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1

King, Frank A. [Verfasser]. "Automatische Spurlaufregelung für Hubschrauber mit aktiven Hinterkantenklappen / Frank A. King." Aachen : Shaker, 2015. http://d-nb.info/1080762337/34.

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2

De, Beer Frank. "Human resource managers as custodians of the King III / Frank de Beer." Thesis, North-West University, 2013. http://hdl.handle.net/10394/10164.

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The objective of this research was to perform an explorative study to identify the position of Human Resources (HR) departments in companies in South Africa as custodians of the King III code; their knowledge and understanding of the King III code; and their role within corporate governance. The HR department has the responsibility to manage corporate governance by using the King III code as guideline. The main research questions were: Does HR management know, understand, apply and have the ability to use the King III code in terms of ethical decision making and what role does the HR department play within corporate governance? A random sample of available HR managers, senior HR consultants and HR directors was taken and semi-structured interviews were conducted. The results indicated that the respondents did not know, understand or use the King III code.
MCom (Industrial Psychology), North-West University, Vaal Triangle Campus, 2013
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3

Nelson, Eric W. "The king, the Jesuits and the French Church, 1594-1615." Thesis, University of Oxford, 1998. http://ora.ox.ac.uk/objects/uuid:78447dd8-1dbb-4a2f-8aee-f964c293faa9.

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This thesis offers a re-examination of the expulsion, return and subsequent integration of the Jesuits into France during the reign of Henry IV and the regency of Marie de Medicis (1594- 1615). Drawing on archival material from Paris, Rome and London, it argues that in order to understand the Society of Jesus's role in seventeenth- and early eighteenth-century France one must understand the circumstances of their return. The critical moment for the Society in France, this study contends, was the promulgation of the Edict of Rouen in 1603, not their expulsion in 1594. The Edict and the royal goodwill which sanctioned it gave the Society a legal standing in France and established a set of conditions which formed the basis for a new Jesuit role in the French church and wider society. Moreover, the Edict of Rouen was more than just an attempt by Henry IV to bring peace to the Catholic church; it was also an important assertion of royal authority in the French church. Indeed, I argue that the return of the Society exclusively through royal clemency or grâce defined an important alliance between the monarchy and the Jesuits which was to be a significant feature of the French church for more than a century. Although numerous historians have already looked at various aspects of this important topic, this thesis is the first to argue that the most important development of this period for our understanding of the Society's position and role in France was the accommodation of the Society by the French church and French royal administrative structures after the king's will was expressed in 1603. It also asserts that it was the reality of compromise not the rhetoric of conflict which should shape our understanding of the Society's integration into France and their role in the French church in the seventeenth century.
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4

Frank, Christoph Daniel. "The mechanics of triumph : public ceremony and civic pageantry under Louis XIV." Thesis, Imperial College London, 1993. http://hdl.handle.net/10044/1/8760.

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5

Abdiladif, Abdullahi. "Newspapers, frames & King : A qualitative framing analysis of how Martin Luther King Jr. was portrayed in three U.S. Newspapers & how this relates to the ESL classroom." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-40148.

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The aim of this piece of research is to analyze how Martin Luther King Jr. was portrayed in three U.S newspapers based on framing theory. Through the use of qualitative frame analysis, ten newspaper articles are studied from the period 20/04/1967-11/05/1967. The dates were selected in relation to King’s public opposition to the Vietnam war. The results show that the articles are in most cases characterized by a focus on difference of opinion, polemic responses, and appeals to MLK to stop opposing the war. When understood from the lens of framing theory, this way of writing has been termed the conflict frame. Furthermore, three classroom tasks related to the newspaper articles are suggested. These activities are based on the Swedish curriculum for teaching English as a second language, schema theory, and framing theory.
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6

Heinrich, Brittany Nicole. "Satirical imagery of the grotesque body of Louis XIV : pushing the corporeal limits of France." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98929.

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The establishment of the French Absolutism under King Louis XIV depended in part on pictorial representation generated by the French Academy. As a vehicle and institute of the state, the Academy created a canon of imagery, which was known throughout Europe. This enabled Louis XIV's image to be reversed by the creators of the satirical images. The makers of the reverse image appropriated the institutionalized styles and genres of royal portraiture to create innovative satirical images of the monarch using the very canon Louis XIV sanctioned. In its analysis of a small body of satirical imagery, the thesis draws on various theories about the body of the king proposed by Jean-Marie Apostolides, Ernst Kantorowicz and Louis Marin. A comparison of satirical images with official images of the king demonstrates the successful strategies of satirical imagery and the collective need for these kinds images in the seventeenth century.
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Balint, Robert. "The ecclesiastical policy of King Henry III of England : episcopal appointments, 1226-1272." Thesis, The University of Sydney, 1995. http://hdl.handle.net/2123/16347.

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8

Runyan, Aimie Kathleen. "Daughters of the King and Founders of a Nation: Les Filles du Roi in New France." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28470/.

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The late seventeenth century was a crucial era in establishing territorial claims on the North American continent. In order to strengthen France's hold on the Quebec colony, Louis XIV sent 770 women across the Atlantic at royal expense in order to populate New France. Since that time, these women known as the filles du roi, have often been reduced to a footnote in history books, or else mistakenly slandered as women of questionable morals. This work seeks to clearly identify the filles du roi through a study of their socioeconomic status, educational background, and various demographic factors, and compare the living conditions they had in France with those that awaited them in Canada. The aim of this undertaking is to better understand these pioneer women and their reasons for leaving France, as well as to identify the lasting contributions they made to French-Canadian culture and society.
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9

Ryan, Kevin. "King of the News: An Agenda-Setting Approach to the John Oliver Effect." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011854/.

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Journalists have insisted that John Oliver has inspired a new kind of journalism. They argue that Oliver's show Last Week Tonight with John Oliver has inspired real-world action, a phenomenon journalists have called the "John Oliver Effect." Oliver, a comedian, refuses these claims. This thesis is the result of in-depth research into journalists' claims through the lens of agenda-setting. By conducting a qualitative content analysis, I evaluated the message characteristics of framing devices used on Oliver's show, then compared those message characteristics to the message characteristics and framing devices employed by legacy media.
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De, Waele Michel. "Une question de confiance? : le parlement de Paris et Henri IV, 1589-1599." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29008.

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From 1589 to 1599, the relation between Henri IV and the Parlement of Paris was a tumultuous one. Some parlementaires associated with the Catholic League refused at first to recognize Henri of Navarre as their king. These magistrates met in Paris until April 1594. Meanwhile, their royalist colleagues congregated in Tours where, in March 1589, Henri III had transferred his sovereign court. From there, the royalist councillors helped Henri IV reconquer his realm. This, they did in spite of his religion, although they frequently asked him to convert to Catholicism. After the reunification of the two rival courts in April 1594, the parlementaires seemed to work as one and blocked the verification of numerous edicts presented by the king. Their opposition was so strong that it has led some historians to claim that it was endangering the State's survival. It slowly faded away after the verification of the Edict of Nantes in February 1599. In a pacified France, the conflicts between a king finally in control of his realm and his parlementaires became rare. The magistrates finally had confidence in the government which seemed to take adequate measures to stabilize France after more than thirty years of civil wars.
The difficult relationship between Henri IV and the Parlement of Paris between 1589 and 1599 was not created by the egoistic nature of the magistrates or their incompetence as claimed by numerous historians. If some of the Parlementaires--we will call them the "opportunists"--put their own interests before those of the realm, a majority of their colleagues had a very high idea of their political role within France, an idea based on centuries of relation between the kings of France and the Parlement as well as on the political role of the court as defined by theorists of the time. Confronted to a king they hardly knew, these "traditionalists", on whom this work will be centered, tried to make sure that the interests of the kingdom, its king and its inhabitants were protected. They would not give Henri IV's government the leeway it sought but would scrutinize and frequently block the edicts presented to them, and this until Henri IV proved that he could be trusted as the head of the realm.
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Ancona, Alexis Faith. "King Arthur as Transcendent Rhetoric of Anxiety: Examining Arthurian Legends as Sociopolitical Paratexts." University of Dayton / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1525102970057973.

