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Relevant bibliographies by topics / Kevin Barry

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Academic literature on the topic 'Kevin Barry'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Kevin Barry"

1

Doherty, M. A. "Kevin Barry and the Anglo-Irish propaganda war." Irish Historical Studies 32, no. 126 (November 2000): 217–31. http://dx.doi.org/10.1017/s0021121400014851.

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Most Irish people, when asked what they know of the life and death of Kevin Barry, will pause for a moment while they recall the words of a famously maudlin ballad. A few points will emerge: ‘a lad of eighteen summers’ … ‘British soldiers tortured Barry’ … ‘refused to turn informer’ … ‘hanged him like a dog’ … ‘another martyr for old Ireland, another murder for the crown’. That they know anything at all about Kevin Barry is testimony, among other things, to the power of popular music for the making of political propaganda. Along with Father Murphy, Seán South and Fergal O’Hanlon, Kevin Barry figures in the pantheon of nationalist Ireland’s popular historical heroes, largely because somebody happened to write a good song about him. In many ways this is unfortunate, for Barry and the rest were once living people, and the process of iconographifying them in popular balladry, like all forms of political propaganda, serves not to clarify their roles in the historical events in which they played a part, but rather to obscure and distort them. So it is worth reconsidering the story of Kevin Barry, for a number of reasons. To begin with, his short life reached its climax at a vital moment in the long struggle for Irish self-government, a moment when the violence unleashed in 1916 burst forth again with renewed savagery on both British and Irish sides, involving in the Barry case the deaths of four young men aged between fifteen and twenty.

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2

Long, Maebh. "Black bile in Bohane: Kevin Barry and melancholia." Textual Practice 31, no. 1 (November 2, 2015): 81–98. http://dx.doi.org/10.1080/0950236x.2015.1105864.

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3

Atwal, Jyoti. "Book review: Eunan O’Halpin, Kevin Barry: An Irish Rebel in Life and Death." Studies in History 37, no. 1 (February 2021): 127–29. http://dx.doi.org/10.1177/02576430211009046.

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4

TAN, Kevin YL, and Michael W. DOWDLE. "Michael Barry (MB) Hooker in Conversation with Kevin Tan." Asian Journal of Comparative Law 13, no. 1 (May 10, 2018): 173–96. http://dx.doi.org/10.1017/asjcl.2018.1.

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5

Hopkinson, Michael. "Biography of the revolutionary period: Michael Collins and Kevin Barry." Irish Historical Studies 28, no. 111 (May 1993): 310–16. http://dx.doi.org/10.1017/s002112140001107x.

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Sarnaik, Ashok P. "Paediatric Intensive Care edited by Peter Barry, Kevin Morris, and Tariq Ali." Pediatric Critical Care Medicine 12, no. 2 (March 2011): e110. http://dx.doi.org/10.1097/pcc.0b013e318203ba80.

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7

Ainsworth, John. "Kevin Barry, the Incident at Monk's Bakery and the Making of an Irish Republican Legend." History 87, no. 287 (July 2002): 372–87. http://dx.doi.org/10.1111/1468-229x.00231.

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8

Robie, David. "Editorial: Two decades of critical inquiry." Pacific Journalism Review 21, no. 1 (May 1, 2015): 7. http://dx.doi.org/10.24135/pjr.v21i1.143.

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Pacific Journalism Review is far more than a research journal. As an independent publication, it has given strong support to investigative journalism, socio-political journalism, political economy of the media, photojournalism and political cartooning in its two decades of publishing, which have all been strongly reflected in the character of the journal. It has also been a champion of journalism practice-as-research methodologies and strategies, as reflected especially in its Frontline section, initiated by one of the co-editors of this volume, Wendy Bacon. Barry King and Philip Cass are also co-editors and have been key contributors at various stages. Many people have contributed to developing PJR along the way and I will try to do justice over their roles.Pacific Journalism Review collaborators on board the vaka: From left: Pat Craddock, Chris Nash, Lee Duffield, Trevor Cullen, Philip Cass, Wendy Bacon, Tui O'Sullivan, Shailendra Singh, Del Abcede, Kevin Upton (in cycle crash helmet), and David Robie. Riding the sail: Mark Pearson, Campion Ohasio, Ben Bohane, Allison Oosterman and John Miller. Also: Barry King (on water skis) and the cartoonist, Malcolm Evans, riding a dolphin. © 2014 Malcolm Evans/Pacific Journalism Review

