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Dissertations / Theses on the topic 'Khiḍr (Legendary character) in literature'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Racine, Romain. "Le mythe littéraire de Cassandre vingt apparitions de la prophétesse troyenne : entre perte et recherche d'identité /." Lille : Atelier national de reproduction des thèses, 2003. http://catalog.hathitrust.org/api/volumes/oclc/56530865.html.

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2

Harrison, S. J. "A commentary on Vergil, Aeneid 10." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670380.

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3

Spangenberg, Lisa Luise. "The games fairies play otherworld intruders in Medieval literary narratives /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1709825081&sid=2&Fmt=2&clientId=48051&RQT=309&VName=PQD.

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4

Marquis, Kathryn E. "What about Walter? : polity, power, and obedience in the Griselda story /." Connect to online version, 2006. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2006/170.pdf.

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5

Pereira, Lucie. "Representing Éire : the transmission of the Deirdre legend from the Middle Ages to 1910." Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:b47f05bb-592f-4fb8-81a4-f806c5a06f06.

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This thesis analyses the transmission of the Deirdre legend in adaptations from the earliest written sources to the versions of the writers of the early twentieth century Irish Literary Revival. Its aim is to trace the way that the refashioning of the story is informed by the cultural and political contexts within which each writer was working, as well as the more personal and aesthetic motivations behind the various adaptations. The texts chosen for close study represent key moments in the transmission process, both for their treatment of the legend and for the specific context to which this

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6

Steinkämper, Claudia. "Melusine - vom Schlangenweib zur "Beauté mit dem Fischschwanz" : Geschichte einer literarischen Aneignung." Göttingen Vandenhoeck & Ruprecht, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=015793549&linen̲umber=0002&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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7

Backhouse, George. "References to swords in the death scenes of Dido and Turnus in the Aeneid." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71764.

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Thesis (MA)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: This thesis investigates the references to swords in key scenes in the Aeneid – particularly the scenes of Dido’s and Turnus’ death – in order to add new perspectives on these scenes and on the way in which they impact on the presentation of Aeneas’ Roman mission in the epic. In Chapter Two I attempt to provide an outline of the mission of Aeneas. I also investigate the manner in which Dido and Turnus may be considered to be opponents of Aeneas’ mission. In Chapter Three I investigate references to swords in select scenes in b

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8

Kastner, Marianne Sue. "Iktomi: A Character Traits Analysis of a Dakota Culture Myth." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/896.

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This qualitative study comparing three separate English-language versions of a single Dakota cultural myth "Iktomi" presents a novel systematic approach for analyzing Native American folk tales to understand how stories function as tools of transmission of cultural information and knowledge. The method involved coding character traits according to type with regard to representation, ability, or attribute to ascertain patterns among the codes and elucidate character roles and relationships, reorganizing the coded traits into paired polarized correspondences to clarify relationships among traits

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9

Rothstein, Katja. "Der mittelhochdeutsche Prosa-"Lancelot" : eine entstehungs- und überlieferungsgeschichtliche Untersuchung unter besonderer Berücksichtigung der Handschrift Ms. allem. 8017 - 8020 /." Frankfurt am Main [u.a.] : Lang, 2007. http://www.gbv.de/dms/bs/toc/522240860.pdf.

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10

Avkhimovich, Irina S. "Lord Byron's critique of despotism and militarism in the Russian Cantos of Don Juan." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/6680.

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Thesis (M.A.)--University of Missouri-Columbia, 2008.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 22, 2008) Includes bibliographical references.

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11

Angresano, Elizabeth A. "The saint and the sinner : chaos, the 'Confessions' and the prose Lancelot /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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12

Malone, Kathleen S. "Byron's use of narration, aristocracy, love and war in Don Juan." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2004. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis ( M.A. )-- Kutztown University of Pennsylvania, 2004.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2845. Typescript. Abstract precedes thesis as 1 preliminary leaf (iii ). Includes bibliographical references ( leaves [ 90-93] ).

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13

Wüstemann, Sybille. "Der Ritter mit dem Rad : die 'stæte' des 'Wigalois' zwischen Literatur und Zeitgeschichte /." Trier : WVT Wiss. Verl, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2793354&prov=M&dok_var=1&dok_ext=htm.

