Relevant bibliographies by topics / Kinematografiya; kino

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  2. Dissertations / Theses
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Academic literature on the topic 'Kinematografiya; kino'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Kinematografiya; kino"

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Qodirov, Humoyun Abduraxmon oʻgʻli, та Xabibulla Rajab oʻgʻli Muxamedov. "KINEMATOGRAFIYA SOHASIDA OʻZBEKISTON SSR VA HINDISTON DAVLATLARINING OʻZARO HAMKORLIGI". Educational Research in Universal Sciences 2, № 4 (2023): 82–86. https://doi.org/10.5281/zenodo.7903084.

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Mazkur maqolada yaqin oʻtmish, Oʻzbekiston SSR va Hindiston davlatlarining kinematografiya sohasidagi oʻzaro hamkorlik munosabatlari yoritilgan. Bunda SSSRning Hindiston bilan diplomatik munosabatlar oʻrnatishda Oʻzbekiston roli haqida soʻz yuritilgan.
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Kalčić, Miodrag. "Počeci kinofikacije Pule (do početka Velikoga rata): prvi puljski stalni kinematografi i prvo erotsko kino." Histria : the Istrian Historical Society review 6, no. 6 (2016): 93–114. http://dx.doi.org/10.32728/h2016.04.

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Koliko je iz puljskih dnevnih i tjednih novina poznato, u Puli su od 21. studenoga 1896. do Prvoga svjetskog rata gostovala ukupno 32 putujuća kinematografa. Kinematograf Edison na Portarati otvoren je 25. travnja 1906. Njegova relativno kratka postojanost ide u prilog putujućega kinematografa, a gotovo sve ostalo u prilog stalnoga kinematografa. Prvi službeno proglašen stalni puljski kinematograf, ujedno i drugo stalno kino u današnjoj Hrvatskoj, Električno kino Internazionale (Bioscopio elettrico Internazionale) svečano je otvoreno i počelo s redovitim prikazivanjem filmova 3. lipnja 1906. O
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Ibraymov, Shamshetdin Zinatdinovich. "O'ZBEKISTON KINO SAN'ATINING RIVOJLANISH USLUBLARI VA USTUVOR YO'NALISHLARI." Innovative Development in Educational Activities 2, no. 7 (2023): 426–30. https://doi.org/10.5281/zenodo.7831840.

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<em>Ushbu maqolada O&lsquo;zbek kinosining daslabki yillari hamda Davlat rahbarining bugungi o&lsquo;zbek kinosi rivojlanishi uchun belgilab bergan eng muhum ustuvor yo&lsquo;nalishlari to&lsquo;g&lsquo;risida fikirlar bildirilgan</em>
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SHARAFATDIN, Bawetdinov Kazimbekovich. "SES REJISSYORI SYOMKA WAQTINDA MIKROFON MENEN ISLEWI." МАДАНИЯТ ВА САНЪАТ ЖУРНАЛИ 1, no. 7 (2023): 3–7. https://doi.org/10.5281/zenodo.8333578.

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Bul maqalada&nbsp; filmdi s&uacute;wretke alıw processinde ses rejissorı qanday mikrofonlardi ilsetiw haqqinda s&oacute;z baradı. H&aacute;m h&aacute;r bir mikrofonda qalay islew kerek ekenligi syomka barisinda qalay qollaniliw kerek ekenligi s&oacute;z etiledi.
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Kaprzyk, Marta. "Sytuacja ekonomiczna kina hiszpańskiego w XXI wieku. Próba diagnozy." Kwartalnik Filmowy, no. 101-102 (June 30, 2018): 40–51. http://dx.doi.org/10.36744/kf.1943.

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Współczesne kino hiszpańskie można traktować dwojako. Z jednej strony, jako kinematografię narodową, która jest zaangażowana w transnarodowe sieci współpracy i wymiany, a jednocześnie korzysta z transnarodowych kodów i uniwersalnego języka filmowego. Z drugiej strony, kino hiszpańskie jest jedną z kinematografii europejskich silnie uzależnionych od hegemonii „globalnego Hollywood”. W artykule zostały omówione podstawowe cechy współczesnego przemysłu Hiszpanii (takie jak mimetyzm względem kina hegemonicznego, nadmiar produkcji lokalnych i endogamicznych czy uznanie dla kina asymilującego „międz
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Korczarowska-Różycka, Natasza. "„Ekspresjonizm to gra... Ale właściwie, czemu nie?”. Mabuseria, czyli eksperyment ekspresjonistyczny w „Mocnym człowieku” Henryka Szaro." Kwartalnik Filmowy, no. 89-90 (June 30, 2015): 306–19. http://dx.doi.org/10.36744/kf.2342.

