Academic literature on the topic 'Kent (England) – Fiction'

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Journal articles on the topic "Kent (England) – Fiction"

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Walters, Harriet. "Rural Ritual, Gardened Faith: Ford Madox Ford's Memorial Plots." Modernist Cultures 16, no. 2 (2021): 242–64. http://dx.doi.org/10.3366/mod.2021.0330.

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This article examines the importance of the working country garden to the memorial narratives of Ford Madox Ford. It begins with a study of Ford before the Great War; considering how his particular brand of Literary Impressionism was frequently used to make a case for memorializing the rural poor and their surrounding landscape from The Heart of the Country (1906) to The Fifth Queen saga (1906–08). Moving to Post-War Sussex and Kent, it examines Ford's continuing interest in the country garden and rural community, reading his gardening practices as attempted personal reconstruction through fai
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2

Carroll, Richard. "The Trouble with History and Fiction." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.372.

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Historical fiction, a widely-read genre, continues to engender contradiction and controversy within the fields of literature and historiography. This paper begins with a discussion of the differences and similarities between historical writing and the historical novel, focusing on the way these forms interpret and represent the past. It then examines the dilemma facing historians as they try to come to terms with the modern era and the growing competition from other modes of presenting history. Finally, it considers claims by Australian historians that so-called “fictive history” has been best
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3

Morrison, Susan Signe. "Walking as Memorial Ritual: Pilgrimage to the Past." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1437.

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This essay combines life writing with meditations on the significance of walking as integral to the ritual practice of pilgrimage, where the individual improves her soul or health through the act of walking to a shrine containing healing relics of a saint. Braiding together insights from medieval literature, contemporary ecocriticism, and memory studies, I reflect on my own pilgrimage practice as it impacts the land itself. Canterbury, England serves as the central shrine for four pilgrimages over decades: 1966, 1994, 1997, and 2003.The act of memory was not invented in the Anthropocene. Rathe
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"Reading & Writing." Language Teaching 38, no. 4 (2005): 216–29. http://dx.doi.org/10.1017/s0261444805253144.

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05–486Balnaves, Edmund (U of Sydney, Australia; ejb@it.usyd.edu.au), Systematic approaches to long term digital collection management. Literary and Linguistic Computing (Oxford, UK) 20.4 (2005), 399–413.05–487Barwell, Graham (U of Wollongong, Australia; gbarwell@uow.edu.au), Original, authentic, copy: conceptual issues in digital texts. Literary and Linguistic Computing (Oxford, UK) 20.4 (2005), 415–424.05–488Beech, John R. & Kate A. Mayall (U of Leicester, UK; JRB@Leicester.ac.uk), The word shape hypothesis re-examined: evidence for an external feature advantage in visual word recognition
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Books on the topic "Kent (England) – Fiction"

1

Dean, Anna. Bellfield Hall, or, The observations of Miss Dido Kent. Minotaur Books, 2010.

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2

Michaels, Kasey. A Gentleman By Any Other Name. HQN, 2008.

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Anthony, Trollope. Kept in the dark. Trollope Society, 1997.

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Anthony, Trollope. Kept in the dark. Penguin Books, 1993.

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Anthony, Trollope. Kept in the dark. G.K. Hall, 1999.

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Taylor, D. J. Kept: A Victorian mystery. HarperCollins Publishers, 2007.

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Fraser, Anthea. A necessary end. Ulverscroft, 1986.

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Fraser, Anthea. Three, three, the rivals. Crime Club, 1992.

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Fraser, Anthea. Six proud walkers. Doubleday, 1989.

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10

1959-, Steyaert Michiel, and Claeys Cor L, eds. ESSCIRC 2004: Proceedings of the 30th European Solid-State Circuits Conference : Leuven, Belgium, 2004, 21-23 September, 2004. IEEE, 2004.

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Book chapters on the topic "Kent (England) – Fiction"

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Weihl, Harrington. "Bowen, Elizabeth (1899–1973)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2090-1.

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Born Elizabeth Dorothea Cole Bowen in Dublin, Ireland, on 7 June 1899, the influential and celebrated Anglo-Irish author Elizabeth Bowen produced a body of work that initially comprised fiction (novels and short stories) and later historical essays and memoirs. While growing up, Bowen spent her summers at Bowen’s Court in Kildorrery, County Cork, the family home of her father, the barrister Henry Charles Cole Bowen. Beginning in 1905 Henry Bowen suffered from a series of nervous breakdowns that resulted in him being hospitalised. On the recommendation of her father’s doctors, Bowen and her mot
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Moses, Michael Valdez. "Conrad: The Flight from Modernity." In The Novel and the Globalization of Culture. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195089516.003.0003.

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Abstract The shallow sea that foams and murmurs on the shores of the thousand islands . . . which make up the Malay Archipelago has been for centuries the scene of adventurous undertakings. The vices and the virtues of four nations have been displayed in the conquest of that region that even to this day has not been robbed of all the mystery and romance of its past-and the race of men who had fought against the Portuguese, the Spaniards, the Dutch and the English, has not been changed by the unavoidable defeat. They have kept to this day their love of liberty, their fanatical devotion to their
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3

Schramm, Jan-Melissa. "Ecce Homo, ‘Real Presence’, and the Word Made Flesh." In Censorship and the Representation of the Sacred in Nineteenth-Century England. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198826064.003.0004.

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Whilst censorship kept sacred drama off the English stage, other genres were not subject to the same legal regulation. Fiction, poetry, and visual art all meditated on the meaning of the sacred body and the ways in which its ongoing spiritual or metaphorical presence might be conjured from its material absence by members of a community of believers. The ways in which scriptural narrative and the liturgy sought to conjure up the dead, to resurrect the martyr, to reanimate the past, were urgent questions; for mid-Victorian writers, these same issues—which foregrounded the capacity of linguistic
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