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Relevant bibliographies by topics / King Lear = O rei Lear

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Dissertations / Theses

Academic literature on the topic 'King Lear = O rei Lear'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Dissertations / Theses on the topic "King Lear = O rei Lear"

1

Jesus, Leila Vieira de. "A study of fools : Lear's fool in Shakespeare's King Lear and Vladimir and Estragon in Beckett's Waiting for Godot." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/54076.

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O foco dessa dissertação é analisar o papel, as características, e a presença dos bobos ao longo da história, focando em sua constante aparição no teatro. Os personagens principais da minha análise serão o Bobo, na peça Rei Lear de William Shakespeare, e Vladimir e Estragon, na peça Esperando Godot de Samuel Beckett. Na análise desses personagens, discuto semelhanças entre os autores, que já foram notadas por críticos como Martin Esslin, Jan Kott, e Northrop Frye, e mostro como os personagens de Beckett são similares aos bobos de Shakespeare. Bobos, no teatro, frequentemente agem como mediador

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2

Fu, Luella. "Tragic Pleasure in Shakespeare's King Lear and Othello." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/cmc_theses/57.

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This thesis is an examination of reader or audience response to Shakespeare’s tragedies. Primarily, it identifies key pleasures that Shakespeare’s King Lear and Othello offer. The complementary nature of these two plays is such that the analysis of their various pleasures allows for an in-depth treatment of the topic and also reflects the diversity of emotional response elicited by Shakespeare’s tragedies. The kinds of pleasure addressed in this study are catharsis as explained by Aristotle, the delight of violent passion as advocated by DuBos, pleasure from details in the work, satisfaction f

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3

Lawrence, Se¢an Kevin. "Alterity, the divine and ethics in King Lear." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ61134.pdf.

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4

Gillespie, Andrew Robbins. "A Conductors Guide to Vincent Persichetti's King Lear." Thesis, Colorado State University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10785840.

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<p> Vincent Persichetti’s septet <i>King Lear</i> was originally composed for the choreographer Martha Graham and her 1949 production, <i> Eye of Anguish</i>. While the production was considered a failure and has not been performed since its European tour in 1950, Persichetti admired his own portion of the collaboration and argued it would stand on its own merit as a chamber work. This thesis represents the first significant study of Persichetti’s <i>King Lear</i>. It is a guide for conductors and chamber ensembles preparing an informed performance, with historical information, the

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5

Grossman, Nicholas J. "FROM SIRE TO SIRRAH: THE DEVALUING OF KING LEAR." OpenSIUC, 2019. https://opensiuc.lib.siu.edu/theses/2501.

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At the conclusion of King Lear, Lear has become a man with nothing to his name. His kingdom, family, and subjects have all but abandoned him. Whatever power or prestige he enjoyed at the beginning of the play, has been taken away from him by force. This paper focuses on how Lear has been devalued as a person throughout the play. By focusing on moral value and monetary value, this paper demonstrates how Lear’s own actions as well as his advanced age lead to his declination from King to a beast of burden.

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6

Farjado, Jéssica de Souza. "O rei Lear da estepe, de Ivan Turguêniev: uma tragédia russa." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-03052016-110236/.

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Este trabalho é composto pela tradução da novela O rei Lear da estepe, de Ivan Turguêniev, publicada em 1870, seguida de um breve comentário sobre a influência do dramaturgo inglês William Shakespeare na literatura russa. Em seguida há um estudo sobre o skaz literário presente na novela e da estilização, um recurso estilístico teorizado por Mikhail Bakhtin e Yuri Tyniánov. Assim como a paródia, a estilização é também a recriação de uma obra consagrada, mas, ao contrário daquela, não possui efeito cômico e sim concordância de sentido com o texto no qual foi inspirada. Por fim, há um apontamento

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7

Hendricks, Shellee. ""The curiosity of nations" : King Lear and the incest prohibition." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30173.

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The incest prohibition, though ostensibly "universal," has inspired a wide range of explanations and definitions both within and between cultures. Intense debate sprung up around the incest taboo during the matrimonially tumultuous reign of Henry VIII, leading to the great interest in this theme, which flourished on the Elizabethan and Jacobean stages. Although Shakespeare contributed a number of works to the incest canon, King Lear does not treat the incest motif overtly such that many critics have ignored its crucial role in that play. A synthetic theoretical approach is useful in exploring

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8

Hendricks, Shellee. "The curiosity of nations, King Lear and the incest prohibition." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64155.pdf.

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9

Mackenzie, Alexandra Chantal Yvette. "Pilgrimage Narrative: A Pattern for Heavenly Theatre in King Lear." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1641.pdf.

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10

Gleyzon, Francois-Xavier. "Shakespeare's spiral : tracing the snail in King Lear and Renaissance." Thesis, Lancaster University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617807.

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This thesis has as its aim the exploration of a figure forgotten in the dramatic text of Shakespeare and Renaissance painting: the garden snail. Taking as its point of departure the emergence of the gastropod object/subject in the text of King Lear as well as its iconic interface in Bellini's painting Allegory of Falsehood (circa 1490), this study sets out to follow the particular path traced by the snail through the oeuvre. From the central scene in which the metaphor of the snail and or" its shell is specifically made manifest when Lear discovers, in a raging storm, the spectacle of Edgar di

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