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Journal articles on the topic 'Kenneth Burke'

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Published: 4 June 2021
Last updated: 27 April 2022

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1

Schaeffer, John. "Kenneth Burke." New Vico Studies 12 (1994): 133–35. http://dx.doi.org/10.5840/newvico19941211.

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2

Kantra, Robert A. "Reading Kenneth Burke." PMLA 104, no. 3 (May 1989): 358. http://dx.doi.org/10.2307/462450.

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3

Gabin, Rosalind J. "Entitling Kenneth Burke." Rhetoric Review 5, no. 2 (March 1987): 196–210. http://dx.doi.org/10.1080/07350198709359145.

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4

Lemonde, Franck. "Kenneth Burke, philosophie pratique." Labyrinthe, no. 19 (December 15, 2004): 95–107. http://dx.doi.org/10.4000/labyrinthe.243.

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5

Vitolo-Haddad, C. V. "Kenneth Burke + The Posthuman." Quarterly Journal of Speech 105, no. 3 (June 7, 2019): 363–67. http://dx.doi.org/10.1080/00335630.2019.1623467.

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6

Schaeffer, John D. "Vico and Kenneth Burke." Rhetoric Society Quarterly 26, no. 2 (March 1996): 7–17. http://dx.doi.org/10.1080/02773949609391063.

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7

Prelli, Lawrence J., Floyd D. Anderson, and Matthew T. Althouse. "Kenneth Burke on Recalcitrance." Rhetoric Society Quarterly 41, no. 2 (March 31, 2011): 97–124. http://dx.doi.org/10.1080/02773945.2011.553768.

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8

Shurbanov, Alexander. "Kenneth Burke on Shakespeare." English Studies 90, no. 2 (April 2009): 247–49. http://dx.doi.org/10.1080/00138380902743435.

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9

Darcy, Robert. "Kenneth Burke on Shakespeare." Journal for Early Modern Cultural Studies 9, no. 1 (2009): 160–65. http://dx.doi.org/10.1353/jem.0.0020.

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10

Adderley, Adrianne. "Kenneth Burke on Shakespeare." Ecumenica 2, no. 1 (April 1, 2009): 99–100. http://dx.doi.org/10.5325/ecumenica.2.1.0099.

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11

Hassett, Michael. "Sophisticated Burke: Kenneth Burke as a neosophistic rhetorician." Rhetoric Review 13, no. 2 (March 1995): 371–90. http://dx.doi.org/10.1080/07350199509359193.

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12

Rountree, J. Clarke, Richard Kostelanetz, and Kenneth Burke. "Richard Kostelanetz Interviews Kenneth Burke." Iowa Review 17, no. 3 (October 1987): 1–14. http://dx.doi.org/10.17077/0021-065x.3536.

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13

Rountree, J. Clarke. "Kenneth Burke: A Personal Retrospective." Iowa Review 17, no. 3 (October 1987): 15–23. http://dx.doi.org/10.17077/0021-065x.3537.

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14

COUPE, LAURENCE. "Kenneth Burke: Pioneer of Ecocriticism." Journal of American Studies 35, no. 3 (December 2001): 413–31. http://dx.doi.org/10.1017/s0021875801006697.

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Nearly every handbook of critical theory acknowledges Kenneth Burke (1897–1993) to be the twentieth-century North American critic who was most ahead of his time. Yet he seems to have been so ambitious that we still do not know how to place him. Indeed, it would require the space of a whole book to trace the extensive but scarcely documented impact which he has had. Concepts for which many other critics became famous may be traced back to him: ‘‘the order of words’’ (Frye); ‘‘the rhetoric of fiction’’ (Booth); ‘‘blindness and insight’’ (De Man); ‘‘narrative as a socially symbolic act’’ (Jameson); ‘‘the anxiety of influence’’ (Bloom). Indeed, it may well be that very anxiety which has led so many contemporary critics to repress his memory. But there is a change in the critical climate, corresponding to the global. This article is written in the hope that Burke will shortly be recognized as the first critic systematically to analyse culture and literature from an ecological perspective. As the dating of our epigraph indicates, he initiated this project over half a century before the rise of ecocriticism in the United States. Moreover, this was no passing phase for him; his whole career may be understood as a profound experiment in green thinking.
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15

Payne, David. "Kenneth Burke and contemporary criticism." Text and Performance Quarterly 15, no. 4 (October 1995): 333–42. http://dx.doi.org/10.1080/10462939509366127.

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16

Soyland, John. "Kenneth Burke: Rhetoric and Ideology." Language and Literature: International Journal of Stylistics 3, no. 1 (February 1994): 67–68. http://dx.doi.org/10.1177/096394709400300108.