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12

Lavieille, Géraldine. "L’icône royale : fabrications collectives et usages politiques de l’image religieuse du roi de France au Grand Siècle." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE3050.

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Les transformations qui interviennent en France à la suite des guerres de Religion modifient l’imbrication des sphères politique et religieuse. La scission entre protestants et catholiques, la triple reconstruction religieuse, nationale et étatique, les évolutions des pratiques et croyances religieuses ainsi que la nouvelle vigueur des gallicanismes induisent des mutations dans la dimension religieuse des conceptions du pouvoir royal entre le règne d’Henri IV et celui de Louis XIV, évolutions appréciables sur le plan symbolique. De 1589 à 1715, une iconographie abondante place le roi dans une situation religieuse, le met en rapport avec des personnages saints ou divins, ou souligne l’importance de son action en matière religieuse. Ces portraits du roi régnant ou de rois défunts, produits en des lieux disséminés sur le territoire métropolitain du XVIIe siècle, révèlent une autre image du pouvoir royal que l’iconographie plus amplement étudiée jusqu’ici. Elle intègre une sacralité héritée, fruit d’une longue construction médiévale dont l’importance se lit toujours au Grand Siècle, et des éléments neufs, qui passent en particulier par l’essor de cultes associant le roi et ses sujets, comme celui de saint Louis ou celui de Marie, marqué par le vœu de Louis XIII. Elle doit en outre se comprendre dans le cadre de l’évolution du droit divin, dans ses rapports avec l’autorité et le pouvoir du roi. L’image d’harmonie qui est élaborée témoigne de la place de cette iconographie dans la légitimation d’un ordre politique et social liant espace terrestre et monde céleste. La genèse de ces objets divers (peintures, sculptures, gravures, etc.), souvent éloignée de la cour, entretenant des relations parfois très ténues avec le pouvoir royal, ne peut être envisagée comme le fruit d’une propagande : elle souligne plutôt des fabrications collectives du portrait religieux du roi. Ainsi, cette thèse propose une histoire culturelle du politique, s’appuyant sur une approche iconographique intégrant les pratiques sociales et les théories politiques
The transformations that occurred in France after the Wars of Religion altered the interweaving between the political and the religious spheres. The split between Protestants and Catholics, the rebuilding of the church, the nation and the state, the transformations of the religious beliefs and practices, and the new strength of the gallicanisms led to changes in the religious idea of the royal power between the reign of Henry IV and Louis XIV. These evolutions are assessable on a symbolic level. From 1589 to 1715, an abundant iconography places the monarch in a religious situation, puts him in touch with saints or God, or underlines the importance of his action in the religious field. These portraits of the reigning king or deceased kings, produced in dispatched places in the kingdom, reveal a different image of the royal power than the iconography that has most been studied up to now. It includes an inherited sacrality, built during the Middle Ages and still important in the 17th century, and new elements, which entail the growth of cults associating the monarch and his subjects, such as the cults of saint Louis and the Virgin Mary, marked by the vow of Louis XIII. It must furthermore be understood within the framework of the evolution of the divine right, in its links with the royal authority and power. It builds an image of harmony that shows the place of the iconography in the legitimization of a political and social order linking terrestrial and celestial spaces. The creation of these objects (paintings, sculptures, engravings, etc.), often far away from the court, often in loose relationships with the royal power, cannot be understood as propaganda: it rather emphasizes collective makings of the religious portrait of the king. Thus, this thesis offers a cultural history of the political field, leaning on an iconographic approach including social practices and political theories
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13

Shakibi, Zhand Paul. "The King, the Tsar, the Shah : agency and the making of revolution in Bourbon France, Romanov Russia and Pahlavi Iran." Thesis, London School of Economics and Political Science (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.250158.

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14

Bergeron, Elise. "Questions de genre dans les Mémoires de Marguerite de Valois." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29815.

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This Master's thesis belongs to the field of sixteenth century studies. The text I have chosen to study is the Memoires of Marguerite de Valois, begun in 1594 and published in 1628, thirteen years following the death of this queen. My analysis encompasses both the conventions of genre and rhetoric evidenced in the text. The first chapter explores the peculiarities inherent in the memoirs genre, especially where these explicitly distinguish it from the autobiography. The second chapter examines the rhetorical aspects of Marguerite de Valois' Memoires. In doing so, I have highlighted and analyzed the rhetorical strategies employed in the text, whose ultimate intent was to convince the initial reader, Brantome, and subsequently posterity, of the political astuteness of an author who was also worthy of her correspondent's trust as a loyal ally.
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15

Johnson, Travis. "An examination of the works of Flourish for wind band by Ralph Vaughn Williams, Air for band by Frank Erickson, An American elegy by Frank Ticheli, Rough riders by Karl King, arranged by James Swearingen." Kansas State University, 2010. http://hdl.handle.net/2097/4586.

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Master of Music
Department of Music
Frank C. Tracz
This document was written after examination, research, score analysis, and lesson planning in preparation for the Graduate Conducting Recital of Travis M. Johnson. This recital was held on Monday, March 8, 2010 at the Cheney High School Auditorium at 6:00 pm. A philosophy of Music Education and criteria for quality literature selection is followed by the theoretical and historical analysis of four works; Flourish for Wind Band by Ralph Vaughn Williams, Air for Band by Frank Erickson, An American Elegy by Frank Ticheli, and Rough Riders by Karl King arranged by James Swearingen. Lesson plans, rehearsal aids, warm up exercises, and student assignments are included in the examination of this process.
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16

Schwieger, Florian. "The Spaces of History: Francis Parkman's Literary Landscapes and the Formation of the American Cosmos." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/74.

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It is the aim of this dissertation to discuss the creation of historiographic space in the works of Francis Parkman. More specifically, this dissertation intends to analyze Parkman’s The Oregon Trail and Montcalm and Wolfe as literary texts that examine geographies of cultural interaction and transnational empire building. Parkman’s historical narratives, this dissertation suggests, not only describe historically significant sites, such as the Oregon Trail and the Northern Frontier, but further create literary heterotopias. These textual counter geographies, as for instance his conceptualizations of the trading posts of the far West and the wilderness fortifications of the far North, allow Parkman to effectively interrogate American history. By investigating the fruitful juncture between history, geography, and literature this project aims to establish the importance of historical geographies for Francis Parkman’s methodology and define its function for the creation of a national consciousness. In addition to Parkman’s use of space, this dissertation further analyzes the historian’s depiction of historical characters and his subsequent attempts to define American identity. Thereby, my analysis specifically highlights the relationship between Parkman’s literary characters and their environment. In an attempt to trace the impact Parkman’s historical narratives exert on postmodern authors of American literature, the concluding chapters interrogate the re-negotiation of Parkman’s historiographic spaces in Thomas King’s Truth and Bright Water and William T. Vollmann’s Fathers and Crows.
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Bree, Susan M. "Le portrait de Louis XIV et la vision de l'histoire chez Saint Simon (Mémoires 1707-1715) : de la création à l'apocalypse." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29189.

