Academic literature on the topic 'Kenneth Archer'
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Journal articles on the topic "Kenneth Archer"
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Archer, Kenneth, and Millicent Hodson. "SACRE 1913." Experiment 20, no. 1 (2014): 31–47. http://dx.doi.org/10.1163/2211730x-12341258.
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Shamanic designs used by painter and archaeologist Nicholas Roerich on the costumes for the original Rite of Spring (1913) apparently shaped the ground patterns of the choreography by Vaslav Nijinsky. Dance detectives Kenneth Archer and Millicent Hodson demonstrate how they discovered these dance and design correspondences in the course of reconstructing the lost Rite for the Joffrey Ballet in 1987 and for other companies worldwide since that time.
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Siegel, Marcia B., and Millicent Hodson. "Restaging Works from the Ballets Russes: A Conversation between." Experiment 17, no. 1 (2011): 345–74. http://dx.doi.org/10.1163/221173011x611996.
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Abstract Critic Marcia Siegel and choreographer Millicent Hodson discuss problems of putting lost or nearly forgotten 20th century ballets back on stage, focusing on questions of authenticity, interpretation, choreographic process and documentation through direct contact with Diaghilev's dancers. The discussion refers specifically to reconstruction of ballets by Nijinsky and Balanchine which Hodson has done with scenic consultant Kenneth Archer during the last years when Ballets Russes artists still survived to pass on their knowledge. Siegel extends the discussion to Diaghilev's other choreographers, Fokine, Massine and Nijinska.
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Keener, Craig S. "Refining Spirit Hermeneutics." PNEUMA 39, no. 1-2 (2017): 198–240. http://dx.doi.org/10.1163/15700747-03901011.
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In this article Craig S. Keener participates in the roundtable dialogue on his book: Spirit Hermeneutics: Reading Scripture in the Light of Pentecost. After responding individually to the reviews of L. William Oliverio, Jr., Kevin L. Spawn, Hannah R.K. Mather, Ben Aker, Jacqueline N. Grey, and Kenneth J. Archer, Keener responds more fully to some key issues in the reviews and articulates elements of his hermeneutical theory that complement the arguments in his book, including discussions on conventional hermeneutics, the role of subjectivity/objectivity in interpretation, and the relationship between pentecostal hermeneutics and evangelical hermeneutics.
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Fretheim, Terence. "Response to Reviews of God and World in the Old Testament: A Relational Theology of Creation." Journal of Pentecostal Theology 19, no. 2 (2010): 213–18. http://dx.doi.org/10.1163/174552510x526223.
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AbstractThis is a response by Terence Fretheim to review essays of his book, God and World in the Old Testament: A Relational Theology of Creation, by Robert Stallman, Scott Ellington, and Kenneth Archer. Many of their concerns overlap and so my responses to them are largely woven together. After a few general notes, I ask and respond to ten questions that the respondents implicitly or explicitly raise regarding my work. Those questions concern: Relationship of the Old Testament and New; the Spirit; Praise and Prayer; God's action in and through Agents; Spirit World; Royal Images for God; God's Judgment/'Punishment'; Covenant and Relationship; Creation and Fall; and the Book of Job.
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Harris, I. Leon. "Constructive Pneumatological Hermeneutics in Pentecostal Christianity, edited by Archer, Kenneth J. and L. William Oliverio Jr." PNEUMA 39, no. 3 (2017): 400–401. http://dx.doi.org/10.1163/15700747-03903021.
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Zdunkiewicz, Lech. "Three Layers of Metaphors in Ross Macdonald’s "Black Money"." Text Matters, no. 9 (December 30, 2019): 259–70. http://dx.doi.org/10.18778/2083-2931.09.16.
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In his early career, Kenneth Millar, better known as Ross Macdonald, emulated the style of Dashiell Hammett and Raymond Chandler. By the 1960s he had established himself as a distinct voice in the hardboiled genre. In his Lew Archer series, he conveys the complexity of his characters and settings primarily by the use of metaphors. In his 1966 novel Black Money the device performs three functions. In the case of minor characters, the author uses metaphors to comment on Californian society. Concurrently, metaphors describing major characters allow him to develop their dramatic arcs, whereas the recurring elements of the leitmotif serve to demonstrate the narrating detective’s growing concerns with the ongoing investigation. Arguably, it was Macdonald’s use of metaphors that helped define his unique voice.
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McCall, Bradford. "The Pentecostal Reappropriation of Common Sense Realism." Journal of Pentecostal Theology 19, no. 1 (2010): 59–75. http://dx.doi.org/10.1163/174552510x490764.
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AbstractThe paper traces the early Pentecostal appropriation of common sense realism. In the first part of this paper, a general overview of the ascent of common sense philosophy will be provided. In the second part, the early Pentecostal's Bible Reading Method shall be examined, as it is characterized by Kenneth J. Archer, highlighting how early Pentecostals employed a Baconian-influenced common sense method, one that produced confidence that the facts of Scripture could be discovered as clearly as the facts of science. Although this paper is primarily a reconstruction of the historical influence that common sense philosophy had upon early Pentecostalism, in the third part I offer a suggestion for (a) contemporary reappropriation of common sense realism within the Renewal movement.
