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Journal articles on the topic 'Khushwant Singh'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Bala, Kiran. "Khushwant Singh: The Postmodern Columnist." Mass Communicator: International Journal of Communication Studies 7, no. 4 (2013): 11. http://dx.doi.org/10.5958/j.0973-967x.7.4.014.

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2

Rinehart, Robin. "FROM BHAGAT SINGH, ATHEIST, TO AGNOSTIC KHUSHWANT." Sikh Formations 11, no. 1-2 (April 30, 2015): 160–73. http://dx.doi.org/10.1080/17448727.2015.1023111.

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3

Marlewicz, Halina. "Heterotopian City Khushwant Singh and his Delhi: A Novel." Politeja 13, no. 40 (2016): 159–75. http://dx.doi.org/10.12797/politeja.13.2016.40.11.

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4

Sadh, V. G. "Portrayal of Women in the Short Stories of Khushwant Singh." Bioscience Biotechnology Research Communications 14, no. 8 (June 25, 2021): 143–45. http://dx.doi.org/10.21786/bbrc/14.8.32.

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5

Andleeb, Shaista, Muhammad Asif Khan, and Shahzad Ahmad. "Delhi: A Metaphor of Hope and Despair in Delhi and Twilight in Delhi." Global Social Sciences Review V, no. II (June 30, 2020): 334–40. http://dx.doi.org/10.31703/gssr.2020(v-ii).32.

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This paper is an effort to de-construct the two opposite ideas of hope and despair in Ahmed Ali's Twilight in Delhi and Khushwant Singh's Delhi. The comparative points of view regarding Delhi by Singh and Ali serve to construct the ideological, political and ontological framing of Delhi. The paper explores the significance of Delhi as a symbol of political energy which distributes power or snatches it as an active agent of power-history. The paper exhibits the socio-political, economic and communal structures portrayed by Ali and Singh. The study is an effort to detect the system of representation in the metaphor of Delhi in the context of power-resistance and failure of the struggle against the Raj. The paper tries to show that both Ali and Singh see Delhi with a difference of outlook and literary approach to manifest hope and despair.

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6

Joshi, Dipak Raj. "Politics of affect in Train to Pakistan and Tamas." Contemporary Research: An Interdisciplinary Academic Journal 4, no. 1 (November 6, 2020): 59–75. http://dx.doi.org/10.3126/craiaj.v4i1.32730.

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This paper analyzes selected Indian partition novels to unravel affective politics underlined in them. The major affects underlying in these novels are those of love, hatred, happiness, unhappiness, and outrage. One positive affect in favor of one concomitantly invites antonymic affect for the other. This refrain of affect, as this paper has tried to analyze, follows the nationalist historiographies of the writers like Khushwant Singh (The Train to Pakistan) and Bhisham Sahni (Tamas). The paper concludes that the affects evoked by the above mentioned novels are ethically tilted to the notions of community and nationhood of the respective writers—an ideologically biased orientation that results into a prose of demonization and denunciation of whom they consider the Other.

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7

Abdullah, Md Abu Shahid. "The Subcontinent Falls Apart: Communal Violence and Religious Intolerance in Khushwant Singh’s Train to Pakistan." Literary Studies 34, no. 01 (September 2, 2021): 107–17. http://dx.doi.org/10.3126/litstud.v34i01.39530.

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The aim of the article is to show the breakdown of trust and harmony among people from different religious and communal background caused by the partition as depicted in Khushwant Singh’s Train to Pakistan. The article also focuses on the way the novel criticises the indifference of men with power and authority, and the passivity and fear of social, political and religious leaders over the communal violence during and after the partition. Last but not the least, the article also highlights the way the novel portrays the love between a Sikh boy and a Muslim girl where the Sikh boy Juggut Singh sacrifices himself in order to save his beloved Nooran and consequently saves the life of thousands of Muslims targeted for massacre.

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8

Rahman, Nadia. "Khushwant Singh: An Unequivocal Spokesman of Politics in Truth, Love & a Little Malice: An Autobiography." Stamford Journal of English 4 (January 27, 2013): 111–23. http://dx.doi.org/10.3329/sje.v4i0.13492.

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9

Ilame, Veena R. "The A Critical Analysis of the Quad -Segments in “Train to Pakistan,” an Epoch-making Novel by Khushwant Singh." Journal of Humanities and Education Development 2, no. 4 (2020): 262–66. http://dx.doi.org/10.22161/jhed.2.4.2.

