloodaxe Books, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Richard, Pine, ed. Dark fathers into light: Brendan Kennelly. Newcastle upon Tyne [England]: Bloodaxe Books, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Kennelly, Brendan. The Book of Judas: A Poem by Brendan Kennelly. Bloodaxe Books Ltd, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Kennelly, Brendan"

1

Matthews, Steven. "History Is Only Part of It: Brendan Kennelly’s Cromwell." In Irish Poetry: Politics, History, Negotiation, 132–57. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25290-9_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Beville, Maria. "Gothic Politics and the Mythology of the Vampire: Brendan Kennelly’s Postcolonial Inversions in Cromwell: A Poem." In Transnational and Postcolonial Vampires, 153–72. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137272621_9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Pine, Richard. "Brendan Kennelly." In The Cambridge Companion to Irish Poets, 254–67. Cambridge University Press, 2017. http://dx.doi.org/10.1017/9781108333313.022.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Torrance, Isabelle. "Trojan Women and Irish Sexual Politics, 1920–2015." In Classics and Irish Politics, 1916-2016, 254–67. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864486.003.0013.

Full text

Abstract:

This chapter traces representations of the status of women in Ireland through three twentieth-century productions based on the Trojan Women of Euripides. As a tragedy about the brutalities of colonialism, the play was immediately topical when it was produced by the Dublin Drama League in 1920, with Maud Gonne in the starring role as Hecuba. The play’s reception, however, underlined women’s lack of political agency, as did Brendan Kennelly’s Trojan Women (1993) and Marina Carr’s Hecuba (2015). Kennelly’s Trojan women are inspired by suffering Irish women from rural villages, but his Hecuba represents female collusion in sexist oppression from which men escape responsibility. Carr’s women are sexually liberated but they remain prisoners. Female sexuality continues to be connected with disempowerment at a moment when the absence of women from the Abbey Theatre’s 1916 commemoration programme was generating significant public criticism.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!