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Journal articles on the topic 'Kikkers'

Author: Grafiati
Published: 4 June 2021
Last updated: 24 January 2023

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1

Fitski, Menno. "‘EEN KRUIWAGEN MET KIKKERS’ MICHAEL DRABBE EN HET M.J. DRABBE FONDS." Aziatische Kunst 39, no. 2 (July 11, 2009): 22–30. http://dx.doi.org/10.1163/25431749-90000182.

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2

Eenhoorn, Anneke. "koele kikker." Kind & Adolescent Praktijk 9, no. 1 (April 2010): 40. http://dx.doi.org/10.1007/s12454-010-0012-8.

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3

Tesauro, Emanuele. "Den aristoteliske kikkert." Rhetorica Scandinavica, no. 25 (2001): 4–12. http://dx.doi.org/10.52610/oqlg6373.

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4

Colbjørnsen, Terje. "NMT kikker under panseret." Norsk medietidsskrift 27, no. 01 (March 18, 2020): 1–2. http://dx.doi.org/10.18261/issn.0805-9535-2020-01-01.

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5

Kate, Christine Ten. "KIJK! ik ben een kikker." Kinderopvang 30, no. 4 (March 30, 2020): 28. http://dx.doi.org/10.1007/s41189-020-0350-3.

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6

Bersselaar, Victor van den. "Nooit meer een kikker kussen? Over neurosociale interventies en bestaansethiek." Journal of Social Intervention: Theory and Practice 20, no. 2 (May 31, 2011): 24. http://dx.doi.org/10.18352/jsi.262.

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7

Kikkert, Gustaaf, Mark Davidson, and Roger Nokes. "Closure to “Inclined Negatively Buoyant Discharges” by Gustaaf Kikkert, Mark Davidson, and Roger Nokes." Journal of Hydraulic Engineering 134, no. 12 (December 2008): 1784. http://dx.doi.org/10.1061/(asce)0733-9429(2008)134:12(1784).

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8

Wiebes, C. "P. Brijnen van Houten, J.G. Kikkert, Brandwacht in de coulissen. Een kwart eeuw geheime diensten." BMGN - Low Countries Historical Review 105, no. 1 (January 1, 1990): 127. http://dx.doi.org/10.18352/bmgn-lchr.3208.

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9

Secker, W. P. "J.G. Kikkert, Geld, macht en eer. Willem I, koning der Nederlanders en Belgen 1772-1843." BMGN - Low Countries Historical Review 112, no. 2 (January 1, 1997): 273. http://dx.doi.org/10.18352/bmgn-lchr.4476.

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10

Mooren, P. E. J. M. "J. Linders, Ik bof dat ik een kikker ben. Leven en werk van Max Velthuijs." BMGN - Low Countries Historical Review 119, no. 3 (January 1, 2004): 451. http://dx.doi.org/10.18352/bmgn-lchr.6128.

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11

Szustaczek, Christine, Peter Kikkert, Christian Knudsen, and Jennifer Deighton. "Sheridan@50: A creative history for a creative campus." Journal of Professional Communication 6, no. 1 (June 10, 2020): 165–74. http://dx.doi.org/10.15173/jpc.v6i1.4345.

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Sheridan’s celebration of its 50th anniversary in 2017 provided a unique opportunity for our internal community – students, alumni, staff, and faculty – to co-create and explore the rich history of the college. We partnered with Dr. Peter Kikkert, then Sheridan Professor of Public History, and Dr. Christian Knudsen, Sheridan Professor of Cultural History. The key outputs were a documentary (exploring Sheridan’s history) and a travelling display of eight historical towers (documenting Sheridan’s creation, development, successes, failures, capabilities, culture, and the societal forces that have shaped it). A social campaign, web landing page, three key events, and publications (both print and digital) helped engage our internal community and disseminate the findings. The initiative helped archive Sheridan’s history, build awareness of its achievements and progress, demonstrate how its founding values (creativity, innovation, community, inclusivity) still guide the institution, and increase people’s knowledge, pride, and sense of belonging with Sheridan. ©Journal of Professional Communication, all rights reserved.
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12

Papakonstantis, Ilias G., and George C. Christodoulou. "Discussion of “Inclined Negatively Buoyant Discharges” by G. A. Kikkert, M. J. Davidson, and R. I. Nokes." Journal of Hydraulic Engineering 134, no. 12 (December 2008): 1782–84. http://dx.doi.org/10.1061/(asce)0733-9429(2008)134:12(1782).

