Journal articles on the topic 'Kenyan music'
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Ekdale, Brian. "Reppin’ the nation, reppin’ themselves: Nation branding and personal branding in Kenya’s music video industry." Journal of African Media Studies 12, no. 1 (2020): 75–88. http://dx.doi.org/10.1386/jams_00012_1.
Full textFloyd, Malcolm. "Music Makers: cultural perspectives in textbook development in Kenya, 1985–1995." British Journal of Music Education 20, no. 3 (2003): 291–306. http://dx.doi.org/10.1017/s026505170300545x.
Full textEisenberg, Andrew J. "HIP-HOP AND CULTURAL CITIZENSHIP ON KENYA'S ‘SWAHILI COAST’." Africa 82, no. 4 (2012): 556–78. http://dx.doi.org/10.1017/s0001972012000502.
Full textFloyd, Malcolm. "Modeling Music Education: Britain and Kenya." International Journal of Music Education os-40, no. 1 (2003): 59–80. http://dx.doi.org/10.1177/025576140304000106.
Full textWanjala, Henry, and Charles Kebaya. "Popular music and identity formation among Kenyan youth." Muziki 13, no. 2 (2016): 20–35. http://dx.doi.org/10.1080/18125980.2016.1249159.
Full textEkdale, Brian. "Global frictions and the production of locality in Kenya’s music video industry." Media, Culture & Society 40, no. 2 (2017): 211–27. http://dx.doi.org/10.1177/0163443717707340.
Full textNyairo, J. "Popular music, popular politics: Unbwogable and the idioms of freedom in Kenyan popular music." African Affairs 104, no. 415 (2005): 225–49. http://dx.doi.org/10.1093/afraf/adi012.
Full textFloyd, Malcolm. "Individual: Community: Nation a Case Study in Maasai Music and Kenyan Education." International Journal of Music Education os-38, no. 1 (2001): 13–28. http://dx.doi.org/10.1177/025576140103800103.
Full textWa Mungai, Mbugua. "‘Made in Riverwood’: (dis)locating identities and power through Kenyan pop music." Journal of African Cultural Studies 20, no. 1 (2008): 57–70. http://dx.doi.org/10.1080/13696810802159263.
Full textNyairo, Joyce. "‘Reading the referents’: the ghost of America in contemporary Kenyan popular music." Scrutiny2 9, no. 1 (2004): 39–55. http://dx.doi.org/10.1080/18125440408566016.
Full textOchola, Elizabeth Auma. "Gender Differences in the Perception of the Levels and Potential Effects of Violence in Popular Music." International Journal for Innovation Education and Research 4, no. 10 (2016): 81–90. http://dx.doi.org/10.31686/ijier.vol4.iss10.600.
Full textWanyama, Mellitus Nyongesa. "Researching on Kenyan Traditional Music and Dance Today: Methodology and Ethical Issues Revisited." Muziki 9, no. 2 (2012): 1–8. http://dx.doi.org/10.1080/18125980.2012.742231.
Full textMboya, T. Michael. "Ethnicity and the brokerage of Kenyan popular music: categorizing ‘Riziki’ by Ja-Mnazi Afrika." Journal of African Cultural Studies 27, no. 2 (2015): 205–15. http://dx.doi.org/10.1080/13696815.2015.1010637.
Full textLamont, Mark. "Lip-synch Gospel: Christian Music and the Ethnopoetics of Identity in Kenya." Africa 80, no. 3 (2010): 473–96. http://dx.doi.org/10.3366/afr.2010.0306.
Full textPeck, RaShelle R. "Love, Struggle, and Compromises: The Political Seriousness of Nairobi Underground Hip Hop." African Studies Review 61, no. 2 (2018): 111–33. http://dx.doi.org/10.1017/asr.2017.143.
Full textBethke, Andrew-John. "Music in Kenyan Christianity: Logooli Religious Song. Jean Ngoya Kidula. 2013. Bloomington: Indiana University Press. 17 bw illus., 53 music exs, index, 312pp." African Music: Journal of the International Library of African Music 9 (2014): 149–51. http://dx.doi.org/10.21504/amj.v9i4.1892.
Full textNyairo, Joyce, and James Ogude. "Specificities: Popular Music and the Negotiation of Contemporary Kenyan Identity: The Example of Nairobi City Ensemble." Social Identities 9, no. 3 (2003): 383–400. http://dx.doi.org/10.1080/1350463032000129993.
Full textPark, Jeong Kyung, James Nyachae Michira, and Seo Young Yun. "African hip hop as a rhizomic art form articulating urban youth identity and resistance with reference to Kenyan genge and Ghanaian hiplife." Journal of the Musical Arts in Africa 16, no. 1-2 (2019): 99–118. http://dx.doi.org/10.2989/18121004.2019.1686225.
