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Relevant bibliographies by topics / Khanty imprints

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Academic literature on the topic 'Khanty imprints'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Khanty imprints"

1

Anikeeva, Tatiana A. "The Book Culture in the Southern Aral Sea Region in the 19th – Early 20th Centuries) (Based on the Materials of the Manuscript Collections of Nukus)." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 3 (2024): 166. https://doi.org/10.31696/s086919080030935-5.

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The Southern Aral Sea region, the lower reaches of the Amu Darya, historically and culturally associated with Khorezm and the Khiva Khanate (now the territory of the sovereign republic of Karakalpakstan as part of Uzbekistan), is particularly distinguished by specific features of book culture due to long-term contacts with the Volga-Ural region, the presence of a large number of madrasahs, the preservation of the oral epic tradition. The paper continues a series of materials devoted to manuscripts and books of the Fund of Oriental Manuscripts of the Karakalpak Institute of Humanities of the Ka

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Books on the topic "Khanty imprints"

1

Rossiĭskai͡a nat͡sionalʹnai͡a biblioteka. Otdel literatury na nat͡sionalʹnykh i͡azykakh. Katalog literatury na Khantyiskom yazyke. N. Ross, 1997.

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Phyag-rdor-ʼtsho. Kan-suʼu mi rigs dge ʼos slob grwa chen moʼi dpe mdzod khang gi gsung ʼbum dkar chag blo sgo ʼbyed paʼi lde mig. Krung-goʼi Bod rig pa dpe skrun khang, 2013.

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Sde-dge par khan gi dkar chag zib rgyas su bkod pa ses byai sgo byed. Krun-goi Bod kyi ses rig dpe skrun khan, 1994.

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4

sde dge par khang gi par shing dkar chag bod rgya shan sbyar. Si khron dpe skrun tshogs pa si khron mi rigs dpe skrun khang, 2004.

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5

Xizang Zizhiqu tu shu guan gu ji mu lu: Wen ji juan : Bod Rang-skyong-ljongs Dpe-mdzod-khang gi gnaʼ dpeʼi dkar chag : Gsung ʼbum pod / Bod Rang-skyong-ljongs Dpe-mdzod-khang gis bsgrigs. Guo jia tu shu guan chu ban she, 2015.

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Book chapters on the topic "Khanty imprints"

1

Hiro, Dilip. "Faisal’s Enduring Imprint; The Shah’s Vaulting Ambition." In Cold War in the Islamic World. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190944650.003.0003.

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King Faisal added intelligence-sharing to the existing commercial and military cooperation with Washington. Opposed to pan-Arabism favored by Egypt’s president, Gamal Abdul Nasser, he promoted pan-Islamism. After Egypt’s defeat in the 1967 Arab-Israeli War, Nasser ended his rivalry with Faisal. During that war, Arab oil producers stopped supplies to America and Britain for supporting Israel. Though their boycott was brief, it led to the formation of the Organization of Arab Oil Exporting Countries (OAPEC). After the failed attempt by a Christian zealot to set alight Al Aqsa Mosque in Jerusalem

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Iyer, Usha. "Stardom Ke Peeche Kya Hai (What Is behind the Stardom)?" In Dancing Women. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190938734.003.0006.

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With her vigorously libidinous dancing, her infamous “jhatkas and matkas,” Madhuri Dixit, the leading Hindi actress of the late 1980s and the 1990s, initiated a whole new movement vocabulary for the Hindi film heroine. Dixit’s moves carried the unmistakable imprint of the choreographer who led her to stardom, Saroj Khan. With her six-decade-long career, Khan constitutes a remarkable, embodied archive of Bombay cinema’s industrial practices in relation to dance performance and choreography. Chapter 5 delves into Khan and Dixit’s co-choreography of a new style of movement, reading choreography a

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