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13

Jaspers, Robbert, and Tom Binder. "Van een kikker kan men geen veren plukken – het mededingingsrechtelijke ondernemingsbegrip in het kader van de civielrechtelijke handhaving." Markt en Mededinging 22, no. 3 (July 2019): 112–19. http://dx.doi.org/10.5553/menm/138762362019022003005.

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14

YONEZAWA, Takanori. "A STUDY ON THE PLACE OF KANJO IN KIKKE-SHINTO." Journal of Architecture and Planning (Transactions of AIJ) 81, no. 720 (2016): 449–56. http://dx.doi.org/10.3130/aija.81.449.

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15

Ndalianis, Angela. "De digitale verdeners (vid)under." MedieKultur: Journal of media and communication research 19, no. 36 (September 5, 2003): 8. http://dx.doi.org/10.7146/mediekultur.v19i36.1239.

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I tidens blockbusterfilm spiller digitale special effects en stadig større rolle. Fra at have været et ‘usynligt’ redskab, der muliggjorde impone- rende stunts som bussen, der flyver over et hul i motorvejen i Speed, har digitale effekter erobret hovedrollen. Siden den morfende termi- nator i Terminator 2: Judgment Day og de realistiske dinosaurer i Jurassic Park har digitale elementer opnået en stjernestatus, der ofte overgår skuespillernes. Således er den digitale Gollum i Lord of the Rings: The Two Towers mere troværdig end de øvrige ‘fysiske’ stjer- ner. De amerikanske blockbusterfilm, der anvender en iøjnefaldende brug af digital æstetik, er ofte science fiction- og fantasy-film, der af den kritiske teori har været anset for “usundt slik for øjet.” Forfatteren viser, hvordan filmens digitale undere kan sættes i relation til Rene Descartes’ tanker om underet/det vidunderlige, der hensætter tilsku- eren i en æstetisk undren, der fører til en intellektuel trang til forståelse (som første gang stjernesystemet lod sig se i en kikkert). Samme und- ren bliver hos Blaise Pascal en ’afgrund’ (une abîme), der indgiver ære- frygt og fører os til det religiøse og mystiske, til overvejelser over natu- rens undere og Guds natur. Det digitale liv er ikke blot æstetik; det får sit eget, uforudsigelige liv - som de digitale figurer i The Two Towers der er programmeret til at slås, men foretrækker at flygte, og derfor må re- programmeres. Det digitale liv udfordrer os med intet mindre end over- vejelser over naturens orden, menneskets natur, teknologiens rolle, livet, døden og fremtiden.
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16

Elliot-Meisel, Elizabeth B. "Cavell, Janice, Documents on Canadian External Relations: The Arctic, 1874-1949 and Kikkert, Peter and P. Whitney Lackenbauer, eds. Legal Appraisals of Canada's Arctic Sovereignty: Key Documents, 1905-56." Northern Mariner / Le marin du nord 27, no. 2 (May 31, 2017): 175–84. http://dx.doi.org/10.25071/2561-5467.401.

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17

Cseke, Péter. "Akik távollétükben sem tudtak elszakadni Erdélytől : Buday Árpád, Buday György és Buday Kálmán kolozsvári emlékezete." Dolgozatok az Erdélyi Múzeum Érem- és Régiségtárából, no. 12-13 (2017): 147–51. http://dx.doi.org/10.57047/dolg-2017-12.