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17

Eberly, Rosa A., and Jack Selzer. "Notes: Kenneth Burke at 96." Rhetoric Review 12, no. 1 (September 1993): 176–89. http://dx.doi.org/10.1080/07350199309389037.

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18

Gabin, Rosalind J. "The Legacy of Kenneth Burke." New Vico Studies 7 (1989): 148–50. http://dx.doi.org/10.5840/newvico1989724.

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19

Darcy, Robert. "Kenneth Burke; Scott L. Newstok, ed.Kenneth Burke on Shakespeare." Journal for Early Modern Cultural Studies 9, no. 1 (April 2009): 160–65. http://dx.doi.org/10.2979/jem.2009.9.1.160.

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20

Quinn, Arthur. "Teaching Burke: Kenneth Burke and the rhetoric of ascent." Rhetoric Society Quarterly 25, no. 1-4 (January 1995): 231–36. http://dx.doi.org/10.1080/02773949509391046.

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21

Rountree, Clarke. "The Origins of the Kenneth Burke Society." Literature of the Americas, no. 9 (2020): 195–207. http://dx.doi.org/10.22455/2541-7894-2020-9-195-207.

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The Kenneth Burke Society was founded during Burke’s lifetime by scholars in communication, literature, sociology, and other fields to promote the study and application of Burke’s copious works and fertile ideas. Burke had become the leading writer on rhetorical theory in the twentieth century, as well as a notable literary critic, fiction writer, poet, and translator. His century of scholarly publication—including posthumous works twenty-five years after his death in 1993—have provided plenty for members of the Society to analyze, debate, and elaborate upon. The Society has sponsored triennial conferences in the United States since 1990, featuring notable keynote speakers, seminars in various topics led by Burke scholars, and social events, including music performances by Burke’s talented family. The Society also has supported an online journal, a number of edited books drawn from its conferences, a listserv, and a newsletter (now discontinued). It is affiliated with a half-dozen other scholarly organizations. Most members of the Society are in the United States and Canada, where the study of rhetoric has grown in importance particularly during the latter part of the twentieth century (with Burke’s help) and up until the present. Recently, interest in rhetoric and in Burke has returned to Europe, which developed rhetorical theory and made it a central art in public education for more than 2000 years. The first “Burke” conference in Europe was held in 2013. The Kenneth Burke Society has made outreach to Europe a central goal in its future development.
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22

Neild, Elizabeth. "Kenneth Burke, Discourse Analysis and Translation." Meta: Journal des traducteurs 31, no. 3 (1986): 253. http://dx.doi.org/10.7202/003700ar.

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23

Parson, Donn W. "Kenneth Burke and Argument? an Introduction." Argumentation and Advocacy 29, no. 4 (March 1993): 145–47. http://dx.doi.org/10.1080/00028533.1993.11951565.

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24

Burks, Don M. "Kenneth Burke: The agro‐Bohemian “Marxoid”." Communication Studies 42, no. 3 (September 1991): 219–33. http://dx.doi.org/10.1080/10510979109368337.

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25

Murray, Jeffrey W. "An other ethics for Kenneth Burke." Communication Studies 49, no. 1 (March 1998): 29–48. http://dx.doi.org/10.1080/10510979809368517.

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26

James P. Zappen. "Kenneth Burke on Dialectical-Rhetorical Transcendence." Philosophy and Rhetoric 42, no. 3 (2009): 279–301. http://dx.doi.org/10.1353/par.0.0039.

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27

Henderson, Greig. "Reading the Signs with Kenneth Burke." Literature of the Americas, no. 9 (2020): 60–80. http://dx.doi.org/10.22455/2541-7894-2020-9-60-80.

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Always attuned to the dialectical relationship between literary productions and their sociohistorical contexts, the writings of Kenneth Burke refuse to essentialize literary discourse by making it a unique kind of language. This article maintains that Burke’s theory of literature and language as symbolic action is capable of encompassing both these intrinsic and extrinsic aspects without being reducible to either of them. Dramatism is his name for the theory, and its strength derives from its recognition of the necessarily ambiguous transaction between the system of signs and the frame of reference. Nevertheless, there is an essentializing tendency in Burke’s thought. Logology, a perspective on language that achieves fruition in The Rhetoric of Religion (1961), is symptomatic of this tendency. I argue that there is a perceptible discontinuity between the dramatistic idea that literature and language are to be considered as symbolic action and the logological idea that words about God bear a strong resemblance to words about words. Logology— words about words—discovers in theology—words about God—the perfectionism implicit in all discourse. I conclude, however, that despite his flirtation with linguistic essentialism, Burke never loses sight of the fact that words are first and foremost agents of power, that they are value-laden, ideologically motivated, and morally and emotionally weighted instruments of persuasion, performance, representation and purpose. As a form of symbolic action in the world, literature is inextricably linked to society and history—it is not a privileged form of language that exists in its own separate and autonomous sphere.
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28

Weiser, M. Elizabeth. "Kenneth Burke and the New Critics." Literature of the Americas, no. 9 (2020): 81–105. http://dx.doi.org/10.22455/2541-7894-2020-9-81-105.