Full textNyairo, Joyce. "Kenyan gospel sountracks: crossing boundaries, mapping audiences." Journal of African Cultural Studies 20, no. 1 (2008): 71–83. http://dx.doi.org/10.1080/13696810802159289.
Full textvan Klinken, Adriaan. "Citizenship of Love: The Politics, Ethics and Aesthetics of Sexual Citizenship in a Kenyan Gay Music Video." Citizenship Studies 22, no. 6 (2018): 650–65. http://dx.doi.org/10.1080/13621025.2018.1494901.
Full textParsitau, Damaris Seleina. "“Then Sings My Soul”: Gospel Music as Popular Culture in the Spiritual lives of Kenyan Pentecostal/Charismatic Christians." Journal of Religion and Popular Culture 14, no. 1 (2006): 3. http://dx.doi.org/10.3138/jrpc.14.1.003.
Full textKenneth, Rono Kiplangat, and Christopher Omusula. "Youth Radicalization in Africa: A Comparative Analysis of Radicalized Groups." Scholedge International Journal of Multidisciplinary & Allied Studies ISSN 2394-336X 3, no. 9 (2016): 185. http://dx.doi.org/10.19085/journal.sijmas030902.
Full textLigaga, Dina. "Mapping emerging constructions of good time girls in Kenyan popular media." Journal of African Cultural Studies 26, no. 3 (2014): 249–61. http://dx.doi.org/10.1080/13696815.2014.927324.
Full textAKOMBO, DAVID O. "Music in Kenyan Christianity: Logooli Religious Song by Jean Ngoya Kidula Bloomington, IN: Indiana University Press, 2013. Pp. 312. £19·99 (pbk)." Journal of Modern African Studies 53, no. 1 (2015): 137–38. http://dx.doi.org/10.1017/s0022278x15000099.
Full textQuet, Mathieu. "Fakeness, Human-Object Fluidity and Ethnic Suspicion on the Kenyan Pharmaceutical Market." Journal of African Cultural Studies 33, no. 3 (2021): 359–63. http://dx.doi.org/10.1080/13696815.2021.1886057.
Full textNgeno, Beatrice, Maureen Mweru, and Teresa Mwoma. "Availability of Physical Infrastructure in Implementation of the Competence-Based Curriculum in Public Primary Schools in Kericho County." East African Journal of Education Studies 3, no. 1 (2021): 130–46. http://dx.doi.org/10.37284/eajes.3.1.344.
Full textOmanga, Duncan Mainye. "‘Raid at Abbottabad’: editorial cartoons and the ‘terrorist almighty’ in the Kenyan press." Journal of African Cultural Studies 26, no. 1 (2013): 15–32. http://dx.doi.org/10.1080/13696815.2013.808991.
Full textGithiora, Christopher K. "Recreating discourse and performance in Kenyan urban space through Mũgithi, Hip Hop and Gĩcandĩ." Journal of African Cultural Studies 20, no. 1 (2008): 85–93. http://dx.doi.org/10.1080/13696810802159305.
Full textMoore, Henrietta L., and Constance Smith. "The Dotcom and the Digital." Public Culture 32, no. 3 (2020): 513–38. http://dx.doi.org/10.1215/08992363-8358698.
Full textProf. Mellitus N. WANYAMA; Prof. Frederick B. J. A. NGALA, Joyce M. MOCHERE;. "The Relevance of University Music Curricula to the Requirements of Church Music Job Market in Kenya." Editon Consortium Journal of Curriculum and Educational Studies 2, no. 1 (2020): 250–74. http://dx.doi.org/10.51317/ecjces.v2i1.161.
Full textShitambasi, Sumba B. "Effect of Aural Tests on Choice of Music as a Study Subject by Muslim Students in Mombasa County, Kenya." European Journal of Education and Pedagogy 2, no. 3 (2021): 137–40. http://dx.doi.org/10.24018/ejedu.2021.2.3.134.
Full textProf. Frederick B. J. A. NGALA; Prof. Mellitus N. WANYAMA, Joyce M. MOCHERE;. "The Relevance of University Music Curricula to the Requirements of Music Production Job Market in Kenya." Editon Consortium Journal of Curriculum and Educational Studies 2, no. 1 (2020): 213–37. http://dx.doi.org/10.51317/ecjces.v2i1.160.
Full textMutongi, Kenda. "Thugs or Entrepreneurs? Perceptions of Matatu Operators in Nairobi, 1970 to the Present." Africa 76, no. 4 (2006): 549–68. http://dx.doi.org/10.3366/afr.2006.0072.