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A nyolcvanas évek elején, amikor az esszéíró és művelődésszervező Jancsó Béla (1903–1967) lakását a húga felszámolta, kevesen tudtak arról, hogy milyen értékes irodalom- és művelődéstörténeti örökséget rejt a Monostori útra néző szoba, illetve a mély kapubejárat jobb oldali falába épített – „titokzatos” – vaspántos szekrény. Padlóra szórt levelek, levélmásolatok, kéziratok, újságkivágatok látványa fogadott, amikor Debreczeni László telefonhívására – kérésének megfelelően: jókora bőrönddel – a „lerobbant” lakásban megjelentem. Hogy kikkel állt levelezésben Jancsó Béla? A távollétében Erdélytől elszakadni sosem tudó Buday Árpád régészprofesszor, Buday György világhírű grafikus és a fiatalon elhunyt Buday Kálmán történész levelei már kezdettől felkeltették érdeklődésemet. Később tudtam meg, hogy Buday Árpád nemzetközi tekintélyű régésznek számított már kolozsvári működése idején. Nagyobbik fiából is régészt szeretett volna nevelni, ezért állandóan magával vitte terepjárásaira. Ha az apát a régmúlt korok kultúrája ejtette ámulatba, a fiút a tájélmény varázsa, a korabeli népi élet gazdagsága ragadta meg. Hanem ez a varázs idő előtt megtörött. Az idegen nyelveken levelező tudós felkelti a román hatóságok gyanakvását: kémtevékenységgel vádolják, rövid időre le is tartóztatják, szakmáját nem folytathatja. Többévi egzisztenciális küzdelem és hetekig tartó vagonutazás után „jövevényként” érkezik meg 1924 őszén családjával Szegedre, a Kolozsvárról átköltözött egyetemi tanárok kolóniájára. Buday Árpád mind Kolozsváron, mind szegedi tanulmányévei alatt mentora volt Jancsó Bélának; amikor diplomája nosztrifikálása érdekében vissza kellett térnie Kolozsvárra, fiatal joghallgató barátjára bízta a Szegeden tanuló erdélyi ifjak Bethlen Gábor Körének gondjait; Buday Kálmán pedig állandó „téma” volt kettejük levelezésében.
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18

Kikkert, Wouter J., Ronak Delewi, and Bimmer E. P. M. Claessen. "Letter by Kikkert et al Regarding Article, “Effect of Intravenous Fentanyl on Ticagrelor Absorption and Platelet Inhibition Among Patients Undergoing Percutaneous Coronary Intervention: The PACIFY Randomized Clinical Trial (Platelet Aggregation With Ticagrelor Inhibition and Fentanyl)”." Circulation 138, no. 2 (July 10, 2018): 214–15. http://dx.doi.org/10.1161/circulationaha.117.032464.

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19

Wilson, Robert, and Maria Shevtsova. "Covid Conversations 5: Robert Wilson." New Theatre Quarterly 38, no. 1 (February 2022): 1–26. http://dx.doi.org/10.1017/s0266464x21000385.