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10

Bansal, Dr Alka. "Train to Pakistan: A Saga of Unsalvaged Suffering." SMART MOVES JOURNAL IJELLH 9, no. 7 (July 29, 2021): 41–55. http://dx.doi.org/10.24113/ijellh.v9i7.11118.

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The torments of the colossal human tragedy of the partition of India and its aftermath are still being borne by the people of India in some way or the other. The fissured social and emotional spirit of the people is still not healed. The horrific scenes of partition still haunt the psyche of the Indians. Millions were massacred and those that were alive were like live corpses moving around. Their sufferings are unfathomed. They not only suffered physically but also mentally and emotionally. Khushwant Singh’s Train to Pakistan is a novel that unfolds all aspects of suffering and pain which were endured by the people at that time. Singh has been successful in communicating to his readers the tribulations of the partition days, the harrowing experiences, grossness, the madness and the bestial horrors.The displacement of people from one country to another became the root cause of the whole holocaust. The village which bustled with activity turned into a kenopsia. Singh’s rankling at the idea of partition can be perceived in the novel. In the novel, Singh has vehemently written about every aspect of the dreaded violence to which women were subjected. It is quite obvious from the conditions prevailing in India that this splitting of the country was a futile effort. It sowed the seeds of communal discord permanently. People are still suffering they have not fully recovered from this psychosomatic trauma. The seeds of harmful weeds that were sown by the partition are still being reaped by the Indians.

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11

Jadhav, Swapna. "MANOHAR MALGONKAR - “THE INDIAN KIPLING”." International Journal of Research -GRANTHAALAYAH 4, no. 2 (February 29, 2016): 62–65. http://dx.doi.org/10.29121/granthaalayah.v4.i2.2016.2813.

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Manohar Malgonkar a versatile Indian fictional writer represents the life of pre independent and of post independent India that has left heavy memories of events which changed our nation’s history and society in the most profound ways. His novels “ Distant Drum” (1960), “Combat of Shadows “(1962),” The Princes” (1963), “A Bend in the Ganges” (1964), and “The Devil's Wind” (1972) witness a wonderful knock of weaving plots of singular originality. His themes such as the army life, the aristocracy, commonality, partition of India, violence, sex, hunting, betrayal and revenge actually provides scope to find out the depth of Human relationships.“There is no exaggeration in calling him “INDIAN KIPLING”. Malgonkar has similarities with R.K. Narayan. Both are contemporary Indian fiction writers in English and have experimented with the English language. He finds India under the pressures of modern education and industrialization changing its virtues and reminds us to overcome the evil factors. As a contemporary of writers such as Mulk Raj Anand and Khushwant Singh, it is a fact that Malgonkar’s contribution to the genre we refer to today as Indian Writing in English remains largely unacknowledged.

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12

Mili, Umme Rabeya. "The attitude of Amitav Ghosh and Khushwant Singh on nationalism and partition in The Shadow Lines and Train to Pakistan." International Journal of English Literature and Social Sciences 4, no. 6 (2019): 2030–37. http://dx.doi.org/10.22161/ijels.46.63.

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13

Maheswari, Dr C. N. Baby. "Critical Analysis of Khushwant Singhs Karma." International Journal of Research in Arts and Science 04, no. 02 (August 31, 2018): 06–07. http://dx.doi.org/10.9756/ijras.8408.

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14

Dohe, Carrie B. "Khushwant Singh and Judith Steinau-Clark (eds.), Voices from Religions on Sustainable Development (Bonn: German Federal Ministry for Economic Development and Cooperation [BMZ], 2016), 159 pp. No ISBN. May be ordered from ReligionMatters@giz.de." Journal for the Study of Religion, Nature and Culture 11, no. 2 (July 13, 2017): 271–73. http://dx.doi.org/10.1558/jsrnc.32862.

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15

Raichura, Komal. "Politics of religion in partition novels: Rahi Masoom Rezas Adha Gaon and Khushwant Singhs Train to Pakistan." International Journal of English and Literature 5, no. 8 (October 31, 2014): 223–25. http://dx.doi.org/10.5897/ijel2014.0592.

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16

"THE POINT OF VIEW IN KHUSHWANT SINGH S “POSTHUMOUS’’." International Journal of Advance Engineering and Research Development 5, no. 02 (February 28, 2018). http://dx.doi.org/10.21090/ijaerd.ictimes12.

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17

"The Picture of New India’s Development Model in Burial at the Sea by Khushwant Singh." Journal of Advances and Scholarly Researches in Allied Education 15, no. 4 (June 1, 2018): 152–54. http://dx.doi.org/10.29070/15/57371.

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