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Books on the topic 'Kerala Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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1

Mathpal, Yashodhar. Rock art in Kerala. New Delhi: Indira Gandhi National Centre for the Arts, 1998.

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2

Sarkar, H. Monuments of Kerala. 3rd ed. New Delhi: Archaeological Survey of India, 1992.

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3

Akademi, Kerala Lalitha Kala, ed. Kalamezhuth: Ritual art practice of Kerala. Thrissur: Kerala Lalithakala Akademi, 2011.

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4

author, Suresh S., and Archæological Survey of India, eds. Kerala murals. New Delhi: The Director General, Archaeological Survey of India, 2015.

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5

Vatsyayan, Kapila. The arts of Kerala kshetram: Manifestation, process, experience. Tripunithura, Kerala, S. India: Sree Rama Varma Govt. Sanskrit College Committee, 1989.

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6

Bālakr̥ṣṇan, Pi. Kalarippayattu: The ancient martial art of Kerala. Trivandrum: C.V. Govindankutty Nair Gurukkal, 1995.

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7

Peter, Jenee. A monograph on Church mural art of Kerala. Tripunithura: Centre for Heritage Studies, 2009.

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8

International Centre for Kerala Studies., ed. A brief survey of the art scenario of Kerala. Kariavattom: International Centre for Kerala Studies, 2006.

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9

1960-, Shankar Ravi, Ghosh Nemai, and Art Alive Gallery, eds. An enchanting journey: Paresh Maity's Kerala. New Delhi, India: Art Alive Gallery, 2008.

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10

Raja Ravi Varma, the painter prince, 1848-1906: Collection of Sri Chitra Art Gallery, Dept. of Culture, Govt. of Kerala, Thiruvananthapuram, Kerala, India. Bangalore: Parsram Mangharam, 2002.

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11

K, Ramachandran K., Central Water and Power Research Station (India), and Kerala (India). State Committee on Science, Technology and Environment., eds. Mud banks off Kerala coast: A state of the art report. [Trivandrum]: State Committee on Science, Technology & Environment, Govt. of Kerala, 1987.

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12

Chemana, Martine. Murs sacrés du Kerala: Peintures murales des temples et palais. Paris: CNRS, 1997.

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13

Seth, Pepita. Reflections of the spirit: The Theyyams of Malabar. New York, NY: Dialectica, 2000.

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14

Raja Ravi Varma, the painter prince, 1848-1906: Collection of H.H. the Maharaja of Travancore, Kaudiar Palace, Thiruvananthapuram, Kerala, India. Bangalore: Parsram Mangharam, 2002.

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15

Ke, Mārār Ke, ed. Wall paintings in North Kerala, India: 1000 years of temple art = Wandmalerei in Nordkerala, Indien : 1000 Jahre Tempelkunst. Stuttgart: Arnoldsche, 2004.

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16

Rajendran, C. The Traditional Sanskrit theatre of Kerala. Kerala: Dept. of Sanskrit, University of Calicut, 1989.

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17

Mehta, Tarla. Tanmayatānī talāśamāṃ: Keraḷa raṅgadarśana. Amadāvāda: Navabhārata Sāhitya Mandira, 1998.

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18

(India), Kerala. The Kerala Education Act, 1958 and the Kerala Education Rules, 1959: Embodying corrections upto 31st December 2010. Thiruvananthapuram: General Education Department, Government of Kerala, 2011.

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19

Vēṇu, Ji. Puppetry and lesser known dance traditions of Kerala. Irinjalakuda, Trichur District, Kerala, India: Natana Kairali, Research and Performing Centre for Traditional Arts, 1990.

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20

Kalarippayattu: The complete guide to Kerala's ancient martial art. Chennai: Westland Books, 2007.

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21

Nair, Chirakkal T. Sreedharan. Kalarippayattu: The complete guide to Kerala's ancient martial art. Chennai: Westland Books, 2007.

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22

(India), Kerala. Kerala Value Added Tax Act, 2003 (Act 30 of 2004): As amended by the Kerala Value Added Tax (Amendment) Act, 2005 (Act 39 of 2005), Kerala Value Added Tax (Amendment) Ordinance, 2005 (Ordinance No. 15 of 2005) with notes to the most important sections with amended schedules. Trivandrum: Keral Today.com Publication, 2005.

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23

S, James K., and Institute for Social and Economic Change, eds. Pattern of mortality changes in Kerala: Are they moving to the advanced stage? Bangalore: Institute for Social and Economic Change, 2012.