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The main aim of this thesis is to examine the vision of history which is presented in the Mémoires of the due de Saint-Simon/ a work which describes life at the French court during the last years of the reign of Louis XIV and during the period of the Regency which followed the death of the Sun King (1691-1723). The thesis is a study based on a close reading of the text itselff using two methods to shed light on the different aspects of the subject. It begins with an investigation of the theme of paternity or fatherhood/ and the way in which this theme relates to the question of royal power/ focusing on the figure of the king himself as he appears in his various father roles: father of both a legitimate and an illegitimate line of children/ and father of his kingdom. The strongly religious and moralistic overtones of Saint-Simon's political and social convictions lead the memorialist to condemn what he sees as the chaos and social disorder resulting from the king's "confusion" of these differing paternal identities. The second half of the thesis is largely a stylistic analysis of two passages taken from the body of the Mémoires. For by examining the style of this work (at both a lexical and a syntactical level)/ one may begin to develop an insight into the way in which Saint-Simon interprets the events of his day in order to fit them into his larger vision of the history of the world. Certain stylistic traits in the text suggest a movement from the mere presentation and explanation of events to an interpretation of their deeper meaning. As well/ frequent references in the Mémoires to both Genesis and Revelations/ taken in conjunction with Saint-Simon's theologo-political view of society/ seem to indicate that the memorialist regards the reign of Louis XIV as being a playing-out/ in miniature/ of the history of the world/ from the Fall to a final confrontation between good and evil. Thus/ in the end/ Saint-Simon's constant need to interpret events leads him away from the simple explanation of causes/ towards the elaboration of a prophetic vision (or "apocalypse") : a dire warning issued to the monarchy and to the people of France as to the fate which may yet befall them, if the process of corruption begun by the Sun King himself is not somehow reversed.
Arts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
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18

Zurla, Cynthia. "Medium and message : the confluence of Saxon and Frankish values as portrayed in the Old Saxon Heliand." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85215.

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The aim of this dissertation is to interpret the Old Saxon Heliand as a catalyst for change. Whereas recent studies have interpreted the poem as an agent of spiritual change, this study will examine the Heliand as an agent of social and political change. The basis of this study will be the text itself, with consideration of its main source, the Diatessaron. The approach will not only be textual in nature, but historical as well. The first order of the study will be to place the poem in its proper historical and cultural context. This will generate two possible contexts, as current scholarship is divided over the date of composition. This study will discuss both dates, but will select only one with which to continue. Following this, the study will examine the medium of epic and its influence on the poem. Here, significant motifs and elements of the epic will be outlined, discussed and applied to the text. In addition, this study will analyze significant figures of the poem, such as Jesus Christ, the apostles, King Herod, and Pontius Pilate. The study will also examine significant episodes of the poem, such as the birth and execution of Christ, Christ's battle with Satan in the forest, and the elimination of John the Baptist. Through examples from the text, the study will also demonstrate the poet's ability to reconcile pre-Christian concepts of spirituality with Christian Scripture, Germanic notions of power and authority with those of the Franks, and the social status of the Saxon as subjects of Frankish rule. In all, the study will demonstrate how the Heliand marks confluence of varying and conflicting notions of social order into a seamless reorganization of society.
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Thompson, Kathleen Hapgood. "The counts of the Perche, c. 1066-1217." Thesis, University of Sheffield, 1996. http://etheses.whiterose.ac.uk/3520/.

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The history of the counts of the Perche from c. 1066 to 1217 is considered. It is placed in the historiographical perspective of the disintegration into territorial principalities which took place in the kingdom of the Franks around the year 1000 and the subsequent emergence of small units such as the Perche in border zones, where the authority of the greater princes had never been successfully asserted. An outline of the geography of the Perche is followed by a brief account of the Rotrou lineage. The internal workings of the Perche, which indicate the nature of the Rotrous' power, are considered. Family property is located and comital rights are described, together with the administration by means of which the lineage's wealth and power were exploited. The exercise of lordship over the other landed families of the Perche was an important factor in the smooth running of the county and the association between the counts and the nobility is also discussed. An analysis of the relations between the Perche and its neighbours, the great power blocs of Northern France, forms the third section. The adroit manipulation of these relationships permitted the counts to maintain their independence and to gain access to the resources of the English crown. During the twelfth century the counts were obliged to adapt as the old political rivalries polarised into the struggle between the Capetian and Plantagenet kings. When King John lost Normandy to King Philip Augustus in 1204 the counts' bargaining power was lost because the strategic significance of the county had been destroyed. The failure of the direct line in 1217, which led to the eventual dismemberment of the county when the comital title was extinguished in 1226, demonstrates the importance of the vigorous Rotrou lineage in the creation and continued independence of the Perche.
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Hopkins, Michael Francis. "The Ambassadorship of Sir Oliver Franks at Washington, 1948-1952." Thesis, University of Leeds, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441500.

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Käll, Malin, and Karanouh Edith Rapp. "Seriebok eller originalbok? -En komparativ studie i Anne Franks dagbok." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-92519.

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Det självständiga arbetet analyserar tillkommande och bortfall från originalboken AnneFranks dagbok (1982) av Anne Frank till serieboken Anne Franks dagbok (2020) av AriFolman. Syftet med analysen är att undersöka om en seriebok kan användas för att nå målenkopplade till läsning i ämnet svenska. Detta är en kvalitativ studie som utgår från enkomparativ analysmetod och en ikonografisk bildanalysmetod. Analysen bygger på valdadelar ur de båda versionerna av Anne Franks dagbok och tidigare forskning. Ur analysenframkommer det att en seriebok kan användas i undervisning om valet är noggrant övervägtav läraren.
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Wilewski, Sarah. "Styles of sovereignty : the relevance of Louis XIV to English royal iconography, 1689-1714." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:a65349cf-629a-4a8a-a961-c281f34a248e.

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This thesis explores the influence of French royal image-making on English monarchies at the turn of the eighteenth century. It investigates the relevance of Louis XIV (r. 1643-1715) to English royal iconography during the reigns of William III (r. 1689-1702) and Queen Anne (r. 1702-1714) across a wide range of source material - from panegyric and portraiture, to medals, sculpture, and architecture. In doing so, it foregrounds the intricate interplay between political communication and different forms of artistic imagination in the early modern period. The thesis conceptualises the relation between post-revolutionary English monarchical image-making and its French counterpart as one of contest with and emancipation from French influence. The specific political circumstances add a particular poignancy to the investigation of this narrative, as the almost continual crises which the English monarchy suffered at the time stand in sharp contrast with the (dynastic) stability of the French monarchy and its highly influential court culture. Despite these elements of rupture and contrast, however, the story of seventeenth-century English monarchical image-making is one of continuity in respect of its gradual disengagement from the French model. In contrast to his immediate predecessors, I contend, William's image-making presents him as Louis's competitor, rather than his imitator. In the course of William's reign, Louis's monarchical model thus turns from model to foil. This development evolves further in Queen Anne's reign, culminating in Louis's mort avant la lettre, as Anne's image-making dispenses with the Ludovican model both as model and as foil. English post-revolutionary image-making, I argue, not only mirrored, but actively contributed to the decline of the Ludovican model, whilst maintaining the figure of the monarch as central to public political discourse. Through the lens of monarchical image-making, therefore, this thesis offers a critical outlook onto late seventeenth-century Anglo-French political and artistic relations.
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Langlois, Chantal. "La chronique scandaleuse : l'ombre du quotidien." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64030.