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14

Wittmann, Gerda-Elisabeth. "Aschenputtel und ihre Schwestern - Frauenfiguren im Märchen : Eine Kontrastierung des Grimmschen Aschenputtel von 1857 mit Aschenputtelerzälungen des 20. und 21. Jahrhunderts /." Link to the online version, 2008. http://hdl.handle.net/10019/2040.

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15

Compion, Marlette. "'n Ondersoek na Scheherazade as moontlike voorganger in 'n vroulike verteltradisie in enkele Afrikaanse literêre tekste /." Link to the online version, 2005. http://hdl.handle.net/10019/998.

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16

Mikahoff, Justine C. "Unveiling her majesty's purposes Malory's Guinevere as structural center /." View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-1/mikaloffj/justinemikaloff.pdf.

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17

De, Villiers Gezina Gertruida. "Gilgamesh sien die diepte van skande tot eer /." Pretoria : [s.n.], 2000. http://upetd.up.ac.za/thesis/available/etd-07212006-143604/.

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18

Milin, Gaël. "Le roi Marc aux oreilles de cheval." Genève : [Paris] : Droz ; [diff. Champion], 1991. http://catalogue.bnf.fr/ark:/12148/cb354617632.

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19

Carver, Dax Donald. "Goddess Dethroned: The Evolution of Morgan le Fay." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04282006-082115/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Timothy Renick, committee chair; Kathryn McClymond, Jonathan Herman, committee members. Electronic text (p. 54 p.) : digital, PDF file. Description based on contents viewed Apr. 30, 2007; title from title screen. Includes bibliographical references (p. 51-54).

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20

Russ, Anja. "Kindheit und Adoleszenz in den deutschen Parzival- und Lancelot-Romanen : hohes und spätes Mittelalter /." Stuttgart : S. Hirzel, 2000. http://catalogue.bnf.fr/ark:/12148/cb39049189g.

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21

Daly, Nora F. "Deirdre and the destruction of Emain Macha : Jungian archetypes and Irish drama /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/MQ42365.pdf.

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22

Retzlaff, Kay Lynn. "Creating the World of the Táin through the Remscéla: Prologemena to Reading." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/RetzlaffKL2004.pdf.

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23

Chimeno, del Campo Ana Belén. "El Preste Juan : mito y leyenda en la literatura infantil y juvenil contemporánea /." Frankfurt am Main : Lang, 2009. http://d-nb.info/993743056/04.

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24

Riopel, Manon. "Le mythe de Cassandre et la question de l'hermétisme : de la parole oraculaire à la parole poétique." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64016.

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25

Compion, Marlette. "'n Ondersoek na Scheherazade as moontlike voorganger in 'n vroulike verteltradisie in enkele Afrikaanse literêre tekste." Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/2024.

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Thesis (MA (Afrikaans and Dutch))—University of Stellenbosch, 2005.<br>The aim of this study is to investigate the position that has been allocated to women authors by literary theorists. Some literary theorists are of the opinion that the action of writing can be compared to fatherhood, ownership and being a creator, all of which are male dominated images. Women writers have historically been marginalized by literary theorists, since there is a perception that women cannot write because they are not male. Harold Bloom has postulated that a male writer looks to a precursor in order to write a

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26

Welman, Thandi. "The feminine Other in Euripides’ Hecuba : exploring tensions in the masculine classical polis." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80275.

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Thesis (MA)--Stellenbosch University, 2013.<br>ENGLISH ABSTRACT: This thesis explores how the feminine Other is used by Euripides in the Hecuba to highlight certain tensions between an aristocratic ideal of manliness and a classical democratic masculinity in the fifth century Athenian polis. The first chapter will establish the masculine nature of the Athenian polis and discuss the different elements which highlight the inherent masculinity of Athenian society. The second chapter provides a socio-political context for the position of women in fifth century Athens and explores the otherness of

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27

Thompson, Kimberly Ann. "Money and the man economics and identity in late medieval English literature /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1180117288.

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28

Mackenzie, Alexandra Chantal Yvette. "Pilgrimage Narrative: A Pattern for Heavenly Theatre in King Lear." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1641.pdf.

