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Journal articles on the topic 'Khatibi, Abdelkebir'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Gobbo, Pier Paolo. "Abdelkebir Khatibi, Féerie d’un mutant." Studi Francesi, no. 149 (December 1, 2006): 434. http://dx.doi.org/10.4000/studifrancesi.29582.

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2

Erickson, John D. "Maghreb Pluriel by Abdelkebir Khatibi." L'Esprit Créateur 26, no. 1 (1986): 101–2. http://dx.doi.org/10.1353/esp.1986.0009.

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3

Hamil, Mustapha. "Interrogating Identity: Abdelkebir Khatibi and the Postcolonial Prerogative." Alif: Journal of Comparative Poetics, no. 22 (2002): 72. http://dx.doi.org/10.2307/1350050.

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4

Miloud, Rahmoun. "CULTURAL ALIENATION AND LANGUAGE DISCONTINUITY IN LA MÉMOIRE TATTOUÉE." Littera Aperta. International Journal of Literary and Cultural Studies 5 (December 30, 2017): 73–83. http://dx.doi.org/10.21071/ltap.v5i5.13323.

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The question of Alienation is a core subject-matter of human conditioning in the present era. Therefore, it is natural that a controversial issue like alienation should leave such an indelible influence upon contemporary literature. The question of Alienation, in its different manifestations, has been conceptualized and discussed, most importantly, within the existentialistic literary perspective. Due to its historical and socio-cultural conditions, the African as well as the Maghrebian literature could not shy away from the influence of alienation, understood as an identity loss and as a sens
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5

Siassi, Guilan. "The Politics and Ethics of Translation in the Works of Abdelkebir Khatibi." Expressions maghrébines 15, no. 1 (2016): 47–63. http://dx.doi.org/10.1353/exp.2016.0003.

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6

de Toro, Alfonso. "Au-delà de la francophonie : Représentations de la pensée hybride au Maghreb (Abdelkebir Khatibi — Assia Djebar)." Neohelicon 35, no. 2 (2008): 63–86. http://dx.doi.org/10.1007/s11059-008-4006-6.

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7

Harrison, Olivia C. "Cross-Colonial Poetics: Souffles-Anfas and the Figure of Palestine." PMLA/Publications of the Modern Language Association of America 128, no. 2 (2013): 353–69. http://dx.doi.org/10.1632/pmla.2013.128.2.353.

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From the mid-1960s onward, Moroccan, Algerian, and Tunisian writers have turned to the question of Palestine as a model of political and aesthetic innovation. Taking the Moroccan cultural journal Souffles-Anfas as an early, paradigmatic example of the literary turn to Palestine in the Maghreb, I argue that writers such as Abdellatif Laâbi and Abdelkebir Khatibi used Palestine as a springboard for “cultural decolonization,” reactivating global anticolonial discourses in order to articulate a relational, cross-colonial Maghrebi identity. Focusing on discussions of language, poetic form, and cult
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8

Barrucand, Marianne. "Khatibi Abdelkebir and Sijelmassi Mohamed: Die Kunst der islamischen Kalligraphie. 238 pp. Köln: Dumont, Buchverlag, 1995. DM 89.90." Bulletin of the School of Oriental and African Studies 61, no. 1 (1998): 135–36. http://dx.doi.org/10.1017/s0041977x00015901.

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9

Ouali Alami, Abdallah. "D'une identité l'Autre, lecture comparée de deux romans méditerranéens : José Luis Sampedro, congreso en estocolmo, Un Congrès à Stockholm, et Abdelkebir Khatibi, Un Été à Stockholm." Horizons Maghrébins - Le droit à la mémoire 52, no. 1 (2005): 139–53. http://dx.doi.org/10.3406/horma.2005.2277.

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10

Beebee, Thomas O. "The Fiction of Translation: Abdelkebir Khatibi's "Love in Two Languages"." SubStance 23, no. 1 (1994): 63. http://dx.doi.org/10.2307/3684793.

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11

Qader, Nasrin. "From Poetry to Writing : Abdelkebir Khatibi's Dédicace à l'année qui vient." Présence Africaine 167-168, no. 1 (2003): 254. http://dx.doi.org/10.3917/presa.167.0254.

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12

McNeece, Lucy Stone. "Decolonizing the Sign: Language and Identity in Abdelkebir Khatibi's La Memoire tatouee." Yale French Studies, no. 83 (1993): 12. http://dx.doi.org/10.2307/2930085.

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13

Quinney, Anne. "Bilingue l’obscur: Blanchot in the interstices of Abdelkebir Khatibi’s Amour bilingue." International Journal of Francophone Studies 7, no. 3 (2004): 131–50. http://dx.doi.org/10.1386/ijfs.7.3.131/0.

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14

Winston, Shannon K. "The Blink and the bilangue: Interstices of the Textual/Visual in Abdelkebir Khatibi’s Moroccan Mediterranean." French Studies 73, no. 1 (2018): 67–83. http://dx.doi.org/10.1093/fs/kny257.

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15

ANGELICA DEANGELI, MARIA. "VARIAÇÕES SOBRE UM ENCONTRO: JACQUES DERRIDA E ABDELKEBIR KHATIBI (SE) COR-RESPONDEM." TRADUÇÃO EM REVISTA 2010, no. 9 (2011). http://dx.doi.org/10.17771/pucrio.tradrev.16915.

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16

Guldin, Rainer. "“I believe that my two tongues love each other cela ne m’étonnerait pas”: Self-Translation and the Construction of Sexual Identity." 20, no. 1 (2008): 193–214. http://dx.doi.org/10.7202/018503ar.

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Abstract In this paper I would like to explore the work of five bilingual writers focusing on the different narratives they develop in their use of (self-)translation as a textual strategy to fashion a sexual persona. Julia(e)n Green’s Le langage et son double/The Language and its Shadow and Louis Wolfson’s Le Schizo et les langues create narratives of severance and disjointing. The self-translational activity is used here to create perfectly separated spheres of (sexual) identity. Raymond Federman’s A Voice within a Voice and Christine Brooke-Rose’s Between, on the other hand, develop narrati
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