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McKinley, Allan Scott. "Church-patron relationships amongst the Anglo-Saxons and Franks, c650-860." Thesis, University of Birmingham, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288415.

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Muwandi, Tinei. "Comparison of King III and King II, and the implications of King III." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/8511.

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Thesis (MBA)--University of Stellenbosch, 2010.
The introduction of King III has resulted in many changes to corporate governance practices. The changes inevitably have implications and challenges for organisations. If the changes introduced by King III as well as the implications and challenges are not well understood, implementing King III could be a very challenging exercise. This research report outlines the key differences between King III and King II. The research report also highlights the major implications and challenges of implementing the King III principles. In addition, those aspects of King III that are covered in the new Companies Act have also been outlined. In analysing the changes between King II and King III, and the implications and challenges of King III‟s principles and recommendations, the author followed the layout of the chapters in King III, namely ethical leadership and corporate citizenship, boards and directors, audit committees, the governance of risk, the governance of information technology, compliance with laws, codes, rules and standards, internal audit, governing stakeholder relationships and integrated reporting. The differences between King III and King II were analysed through a study and comparison of the King III and King II Reports. The implications and challenges were analysed through reading literature on King III and corporate governance in general. Aspects of King III covered in the Companies Act were analysed through a study of King III and the Companies Act. The author analysed the differences, implications and challenges of both the principles and the recommended practice in the King Reports. No distinction was made between principles and recommended practices. The main changes introduced by King III relate to the composition and role of the board, the board committees and the new topic on IT governance and the need to publish an integrated report. Though discussed in different chapters, King III has emphasised the link and interplay between ethics, corporate social responsibility, governing stakeholder relationships and integrated reporting. In addition to the above, the most contentious change is probably the applicability of King III to all entities regardless of form of incorporation. King III has also attempted to bring about a physiological change in the way companies perceive King III by changing the “comply or explain” concept to the “apply or explain concept”. The direct implications and challenges brought about by King III relate to the time, efforts and costs needed to implement the various King III principles and recommendations. King III could also result in an increase in the size or diversity of the board, and companies are likely to find it challenging to get qualified people to fill directorship posts. Integrated reporting is going to change the way companies view corporate social responsibility and the way they report non-financial information to stakeholders. Despite the challenges, there is no doubt that King III goes a long way to ensure that South Africa‟s corporate governance system is at par with the rest of the world.
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26

Tessier, Philippe. "François Denis Tronchet, biographie intellectuelle d'un jurisconsulte en Révolution." Thesis, Lille 3, 2012. http://www.theses.fr/2012LIL30046.

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François-Denis Tronchet, jurisconsulte, participa, aux premières places, à l'application du droit, mais aussi à son écriture, à un moment de l'histoire de France où les juristes refusèrent d'être les interprètes du passé pour devenir les agents du devenir historique. Il prit part à tous les grands événements de la Révolution : les Etats généraux, le Serment du Jeu de Paume, la nuit du 4-août, l'élaboration de la Constitution de 1791, la fuite du roi arrêtée à Varennes, le procès du roi ; il siégea, sous le Directoire, au Conseil des Anciens ; enfin, il fut le premier président du Tribunal de cassation sous le Consulat, avant de présider la commission chargée de l'élaboration du Code civil. La pensée de cet avocat au Parlement de Paris fut décisive dans le passage de l'ancien droit au nouveau. Elle s'y exprime dans ses consultations, qui constituent la principale source de cette étude. Conservées aujourd'hui à la bibliothèque de la Cour de cassation, elles constituent une source exceptionnelle, rarement exploitée. Pourtant, des documents furent une source d'inspiration méconnue du Code civil. Il s'agit donc d'une configuration tout-à-fait remarquable, où l'historien dispose tout à la fois d'un travail juridique, les consultations, et du résultat qu'elles ont contribué à inspirer, le Code civil, qui régit toujours notre présent. En outre, on trouve, entre la source (les consultations) et sa résultante (le Code), des témoignages précis de l'action politique de Tronchet, notamment dans les archives parlementaires. Comment un juriste aussi érudit, aussi imprégné de tradition que François-Denis Tronchet a-t-il pu participer de façon aussi décisive à la Révolution, devenant, au moment de la rédaction du Code civil, l'artisan d'un droit absolument nouveau ? L'art de la consultation, par la liberté que donne l'interprétation, lui avait donné la capacité d'envelopper son avis personnel, parfois très créatif, des formes apparemment objectives de l'autorité de l'avocat consultant. Il s'était ainsi préparé à la grande réorganisation des normes de 1789. En outre, la participation à des réseaux d'opposition proches du jansénisme ; l'influence, dans les milieux parlementaires, du culte de la république romaine et d'une philosophie stoïcienne, transmise par l'intermédiaire de Cicéron, qui soulignait la centralité politique de la justice et de la loi naturelle ; tous ces facteurs expliquent ses prises de position favorables à la Révolution, mais aussi le rôle qu'il joua dans la défense du roi. Pour conclure, il voyait la Révolution comme une régénération, une transformation du présent par un retour authentique aux principes passés. Tronchet, comme les antiques jurisconsultes, a cherché à fixer la Révolution à des principes déterminés de toute éternité
François-Denis Tronchet, a Jurisconsult, played a crucial role in the interpretation of Law, but also in its writing, during the French Revolution. During this period of French history, some jurists refused to be only interpreters of the Past, and began to be true actors of History. François-Denis Tronchet took part in nearly all important events of the French Revolution : the Estates-General, the Tennis Court Oath, the Fourth of August and the abolition of feudal privileges, the writing of the Constitution of 1791, the flight of Louis XVI stopped at Varennes, the King's trial. He was a Member of Parliament (of the Conseil des Anciens) during the Directoire ; lastly, he was the president of the Tribunal de cassation during the Consulate and he presided the commission in charge of the redaction of the civil code. His thought was decisive in the transformation of French Law during the French Revolution. It is conveyed in its consultations, which are the main historical source of this dissertation. Today stored at the library of the Cour de cassation, they constitute an extraordinarysource, rarely used. However, these documents inspired the French civil code. Here, historians have a hand, at the same time, a lawyer's work, the consultations, and the result they partly inspired, the civil Code, that still inspires our present. Besides, between the source (the consultations) and its result (the Code) we have some documents about the political life of Tronchet (mainly parliamentary records). How is it so, that such a learned jurist, so influenced by ancient juridical traditions, played such a crucial role in the French revolution, becoming, during the redaction process of the Civil code, the architect of an absolutely new Law ? During the Ancien regime, the art of consultation gave him, by way of the intellectual freedom of interpretation, the ability of giving his own opinion, sometimes very creative, under the guise of apparently objective, and authoritative, form of the consultation. Therefore, he was intellectually prepared to the reorganization of Law brought about by the French Revolution. Besides, other factors explain his participation in the French Revolution. His belonging to opposition networks, close to Jansenism, during the Ancien Regime accounts for his itinerary. The influence, in parliamentary circles, of the celebration of the Roman Republic as well as the influence of stoic philosophy, conveyed through Cicero's writingd, which underlined the major importance of justice and natural Law, also partly account for his adhesion to the Revolution. These intellectual influences also explain his defence of Louis XVI during his trial. To conclude, he viewed the Revolution as a process of regeneration, a transformation of time present by a resurrection of the true principles of ancient Law
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27

Vial, Charles-Eloi. "Les chasses des souverains en France (1804-1830)." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040222.