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Most scholars of American theorist Kenneth Burke consider him a founder of the post-war New Rhetoric, a movement to shift rhetorical studies from a historic focus on persuasion to a more expansive understanding of language, dialogue, and communally constructed truths. However, Burke throughout the 1930s and 40s thought of himself primarily as a literary critic, albeit one who turned literary critical techniques to the social scene around him. Without his ongoing, often contentious dialogue with the literary scholars of the New Criticism, Burke’s rhetorical theories on the power of language to answer questions of human motivations may well have never materialized. New Criticism and New Rhetoric, therefore, forged each other in the crucible of the mid-century years of depression and war and the intellectual ferment they generated. It was Burke’s attempts to explain himself to these literary critics and exhort them to turn their critical lens to the world around them that provided the methodology for his action-analysis of the socio-political world. In this article I examine three of these contentious relationships—with Allen Tate prior to World War II, with John Crowe Ransom during the war, and with René Wellek following it. Their debates and congruences led Burke to formulate his purposely ambiguous understanding of hierarchies and norms that constitute what he termed the “wrangle” of parliamentary debate— a constitutive rhetoric that continues to drive international relations today.
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29

Zappen, James P. "Kenneth Burke on Dialectical-Rhetorical Transcendence." Philosophy & Rhetoric 42, no. 3 (January 1, 2009): 279–301. http://dx.doi.org/10.5325/philrhet.42.3.0279.

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30

Binnie, Chelsea R. "Language as Symbolic Action: A Burkean Analysis of Césaire’s Cahier d’un retour au pays natal." Journal of French and Francophone Philosophy 23, no. 1 (August 5, 2015): 59–78. http://dx.doi.org/10.5195/jffp.2015.681.

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This paper sets out to put Kenneth Burke’s thought on language as representative of symbolic action into conversation with Aimé Césaire’s epic poem, Cahier d’un retour au pays natal. The paper is divided into three main sections that set the stage for Burke and Césaire’s work to converse. The first section lays out an overview of Kenneth Burke’s thought on language paying particular attention to his definition of man, understanding of symbolism and symbolic action, and thoughts on poetry and poetics. The second section provides a working history of African philosophy, the Négritude movement, Césaire as a philosopher, politician, and poet, and provides an overview of main themes and intentions present in Cahier. The third section works to put Burke and Césaire into conversation by using Burke’s understanding of symbolic action and his notion of order and identification to examine key passages from Césaire’s Cahier. The paper works to present an informative and textured engagement between the work of Kenneth Burke and Aimé Césaire.
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31

Anderson, Dana, and Timothy W. Crusius. "Kenneth Burke and the Conversation after Philosophy." College Composition and Communication 52, no. 1 (September 2000): 148. http://dx.doi.org/10.2307/358550.

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32

Willis Salomon. "Kenneth Burke on Shakespeare (review)." College Literature 36, no. 1 (2009): 160–62. http://dx.doi.org/10.1353/lit.0.0044.

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33

Johannesen, Richard L. "Richard M. Weaver's uses of Kenneth Burke." Southern Speech Communication Journal 52, no. 3 (September 1987): 312–30. http://dx.doi.org/10.1080/10417948709372696.

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34

Jay, Paul. "Kenneth Burke and the Motives of Rhetoric." American Literary History 1, no. 3 (1989): 535–53. http://dx.doi.org/10.1093/alh/1.3.535.

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35

Jay, Paul. "Kenneth Burke: Rhetoric, Subjectivity, Postmodernism. Robert Wess." Modern Philology 96, no. 3 (February 1999): 417–19. http://dx.doi.org/10.1086/492781.

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36

Carter, Chris Allen. "The War of Words, by Kenneth Burke." European Legacy 25, no. 7-8 (January 14, 2020): 861–63. http://dx.doi.org/10.1080/10848770.2020.1711686.

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37

Richard Strier. "Kenneth Burke on Shakespeare (review)." Shakespeare Quarterly 61, no. 2 (2010): 277–81. http://dx.doi.org/10.1353/shq.0.0149.