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Artykuł został poświęcony analizie filmu Henryka Szaro Mocny człowiek (1929) w kontekście zjawiska ekspresjonizmu filmowego. Autorka podejmuje próbę odpowiedzi na pytanie, czy w dominującym w okresie dwudziestolecia międzywojennego modelu kinematografii „zorientowanej na odbiorcę” (który w powszechnej świadomości odbiorczej jest kojarzony raczej ze Stefcią Rudecką, a nie Caligarim) było możliwe podejmowanie radykalnych eksperymentów artystycznych. Oczywistym wątkiem, który musiał pojawić się w toku wywodu, jest analiza wpływu na rodzimą kinematografię (i krytykę filmową) omawianego okresu kano
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Norqo'ziyeva, Zulxumor Meliboyevna. "O'ZBEK TILIDA KINEMATOGRAFIK TERMINOLOGIYANING SHAKLLANISHI, QO'LLANILISHI." PEDAGOGLAR huquqiy, tibbiy, ijtimoiy, ilmiy jurnal 11, no. 2 (2021): 151–56. https://doi.org/10.5281/zenodo.5820597.

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Annotatsiya: &nbsp;Ushbu &nbsp;maqolada &nbsp;o&lsquo;zbek &nbsp;tilida &nbsp;kinematografik &nbsp;terminologiyaning&nbsp; shakllanishi, qo&lsquo;llanilishi masalalari haqida fikr yuritiladi.&nbsp; Аннотация: &nbsp;В &nbsp;этой &nbsp;статье &nbsp;рассматривается, &nbsp;вопросы &nbsp;формирования &nbsp;и&nbsp; использования кинематографической терминологии в узбекском языке.&nbsp; Abstract: This article discusses the formation and use of cinematic terminology&nbsp; in the Uzbek language.&nbsp;
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Korczarowska, Natasza. "Heroiczni mężczyźni i nieobecne kobiety." Kwartalnik Filmowy, no. 124 (December 28, 2023): 229–36. http://dx.doi.org/10.36744/kf.1720.

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W książce Filmowe zarządzanie pamięcią. Kino polskie 2005-2020 o historii najnowszej (2022) Magdalena Urbańska dokonuje analizy „filmów o historii” z perspektywy politycznych mechanizmów zarządzania pamięcią zbiorową. Zaproponowane przez autorkę podejście odzwierciedla tezę, że filmy historyczne mogą dostarczyć wiedzy historycznej wyłącznie na temat okresu, w którym zostały zrealizowane. Autorkę interesują zagadnienia (II wojna światowa, okres PRL, relacje polsko-żydowskie, rola kobiety w społeczeństwie), które w latach 2005-2020 zajmowały wiodące miejsce w dyskursie publicznym. Urbańska trakt
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Danielewicz, Dorota. "Kino kabardyjskie. Lokalna kinematografia Kaukazu Północnego." Studia Filmoznawcze 47 (April 29, 2025): 201–21. https://doi.org/10.19195/0860-116x.47.10.

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Słupianek-Winkowska, Agnieszka. "Pleszewska kinematografia w okresie międzywojennym." Zeszyty Kaliskiego Towarzystwa Przyjaciół Nauk, no. 24 (May 20, 2025): 208. https://doi.org/10.4467/26578646zknt.24.011.20846.

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The aim of the article is to present the activities of the so-called “cinema - theatres” in Pleszew during the interwar period. The primary source materials consist mainly of records from the Pleszew City Archives, kept at the State Archives in Kalisz, as well as information from local newspapers of the time. The first part provides a description of the cinema establishments that were operating at that time (Kino Edisona, Kino Apollo, Kino Nowości, Kino Wojskowe, Kino Czar), along with brief biographies of their owners and lessees. Subsequently, based on archival materials, the principles of o
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Dissertations / Theses on the topic "Kinematografiya; kino"

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Štůla, Andrej. "Perspektivy užití marketingových nástrojů v tradičním kině." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-72709.

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The diploma work gives an overview of the development of cinemas with respect to traditional movie theatres and situates it to the present market when meeting some serious problems -- decreasing attendance, commercial multiplex competition and offen insufficient application of marketing knowledges. The work tries to find an answer of the question if the classical movie theatres are convicted to termination. To sort out the task it uses marketing tools with respect of the specific cinema's environment, analyzing recent situation and proposes new marketing methods of solution, which could lead t
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Eckert, Stefanie. "Kinematografie in Deutschland eine Untersuchung zur Konstitution des Dipositivs Kino in demokratischen Epochen /." [Potsdam] : [Hochsch.-Bibliothek], 2006. http://deposit.d-nb.de/cgi-bin/dokserv?idn=983649049.