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Activité prisée des rois de France depuis l'époque médiévale, la chasse était devenue pour les derniers Bourbons plus une passion dévorante qu'une simple distraction. Louis XV et Louis XVI furent critiqués par l'opinion publique naissante, qui considérait que leurs chasses onéreuses les éloignaient du gouvernement. Après la chute de la monarchie, les chasses royales disparurent. Elles furent remises au goût du jour par Napoléon Ier, soucieux de s'approprier les apparences de la légitimité monarchique. Le maréchal Berthier fut ainsi nommé Grand veneur en 1804. Grâce à lui, Napoléon put faire de ses chasses un instrument politique puissant, une distraction de Cour prisée, le tout avec une économie substantielle de moyens. La Restauration, au lieu de revenir à l'organisation d'Ancien Régime, choisit de conserver l'équipage de chasse et l'administration mise en place pour Napoléon, qui fonctionnèrent jusqu'en 1830. Naquit ainsi le paradoxe d'une Restauration affichant, à la suite de l'Empire, la volonté de renouer avec la tradition monarchique, mais cela grâce à un équipage formé pour Napoléon. C'est cette continuité, humaine, budgétaire, mais aussi politique et symbolique qu'il convient d'étudier au travers des éléments constitutifs des chasses : une implantation autour de Paris permettant une circulation de la Cour autour de différentes résidences de chasse, une pratique régulière destinée à la distraction du souverain et de ses proches, des invitations de personnages politiquement importants, qui donnent à certains jours de chasse bien précis une résonance particulière. Autant d'aspects qui se retrouvent dans les sources : archives, journaux, mémoires, œuvres d'art
Hunting had always been the privileged activity of kings since the mediaeval period, and for the later Bourbons it became a consuming passion. Indeed Louis XV and Louis XVI were to be criticized by a proto public opinion ; it was thought that hunts were expensive and that they distracted the rulers from the duties of government. The royal hunts disappeared with the fall of the monarchy. But Napoleon, with his desire to appropriate the outward show of monarchical legitimacy, brought it back. Marshal Berthier was appointed Grand veneur and given the task of organizing the imperial hunt in exactly the same way as it had been done under Louis XVI. Napoleon made the hunts a powerful political instrument and a Court indulgence whilst at the same time making considerable savings. The Restoration in fact chose not to revive Ancien Régime customs but preserved the Napoleonic hunting administration. This gave rise to the paradox of a Restoration attempting to reinvigorate monarchical traditions but using structures created by Napoleon. This is that strong continuity, human, budgetary, but also political and symbolic, inside a geographical field concentrated around Paris that made it possible for the Court to circulate around the different imperial hunting residences, to dedicate certain days to the hunts, and to invite some important political figures. All of these aspects are to be found in the sources : archives, newspapers, autobiographies, artworks
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28

Bonner, Elizabeth Ann. "The first phase of the politique of Henri II in Scotland, its genesis and the nature of the "auld alliance", 1547-1554." Thesis, The University of Sydney, 1992. http://hdl.handle.net/2123/18608.

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29

Giraudier, Fanny. "Les Grands et le roi : pouvoir et contestation à la cour des premiers Bourbons (1589-1629)." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2137.

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L’objectif de cette thèse est d’appréhender les relations entre le roi et les nobles à la fin des guerres de Religion. La période des guerres civiles est marquée par un affaiblissement de l’autorité monarchique. Pour rétablir l’ordre dans le royaume, le roi doit compter sur les nobles dont la vocation est de porter les armes. Or, beaucoup de ces seigneurs ne le reconnaissent pas comme roi légitime. Par la guerre, les négociations et une savante politique de légitimation, Henri IV parvient à les rallier progressivement à son autorité. Cette thèse vise à comprendre ce processus de réconciliation, sur quelles bases il repose et comment les nobles contribuent à la redéfinition du pouvoir après ces périodes de troubles. Car si la paix est rétablie dans le royaume à partir de 1598 avec la paix de Vervins et l’édit de Nantes, les contestations nobiliaires ne sont pas totalement éteintes et éclatent à plusieurs reprises jusqu’en 1629. Les modalités de la révolte sont donc au cœur de cette thèse, c’est-à-dire la façon dont les nobles expriment leur mécontentement et justifient leurs oppositions au souverain. La cour est un cadre privilégié pour observer les dynamiques de pouvoir qui se jouent entre le souverain et les nobles, hommes et femmes. Le choix d’une période comprise 1589 et 1629 permet de suivre l’évolution de ces rapports à l’autorité monarchique et de mesurer le poids de l’honneur, moteur de l’action nobiliaire, mais aussi de la défense de la foi dans les prises de position nobiliaires. Cette longue période permet d’appréhender en quoi les contestations nobiliaires contribuent à la construction monarchique dans une période marquée par des conflits religieux
The aim of this thesis is to understand the relationships between the King and the nobles at the end of the Wars of Religion. This period is marked by a weakening of the royal authority and the division of nobility between factions with different religious faiths. In order to restore order in the kingdom, the King must rely upon nobles whose vocation is to bear arms. However, many nobles don’t recognize him like as a legitimate sovereign. Through war, negotiations and a wise policy of legitimation, Henri IV achieves his goal of rallying them behind his authority. This thesis aims to understand this reconciliation process, on what basis it is founded and how nobles contribute to redefine royal power. Even though peace has been restored since 1598 with the Peace of Vervins and the Edict of Nantes, protests of nobility are not shut and flared several times until 1629. The modalities of the revolt are at the heart of this thesis, that is, the way nobles express their discontent and justify their oppositions against the sovereign. The court provides an ideal environment for the observation of the power dynamics between the King and nobles, men and women. The choice of the period from 1589 up to 1629 allows one to follow the evolution of the relations with the monarchical authority and evaluate the weight of honor, driving force of nobility action as well as the defense of faith in the nobles’ positions. This extensive period allows to apprehend how nobility protests contribute to the building of the monarchy during a period marked by religious conflicts
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30

Stålhandske, Alexander. "King City." Thesis, KTH, Arkitektur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-139069.

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King City is a new citycenter in the expanding Kungens Kurva area in the southern part of Stockholm that combines shopping, service, dwellings and workplaces into a coherent urban environment. The project deals with the expanding city of Stockholm, where areas that before where seen as external, now form the basis of a polycentric city where the divide between innercity and suburbia is disolving.The Kungens Kurva area is today the result of “laissez-faire” planing principles that have allowed big retail companies to establish themself in the area. Since the ninities when the neoliberal ideology prevailed as the new guiding principle for Swedens economy, Kungens Kurva, as well as the retailmarket, has been expanding in a accelerating paste. King City is a architectural answer that anticipates our future city, driven by corporate power and diminishing public planning.
King City är ett nytt stadsdelsscentrum i det expanderande Kungens Kurva-området i södra Stockholm. Det nya centrumet sammanför handel, service och bostäder till en sammanhållen urban miljö. Kungens Kurva-området, som tidigare sågs som externt, håller nu på att bilda ett av centrumen i den polycentrisk storstad, där uppdelningen mellan innerstad och förort allmer minskar i betydelse. Kungens Kurva-området är idag resultatet av olika kortsiktiga planeringsstrategier som sedan 1960-talet bjudit in stora varukedjor att etablera sig i området.  Däribland IKEA. Sedan 1990-talet när den nyliberala ekonomin på allvar gjorde sitt intåg i Sverige, har Kungens Kurva tillsammans med hela detaljhandeln, expanderat i accelererande fart. King City är ett arkitektoniskt förslag som förutser vår framtida stad, driven av privata intressen och krympande offentliga resurser.
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31

MORRIS, KEITH. "GUTTER KING." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3177.