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McCall, Bradford. "A Contemporary Reappropriation of Baconian Common Sense Realism in Renewal Hermeneutics." Pneuma 32, no. 2 (2010): 223–40. http://dx.doi.org/10.1163/157007410x509128.
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AbstractPart one of the following essay will present a brief explication of the Baconian common sense method. The second part will examine the early Pentecostal's Bible Reading Method as characterized by Kenneth J. Archer. It will be noted that early Pentecostals wedded common sense realism to the Baconian scientific method in the Baconian common sense method. Part three will examine various weaknesses and implications of Archer's representation regarding early Pentecostals and their use of the Bible Reading Method. In part four I will propose my own hermeneutic of Scripture in dialogue with Francis Bacon, Thomas Kuhn, Bernard Lonergan, and Vern Poythress in order to construct a modern, Spirit-inspired, scientifically informed hermeneutic for appropriation by the Renewal movement. I will contend that the Renewal movement should adopt such a hermeneutic in order to be taken seriously in today's (somewhat) scientifically literate culture.
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Lloyd, Thomas C. "The Diagnosis and Treatment of Pulmonary Hypertension.Edited by E. Kenneth Weir, Stephen L. Archer, and John T. Reeves." Journal of Cardiovascular Electrophysiology 3, no. 6 (1992): 653. http://dx.doi.org/10.1111/j.1540-8167.1992.tb01943.x.
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Flajšar, Jiří. "Suburban Identity in the Poetry of John Updike." Prague Journal of English Studies 8, no. 1 (2019): 35–54. http://dx.doi.org/10.2478/pjes-2019-0003.
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Abstract This paper provides a close reading of a representative selection of suburban poems by the American writer John Updike (1932–2009). It also draws upon the existing scholarship by suburban studies historians (including Kenneth Jackson, Dolores Hayden, John Archer, and James Howard Kunstler), who have argued for the cultural importance of American suburbia in fostering identity, and develops the argument by literary critics including Jo Gill, Peter Monacell, and Robert von Hallberg, who have championed the existence of a viable suburban tradition in postwar American poetry. By scrutinizing poems from Updike’s early poetry, represented by “Shillington”, up to his closing lyric opus, “Endpoint”, the paper argues that Updike’s unrecognized importance is that of a major postwar poet whose lyric work chronicles, in memorable, diverse, and important ways, the construction of individual identity within suburbia, in a dominant setting for most Americans from the 1950s up to the present.
Dissertations / Theses on the topic "Kenneth Archer"
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Noel, Bradley Truman. "Pentecostal and postmodern hermeneutics: comparisons and contemporary impact." Thesis, 2007. http://hdl.handle.net/10500/2155.
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The focus of this practical theological study is Pentecostalism, and the relationship between the hermeneutics of Pentecostalism and Postmodernism. Through a literary search, we observe the points of congruency between the hermeneutics of early Pentecostals and the key tenets of Postmodernism. We note the unprecedented acceptance of Pentecostal scholars into the larger theological world and question whether this is a result of the increased Modernization of Pentecostal hermeneutics. The Postmodern world of youth is explored, and we observe their tremendous openness to spirituality. This thesis will show that Pentecostals may contribute to the Christian world a Pentecostal hermeneutic that will speak a relevant message to generations of youth.
Chapters two and three examine the convergent viewpoints of Pentecostalism with Postmodernity, in terms of rationalism, narratives, and the place of experience in life and theology. Chapter four highlights the hermeneutical debate between Gordon D. Fee and his Pentecostal responders, noting the Modern approach in the principles debated. Chapter five seeks to provide interaction with a giant of theology seldom engaged by Pentecostals - Rudolf Bultmann - and his modern followers, and explores the world of Postmodern youth. Chapter six explores the work of Kenneth Archer, who has proposed a specific Pentecostal hermeneutical approach, and chapter seven discusses the role of the Holy Spirit in hermeneutics, including whether Pentecostal experience may be considered an ”edge” in hermeneutics. Chapter eight summarizes the findings of this study.<br>Practical Theology<br>D. Th (Practical Theology)
Books on the topic "Kenneth Archer"
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Jacobsen, Wolfgang, ed. Alexander Kluge/Digne M. Marcovicz. edition text + kritik im Richard Boorberg Verlag, 2014. http://dx.doi.org/10.5771/9783869169378.