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World-renowned for having made a totally new kind of theatre, director-designer Robert Wilson first astonished international audiences in Paris in 1971 with Le Regard du sourd (Deafman Glance) and then with his twenty-four-hour Ouverture at the first edition of the Festival d’Automne in 1972. He also refers in this Conversation to Einstein on the Beach, premiered at the Avignon Festival in 1976, as another example among more of France offering him a home before he eventually founded the Watermill Center in 1992 on Long Island in the State of New York. Watermill, a laboratory for multidisciplinary creativity, opened its doors to the public in 2006 and is a focal point of the Conversation as a whole. Wilson’s immediately pre-Covid-pandemic production of The Messiah by Mozart was premiered at the Mozartwoche Salzburg in February 2020 and performed subsequently in Paris during a brief Covid ‘lull’ in September of that year. Discussion of this pivotal work leads to reflections on the opera productions that he had staged not so long before it, emphasizing the elements fundamental to his compositions – light, time, space, architecture, and silence. The Conversation, followed by audience questions addressed to Wilson, took place live online and on Facebook on 4 December 2020 as a prelude to the Festival Internacional Santiago a Mil in Chile, which opened on 3 January 2021. This was the Festival’s twenty-eighth year, but in a significantly restricted form due to Covid-19. A sequel to the Santiago interchange, also online but this time located in Paris, occurred on 17 September 2021. It resumes dialogue mainly on the Watermill Center’s broader cultural and social goals in the present and for the future, noting as well Wilson’s then current activities in Paris: a heavy schedule of four productions from the beginning of September to the end of December 2021, and a sound installation planned for 2022.Maria Shevtsova gratefully thanks the Fundación Teatro a Mil and its General Director Carmen Romero for their initiative in inviting Robert Wilson with her to converse publicly as part of the Festival a Mil, and for permission to edit the transcript for publication in New Theatre Quarterly. Thanks are due to interpreters Margit Schmohl and Jorge Ramirez, and to Maria Luisa Vergara for organizing the audience participation included below, as well as to Alfonso Arenas, former Coordinator of the Education and Communities Area at the Theatre Foundation a Mil. Warmest gratitude is extended to Robert Wilson for his generosity in all sorts of ways, and not least for finding the time to continue the Conversation in Paris. Thanks for their kind support to Nuria Moreno, Production at Teatro Real Madrid, Christof Belka, Executive Director of RW Work Ltd, Clifford Allen, Director of Archives of the Watermill Center, and Leesa Kelly and Noah Khoshbin, curators of the 2021 outdoor exhibition Minneapolis Protest Murals at the Crossroads Summer Festival held at the Watermill Center. The exhibition presented 190 public artworks from the 900 boards of the Minneapolis Protest Murals which were created organically in Minneapolis following the murder of George Floyd on 25 May 2020. Special thanks for their gift of images are given to photographers Lucie Jansch, Javier del Real, Kristian Kruuser and Kaupo Kikkas, Lovik Delger Ostenrik, and Martyna Szczesna. Kunsang Kelden and Maria Shevtsova transcribed this Conversation in two parts. Shevtsova, Editor of New Theatre Quarterly and author of Robert Wilson (Routledge, 2007; updated edition, 2019) edited and annotated the combined transcript for publication.
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20

"Thema: Kikkers." Kinderopvang 27, no. 4 (April 2017): 11. http://dx.doi.org/10.1007/s41189-017-0048-3.

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21

"Depressionen: Bipolarität keine Erklärung für Therapieresistenz." Fortschritte der Neurologie · Psychiatrie 90, no. 07/08 (July 2022): 315–16. http://dx.doi.org/10.1055/a-1832-0140.

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Depressive Störungen stellen weltweit eine Bedrohung der seelischen Gesundheit dar: aktuelle Studien schätzen die Lebenszeitprävalenz auf bis zu 20%. Obgleich es heute zahlreiche Therapieansätze gibt, sprechen nicht alle PatientInnen gleichsam auf die Behandlung an. Kikkert-Hurkens und Team wollten wissen, ob Bipolarität diese Resistenz erklären könnte, und haben eine Querschnittsstudie zum Thema durchgeführt.
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22

"Depressionen: Bipolarität keine Erklärung für Therapieresistenz." Fortschritte der Neurologie · Psychiatrie 90, no. 11 (November 2022): 496–97. http://dx.doi.org/10.1055/a-1868-6987.

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Depressive Störungen stellen weltweit eine Bedrohung der seelischen Gesundheit dar: aktuelle Studien schätzen die Lebenszeitprävalenz auf bis zu 20%. Obgleich es heute zahlreiche Therapieansätze gibt, sprechen nicht alle PatientInnen gleichsam auf die Behandlung an. Kikkert-Hurkens und Team wollten wissen, ob Bipolarität diese Resistenz erklären könnte, und haben eine Querschnittsstudie zum Thema durchgeführt.
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23

Muller, Ann. "Editorial Comments/ Redaksionele Kommentaar." Health SA Gesondheid 9, no. 3 (November 8, 2004). http://dx.doi.org/10.4102/hsag.v9i3.166.