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Gutter King had a threefold purpose: to create a feature film using limited resources, to make the film bridge the gap between a defined artistic aesthetic and its broader distribution goals, and to make the film entertaining to its target market of 14-24 year old males. The methods used: exploiting new digital technology, using a limited workforce (crew), and implementing a planned improvisational structure.
M.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
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32

Kopchick, Laura A. (Laura Ann). "Scam King." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc500605/.

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"Scam King" is a full-length feature screenplay and follows standard script format. The idea behind "Scam King" came originally from the James Joyce short story "Two Gallants" in Dubliners. "Scam King" is, however, not an adaption of Joyce's story, but rather was inspired by the gaps in his story pertaining to the characters' way of life on the street.
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33

Ashley, Scott. "Representations of the barbarian in the early Medieval West c. 800-1100." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287542.

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34

Vial, Charles-Eloi. "Les chasses des souverains en France (1804-1830)." Electronic Thesis or Diss., Paris 4, 2013. http://www.theses.fr/2013PA040222.

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Activité prisée des rois de France depuis l'époque médiévale, la chasse était devenue pour les derniers Bourbons plus une passion dévorante qu'une simple distraction. Louis XV et Louis XVI furent critiqués par l'opinion publique naissante, qui considérait que leurs chasses onéreuses les éloignaient du gouvernement. Après la chute de la monarchie, les chasses royales disparurent. Elles furent remises au goût du jour par Napoléon Ier, soucieux de s'approprier les apparences de la légitimité monarchique. Le maréchal Berthier fut ainsi nommé Grand veneur en 1804. Grâce à lui, Napoléon put faire de ses chasses un instrument politique puissant, une distraction de Cour prisée, le tout avec une économie substantielle de moyens. La Restauration, au lieu de revenir à l'organisation d'Ancien Régime, choisit de conserver l'équipage de chasse et l'administration mise en place pour Napoléon, qui fonctionnèrent jusqu'en 1830. Naquit ainsi le paradoxe d'une Restauration affichant, à la suite de l'Empire, la volonté de renouer avec la tradition monarchique, mais cela grâce à un équipage formé pour Napoléon. C'est cette continuité, humaine, budgétaire, mais aussi politique et symbolique qu'il convient d'étudier au travers des éléments constitutifs des chasses : une implantation autour de Paris permettant une circulation de la Cour autour de différentes résidences de chasse, une pratique régulière destinée à la distraction du souverain et de ses proches, des invitations de personnages politiquement importants, qui donnent à certains jours de chasse bien précis une résonance particulière. Autant d'aspects qui se retrouvent dans les sources : archives, journaux, mémoires, œuvres d'art
Hunting had always been the privileged activity of kings since the mediaeval period, and for the later Bourbons it became a consuming passion. Indeed Louis XV and Louis XVI were to be criticized by a proto public opinion ; it was thought that hunts were expensive and that they distracted the rulers from the duties of government. The royal hunts disappeared with the fall of the monarchy. But Napoleon, with his desire to appropriate the outward show of monarchical legitimacy, brought it back. Marshal Berthier was appointed Grand veneur and given the task of organizing the imperial hunt in exactly the same way as it had been done under Louis XVI. Napoleon made the hunts a powerful political instrument and a Court indulgence whilst at the same time making considerable savings. The Restoration in fact chose not to revive Ancien Régime customs but preserved the Napoleonic hunting administration. This gave rise to the paradox of a Restoration attempting to reinvigorate monarchical traditions but using structures created by Napoleon. This is that strong continuity, human, budgetary, but also political and symbolic, inside a geographical field concentrated around Paris that made it possible for the Court to circulate around the different imperial hunting residences, to dedicate certain days to the hunts, and to invite some important political figures. All of these aspects are to be found in the sources : archives, newspapers, autobiographies, artworks
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35

Natishan, Georgia Kathryn. "Returning the King: the Medieval King in Modern Fantasy." Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/32346.

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In an interview with Hy Bender, Neil Gaiman states, â We have the right, and the obligation, to tell old stories in our own ways, because they are our stories.â While fantasy stands apart from other types of fiction, it still provides a particular kind of commentary on the culture/time it is being created in, often by toying with older themes and conventions. Stories of the quest for kingship tend to fall by the wayside in favor of the â unlikely heroâ tale. While the kingâ s story is not always vastly different from that of the hero, there are some key points that need to be taken into consideration. Unlike many heroes, especially in the modern sense, kings (whether recognized at first or not) are born for the duty they must eventually fulfill. A hero may be unaware of the problem at first or later reluctant to engage it; more often than not in tales of kingship there is a deep awareness of the problem and the knowledge of their potential in solving it. There is always a sense of inherent purpose and destiny: they must undertake quests in order to legitimize themselves and their power â their right to rule. These stories bear a similar structure and shared themes that can be found in medieval sources as well as earlier myths. Tales of kingship in modern fiction, specifically in the work of Neil Gaiman (The Sandman) and George R. R. Martin (A Game of Thrones), are similar to the medieval models, as kingship and the requirements of kingship were popular themes in medieval texts, including Beowulf and King Horn. The role of the king in epic tales varies from hero to villain, at times even occupying both roles depending on the story. In the tales explored herein and in much of the medieval source material that inspired the fantasy tradition, the king also takes on the role of healer. The interwoven plots of George R. R. Martinâ s A Song of Fire and Ice series revolve around the struggle for the rightful rule over seven kingdoms, and while the protagonist in The Sandman is in many ways vastly different from Tolkienâ s Aragorn, the character still exists with a sense of purpose, responsibility, and duty; a regal bearing that does not necessarily occur in the majority of typical heroes. The influence of Tolkienâ s work both as a scholar and an author is apparent in Gaimanâ s use of mythology and Martinâ s style of world creation; both authors have admitted their creative debt to and continuing admiration of Tolkienâ s style of fantasy. It is impossible to discuss modern fantasy without acknowledging Tolkien as an influence to these two more recent authors. This paper will discuss The Lord of the Rings as a bridge between modern fantasy and medieval/mythological sources. In each of these modern fantasy tales of kingship, healing and reunion become major themes, tied into the right/duty of a ruler. The patterns established by medieval tales are used by modern authors to create fantasy kings, giving their narratives legitimacy that may have been difficult to establish without these patterns and links back to the medieval tradition.
Master of Arts
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36

Christie, Niall G. F. "Levantine attitudes towards the Franks during the early Crusades (490/1096 - 564/1169)." Thesis, University of St Andrews, 1999. http://hdl.handle.net/10023/2741.

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The period of the Crusades was one of the most important periods in the history of both Western Europe and the Middle East, for it was during this period that the peoples of Western Europe made their first major incursion on eastern soil. The result of this was that an unprecedented amount of contact was established between East and West, forcing each side to become more closely acquainted with the culture of the other. As far as this cultural exchange is concerned, one of the most significant parts of the crusading period was that encompassing the first two crusades and their aftermath (490/1096-564/1169), as it was during this period that crusaders and easterners first clashed with each other, and were forced to learn much about each other. This sudden clash and forced acquaintance resulted in the development of certain attitudes on each side towards the other. This thesis concerns itself with the development of the attitudes of the Muslim, Christian and Jewish communities towards the Franks (western crusaders) in the major theatre of conflict of the area, the Levant. In the thesis as many texts as possible from the literature of the period are examined, in order to extract information from them concerning the developments in Levantine knowledge of and attitudes towards the Franks. The texts examined include both contemporary and later historical, geographical and judicial texts from the area, and also local works of literature. In addition to the Muslim, Christian and Jewish texts, and for the sake of comparison and completeness, brief consideration is also given to a number of works of Byzantine and Frankish writers. Naturally, use is also made of secondary works by modern scholars. In this way this thesis provides a detailed examination of cross-cultural inter-faith relations during this formative period.
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37

Dupuis, Matthew Morris. "Charles Lebrun, painting the King and the King of painting." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0016/MQ29489.pdf.

