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1

Poyatos, Fernando. Nonverbal communication across disciplines ; Vol. II : Paralanguage, kinesics, silence, personal and environmental interaction. Amsterdam: Benjamins, 2002.

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2

Wolfe, Siegman Aron, and Feldstein Stanley 1930-, eds. Nonverbal behavior and communication. 2nd ed. Hillsdale, N.J: L. Erlbaum, 1987.

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3

A, Russell James, and Fernández Dols José Miguel, eds. The psychology of facial expression. Cambridge: Cambridge University Press, 1997.

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4

Willemien, Wallinga, Boom, Herman B. K. 1933-, and Vries Jaap de, eds. Electrophysiological kinesiology: Proceedings of the 7th Congress of the International Society of Electrophysiological Kinesiology, held in Enschede, the Netherlands, 20-23 June 1988. Amsterdam: Excerpta Medica, 1988.

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5

Antonio, Pedotti, ed. Electrophysiological kinesiology: Proceedings of the ISEK'92 Congress, Florence, June 29-July 2, 1992. Amsterdam: IOS Press, 1993.

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6

Kozielski, FSB, Frank, ed. Kinesins and Cancer. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9732-0.

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7

Lawler, Jocalyn. Behind the screens: Nursing, somology, and the problem of the body. Melbourne: Churchill Livingstone, 1994.

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8

Bloom, George S. Motor proteins 1: kinesins. London: Academic Press, 1995.

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9

Bloom, George S. Motor proteins 1: kinesins. London: Academic Press, 1994.

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10

K, Guerrero Laura, and Floyd Kory, eds. Nonverbal communication. Boston: Allyn & Bacon, 2010.

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11

Vernos, Isabelle, ed. Kinesin Protocols. Totowa, NJ: Humana Press, 2001. http://dx.doi.org/10.1385/1592590691.

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12

Bolens, Guillemette. Kinesic Intelligence in the Humanities. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003299141.

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13

Walters, Stan B. Principles of kinesic interview and interrogation. Boca Raton: CRC, 1996.

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14

Argyle, Michael. Bodily communication. 2nd ed. London: Methuen, 1988.

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15

Roger, Lemon, ed. Corticospinal function and voluntary movement. Oxford: Clarendon Press, 1993.

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16

Roger, Lemon, ed. Corticospinal function and voluntary movement. Oxford: Oxford University Press, 1995.

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17

Kase, Kenzō. Illustrated kinesio taping. 4th ed. Tokyo: Kenʼi-Kai, 2005.

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18

Karlsen, Hugo Hørlych. Følelser i kinesisk medicin. Als Hede, Danmark: NordØsten Forlag, 2004.

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19

L, Knapp Mark. Nonverbal communication in human interaction. 7th ed. Boston, MA: Wadsworth, Cengage Learning, 2010.

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20

L, Knapp Mark. Nonverbal communication in human interaction. 7th ed. Boston, MA: Wadsworth, Cengage Learning, 2010.

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21

Gulabani, Sunil. Practical Amazon EC2, SQS, Kinesis, and S3. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-2841-8.

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22

Cundiff, Merlyn. Kinesics. HarperCollins Publishers Ltd, 1989.

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23

Birdwhistell, Ray L. Kinesics and Context: Essays on Body Motion Communication. University of Pennsylvania Press, 2010.

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24

Birdwhistell, Ray. Kinesics and Context: Essays on Body Motion Communication. University of Pennsylvania Press, 2013.

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25

Pease, Allan, and Barbara Pease. The Definitive Book of Body Language. imusti, 2008.

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26

Nonverbal Communication Across Disciplines: Paralanguage, Kinesics, Silence, Personal and Environmental Interaction. Benjamins Publishing Company, John, 2002.

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27

Deutsche Gebärdensprache. Hamburg: H. Buske, 1987.

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28

Birdwhistell, Ray L. 1918. Introduction to Kinesics: An Annotation System for Analysis of Body Motion and Gesture. Creative Media Partners, LLC, 2021.

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29

(Editor), Aron Wolfe Siegman, and Stanley Feldstein (Editor), eds. Nonverbal Behaviour and Communication. 2nd ed. Lawrence Erlbaum Associates Inc,US, 1986.

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30

Johnson, Annette R. Employee Body Language Revealed: How to Predict Behavior in the Workplace by Reading and Understanding Body Language. Atlantic Publishing Company, 2008.

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31

Russell, James A., George Mandler, and José Miguel Fernández-Dols. Psychology of Facial Expression. Cambridge University Press, 2011.

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32

Russell, James A., George Mandler, and José Miguel Fernández-Dols. Psychology of Facial Expression. Cambridge University Press, 2010.