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Felcman, Jakub. "Imaginární kino." Doctoral thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-373531.

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Přádná, Alena. "Management kina Ponrepo." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-205691.

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The aim of this thesis is to map and subsequently analyse and evaluate all the processes that are going on in the Ponrepo cinema. Even though it is an archive cinema it is currently participating in more complex and broader activities than just film screenings. Therefore, this thesis deals with the processes associated with traditional function as an intermediary of collections of the National Film Archive to the public and the processes associated with the new mission as a creative centre or platform for film education.
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Kalandrová, Pavlína. "Historický film v současné evropské kine matografii z producentského hlediska." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-155930.

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Historic film genre serves here as a model example of a demanding film project in contemporary European cinematography. We want to explore the problems of development and financing of historic films. The basis of the research is the idea that historic films are mostly producer projects because of their commercial potential. The genre of historic film is explained here from two different points of view: Film theory and film history. The concept of European cinematographic work and the ways of financing European co-production films are shortly presented. Further we describe what a producer follo
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Večerskis, Kasparas. "A. Matelio dokumentinis kinas kaip informacinis žanras." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20110709_152438-48837.

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Šio darbo tikslas yra parodyti kaip dokumentinis kinas pakito istoriniu kontekstu ir šiais laikais supanašėjo su televizijos reportažu. Pavyzdžiu imamas A. Matelio dokumentinis filmas „Prieš parskrendant į Žemę“. Tema aktuali tuo, kad vadinamoji „lietuvių kino mokykla“ praranda savitumą, tampa vis labiau Europietiška, veikiama Vakarų kultūros. Tikslui pasiekti iškelti tokie uždaviniai: apžvelgti dokumentinio kino kaitą Lietuvoje nuo atsiradimo iki šių dienų; aprašyti atsiradusios televizijos įtaką dokumentinio kino tolesniam vystymuisi; išanalizuoti naujosios „lūžio“ kartos dokumentinio kino s
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Hasan, Petr. "Vztah římskokatolické církve ke kinematografii v českých zemích mezi lety 1918 - 1948." Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-435128.

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After the First World War, the Catholic Church intensified its interest in a world that was becoming ever more secular and began to look for new means of actively and creatively taking part in cultural affairs. Cinematography was one of the areas in which this trend became most apparent. It was shortly after the invention of cinematograph that various ideas and plans regarding how to deal with film began to emerge among Catholics. Consequently, the Pope gave his blessing to community-based initiatives and included them in his plan in the encyclical Vigilanti Cura. This study seeks to familiari
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Rozumová, Markéta. "Obraz italské filmové tvorby v československých filmových periodikách v letech 1965-1975." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-347559.

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This diploma thesis - The image of Italian films in Czechoslovak film journals in years 1965- 1975 is devoted to the manner of display, presentation and evaluation of Italian cinematography in the magazines Kino and Film a doba. The first part of this work describes the social and political environment in Czechoslovakia and in Italy, with an emphasis on culture, film and print media. The attention is focused on the end of the 1960's, when in Czechoslovakia the totalitarian political development was strengthened after an effort to democratize society, whilst in Italy the democratic development
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Books on the topic "Kinematografiya; kino"

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Madej, Alina. Kino, władza, publiczność: Kinematografia polska w latach 1944-1949. Prasa Beskidzka, 2002.

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Splait, Ljudevit. Osnovi Kinematografije Za Kino-Vlasnike, Kino-operatere I Kino-amatere. Creative Media Partners, LLC, 2021.

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O Presne, o Parizhe, o kino: Vospominanii͡a︡ kinematografista. "Iskusstvo", 1988.

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Book chapters on the topic "Kinematografiya; kino"

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Morin, Edgar. "Die Metamorphose der Kinematografie zum Kino." In Der Film oder Der imaginäre Mensch. Brill | Fink, 2022. http://dx.doi.org/10.30965/9783846765234_006.

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Hučko, Tomáš. "Nacjonalizacja kinematografii czechosłowackiej w poglądach i działaniach filmowców Otakara Vávry i Elmara Klosa." In Przeostrzenia. Kino wobec transformacji ustrojowych 1945 i 1989. University of Warsaw Press, 2023. http://dx.doi.org/10.31338/uw.9788323561422.pp.65-100.

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Journal articles
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