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38

Dupuis, Matthew. "Charles Lebrun : painting the king and the king of painting." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26684.

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This thesis examines the transformation in the representation of painters during Charles LeBrun's tenure as Life-Chancellor to the Academie Royale de Peinture et de Sculpture, from an initial definition in terms of the monarchy at Versailles to one founded on the practice of the art of painting. To promote the status of painters and painting, Louis XIV was celebrated as the protector of the arts in a royal portrait by Henri Testelin and was depicted as the ideal subject of art in paintings by Nicolas Loir and others. A painter's stature was then derived from the skillful manner in which he painted the history of the King. Engraved portraits accompanied by verse of Charles LeBrun and Adam Frans Van der Meulen identify allegorical painters as more distinguished than those who painted in a natural style. In both cases, Louis XIV is posited as being the source, subject, and eloquence of the art celebrating his achievements. Nicolas de Largillierre's Portrait of Charles Lebrun is modeled on Testelin's royal portrait and offers a portrayal of the artist which advocates service to the monarchy, but it grounds aesthetic activity in the body of the painter. This conception of LeBrun, in turn, serves as a paradigm for Pierre Mignard to create a self-portrait that proclaims his status in relation to the art of painting rather than through service to the King.
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39

Coombes, Pamela M. "The Medici gardens of Boboli and Luxembourg : thoughts on their relationship and development." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60661.

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Marie de' Medici began the 'jardin du Luxembourg' during her Regency for Louis XIII. As Henry IV's queen, she had clung tenaciously to her Italian family heritage and as her upbringing had close associations with the spectacular 'giardino di Boboli', she was thus inspired to utilize it as the prototype for her Parisian garden. The validation of Marie de' Medici's success lies in the investigation of both gardens to determine the recurring features and to ascertain their precise chronology. Evidence suggests that some replicated features were well known to Marie, the 'Grotta Grande', the original layout and the amphitheatre's general form; while other features, the 'Isolotto' and the amphitheatre's stone seating, were not. These were realized either concurrently or even later than similar features at Luxembourg: a factor overlooked by historians who habitually cite the formative role of Boboli at Luxembourg.
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40

Berthelot, Christiane. "L’économie du blé dans le département de la Seine au XIXème siècle : permanences et mutations." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040125.

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Cette étude est à replacer dans le débat sur le retard de l’agriculture française à la veille de la première guerre mondiale, et dans la façon d’aborder cette analyse, entre la macro et la micro-histoire. L’économie du blé au XIXe siècle est une des portes d’entrée de l’analyse. Le blé, culture alimentaire de première nécessité, couvrait la plus grande partie des terres labourables, alimentait des très nombreux moulins, donnait naissance à un trafic de grande envergure tant national qu’international, et se retrouvait, sous forme de pain, dans l’alimentation de tous les foyers. L’impact de cette céréale était si important, que la priorité de tous les gouvernements, était de nourrir en priorité le peuple de cette denrée pour assurer la paix sociale. Ainsi donc, d’un aspect agricole, on passait d’emblée à un aspect politique et social de l’étude. La façon dont le blé était collecté, emmagasiné, distribué, déterminait un marché, plus ou moins ouvert selon que les récoltes s’avéraient suffisantes, ou insuffisantes. L’étude ouvrait donc sur la politique commerciale de la France. Les revenus des producteurs de blé étaient fonction de leur place dans le marché, leurs gains dépendaient de l’élasticité du marché, de la loi de l’offre et de la demande, et des exigences des donneurs d’ordre. L’aspect économique de la question prenait tout son sens. Enfin, la quantité de blé récolté et livré était fonction de la taille de l’exploitation, de l’agencement des terres, de leur qualité et de l’habilité du paysan à optimiser les rendements. L’aspect purement agraire et technique de la production s’avéraient être un préalable à la réflexion. Autant de sujets de réflexion encore d’actualité
This study is part of the debate about The French agriculture backwardness before the First World War, and in the way to situate this analysis between macro and micro history. Wheat economy in the XIXth century is one of the introductions to this analysis. Wheat, being the essential food producing farming, was grown on most of the cultivated lands. It supplied a lot of granaries, gave birth to a tremendous national and international trade and was essentially dedicated to the making of bread for families. The impact of that cereal was so important that the governments’ priority was to feed the population to maintain social peace. Consequently the agricultural subject of our analysis implied to consider the political and social aspect of it. The way wheat was collected, stored, distributed and finally delivered, implied a market, more or less opened, depending on plentiful or insufficient harvests. The study opened on the French external commercial policy. The incomes of wheat producers depended on their situation on the market, their incomes depended on the fluctuations of the market, offer and supply and the demands of the principals. The economical aspect was quite meaningful. Finally, the quantity of wheat sales depended on the sizes of farms, their situation, their quality and the ability of peasants to increase the yields. The mere agricultural and technical aspect of production could not be avoided and turned out to be prior to our reflection. That sort of questioning is quite valid in the present day world
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41

Hjelm, Annelie, Monika Herczeg, and Laleh Saeidi. "E-business inom fastighetsbranschen : En undersökning av fastighetsbyrån Fantastic Franks differentiering genom E-business." Thesis, Mälardalens högskola, Akademin för ekonomi, samhälle och teknik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-27470.

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Utifrån Canvas analysmodell, hur ser Fantastic Franks E-business ut? Hur är synen på E-business hos en liten nischad fastighetsbyrå? Syftet med denna studie är att analysera Fantastic Franks E-business genom Canvas analysmodell och analysera hur differentiering genom E-business påverkar företagets framgång. Genom intervju med ledningsgruppsrepresentant från Fantastic Frank samt med fastighetsmäklare på Fantastic Frank applicerades företagets affärsmodell på modellen Källor till värdeskapande i E-business företag. Denna metod användes för att undersökningens syfte att se hur Fantastic Frank differentierar sig genom E-business skulle kunna undersökas. Nyckelresurser, nyckelpartnerskap och nyckelaktiviteter är de viktigaste blocken inom Canvas analysmodell för Fantastic Frank, för att de ska kunna erbjuda en värdeproposition och differentiera sig. Andra fastighetsbyråer börjar erbjuda liknande tjänster med bostadsstyling och Fantastic Frank bör vidareutveckla sin tjänst. För att skapa värde bör Fantastic Frank utveckla relationer med kunder som köpt eller sålt bostad genom gemensamma intressen inom inredning/design. Fantastic Frank ser möjligheter att använda sig utav E-business för att etablera sig i storstäder runt om i världen. Om de lyckas, kommer antagligen deras nuvarande partners att se möjligheter att växa med Fantastic Frank. Företaget differentierar sig genom att inte använda sig av tidningsannonser eller andra störningsmoment på sin hemsida utan skapar hellre inspiration. Genom att arbeta med målgruppsanpassad bostadsstyling ser ingen bostad ut som den andra vilket leder till att målgruppen återkommer för att söka efter bostad eller inspireras av bostäder. Fantastic Frank har spridit sina risker eftersom de satsar på flera olika medier.
How does the E-business of Fantastic Frank look like according to Business Model Canvas? How does a small and niched real estate agency perceive E-business? The purpose with this study is to analyse the E-business of Fantastic Frank real estate agency by applying it to the Business Canvas framework and analyse how differentiation through E-business affects the success of the company. By conducting an interview with representative from Fantastic Frank management as well as founder of Fantastic Frank real estate agency, and furthermore conducting an interview with one of the real estate brokers at Fantastic Frank, the business model of the company could be applied to the Value creation model by Amit and Zott (2001). The Value creation model was used in order to analyse how Fantastic Frank differentiates by their E-business. Key resources, key partnership and key activities are the most important parts within Business Model Canvas for Fantastic Frank, for the company to be able offer its value proposition and differentiate itself. Other real estate agencies have started to offer similar kinds of home styling services, and Fantastic Frank should have to consider how to further develop its service. To create value Fantastic Frank should develop relationships with customers who have used the company’s services by relating to common interests in interior/design. Fantastic Frank sees opportunities to make use of E-business to establish itself in major cities around the world. Their present partners will most likely appreciate the possibility to expand with Fantastic Frank. The company differentiates itself by not using ads and other kinds of disturbing elements on its homepage, and would rather be inspirational. With their target audience in mind during the styling session home stylings differ from each other with the result that people return to search for new homes or to get inspiration. Fantastic Frank also spreads its risks since the company can be found on many kinds of social media.
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42