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24

(India), Kerala, I.S.P.C.K. (Organization), and Christian Institute for the Study of Religion and Society, Bangalore., eds. An ethical critique of land reform: With special reference to the Kerala Land Reform (Amendment) Act, 1969. Delhi: CISRS and ISPCK, 1998.

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25

(India), Kerala. The Kerala Loading and Unloading (Regulation of Wages and Restriction of Unlawful Practices) Act, 2002 (Act 10 of 2002): With the Kerala Loading and Unloading (Regulation of Wages and Restriction of Unlawful Practices) Rules, 2002 and notifications. 2nd ed. Thiruvananthapuram: N & N Publications, 2003.

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26

We are as flexible as rubber !: Livelihood strategies, diversity, and the local institutional setting of rubber small holders in Kerala, South India. New Delhi: Manohar Publishers & Distributors, 2009.

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27

Ajayakumar and Kerala Lalitha Kala Akademi, eds. Contemporary art in Kerala. Trissur: Kerala Lalitha Kala Akademi, 1991.

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28

Bernier, Ronald M. Temple Arts of Kerala. Chand (S.) & Co Ltd ,India, 1987.

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29

A Monograph on Church Mural Art of Kerala. Centre for Heritage Studies, 2009.

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30

Seth, Pepita. Reflections of the Spirit: The Theyyams of Malabar. Mapin Publishing Gp Pty Ltd, 2006.

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31

Oberlin, Heike, and David Shulman, eds. Two Masterpieces of Kūṭiyāṭṭam. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199483594.001.0001.

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Kūṭiyāṭṭam, India’s only living traditional Sanskrit theatre, has been continually performed in Kerala for at least a thousand years. The actors and drummers create an entire world in the empty space of the stage by using spectacular costumes and make-up and by an immensely rich interplay of words, rhythms, mime, and gestures. This volume focuses on Mantrāṅkam and Aṅgulīyāṅkam, the two great masterpieces of Kūṭiyāṭṭam. It provides fundamental general remarks and relates them to pan-Indian reflections on aesthetics, philology, ritual studies, and history. Authored by scholars and active Kūṭiyāṭṭam performers, this is the first attempt to bring together a set of sustained, multi-faceted interpretations of these masterpieces-in-performance. With an aim to open up this ancient art form to readers interested in South Indian culture, religion, theatre and performance studies, philology, as well as literature, this volume offers a new way to access a major art form of pre-modern and modern Kerala. The University of Tuebingen in Germany and the Hebrew University of Jerusalem in Israel were partners in a long-term project studying and documenting Kūṭiyāṭṭam performances, including initiating full-scale performances of major works in the classical repertoire. We have been, in particular, focusing on the study of the two major, complex and ancient works, Mantrāṅkam and Aṅgulīyāṅkam, both of which we have seen and recorded in full. The articles in this volume are one of the results. They are supplemented with video-clips of lecture demonstrations provided online.
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32

Handbook on cultural institutions in Kerala. Thiruvananthapuram: Dept. of Culture, Govt. of Kerala, 2009.

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33

Waswo, Waswo X. A Three Megapixel Journal. Lulu.com, 2007.

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34

Paleri, Anil Kumar, and Libby Sallnow. Volunteering in hospice and palliative care in India. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198788270.003.0012.

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India, the second most populated country in the world has more than six million people needing palliative care but only 2 per cent have access to it. The state of Kerala with a positive approach towards palliative care shown both by the government and the public has extensive coverage by the government institutions and Non-Governmental Organizations (NGO), but in rest of the country mostly NGOs are the palliative care providers. Volunteering has long been considered an integral part of palliative care programmes but there are varying extents to which volunteers participate in the process and their numbers vary from state to state, with Kerala topping the list. The Neighbourhood Network in Palliative Care (NNPC) in Kerala is an attempt to develop sustainable community owned services led by volunteers capable of offering comprehensive long-term care (LTC) and palliative care (PC) to those in need.
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35

Keralathile America: A study on how the aboriginals in Kerala are being enslaved and endangered by the oppressing land owning politically powerful communities in Kerala. Auther (1989), Current Books (2005), 1989.

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36

Gallo, Ester. From Gods to Human Beings. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199469307.003.0003.

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Chapter two explores the generational dimension of Nambudiri class engagements with reform movements, and threads this into a discussion of the position held by Nambudiris in Kerala society. It analyses the various ways in which Nambudiris lineages engaged with YKS and YJS and how persistent inequalities within this community in terms of status and health remain central in preventing the formation of solid and longlasting community organizations. Indeed, land reform, emigration, educational attainments differently involved Nambudiris throughout the twentieth century history, creating at times spaces of pioneer class renewal and yet also of major and prolonged decline. This chapter also discusses how Nambudiri class trajectories are perceived in today’s Kerala by other Malayalis, and the impact that this has on Nambudiri kinship memories.
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37

Gallo, Ester. Debts of Identity. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199469307.003.0004.