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9

Helmiyana, Nurlaily. "Analisis Kebijakan Kevin Rudd terkait Pencari Suaka di Australia dalam PNG Solutions." Politeia: Jurnal Ilmu Politik 12, no. 2 (July 13, 2020): 114–25. http://dx.doi.org/10.32734/politeia.v12i2.3918.

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Papua New Guinea Solution is a bilateral relationship between Australia under Prime Minister Kevin Rudd and Papua New Guinea regarding anti-resettlement conducted by people who want to access Australia and obtain refugee status by boat. This solution was taken after Kevin Rudd who came from the Australian Labor Party sent Pacific Solutions which had been used during Prime Minister Howard's administration. The difference in efforts to overcome the arrival of aid can be seen by using the Bureaucratic Model in its analysis. This effort was carried out with the aim of securing Australia. The problem is that Australia ratified the 1951 Refugees conference. The essence of PNG Solutions is individuals or groups who come to Australia who can pass Australia, and without a visa and a clear identity are not allowed into Australia and will be sent in Papua New Guinea. Australia's national interests can hurt ratified conventions. This study uses a qualitative method using secondary resources, and analysis uses the concept of securitization and uses Barry Buzan's research in his book People, State, and Fear. Then the policy analysis is taken by Prime Minister Rudd by using the Bureaucratic Model due to bargaining in Australia's domestic politics. Keywords: PNG Solutions, Asylum Seeker, Australia’s Foreign Policy

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10

Browne, Ray B. "American Studies: An Anthology by Janice A. Radway, Kevin K. Gaines, Barry Shank, and Penny Von Eschen, Editors." Journal of American Culture 32, no. 3 (September 2009): 267–68. http://dx.doi.org/10.1111/j.1542-734x.2009.00716_2.x.

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Dissertations / Theses on the topic "Kevin Barry"

1

Connell, Barry Charles. "The K̀evin Egan' case : an analysis from a criminal justice system perspective /." [Hong Kong : University of Hong Kong], 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B15967311.

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Books on the topic "Kevin Barry"

1

Cronin, Sean. The story of Kevin Barry. Dublin: Irish Freedom Press, 2001.

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2

Kevin Barry and his time. Sandycove Co., Dublin: Glendale, 1989.

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3

Rosenfeld, Lucinda. What she saw in Roger Mancuso, Günter Hopstock, Jason Barry Gold, Spitty Clark, Jack Geezo, Humphrey Fung, Claude Duvet, Bruce Bledstone, Kevin McFeeley, Arnold Allen, Pablo Miles, Anonymous 1-4, Nobody 5-8, Neil Schmertz, and Bo Pierce: A novel. New York: Random House, 2000.

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4

What she saw in Roger Mancuso, Gunter Hopstock, Jason Barry Gold, Spitty Clark, Jack Geezo, Humphrey Fung, Claude Duvet, Bruce Bledstone, Kevin McFeeley, Arnold Allen, Pablo Miles, Anonymous 1-4, Nobody 5-8, Neil Schmertz, and Bo Pierce: A novel. New York: Anchor Books, 2001.

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5

Brooks, Kevin. Nocny prom do Tangeru - Kevin Barry [KSIÄĹťKA]. Pauza, 2020.

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6

Kevin Barry: The Short Life of an Irish Rebel. Irish Academic Press, 2020.

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7

Allen, Nicholas. Ireland, Literature, and the Coastal Imaginary. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198795155.003.0004.

