Relevant bibliographies by topics / Kinkade, Thomas

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Kinkade, Thomas'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Kinkade, Thomas"

1

Jonathan Holden. "Thomas Kinkade: “Painter of Light”." Prairie Schooner 82, no. 2 (2008): 46–47. http://dx.doi.org/10.1353/psg.0.0070.

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2

Halasz, Judith R. "Thomas Kinkade: The artist in the mall." Visual Studies 27, no. 2 (June 2012): 214–15. http://dx.doi.org/10.1080/1472586x.2012.642974.

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3

Koontz Anthony, Amanda, and Amit Joshi. "(In)authenticity work: Constructing the realm of inauthenticity through Thomas Kinkade." Journal of Consumer Culture 17, no. 3 (January 15, 2016): 752–73. http://dx.doi.org/10.1177/1469540515623611.

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Although we know that authenticity work can add value to cultural products, little research explores efforts to claim the inauthenticity of products in commercial markets. The question arises, how does the critical reception of a popular culture phenomenon employ a form of authenticity work to determine the cultural products eligible – or ineligible – for the status of “authentic?” This research seeks to answer this question through a comprehensive content analysis of 328 documents from 1998 to 2012 related to the late artist Thomas Kinkade. We put forth the term inauthenticity work to explain how cultural intermediaries defined cultural products as antithetical to authenticity. Even in the face of immense commercial success, intermediaries constructed Kinkade’s work as exemplifying inauthenticity, defining his work as mass produced, insincere, escapist, and oppositional to high art. Such inauthenticity work reveals that even if there is greater variance in cultural products eligible for authentication, intermediaries uphold culture boundaries through critically maintaining a cultural realm of inauthenticity.
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Mason, Julia. "Light for Light's Sake: Thomas Kinkade and the Meaning of Style." Journal of Popular Culture 45, no. 4 (July 26, 2012): 807–27. http://dx.doi.org/10.1111/j.1540-5931.2012.00959.x.

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Clapper, Michael. "Thomas Kinkade's Romantic Landscape." American Art 20, no. 2 (June 2006): 76–99. http://dx.doi.org/10.1086/507501.

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Y'Blood, William T., and Gerald E. Wheeler. "Kinkaid of the Seventh Fleet: A Biography of Admiral Thomas C. Kinkaid, U.S. Navy." Journal of Military History 60, no. 4 (October 1996): 788. http://dx.doi.org/10.2307/2944682.

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Braisted, William R., and Gerald E. Wheeler. "Kinkaid of the Seventh Fleet: A Biography of Admiral Thomas C. Kinkaid, U.S. Navy." Journal of American History 84, no. 1 (June 1997): 289. http://dx.doi.org/10.2307/2952857.

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"Thomas Kinkade: the artist in the mall." Choice Reviews Online 49, no. 02 (October 1, 2011): 49–0659. http://dx.doi.org/10.5860/choice.49-0659.

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"The artist in nature: Thomas Kinkade and the plein air tradition." Choice Reviews Online 40, no. 07 (March 1, 2003): 40–3805. http://dx.doi.org/10.5860/choice.40-3805.

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Pelowski, Matthew, Giulia Cabbai, Hanna Brinkmann, Jan Mikuni, Lisa M. Hegelmaier, Michael Forster, Raphael Rosenberg, and Helmut Leder. "The kitsch switch—or (when) do experts dislike Thomas Kinkade art? A study of time-based evaluation changes in top-down versus bottom-up assessment." Psychology of Aesthetics, Creativity, and the Arts, March 9, 2020. http://dx.doi.org/10.1037/aca0000302.

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Dissertations / Theses on the topic "Kinkade, Thomas"

1

Feman, Seth Alexander. "Paint by Nation: Thomas Kinkade and the Conversion of American Culture." W&M ScholarWorks, 2005. https://scholarworks.wm.edu/etd/1539720286.

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Moran, Kelly Drum. "Why Not Kinkade? An Evaluation of the Conditions Effecting an Artists Exclusion from Academic Criticism." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1390.

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Though prevalent in non-academic debate, the subject of Thomas Kinkade and his artwork is discernibly absent from the realm of academic discourse. This paper is an investigation into that condition and the circumstances for its perpetuation. Central to the issue is Kinkade's art theory and practice, which establishes his coexistence in both the art and business domains, creating inherent contradictions. Further explication is revealed through an evaluation of the contemporary criticism of four posthumously canonized artists: William Blake, Phillip Otto Runge, Vincent van Gogh, and Henri Rousseau. Consistencies among them correlate to the treatment of Thomas Kinkade, suggesting a common art historical methodology in operation. An evaluation of these findings generates alternative perspectives for considering his artwork and presents the possibility for relevant, engaging research into concerns well beyond its aesthetic merit.
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Books on the topic "Kinkade, Thomas"

1

Thomas Kinkade: Romantic Europe. Eugene, Ore: Harvest House Publishers, 2001.

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2

Kinkade, Thomas. The gardens of Thomas Kinkade. San Jose, CA: Media Arts Group, 1998.

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3

Kinkade, Thomas. Thomas Kinkade: Twenty-five years of light. Kansas City: Andrews McMeel Pub., 2008.

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Thomas Kinkade: The artist in the mall. Durham [NC]: Duke University Press, 2011.

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5

Thomas Kinkade: Twenty-five years of light. Kansas City: Andrews McMeel Pub., 2008.

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6

Kinkade, Thomas. The Thomas Kinkade cookbook: A journey of culinary memories. [San Francisco]: Silverback Books, 2006.

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Kinkade, Thomas. The Thomas Kinkade cookbook: A journey of culinary memories. [San Francisco]: Silverback Books, 2006.

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8

Kinkade, Thomas. The many loves of marriage. Sisters, OR: Multnomah Publishers, 2002.

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9

Morgan, David, Micki McElya, Seth Feman, and Karal Ann Marling. Thomas Kinkade. Edited by Alexis L. Boylan. Duke University Press, 2011. http://dx.doi.org/10.1515/9780822393399.

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Boylan, Alexis L., ed. Thomas Kinkade. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393399.

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Book chapters on the topic "Kinkade, Thomas"

1

Boylan, Alexis L. "Introduction." In Thomas Kinkade, 1–28. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393399-001.

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Morgan, David. "Thomas Kinkade and the History of Protestant Visual Culture in America." In Thomas Kinkade, 29–53. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393399-002.

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McElya, Micki. "Painter of the Right." In Thomas Kinkade, 54–80. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393399-003.

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Feman, Seth. "God in the Retails." In Thomas Kinkade, 81–106. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393399-004.

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Marling, Karal Ann. "Brand-Name Living from the Painter of Light." In Thomas Kinkade, 107–23. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393399-005.

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Rager, Andrea Wolk. "Purchasing Paradise." In Thomas Kinkade, 124–42. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393399-006.

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Pearson, Christopher E. M. "Repetition, Exclusion, and the Urbanism of Nostalgia." In Thomas Kinkade, 143–64. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393399-007.

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Alderson, Julia. "“A Temple Next Door”." In Thomas Kinkade, 165–90. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393399-008.

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Vallance, Jeffrey. "Thomas Kinkade’s Heaven on Earth." In Thomas Kinkade, 191–205. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393399-009.

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Kjellman-Chapin, Monica. "Manufacturing “Masterpieces” for the Market." In Thomas Kinkade, 206–37. Duke University Press, 2011. http://dx.doi.org/10.1215/9780822393399-010.

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