Nadhiri, Aman Asili Ya Wittig Joseph S. "Sarasins and Franks perceptions of self and the other in 12th-15th century literature /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2212.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2009.
Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English." Discipline: English and Comparative Literature; Department/School: English and Comparative Literative.
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43

Domberg, Verena [Verfasser]. "Das (franko-)algerische Kino : Eine filmgeschichtliche Studie aus transnationaler Perspektive / Verena Domberg." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1114639273/34.

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44

Torijano, Pablo A. "Solomon the esoteric king : from king to magus, development of a tradition /." Leiden : Brill, 2002. http://catalogue.bnf.fr/ark:/12148/cb38824115j.

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45

Paschidis, Paschalis. "Between city and king /." Athens : Research Center for Greek and Roman Antiquity, National Hellenic Research Foundation, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018615197&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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46

Mori, Arellano Juan Francisco, and García Miguel Ángel Girano. "Valorización King Zipper SAC." Master's thesis, Universidad del Pacífico, 2016. http://hdl.handle.net/11354/1720.

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El presente trabajo ha sido dividido en cinco capítulos. En la introducción se explican los motivos que han llevado a realizar la valorización de King Zipper S.A. (KZ). Además, se dan a conocer el método de valorización escogido y las razones que llevaron a escoger el método. Por último, se explican los objetivos y se plantean las hipótesis que serán demostradas en el desarrollo de la investigación. En el segundo capítulo, marco teórico, se describe el proceso que conlleva la valorización de empresas bajo el método de flujos de caja descontado, y los insumos necesarios que se deben conseguir para llegar a saber el valor de la misma. El tercer capítulo, antecedentes, trata el perfil de la empresa. Ahí se desarrolla una breve historia de la misma. Asimismo, se realiza un análisis de las Fortalezas, Debilidades, Oportunidades y Amenazas. También se da a conocer el plan estratégico de KZ. Del mismo modo, se realiza un análisis macroeconómico de la situación del país, para luego pasar a analizar el sector manufactura. En el cuarto capítulo, análisis financiero, se analiza la información financiera de la empresa desde el año 2007 al 2015. Se revisan la evolución de las ventas, el comportamiento del margen bruto, la rentabilidad, la generación del flujo operativo (EBIT), entre otros. A través de la comprensión de estas ratios, se podrá proyectar los ingresos futuros en un horizonte de cinco (5) años. El quinto capítulo, valorización de la empresa, trata el proceso en sí de valorización de la empresa bajo el método de flujo de caja descontado. Aquí se podrá conocer el valor de la empresa, el valor fundamental, así como su valor, tanto en un escenario optimista como pesimista. Asimismo, se realizarán simulaciones y análisis de sensibilidad. Finalmente, se presentan las conclusiones y recomendaciones que ha dado como fruto el presente trabajo de investigación.
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47

Tibshraeny, Alexa Frances. "ENTREPRENEURIAL PROFILE: King Pharmaceuticals." Thesis, The University of Arizona, 2009. http://hdl.handle.net/10150/193004.

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48

Crisp, Ryan Patrick. "Marriage and alliance in the Merovingian Kingdoms, 481-639." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1063646754.

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49

Screen, Elina Mary. "The reign of Lothar I (795-855), Emperor of the Franks, through the charter evidence." Thesis, University of Cambridge, 1999. https://www.repository.cam.ac.uk/handle/1810/265432.

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Previous research has concentrated upon Lothar I's father, Louis the Pious, and his brother, Charles the Bald. While recent works have illuminated individual aspects of Lothar' s career (such as the manuscripts produced by his Court School, his coinages, and his commissioning of biblical exegesis), there has been no attempt to consider Lothar' s career more broadly, or to write the political history of his reign. The limited primary sources for Lothar are very largely biased against him, with the Annals of St-Bertin and Nithard's Histories, two of the most important works for the history of the period, being produced in Charles the Bald's hostile circle. This thesis uses for the first time the rich resource of Lothar' s 192 charters (including lost charters) to present a more rounded picture of Lothar. The palaeography, formulae and content of the charters are closely analysed. This analysis of the charter evidence reveals Lothar' s chancery and administration, and provides a picture of his court, its personnel and its politics. Lothar' s donations reveal his close links with the Church, especially the monastery of Prum, and the important role played by the women of the royal family at court. Through the charters, we may also approach Lothar' s changing perception of his status in the 820s and 830s, and his imperial ideology. _Lothar is revealed as a more complex and influential figure in his generation than the bias of the primary sources, and his neglect in the secondary material, would suggest.
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50

Kelly, Margaret Rose Louise Leckie. "King and Crown an examination of the legal foundation of the British king /." Phd thesis, Australia : Macquarie University, 1999. http://hdl.handle.net/1959.14/71499.

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"27 October 1998"
Thesis (PhD)--Macquarie University, School of Law, 1999.
Bibliography: p. 509-550.
Thesis -- Appendices.
'The Crown' has been described as a 'term of art' in constitutional law. This is more than misleading, obscuring the pivotal legal position of the king, which in modern times has been conveniently ignored by lawyers and politicians alike. -- This work examines the legal processes by which a king is made, tracing those processes from the earliest times to the present day. It concludes that the king is made by the selection and recognition by the people, his taking of the Oath of Governance, and his subsequent anointing. (The religious aspects of the making of the king, though of considerable legal significance, are not examined herein, because of space constraints.) -- The Oath of Governance is conventionally called the 'Coronation Oath'-which terminology, while correctly categorising the Oath by reference to the occasion on which it is usually taken, has led by subliminal implication to an erroneous conclusion by many modern commentators that the Oath is merely ceremonial. -- This work highlights the legal implications of the king's Oath of Governance throughout history, particularly in times of political unrest, and concludes that the Oath legally :- conveys power from the people to the person about to become king (the willingness of the people so to confer the power having been evidenced in their collective recognition of that person); - bestows all the prerogatives of the office of king upon that person; - enshrines the manner in which those prerogatives are to be exercised by the king in his people(s)' governance; and that therefore the Oath of Governance is the foundation of the British Constitution. -- All power and prerogative lie with the king, who as a result of his Oath of Governance is sworn to maintain the peace and protection of his people(s), and the king can not, in conscience or law, either do, or allow, anything that is in opposition to the terms of that Oath.
Mode of access: World Wide Web.
xxvii, 818 p
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