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38

Smith, Daniel L. "The Rhetorical Imagination of Kenneth Burke (review)." Philosophy and Rhetoric 36, no. 2 (2003): 172–76. http://dx.doi.org/10.1353/par.2003.0023.

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39

Ira Clark. "Kenneth Burke on Shakespeare (review)." Comparative Drama 42, no. 2 (2008): 234–37. http://dx.doi.org/10.1353/cdr.0.0005.

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40

Jennifer Richards. "Kenneth Burke on Shakespeare (review)." Parergon 25, no. 2 (2009): 173–75. http://dx.doi.org/10.1353/pgn.0.0086.

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41

Loscalzo, Craig A. "Book Review: The Legacy of Kenneth Burke." Review & Expositor 89, no. 4 (December 1992): 578. http://dx.doi.org/10.1177/003463739208900427.

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42

Harry Keyishian. "Kenneth Burke on Shakespeare (review)." Shakespeare Bulletin 26, no. 3 (2008): 107–8. http://dx.doi.org/10.1353/shb.0.0021.

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43

Durham, Weldon B. "Kenneth Burke on Shakespeare (review)." Theatre History Studies 28, no. 1 (2008): 175–77. http://dx.doi.org/10.1353/ths.2008.0000.

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44

Hartelius, E. Johanna. "Burke and the Bard: A Systematization of Shakespearean Influences in Kenneth Burke." Review of Communication 8, no. 3 (July 2008): 303–6. http://dx.doi.org/10.1080/15358590802074761.

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45

BARANOWSKI, BRAD. "THE UNENDING CONVERSATION: KENNETH BURKE AND RICHARD MCKEON'S AESTHETIC PRAGMATISM, 1920–1960." Modern Intellectual History 15, no. 1 (June 6, 2016): 153–84. http://dx.doi.org/10.1017/s1479244316000147.

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Historians of pragmatism have long overlooked Kenneth Burke and Richard McKeon. This has not been without good reason. At first glance, the two read more like critics than adherents of the tradition. Yet placing Burke and McKeon's writings from the 1920s to the late 1950s in the context of their development reveals a shared project aimed at reforming pragmatism. While pragmatists such as John Dewey and Sidney Hook alleged a conceptual fidelity between the scientific method and democratic processes such as public debate, Burke and McKeon questioned this link. Metaphors drawn from science, they believed, blinded pragmatists to the nature of communication. Due to this oversight, pragmatists ignored the ideological ambiguity that surrounded terms like “science” and “democracy” during the mid-twentieth century. Burke and McKeon sought to fix this omission. Pragmatists, they argued, needed to trade the language of science for a terminology drawn from a source more attuned to the power of communication: the arts. By advancing this case, Burke and McKeon crafted an aesthetic form of pragmatism—a variant of the philosophy that, ultimately, contemporaries would barely recognize as such.
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46

Sheriff, Stacey. "Resituating Kenneth Burke's ``My Approach to Communism''." Rhetorica 23, no. 3 (2005): 281–96. http://dx.doi.org/10.1525/rh.2005.23.3.281.

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Abstract Kenneth Burke's important 1934 essay ““My Approach to Communism”” is often read as ““a commitment to Communism”” celebrating the movement. A typescript (recently discovered in the Kenneth Burke Papers) of a speech given by Burke in January, 1934 invites a reconsideration of ““My Approach.”” The speech, delivered to the New York John Reed Club, is concerned with finding a solution to America's contemporary economic and social derangements and is more committed to this search and the desired effects of social change than any specific political system or party. Resituating ““My Approach to Communism”” as a revised and abridged version of this speech encourages a re-reading of the essay as an extended critique of capitalism and an argument for social conditions that foster cultural stability for art's sake.
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47

Cooley, John, and Greig E. Henderson. "Kenneth Burke: Literature and Language as Symbolic Action." American Literature 62, no. 1 (March 1990): 148. http://dx.doi.org/10.2307/2926815.

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48

Carter, C. Allen. "Kenneth Burke and the Bicameral Power of Myth." Poetics Today 18, no. 3 (1997): 343. http://dx.doi.org/10.2307/1773130.

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49

Newton, K. M., and Greig E. Henderson. "Kenneth Burke: Literature and Language as Symbolic Action." Yearbook of English Studies 21 (1991): 314. http://dx.doi.org/10.2307/3508503.

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50

Condit, Celeste. "Framing Kenneth Burke: Sad tragedy or comic dance?" Quarterly Journal of Speech 80, no. 1 (February 1994): 77–82. http://dx.doi.org/10.1080/00335639409384057.

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