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Der Schriftsteller und Filmemacher Alexander Kluge und die Fotografin Digne M. Marcovicz kennen sich seit Anfang der 1960er Jahre. Immer wieder kam es zu Begegnungen zwischen ihnen, zufälligen wie geplanten. Aus dem Zusammenspiel von Zufall und Kalkül entstanden dabei faszinierende Film- und Fotoaufnahmen, die mit den Texten von Alexander Kluge in Verbindung treten. Marcovicz’ Bilder zeigen Alexander Kluge bei der Arbeit: beim Schreiben, beim Lehren, beim Filmen. Im Gespräch mit anderen Filmleuten. Wie nebenbei gewähren die Aufnahmen so auch einen Blick in die Diskutierstube der Autorenfilmer der Bundesrepublik. Es herrscht Aufbruchstimmung und konzentrierte Lebendigkeit. Zudem dokumentieren Digne M. Marcovicz’ Fotografien einen Moment der Privatheit im Leben des schaffenden Autors. Alles in allem entsteht durch die Bilderstrecke ein Menschenbild. Text und Bild, das sind Geschwisterkünste. In diesem Buch treten sie vielfach in Verbindung. Die Montage dieser Texte und Bilder bildet einen Arbeitsprozess ab. Einige von Kluges Texten, Geschichten im eigentlichen Sinn, sind seinen Büchern entnommen. Viele jedoch sind Erstveröffentlichungen. Etwa Auszüge aus dem 1962 entstandenen, aber nicht realisierten Drehbuch "Lebensläufe", dem geplanten Vorgänger von "Abschied von gestern". Kluge erinnert sich an Gefährten, er lässt die Leser an Gesprächen teilhaben, die er führte, und es sind neue Geschichten, die einen ganz eigenen und überraschenden Zugang zu den Bildern ermöglichen. So stellt dieses Buch auch ein Archiv dar. Unter der Oberfläche schwirren mehr als nur eine weitere Geschichte.
Book chapters on the topic "Kenneth Archer"
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Glancy, Mark. "Chapter 28." In Cary Grant, the Making of a Hollywood Legend. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190053130.003.0029.
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In the early 1960s, when Cary Grant was at the height of his popularity, he began to worry that he was too old to play the romantic leading man. He would not agree to make Charade (1963) until director Stanley Donen and screenwriter Peter Stone agreed to change the script so that his young co-star, Audrey Hepburn, is seen to chase after him (rather than the other way around). In the wake of the Kennedy assassination, critics found this Hitchcockian comedy-thriller to be too violent, but it was another box-office hit and remains a fan favorite today. He did not consider himself too old to chase young women in his private life, and his relationship with actress Dyan Cannon grew more serious. When journalist Joe Hyams sued him for libel, in response to Grant’s denying that he had been interviewed by Hyams, they reached an out of court settlement. Grant agreed to collaborate with the journalist on the article that eventually emerged as “Archie Leach by Cary Grant,” a lengthy, truthful account of his family background and youth. In another hit comedy, Father Goose (1964), he broke free of his debonair image to play a drunken recluse who must look after schoolgirls stranded in the South Pacific at the beginning of the Second World War. His final film, Walk, Don’t Run (1966), was a gentle comedy set during the Tokyo Olympics, with a lively score by composer Quincy Jones, who became a close personal friend. By the time Walk, Don’t Run was released, he had married Dyan Cannon, and they had a daughter together, Jennifer Grant. This convinced Grant that it was finally time to retire.
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Doveton, John H. "Fluid Saturation Evaluation." In Principles of Mathematical Petrophysics. Oxford University Press, 2014. http://dx.doi.org/10.1093/oso/9780199978045.003.0006.
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In his treatise on electricity and magnetism, Maxwell (1873) published an equation that described the conductivity of an electrolyte that contained nonconducting spheres as: . . . Ψ = co/cw = 2Φ/(3-Φ) . . . where the “meaning” of Ψ (psi) has been most commonly interpreted as some expression of tortuosity, Co and Cw are the conductivity of the medium and the electrolyte, respectively, and Φ is the proportion of the medium that is occupied by the electrolyte. Since that time, considerable efforts have been devoted to elucidation of the electrical properties of porous materials, particularly with the advent of the first resistivity log in 1927, which founded an entire industry focused on estimating fluid saturations in hydrocarbon reservoirs from downhole measurements. To some degree, spirited discussions in the literature reflect two schools of thought, one that considers the role of the resistive framework from a primarily empirical point of view, and the other that models the conductive fluid phase in terms of electrical efficiency. Clearly, the two concepts are intertwined because resistivity is the reciprocal of conductivity and the pore network is the complement of the rock framework. If the solid part of the rock is nonconductive, then the ability of a rock to conduct electricity is controlled by the conductive phase in the pore space, which should make the case for equations to be formulated from classical physical theory. This approach is typically developed using electrical flow through capillary tubes as a starting point. Unfortunately, the topological transformation of a capillary tube model to a satisfactory representation of a real pore network is a formidable challenge, so that mathematical solutions may not be acceptable, even though they are grounded in basic physics. The most successful model along these lines has been proposed by Herrick and Kennedy (1994), who maintain that while the Archie equation is a useful parametric function, it has no physical basis. Some of their conclusions are reviewed at the end of this chapter.