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29

Colwell, Tania Michelle. "Reading Mélusine : romance manuscripts and their audiences c.1380-c.1530." Phd thesis, Canberra, ACT : The Australian National University, 2008. http://hdl.handle.net/1885/109692.

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This thesis explores the historical reception of the prose Roman de Melusine and the poetic Roman de Parthenay from the twin perspectives of the romance manuscripts and their audiences. The Melusine romances attained wide popularity in manuscript form from their composition in the late fourteenth century until the early sixteenth century. By investigating the patronage, presentation, and ownership of the romance manuscripts, I ask how and why the works appealed to and retained their hold on later medieval imaginations? What cultural values did the romances express or reflect and what mea

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30

Flint, Angela. "The influence of contemporary events and circumstances on Virgil's characterization of Aeneas." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019/1540.

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31

Gournay, Aurélia. "Don Juan en France au XXe siècle : réécritures d'un mythe." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2013. http://tel.archives-ouvertes.fr/tel-00975274.

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Né en 1630, sous la plume du moine espagnol Tirso de Molina, le personnage de Don Juan n'a cessé d'inspirer les auteurs, au point de devenir un véritable mythe littéraire. On ne saurait, désormais, l'évoquer sans mentionner quelques œuvres majeures, telles que le Dom Juan de Molière ou le Don Giovanni de Mozart. S'il est difficile de trouver, au 20ème siècle, des réécritures du scénario mythique susceptibles de rivaliser avec ces illustres noms, il est indéniable que ce dernier demeure productif. La France offre, à elle seule, des preuves de cette vitalité. En effet, l'histoire de Don Juan con

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32

Polleichtner, Wolfgang Galinsky Karl. "Aeneas' emotions in Vergil's Aeneid and their literary and philosophical foundations : an analysis of select scenes /." 2005. http://www.lib.utexas.edu/etd/d/2005/polleichtnerw52198/polleichtnerw52198.pdf#page=3.

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33

Polleichtner, Wolfgang. "Aeneas' emotions in Vergil's Aeneid and their literary and philosophical foundations : an analysis of select scenes." Thesis, 2005. http://hdl.handle.net/2152/3989.

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34

Lohr, Julie Anne. "Reinventing the wheel or creating a tale's genealogy? :: a comparison of twelve versions of the tale of Mulan/." 2007. https://scholarworks.umass.edu/theses/1731.

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35

Retzlaff, Kay Lynn. "Creating the world of the Táin in through the remscéla : prologemena to reading /." 2004. http://www.library.umaine.edu/theses/theses.asp?highlight=1&Cmd=abstract&ID=EID2004-001.

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36

Hagood, Charlotte Amanda. ""Tracking down a Negro legend" authenticity and the postmodern tourist in Colson Whitehead's John Henry days /." Diss., 2006. http://etd.library.vanderbilt.edu/ETD-db/available/etd-06072006-185527/.

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37

"Byron's Don Juan and nationalism." Thesis, 2010. http://library.cuhk.edu.hk/record=b6074834.

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Firstly in digression Byron presents a national reality which gradually displaces his cherished cosmopolitan ideals. Among many other pressing problems of his day, political renegades, the paradox of scientific innovations, the rise of intellectual ladies and the commoditization of marriage and family constitute the tangible part of Byron's domestic recalling. With retrospective commentaries Byron fulfills the act of imagining native land; and in this regard nationalism is the spiritual support of the expatriate existence.<br>I propose to comprehend the perceptive gap by focusing on Don Juan w

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38

De, Villiers Gezina Gertruida. "Gilgamesh sien die diepte : van skande tot eer." Diss., 2001. http://hdl.handle.net/2263/26462.

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39

Shaw, Rayford Wesley. "A Structural analysis and visual abstraction of the pictorial in the Aeneid, I-VI." Thesis, 2000. http://hdl.handle.net/10500/16021.

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The pictorial elements of the first six books of the Aeneid can be evidenced through an examination of its structural components. With commentaries on such literary devices as parallels and antipodes, interwoven themes, cyclic patterns, and strategic placement of words in the text, three genres of painting are treated individually in Chapter 1 to illustrate the poet's consistency of design and to prove him a craftsman of the visual arts. In the first division, "Cinematic progression," attention is directed to the language which conveys movement and frequentative action, with special

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