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Journal articles on the topic 'Khasi poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Lyngdoh, Bertina. "Biocentrism and Khasi identity: An ecocritical reading of Soso Tham’s poetry." International Journal of Arts, Humanities and Social Studies 7, no. 1 (2025): 167–70. https://doi.org/10.33545/26648652.2025.v7.i1c.177.

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2

Kashif, Mohd, and Jawaid Alam. "Poetry, Politics, and Purity: The Khari Boli–Braj Bhasha Debate in Colonial North India." Synergy: International Journal of Multidisciplinary Studies 2, no. 2 (2025): 65–72. https://doi.org/10.63960/sijmds-2025-2265.

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This paper explores the Khari Boli–Braj Bhasha debate in colonial North India as a pivotal episode in the politics of language, where literary choices were deeply intertwined with questions of cultural identity, communal affiliation, and linguistic nationalism. At its surface, the debate appeared to center on dialectal preferences in Hindi poetry—Braj Bhasha, the classical medium of devotional verse, versus Khari Boli, the emerging standard for modern prose. However, the controversy reflected deeper ideological anxieties, shaped by the broader Hindi–Urdu controversy and the colonial state’s ro

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3

Ramadhan, Waheed, and Shvan Hassan. "THE REFLECTION OF PANTHEISM’S PRINCIPLES OF IBN ARAB IN AHMED KHANI'S WORKS"." Humanities Journal of University of Zakho 13, no. 1 (2025): 147–55. https://doi.org/10.26436/hjuoz.2025.13.1.1526.

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The concept of pantheism is among the most profound and influential intellectual theories in Islamic mysticism, particularly within Sufism. The idea of pantheism, which reached its pinnacle in the works of the Andalusian Mystic Ibn Arab (1164–1240 CE), the purpose of pantheism: it posits that God manifests within all aspects of existence, and humanity reflects this divine essence. Within this framework, spiritual unity with God is achieved through the annihilation of the self in the divine presence (fana). This study investigates the influence of Ibn Arabi’s pantheism on the Kurdish poet Ahmad

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4

Huda Abdulqader Qasim. "Semantic Fields in Nawbar Ahmad Khani." Zanco Journal of Humanity Sciences 29, no. 2 (2025): 235–72. https://doi.org/10.21271/zjhs.29.2.11.

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The title of the research is (Semantic fields in Nawbar Ahmad Khani), the dictionary is small in size, and is considered the first Kurdish dictionary composed in the form of educational poetry to teach children the Arabic language. We chose this dictionary to show the fields that the author wanted the Kurdish child to learn. The method followed in the research is the descriptive method in classifying the lexical fields. The research was completed in two main axes. In the first, we dealt with the theoretical aspect of the study, while the second axis was devoted to dividing the lexical fields i

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5

Ilmiah, Zaddwi Jiwa, and Shinta Esabella. "Pengembangan Aplikasi Sastra Lisan (Lawas) Khas Sumbawa Berbasis Android." Buletin Ilmiah Informatika Teknologi 2, no. 2 (2024): 55–64. http://dx.doi.org/10.58369/biit.v2i2.49.

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Oral Literature (Lawas) or more commonly referred to as folk poetry, is an expression that continues to grow among the people of Sumbawa to this day. It is used as a means to express feelings to someone, either individually or in groups. This research aims to develop an Android-based Sumbawa Typical Oral Literature Application that aims to produce a more attractive appearance with additional audio and video features in the delivery of old. The data collection methods used are interview methods and literature studies. This application was built using the waterfall software development method, w

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6

Haryati, Haryati, and Shinta Esabella. "Rancang Bangun Aplikasi Sastra Lisan (Lawas) Khas Sumbawa Berbasis Android." MATRIK : Jurnal Manajemen, Teknik Informatika dan Rekayasa Komputer 18, no. 2 (2019): 313–20. http://dx.doi.org/10.30812/matrik.v18i2.400.

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This study aims to convert data from Sumbawa Lawas (Oral Poetry) which are currently preserved in the form of books for changes to digital forms. This study uses spiral software development methods and programming languages using Android Studion 2.3.3 as well as SQLite databases targeting Android users version 5.0 (Lollipop). The method of data collection uses a literature study technique with data sources from Boan Lawas book by publisher Usman Amin Trussmedia with ISBN 978-602-0992-88-4 and uses black box testing methods whose testing is done by testing software in terms of functionality. Th

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7

Ilyas, Ahmad Fauzi. "Syaikh Ahmad Khatib Minangkabau dan Kontekstualisasi Syair Arab dalam Isbāt Al-Zain li Sulh Al-Jamā’atain." `A Jamiy : Jurnal Bahasa dan Sastra Arab 13, no. 1 (2024): 54. http://dx.doi.org/10.31314/ajamiy.13.1.54-70.2024.

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This article focuses on the authority of Shaikh Ahmad bin Abdul Lat}i>f al-Khati>b al-Jawi> al-Minkabawi> or Shaikh Ahmad Khatib Minangkabau (1860-1916) - abbreviated as Shaikh Ahmad Khatib - in the field of Arabic poetry in his work, Is}ba>t al-Zain li S}ulh al-Jama'atain bi Jawa>z Ta'addud al-Jumu'atain between pages 21-71. This work, although it discusses fiqh and his debate with Sayyid Usman Betawi over Friday prayers in Palembang at the end of the 19th century, contains many verses used in the context of making his argument. In fact, so far, he is only known as a figure

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8

Rashid, Jihad Shukri. "خودشكوفايي مم در روایت مم و زین بر اساس الگوي انسان گرايانة آبراهام مزلو". Humanities Journal of University of Zakho 6, № 3 (2018): 755. http://dx.doi.org/10.26436/2018.6.3.608.