Full textAkombo, David Otieno. "Reporting on Music Therapy in Kenya." Norsk Tidsskrift for Musikkterapi 9, no. 1 (2000): 60–63. http://dx.doi.org/10.1080/08098130009477987.
Full textRamadina, Dini Dwi Dista, Rosyid Al Atok, and Didik Sukriono. "Menumbuhkan nasionalisme di kalangan remaja kelompok seni musik Patrol Perkusi Bendho Agung di Desa Gadungsari Kecamatan Tirtoyudo Kabupaten Malang." Jurnal Integrasi dan Harmoni Inovatif Ilmu-Ilmu Sosial 1, no. 2 (2021): 182–93. http://dx.doi.org/10.17977/um063v1i2p182-193.
Full textPramudya, Nicolas Agung. "Penciptaan Karya Komposisi Musik Sebagai Sebuah Penyampaian Makna Pengalaman Empiris Menjadi Sebuah Mahakarya." Gelar : Jurnal Seni Budaya 17, no. 1 (2019): 14–23. http://dx.doi.org/10.33153/glr.v17i1.2597.
Full textMwangi, Evan. "Sex, Music, and the City in a Globalized East Africa." PMLA/Publications of the Modern Language Association of America 122, no. 1 (2007): 321–24. http://dx.doi.org/10.1632/pmla.2007.122.1.321.
Full textMURPHY, REGINA, and MARTIN FAUTLEY. "Music Education in Africa." British Journal of Music Education 32, no. 3 (2015): 243–45. http://dx.doi.org/10.1017/s0265051715000388.
Full textCollins, John. "The early history of West African highlife music." Popular Music 8, no. 3 (1989): 221–30. http://dx.doi.org/10.1017/s0261143000003524.
Full textAkuno, Emily Achieng'. "The Singing Teacher's Role in Educating Children's Abilities, Sensibilities and Sensitivities." British Journal of Music Education 32, no. 3 (2015): 299–313. http://dx.doi.org/10.1017/s0265051715000364.
Full textFujie, Linda, and Virginia Kathlene Gorlinski. "The Kenyah of Kalimantan (Indonesia)." Yearbook for Traditional Music 28 (1996): 235. http://dx.doi.org/10.2307/767857.
Full textHARRIS, ELLEN T. "EDITORIAL." Eighteenth Century Music 13, no. 1 (2016): 5–9. http://dx.doi.org/10.1017/s1478570615000391.
Full textAkombo, David O. "Teaching about music and musical instruments of Kenya." Korean Music Education Society 50, no. 2 (2021): 221–45. http://dx.doi.org/10.30775/kmes.50.2.221.
Full textAsriyani, Nur, and Abdul Rachman. "Enkulturasi Musik Keroncong oleh O.K Gema Kencana Melalui Konser Tahunan di Banyumas." Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik 1, no. 2 (2019): 74–86. http://dx.doi.org/10.24036/musikolastika.v1i2.27.
Full textKoech, Leonard K. "Relationship between Watching ‘Gengetone’ Music and Drug Abuse among the Youth in Uasin Gishu County, Kenya." East African Journal of Interdisciplinary Studies 3, no. 1 (2021): 103–15. http://dx.doi.org/10.37284/eajis.3.1.312.
Full textDewi, Cicilia Dikna Astrina, and Suharto Suharto. "Musical Development Of Barongan Turonggo Laras Through Additional Instrument In Kendal Regency." Jurnal Seni Musik 10, no. 1 (2021): 86–92. http://dx.doi.org/10.15294/jsm.v10i1.46058.
Full textPeters, Michael, and Ethan Wahl. "Eldoret, Kenya: Creating a Music Experience for Street Youth." Purdue Journal of Service-Learning and International Engagement 4, no. 1 (2017): 18–21. http://dx.doi.org/10.5703/1288284316523.
Full textAkuno, Emily Achieng’. "Perceptions and reflections of music teacher education in Kenya." International Journal of Music Education 30, no. 3 (2012): 272–91. http://dx.doi.org/10.1177/0255761412437818.
Full textCohen, Albert. ""Authenticity and Early Music: A Symposium," Edited by Nicholas Kenyon." Performance Practice Review 2, no. 2 (1989): 173–76. http://dx.doi.org/10.5642/perfpr.198902.02.8.
Full textMutonya, Maina. "Praise and Protest: Music and Contesting Patriotisms in Postcolonial Kenya." Social Dynamics 30, no. 2 (2004): 20–35. http://dx.doi.org/10.1080/02533950408628683.
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