Relevant bibliographies by topics / Kienholz, Edward

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Kienholz, Edward'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Kienholz, Edward"

1

Hopps, Walter. "Edward Kienholz: A Remembrance." American Art 8, no. 3/4 (1994): 122–24. http://dx.doi.org/10.1086/424226.

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2

Blocker, Jane. "History in the Present Progressive: Sonic Imposture at The Pedicord Apts." TDR/The Drama Review 59, no. 4 (2015): 36–50. http://dx.doi.org/10.1162/dram_a_00495.

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Scholars often think of sound, even recorded sound, as having a special relationship to the real that other historical artifacts do not. But if sound is a material thing, and things can be, from a new materialist perspective, “quasi-agents,” is it possible that sound is an agent that poses or acts? Three “scenes of history” utilizing recorded sound—Beckett’s Krapp’s Last Tape, archival recordings of FDR, and a sound installation by Edward and Nancy Kienholz—provide diverse contexts through which to investigate the nature of sound’ s material agency.
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3

Silk, Gerald. "Affect and Ethics in Mike Malloy’s Insure the Life of an Ant." Arts 13, no. 3 (2024): 101. http://dx.doi.org/10.3390/arts13030101.

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This essay examines a little-known but important installation entitled Insure the Life of an Ant, conceived by artist Mike Malloy and displayed at the O.K. Harris Gallery in New York in April of 1972. This provocative and idiosyncratic piece confronted gallery-goers, who became viewer–participants, with the option of killing or saving a live ant displayed like a sculpture on a pedestal, either by pushing a button or not. The artist made the piece, which can function almost like a psychology experiment, to engender a “moral dilemma”. I explore the particular role of affect in a participatory ar
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4

Lipschitz, Ruth. "Re-presenting America: Edward Kienholz's Portable War Memorial, Vietnam and Cold War politics." de arte 37, no. 65 (2002): 22–41. http://dx.doi.org/10.1080/00043389.2002.11876989.

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Dissertations / Theses on the topic "Kienholz, Edward"

1

Gadd, Jordan. "Performing Violence: The (Un)reality of War - Chris Burden, Edward Kienholz, Wafaa Bilal." Scholarship @ Claremont, 2009. http://scholarship.claremont.edu/pomona_theses/29.

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Tron-Carroz, Caroline. "La boîte télévisuelle : histoire matérielle et conceptuelle d’un objet polytechnique." Paris 10, 2008. http://www.theses.fr/2008PA100073.

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Au moment où, dans les années 1960, le poste de télévision trône au sein des foyers des pays industrialisés, les artistes tels que Edward Kienholz, Nam June Paik ou Wolf Vostell s’emparent de l’objet et conçoivent des boîtes télévisuelles issues de leur propres recherches artistiques sculpturales ou performatives : brouillage des programmes télévisuels, bétonnage des postes, désossement du contenant et détournement des contenus. Ces manipulations plus ou moins subversives transforment ce parallélépipède en un réceptacle d’objets divers qui, a fortiori, s’insère dans un autre environnement que
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Books on the topic "Kienholz, Edward"

1

Rosetta, Brooks, and Whitney Museum of American Art., eds. Kienholz: A retrospective : Edward and Nancy Reddin Kienholz. Whitney Museum of American Art in association with Thames and Hudson, 1996.

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2

Kienholz, Edward. Kienholz. Baltic Centre for Contemporary Art in association with Museum of Contemporary Art, Sydney, 2005.

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3

Kienholz, Edward. Kienholz. Haunch of Venison, 2005.

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4

Kienholz, Edward. Edward and Nancy Kienholz: 1980's. Sta dtische Kunsthalle Du sseldorf, 1989.

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5

Düsseldorf, Städtische Kunsthalle, and Museum des 20. Jahrhunderts (Austria), eds. Edward and Nancy Kienholz: 1980's. Kunsthalle Düsseldorf, 1989.

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Düsseldorf, Städtische Kunsthalle. Edward and Nancy Kienholz: 1980's. Kunsthalle Düsseldorf, 1989.

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7

1943-, Reddin-Kienholz Nancy, Hopps Walter, Brooks Rosetta, Whitney Museum of American Art., Museum of Contemporary Art (Los Angeles, Calif.), and Berlinische Galerie, eds. Kienholz, a retrospective. Whitney Museum of American Art, in association with D.A.P./Distributed Art Publishers, 1996.

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8

1927-, Kienholz Edward, Reddin-Kienholz Nancy 1943-, and Berlinische Galerie, eds. Edward und Nancy Kienholz, the Pawn boys. Berlinische Galerie, 1986.

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9

Schmidt, Hans-Werner. Edward Kienholz, the portable war memorial: Moralischer Appell und politische Kritik. Fischer Taschenbuch, 1988.

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10

Gallery, L. A. Louver, ed. Edward and Nancy Kienholz: "The merry-go-world or begat by chance and the wonder horse Trigger.". L.A. Louver, 1992.

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Book chapters on the topic "Kienholz, Edward"

1

"EDWARD KIENHOLZ." In Modern Sculpture. University of California Press, 2022. http://dx.doi.org/10.2307/j.ctv2vr8v47.43.

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2

Hopkins, Claudia, and Iain Boyd Whyte. "Hermann Raum, “Between Las Vegas and Golgotha: On the Work of Edward and Nancy Kienholz,” translated from German by Margarethe Clausen, originally published as “Zwischen Las Vegas und Golgatha. Zum Werk von Edward & Nancy Kienholz,” in Bildende Kunst 9 (1988): 396–398." In Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-142116.

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Heinrichs, Johannes. "5. Das Spiel mit den semiotischen Dimensionen im modernen Museum. Zur philosophischen Syntax neuer Kunst, am Beispiel von Edward Kienholz’ ,,Das tragbare Kriegerdenkmal"." In Gelebte Reflexion. Academia Verlag, 2019. http://dx.doi.org/10.5771/9783896657565-104.

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