Relevant bibliographies by topics / Kharkiv linguistic tradition

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Academic literature on the topic 'Kharkiv linguistic tradition'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Kharkiv linguistic tradition"

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Лисиченко, Тетяна Юріївна. "ХАРКІВСЬКІ ЛІНГВІСТИЧНІ ТРАДИЦІЇ В КОНТЕКСТІ СУЧАСНОГО НАЦІОНАЛЬНОГО ТА СВІТОВОГО МОВОЗНАВЧОГО ДОСВІДУ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 40 (28 жовтня 2015): 171–79. https://doi.org/10.5281/zenodo.32848.

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<em>The existing scientific studies on the Kharkiv philological school mainly contain the results of the analysis of the scientific tradition in the aspect of studying the figure of its founder A. Potebnya and a galaxy of scientists who continued his directions in linguistics in order to analyze their scientific achievements and learning activities. Summary of results and conclusions of such works in the article made it possible to identify the dominant features of the scientific school of Kharkiv linguists, uniting representatives of the Kharkiv linguistic traditions and scientific achievemen
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Shevchenko, Larysa. "YURIY SHEVELOV: MODUS OF SCIENTIFIC SPACE AND TRADITIONS OF KHARKOV HISTORICAL-PHILOLOGICAL SCHOOL." Polish Studies of Kyiv, no. 35 (2019): 412–17. http://dx.doi.org/10.17721/psk.2019.35.412-417.

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The article analyzes the linguistic activity of Yuriy Shevelov, a professor at the Columbia University of the United States, an academician of the National Academy of Sciences of Ukraine. The genesis and evolution of the scholarly views of the researcher in the projection of the Kharkiv historical-philological school, its traditions, conceptual ideas, and the circle of philologists, which determined the formation of Ukrainian linguistics from the end of the nineteenth century, are considered. The attention was paid to the scientific status of the views of Y. Shevelov on the origin, development
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Maryniak, Ruslana. "Symbolization of city space in contemporary urban prose (Mesopotamia by Serhiy Zhadan and Istanbul: memories and the city by Orhan Pamuk)." V. N. Karazin Kharkiv National University Bulletin "History of Ukraine. Ukrainian Studies: Historical and Philosophical Sciences", no. 38 (June 23, 2024): 93–103. https://doi.org/10.26565/2227-6505-2024-38-09.

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Purpose: To characterize the specificity of symbolization of Kharkiv and Istanbul spaces as former capitals, considering the authors’ and national-cultural peculiarities of the city's representation in contemporary Ukrainian and Turkish prose, based on the urbanistic books of Serhiy Zhadan and Orhan Pamuk. Methods: The methodology of work based on certain provisions of the semiotic and structural-linguistic analysis of Ferdinand de Saussure and the ideas of Yuri Lotman on the social and communicative function of the text, regulations on the phenomenon of the “urban text” by Kaya Semih and Tara
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О., О. Маленко. "ХуДОЖНЄ СЛОВО В КООРДИНАТАХ ХАРКІВСьКОї ФІЛОЛОГІЧНОї ТРАДИцІї: КОНТЕКСТ, ОБРАЗ, ІНТЕРПРЕТАцІЯ СЕНСу (на пошану професора Лідії Андріївни Лисиченко)". Лінгвістичні дослідження, № 47 (19 березня 2018): 13–22. https://doi.org/10.5281/zenodo.1203311.

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The article deals with studying poetic language in terms of the ideas expressed in the linguistic theory, established by O. Potebnia in his time and then developed and expanded by representatives of the Kharkiv philological (linguistic) tradition, in both diachronic and synchronic aspects. The author&rsquo;s reflection is focused on the following issues concerning the functioning of poetic words: context (where the word&rsquo;s poetic meaning is formed), word imagery (as the ability of its semantic potential to create polysemy), interpretation (decoding) of poetic words&rsquo; meanings (as an
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5

Л., І. Шевченко. "УКРАЇНСЬКИЙ МОВОЗНАВЕЦЬ Л.А. ЛИСИЧЕНКО: НАУКОВА ОСОБИСТІСТЬ У РИТМАХ ТРАДИЦІЇ, ЧАСУ Й КУЛЬТУРНОЇ ІСТОРІЇ НАРОДУ". Лінгвістичні дослідження, № 47 (19 березня 2018): 6–12. https://doi.org/10.5281/zenodo.1203305.

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The article is devoted to the analysis of the influence on the formation history and development of innovative ideas of the linguist Lidiia Andriivna Lysychenko in Kharkiv historical and philological school. The author focuses on the concept of historical and cultural continuity developing in the Ukrainian humanities, its integrity with the European scientific space, the origins and causes of the intellectual rise of Slobozhanshchyna from the XIX century to our time. Attention is also paid to the productivity and polyphony of Kharkiv researchers&rsquo; scientific interests, their proportionali
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О., О. Чевичелова. "МОВНІ ОСОБЛИВОСТІ ПІСНІ СЕМЕНА КЛИМОВСЬКОГО «ЇХАВ КОЗАК ЗА ДУНАЙ»". Лінгвістичні дослідження, № 45 (20 червня 2017): 146–51. https://doi.org/10.5281/zenodo.814486.