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33

Smith, Christopher J. Akimbo Culture. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037764.003.0006.

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This chapter examines the physical and participatory implications of blackface dance, and the dance cultures more generally, depicted by William Sidney Mount. It also uses the evidence drawn from Mount's visual depictions to locate prototypical blackface dance vocabularies and rhythmic practices in vernacular art works of the earlier nineteenth century. The chapter first considers the resources for recovering the kinesics of minstrelsy, along with visible evidence of Afro-Caribbean influence on bodily kinesics, before turning to juba and the aesthetics of African movement. It then analyzes Mount's choreological evidence to illustrate the consistency with which he records and manipulates the cultural associations of body vocabulary, as well as his integration of the creole synthesis in his works. It argues that it was rhythm and dance that accounts for minstrelsy's remarkably immediate yet enduring popularity and influence. It shows that, in addition to the symbolic transgression of bourgeois grace implicit in Jim Crow's akimbo representation, the images' anatomical distortions also capture movement, not stasis. The chapter concludes by looking at the so-called “bending knee-bone” in blackface performance.
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34

Manual of structural kinesiology. Boston: McGraw-Hill, 2009.

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35

Boom, Herman B. K., and Willemien Wallinga. Electrophysiological Kinesiology: Proceedings (International Congress Series No 804). Excerpta Medica, 1989.

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36

Book of Tells: The Body Language of Poker. Mike Caro Univ Pr, 2000.

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37

Publishing, Sunshine. I Would Rather Suffer with Kinesics Than Be Senseless: Funny Notebook for Kinesics Lovers, Cute Journal for Writing Journaling and Note Taking at Home Office Work School College,appreciation Birthday Christmas Gag Gift for Women Men Teen Coworker Friend. Independently Published, 2020.

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38

Wode, Irene Wendy. Kinesis. Less Than Three Press, 2018.

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39

Wode, Irene Wendy. Kinesis. Lulu.com, 2019.

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40

Spier, Ethan. Kinesis. CreateSpace Independent Publishing Platform, 2012.

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41

Conference on Paralinguistics and Kinesics <1962, Soomington, Ind. >. Approaches to Semiotics: Cultural Anthropology, Education, Linguistics, Psychiatry, Psychology; Transactions of the Indiana University Conference on Paralinguistics and Kinesics. De Gruyter, Inc., 2015.

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42

How to Become a Human Bullshit Detector: Learn to Spot Fake News, Fake People, and Absolute Lies. Skyhorse Publishing Company, Incorporated, 2017.

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43

Body language. New York: MJF Books, 1992.

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44

Body Language. Pocket, 1988.

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45

Gamble, Teri Kwal, and Michael Gamble. Nonverbal Messages Tell More: A Practical Guide to Nonverbal Communication. Taylor & Francis Group, 2016.

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46

Gamble, Teri Kwal, and Michael Gamble. Nonverbal Messages Tell More: A Practical Guide to Nonverbal Communication. Taylor & Francis Group, 2016.

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47

Nonverbal Messages Tell More: A Practical Guide to Nonverbal Communication. Routledge, 2016.

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48

Bolens, Guillemette. Kinesic Humor. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190930066.001.0001.

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Literature is one of the richest sources of information concerning the ways in which human beings are able to play with cognition. According to the theory of embodied cognition, human cognition is grounded in sensorimotricity, i.e., the ability to feel, perceive, and move. The pervading cognitive process called perceptual simulation, which is activated when we cognitively process a gesture in a real-life situation, is also recruited when we read about actions, movements, and gestures in texts. Kinesic Humor examines literary works written by major authors—including Chrétien de Troyes, Cervantes, Milton, Saint-Simon, Rousseau, Sterne, and Stendhal—in which perceptual simulations of complex sensorimotor events and kinesic interactions trigger humorous effects. Such works create anticipations regarding movements and sensations, which are unexpectedly thwarted, thus producing cognitive shifts typical of humor. By bringing together literary studies, cognitive studies, gesture studies, and humor studies, this book offers original perspectives on such important artworks as Paradise Lost, Don Quixote, and Le Rouge et le Noir. In it, the importance of rhythm and tonicity in the perception of movements and gestures is a focus of attention. The interactional significance of gestures often lies in their dynamics, and this fact also applies to the cognitive retrieval of narrated gestures during the act of reading. The method of kinesic analysis practiced in this book takes into account such cognitive features in correlation with the historical and cultural contexts in which the literary works were written.
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49

Muscles, Masses and Motion: The Physiology of Normality, Hypotonicity, Spasticity and Rigidity (Clinics in Developmental Medicine (Mac Keith Press)). Cambridge University Press, 1993.

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50

Body at Work: Biological Ergonomics. University of Cambridge ESOL Examinations, 2010.

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