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The idea of the coast as a significant cultural space has been understudied in literary criticism as it relates to Ireland. The dynamics of Irish nationalism have marginalized liminal forms of historical affiliation, a tendency that has obscured those geographical zones that sit in the middle distance between land and sea. This chapter reads recent prose by Kevin Barry, Ciaran Carson, and Glenn Patterson in the context of imperial and maritime history. It explores the intimacy between the literary representation of the island and cultural forms of self-governance, which take particular charge in a culture that, like Ireland, has experienced the long receding wave of empire as violence, partition, and persisting disputes over identity. The flotsam and jetsam of the old empire washed up on an island that turned its back on the sea. Carson, Patterson, and Barry have taken these fragmentary forms to mould new literary works.

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8

Lynn, Beavis, and Leonard and Bina Ellen Art Gallery., eds. Dress: La mode dans tous ses états = The dress show : Barry Ace, Barbara Hunt, Ana Rewakowicz, Lissa Robinson, Catherine Sylvain, Laura Vickerson, Kevin Whitfield. Montreal: Leonard & Bina Ellen Art Gallery, Condordia University, 2003.

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9

Allen, Nicholas. Ireland, Literature, and the Coast. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857877.001.0001.

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The islands of Ireland are shaped by their relationships with land and sea. This book is a study of the various and changing ways in which literature has drawn the coast in lines that shape the contours of cultural experience. The literary and historical study of the sea has swelled in the last decade, as has an interest in the littoral and the archipelagic. Beginning with the early works of William Butler Yeats, this book travels through the diverse hydroscapes of Irish literature from the late nineteenth century to the present, framing writers and artists from James Joyce to Anne Enright in liquid, and maritime contexts. In doing so it suggests new planetary frames through which to read literature’s relationships with the sea and its margins. With readings of contemporary writers, including Eiléan Ní Chuilleanáin, Kevin Barry, Seamus Heaney, Sinead Morrissey, and John Banville, and literary magazines, including The Bell, Atlantis, and Archipelago, this book is the first sustained study of Irish coastal literature.

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Book chapters on the topic "Kevin Barry"

1

Allen, Nicholas. "Kevin Barry’s Atlantic Drift." In Ireland, Literature, and the Coast, 237–54. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857877.003.0012.

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Kevin Barry is a short story writer, novelist, dramatist, and editor, with Olivia Smith, of Winter Papers, an annual anthology of contemporary Irish writing. His work is steeped in music, film, and television, and echoes with their influence. Underpinning this is an attachment to writers like Dermot Healy and John McGahern, both novelists whose importance to a writer like Barry makes all the more sense from a coastal, and an archipelagic, perspective. His binding theme is disappointment and his lyricism is braided into the tragic perspective his characters, and his narrators, have of the human condition, which is for the most part a tilting balance between anxiety and drink. These edgy narratives are often set in wet weather by the sea and as so often in this book, the coastal margin operates as a hydroscape in which the boundaries between innocence and experience fragment and shift.

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2

Grene, Nicholas. "Reactions to modernity." In Farming in Modern Irish Literature, 105–26. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198861294.003.0006.

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Emigration, which had been such a marked feature of Irish history since the nineteenth century, accelerated through the 1950s, creating the sense of an emptying countryside. Leaving the land is represented as alienation in Frank O’Connor’s story ‘Uprooted’, a tragedy to be resisted at all costs in M. J. Molloy’s play The Wood of the Whispering, while the plight of the stay-at-home sibling when all the others have left is the focus of William Trevor’s ‘The Hill Bachelors’. Nostalgia for a pre-modern rural landscape features in the work of Michael McLaverty, John Montague, and Maurice Riordan. In the fully urbanized Ireland of the twenty-first century, there is a sardonic take on modern farming in Kevin Barry, but the remaining connections to the land of contemporary society are still very much present in novels by Belinda McKeon and Anne Enright.

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