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Chapter three discusses how memories of the YKS are produced in contemporary Kerala through the material production of diaries and autobiographies. It explores why, and in what circumstances, diaries become a suitable way to narrate histories, the particular relationships they frame between present and past, and how their messages are received by Malayalis in the public sphere. The analysis of diaries is revealed to be important in order to trace continuities and discontinuities between the official rhetoric of the YKS—as voiced through its written propaganda—and the ways in which YKS ‘kinship revolution’ is differently constituted through family recalling and emotional suffering. Particular attention is given to the ways in which past intergenerational relations are conceived by elderly people whose lives have been directly involved in or influenced by the YKS.
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38

Chaix, Louis. Cattle, a major component of the Kerma culture (Sudan). Edited by Umberto Albarella, Mauro Rizzetto, Hannah Russ, Kim Vickers, and Sarah Viner-Daniels. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199686476.013.28.

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Cattle were an essential element of the economy of the kingdom of Kerma, located between the first and fourth cataract in Egypt, which flourished between 2600 and 1500 bc. They are an important source of protein and labour, as well as secondary products (milk, hides, tools, etc.). The role of cattle in funerary rituals is attested by the presence of bucrania, which were placed facing the deceased in the burial mounds, sometimes in large numbers. Some burials contained bucrania with parallel horns, whereas others had a deliberately misshapen horn. In the Classic Kerma phase, cattle become less important, and the bucrania around the burials rarer. This may be linked to a worsening of the climate and a rapidly growing human population. The significance of cattle in the Kerma culture is evidenced by baked clay figurines, by paintings visible in the excavated funerary ‘chapels’, and by the presence of engraved ostrich eggs.
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39

Gallo, Ester. The Fall of Gods. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199469307.001.0001.

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The book explores the relationship between colonial history and memory from the perspective of middle- class intergenerational relations. Drawing from a prolonged research conducted with Malayali middle classes in Kerala and in the diaspora, the analysis focuses on how specific historical events are retrieved in the present to shape kinship relations and to legitimize trajectories of class mobility. The book bridges historical analysis of gendered family relations as they developed in colonial and postcolonial times with an anthropological inquiry of the symbolic and material premises of kinship among contemporary middle classes. It provides an ethnographically grounded analysis of how middle-class status in contemporary south India is expressed by recalling family histories, and how remembrance shapes kinship ideals, norms, and experiences in domains as different as houses, conjugality, parenthood, reproduction and family size, intergenerational love and genealogical transmission. The book offers original insights on the continuities and differences between colonial and contemporary middle classes, and the role played by migration and diaspora in both contexts. It originally contributes to two interrelated and undertheorized fields within social sciences. Firstly, it addresses the need to develop further our understanding of how gendered kinship and family relations result from and express class belonging. Secondly, it unravels the complex and ambivalent relation between political history, memory, and the ‘private’ domain of family relations.
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40

Green, Karen. Locke, Enlightenment, and Liberty in the Works of Catharine Macaulay and her Contemporaries. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198810261.003.0006.

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This chapter demonstrates how a number of women in eighteenth-century Europe exploited a contrast between ‘liberty’ and ‘licence’ in their political writings. The authors discussed include Catharine Macaulay (1731–91) and her contemporaries Catherine II of Russia, Octavie Belot, Louise Keralio, and Elise Reimarus. It is shown that, in their works, these women are strongly opposed to unfettered licence, the freedom to do as one wills in the absence of external impediments and constraints. They distinguish this kind of freedom from their own positive notion: the freedom to govern one’s self in accordance with the moral law of reason. In this respect, this chapter argues, these women adapt the earlier ideas of English philosopher John Locke. It is shown that in the writings of Macaulay, in particular, Locke’s sentiments about liberty and law are taken to a radical democratic conclusion: an ideal of fair and equal representation of the people.
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41

van der Hulst, Harry. Case studies of African tongue root systems. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813576.003.0008.

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This Chapter presents a variety of case studies of tongue root harmony in African languages. These case studies are arranged according to language family membership. The cases selected are those which have occupied a significant place in the theoretical literature. The objective is to demonstrate that the theory developed here can handle the cases that other theories have been built on: Niger-Congo (Yoruba), Nilo-Saharan (Maasai, Turkana), Afro-Asiatic (Somali, Kera) among many others. The RcvP model demonstrated that it can deal with all harmony patterns that were discussed, including most extra complications that individual systems exemplify.
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