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In this issue we present a bouquet with which we hope to tantalise your cerebral taste buds. Opsomming In hierdie uitgawe bied ons vir u ‘n geur waarmee ons hoop om u serebrale smaakorgane op te kikker. *Please note: This is a reduced version of the abstract. Please refer to PDF for full text.
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24

Wesselink, Daan B., Fiona MZ van den Heiligenberg, Naveed Ejaz, Harriet Dempsey-Jones, Lucilla Cardinali, Aurelie Tarall-Jozwiak, Jörn Diedrichsen, and Tamar R. Makin. "Obtaining and maintaining cortical hand representation as evidenced from acquired and congenital handlessness." eLife 8 (February 5, 2019). http://dx.doi.org/10.7554/elife.37227.

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A key question in neuroscience is how cortical organisation relates to experience. Previously we showed that amputees experiencing highly vivid phantom sensations maintain cortical representation of their missing hand (Kikkert et al., 2016). Here, we examined the role of sensory hand experience on persistent hand representation by studying individuals with acquired and congenital hand loss. We used representational similarity analysis in primary somatosensory and motor cortex during missing and intact hand movements. We found that key aspects of acquired amputees’ missing hand representation persisted, despite varying vividness of phantom sensations. In contrast, missing hand representation of congenital one-handers, who do not experience phantom sensations, was significantly reduced. Across acquired amputees, individuals’ reported motor control over their phantom hand positively correlated with the extent to which their somatosensory hand representation was normally organised. We conclude that once cortical organisation is formed, it is remarkably persistent, despite long-term attenuation of peripheral signals.
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25

Neuman, Benjamin W. "How the Double Spherules of Infectious Bronchitis Virus Impact Our Understanding of RNA Virus Replicative Organelles." mBio 4, no. 6 (December 17, 2013). http://dx.doi.org/10.1128/mbio.00987-13.

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ABSTRACT Powered by advances in electron tomography, recent studies have extended our understanding of how viruses construct “replication factories” inside infected cells. Their function, however, remains an area of speculation with important implications for human health. It is clear from these studies that whatever their purpose, organelle structure is dynamic (M. Ulasli, M. H. Verheije, C. A. de Haan, and F. Reggiori, Cell. Microbiol. 12:844-861, 2010) and intricate (K. Knoops, M. Kikkert, S. H. Worm, J. C. Zevenhoven-Dobbe, Y. van der Meer, et al., PLOS Biol. 6:e226, 2008). But by concentrating on medically important viruses, these studies have failed to take advantage of the genetic variation inherent in a family of viruses that is as diverse as the archaea, bacteria, and eukaryotes combined (C. Lauber, J. J. Goeman, M. del Carmen Parquet, P. T. Nga, E. J. Snijder, et al., PLOS Pathog. 9:e1003500, 2013). In this climate, Maier et al. (H. J. Maier, P. C. Hawes, E. M. Cottam, J. Mantell, P. Verkade, et al., mBio 4:e00801-13, 2013) explored the replicative structures formed by an avian coronavirus that appears to have diverged at an early point in coronavirus evolution and shed light on controversial aspects of viral biology.
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26

"A REVIEW OF ETHNOMEDICINE, PHYTOCHEMICAL AND PHARMACOLOGICAL PROPERTIES OF ACACIA NILOTICA (BABOOL/KIKKAR)." International Journal of Biology, Pharmacy and Allied Sciences 7, no. 5 (May 1, 2018). http://dx.doi.org/10.31032/ijbpas/2018/7.5.4443.

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27

": Mondd meg, kikkel töltöd az idődet, s megmondom, ki vagy. A társas támogatást nyújtó személyes kapcsolati háló néhány jellemzője és működése a Nyíregyházi járásban." Acta Medicinae et Sociologica 6, no. 18-19 (December 1, 2015): 121–44. http://dx.doi.org/10.19055/ams.2015.6/18-19/9.

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