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<em>The article deals with the figure of Semen Klymovskyi, a Kharkiv Cossack and a Ukrainian poet of the early 18th century. The linguistic analysis of his famous song «Yikhav Kozak za Dunay» («Cossack rode beyond the Danube») is presented. This song was created on the basis of the Ukrainian folklore tradition and contains language features reflecting the Slobodian dialectal usage, which makes it an important historical record of the language. Its text has changed greatly over time; it became available in various versions and came to be perceived as folk creation. New verses were added to the
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7

Pidporinova, Kateryna. "Art “talismans” of Kharkiv: symbols and thoughts. In memory of Tetyana Vyerkina and Volodymyr Ptushkin." Aspects of Historical Musicology 30, no. 30 (2023): 7–29. http://dx.doi.org/10.34064/khnum2-30.01.

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Statement of the problem. In 2022, Kharkiv I. P. Kotlyarevsky National University of Arts celebrates the 105th anniversary of its foundation and, despite the difficult conditions of wartime, it honours the memory of its outstanding artists – T. Vyerkina and V. Ptushkin. Continuing the national tradition, their creative legacy is a remarkable achievement of Ukrainian musical art. The creative experience of these prominent artists reveals the ways for the further successful development of the University and the domestic musical art, and its comprehending becomes one of the urgent research tasks.
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Liu, Ting. "The interpretative function of singing in the “score” of a modern ballet performance." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 62, no. 62 (2022): 79–92. http://dx.doi.org/10.34064/khnum1-62.05.

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Statement of the problem. Under consideration is a specific form of art synthesis – singing in modern ballet. The synthesis of arts is attributive to the poetics of European opera, where a choreographic plan is used, however, singing in ballet is a rather rare phenomenon against the background of the dominance of singing in the operas of the 18th and 19th centuries. Nonetheless, there are eloquent examples of the return of singing in a ballet as a characteristic feature of the innovative choreographic theatre (“Pulcinella” by I. Stravinsky). The relevance of the topic is explained by the lack
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Osypenko, Viktoriia. "Actualization of folklore prototype images in the philosophical concept of Yurii Alzhniev’s Song Symphony “Behind the Milky Way...”." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 70, no. 70 (2024): 122–39. http://dx.doi.org/10.34064/khnum1-70.07.

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Statement of the problem. Objectives, methods, and novelty of the research. The experience of studying the archetypes of the culture of Slobozhanshchyna region is offered, through the understanding of their role in the conception of the recent composition by contemporary Ukrainian artist Yuriy Alzhniev. Specific examples of borrowing samples of folk songs from Slobozhanshchyna (the ballad “How a grey eagle competed with a grey horse” from the repertoire of kobzars; the chumak song “Hey, our chumaks were on their way”, the allegorical song “Oh, woe to that seagull”) reveal value and meaning ori
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ЧЕРЕМСЬКА, Ольга, and Вікторія СУХЕНКО. "LINGUISTIC MEANS OF TRANSLATION OF A POETIK TEXT BY THE REPRESENTATIVES OF KHARKIV SCHOOL OF ROMANTICS." Lingua Montenegrina 29, no. 1 (2022): 177–95. https://doi.org/10.46584/lm.v29i1.902.

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In the article the translation work of the representatives of Kharkiv Poetic School of Romantics is analised. Actuality of this topic is determined by the need of more complete studies of Ukrainian poetic translation heritage as a powerful mean for the development of Ukrainian literature language, especially in the context of its creative interaction with Slavic and Western European literary traditions of the Romantic period (first half of the XIX-th century). Influence of ideas of romanticism on the formation of historical and cultural relations between Ukrainian romantic poetry and literatur
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Book chapters on the topic "Kharkiv linguistic tradition"

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Bangha, Imre. "The Emergence of Hindi Literature: From Transregional Maru-Gurjar to Madhyadeśī Narratives." In Text and Tradition in Early Modern North India. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199478866.003.0001.

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Imre Bangha locates the source of what would later become the literary idioms associated with the Hindi heartland—Brajbhasha, Avadhi, Khari Boli, and so on—in Maru-Gurjar, an idiom originating not in the Gangetic plain but in western India, particularly the lands of modern Gujarat and western Rajasthan. Bangha argues that it was this literary language, originally cultivated by Jains beginning in the late twelfth century, that eventually spread to the lands known as madhyadeś, where in the course of the fourteenth and fifteenth centuries it developed into the forms that we now associate with Br
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