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In the retelling of the story (Mem u Zin) "Mems" characterization is the result of careful and artistic depiction of Khani. The poet's detailed description of "Mems" character has amazed many addressees and researchers in a way that psychologists will do an in-depth research into this characterization according to examples from Abraham Mazlos Humanistic Model wherein human self-actualization is described. In this research "Mems" character in Khani's story depiction with Mazlo's components of self-actualization have been compared. This research shows that Ahmadi Khani has had a larger aim when

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9

Pandit, Huzaifa. "Translating Loss – Reading Translation as Resistance." HIMALAYA 40, no. 1 (2020): 92–108. https://doi.org/10.2218/himalaya.2020.7836.

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The act of translation is not a linear and static process but a circulatory and dynamic process that permits an enriching negotiation of meaning. One of the ways in which a text can be translated is by trusting that its meaning can be employed outside the local contexts in which it was produced, and employed to comment on contexts far removed from it in time and space. This trusting then allows for the translated texts to intervene in the negotiations between poly-systems, as marginal poly-systems seek a more pronounced space in the literary and cultural networks in a particular space. This ne

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10

Akbar, Dr Sumaira, and Zahid Hussain. "The New symbols in Ali Muhammad Farshi’s poems." Noor e Tahqeeq 6, no. 02 (2022): 53–62. http://dx.doi.org/10.54692/nooretahqeeq.2022.06021765.

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Symbolism is a technique for writers to express their motives. Whenever freedom of speech is restricted, writers use symbolism as tool. Symbols are basically related with the community where they have developed. Ali Muhammad ٖFarshi is well known poet of Urdu poem. In his poems, he uses a system of new symbolic words. He tries to present the inner self problems of an individual through the symbols. Every individual on this earth irrespective to religion and region, have some common problems like identification, hunger and death. The article discusses the systems of new symbols in Ali Muhammad

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11

MOHD, TAHIR. "FOUNDATION, DERIVATION, AND EVOLUTION OF URDU LANGUAGE AND LITERATURE UP TO 1857." Kala : The Journal of Indian Art History Congress 27, no. 1 (2021): 7. https://doi.org/10.5281/zenodo.6567316.

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The core objective of this paper is to review the origin and evolution of Urdu as a language of influence. The debate of the origin of the Urdu language is very engaging and diverse. Various theories and arguments have been developed by different scholars and linguists throughout the study of the origin and history of the Urdu language and literature. Its origin from different dialects such as “Khari Boli” and “Baraj Bhasha” is also debatable. Apart from this unending discussion about its origin, the study of its advancement is also crucial. Historically, Urdu is associ

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12

Khiangte, Zothanchhingi, Dolikajyoti Sharma, and Pallabita Roy Choudhury. "Constructing Indigenous Histories in Orality: A Study of the Mizo and Angami Oral Narratives." Genealogy 9, no. 3 (2025): 71. https://doi.org/10.3390/genealogy9030071.

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Oral narratives play a crucial role in shaping the historical consciousness of Indigenous communities in Northeast India, where history writing is a relatively recent phenomenon. Among the Mizos, Nagas, Khasis, Kuki-Chins, and other Indigenous tribes of Northeast India, including the Bodos, the Garos, the Dimasas, or the Karbis of Assam, much of what is considered written history emerged during British colonial rule. Native historians later continued it in postcolonial India. However, written history, especially when based on fragmented colonial records, includes interpretive gaps. In such con

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13

Mawksiar, Mebakynsai. "Echoes of the Land: An Eco-critical Study of Selected Poems from Soso Tham’s Ka Duitara Ksiar"." International Journal For Multidisciplinary Research 7, no. 2 (2025). https://doi.org/10.36948/ijfmr.2025.v07i02.40724.

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Ecocriticism as a theoretical approach investigates the connection between literature and nature, providing understanding of how texts interact with ecological ethics and sustainability. Indigenous literature, in this case, that of the Khasi people, portrays a profound respect for nature, pointing to the interconnectedness of all living things. Soso Tham, an early Khasi poet, infuses his poetry with environmental awareness, depicting the Khasi conception of coexisting with nature. By means of ecocritical evaluation of some poems like U Khun U Adam, Ka Dak ha U Maw, Ki Kshaid ba Rymphum and Ka

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14

"Khagi, Sofya Silence and the Rest: Verbal Skepticism in Russian Poetry (review)." Slavonic and East European Review 94, no. 3 (2016): 514–16. http://dx.doi.org/10.1353/see.2016.0152.

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15

Shamnani, Ujala J. "BRIDGING CULTURES: THE RECEPTION OF ANNA AKHMATOVA IN HINDI AND GUJARATI TRANSLATIONS." Towards Excellence, December 31, 2022, 1451–57. https://doi.org/10.37867/te1404131.

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Anna Akhmatova, born Anna Andreyevna Gorenko in (1889-1966), was a prominent Russian poet whose work spanned the tumultuous periods of World War I, the Russian Revolution, and Stalinist repression. Her early work, established her as a central figure in the Acmeist movement, which advocated for a return to concrete imagery and disciplined form in poetry. The paper aims to trace how translation emerged as the primary catalyst in India's modernist movement, broadening our perspectives on textual interpretation and dissolving the distinction between National/International literature and World Lite

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