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Journal articles on the topic 'Kino noir'

Author: Grafiati

Published: 24 April 2022

Last updated: 30 July 2025

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1

Kempna-Pieniążek, Magdalena. "Ciemna strona Polski? „Neo-noir” i kino policyjne w twórczości Patryka Vegi." Kwartalnik Filmowy, no. 95 (September 30, 2016): 152–60. http://dx.doi.org/10.36744/kf.2173.

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Wśród najistotniejszych cech nowego kina czarnego (neo-noir) szczególną rolę pełni transkulturowy charakter tego fenomenu. We współczesnej popkulturze neo-noir stał się jedną z dominujących tendencji, łatwo adaptując się do lokalnych uwarunkowań kinematografii narodowych. Artykuł jest poświęcony jednej z polskich realizacji wpisujących się w tę estetykę. Filmowa i serialowa twórczość Patryka Vegi nawiązuje do neo-noiru oraz do konwencji amerykańskiego kina policyjnego. Abstrahując od rozważań o charakterze genologicznym, autorka przygląda się specyfice tych powiązań. Czy kino policyjne w neo-n

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Helman, Alicja. "Trudne rozwijanie niewykorzystanego potencjału." Kwartalnik Filmowy, no. 103 (September 30, 2018): 232–36. http://dx.doi.org/10.36744/kf.1930.

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Recenzja książki Kamili Żyto Film noir i kino braci Coen (2017). Jak pisze Helman, autorka poświęciła pierwszą, stosunkowo obszerną część pracy rozważaniom teoretycznym na temat pojęć noir i neo-noir, wykraczając daleko poza przedstawienie literatury przedmiotu, czyli zdanie sprawy z tego, co na interesujący ją temat napisano wcześniej. W jej ujęciu noir to przede wszystkim kwestia światopoglądu filozoficzno-ideologicznego (także estetycznego), czego dowodzi, odwołując się do takich źródeł inspiracji, jak egzystencjalizm (również w jego wersji amerykańskiej) i psychoanaliza, do których przywią

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Hadamik, Zofia. "„Femme fatale” jako byt fantazmatyczny. O demonicznych postaciach kobiecych w filmie w pierwszej połowie XX wieku i ich późniejszych reminiscencjach." Kwartalnik Filmowy, no. 41-42 (June 30, 2003): 114–39. https://doi.org/10.36744/kf.3805.

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Hadamik dokonuje wnikliwej analizy fenomenu femme fatale w kulturze od romantyzmu do współczesności, a zarazem fantazmatu jako struktury wyobraźni wpisanej w kontekst męskiej psychiki i odwiecznej walki płci. Fantazmat jest wyrazem lęku przed utratą męskiej tożsamości i pożądania. Z drugiej strony jest też wyrazem zmian społeczno-ekonomicznych i obyczajowych, które nadeszły wraz z ruchem emancypacji kobiet. Silnie zakorzenił się on w literaturze popularnej przełomu XIX i XX wieku u Eugène’a Sue, Gustave’a Flauberta czy Algernona Swinburne’a. Został wzmocniony przez filozoficzne refleksje Nietz

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4

Aje, Lawrence. "Du Martin Luther King Jr. Day à Juneteenth." Migrations Société N° 193, no. 3 (2023): 113–28. http://dx.doi.org/10.3917/migra.193.0113.

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À travers l’étude de deux jours fériés, le Martin Luther King Jr. Day et Juneteenth National Independance Day (ou, plus simplement, Juneteenth), commémorant l’histoire des Noirs américains, cet article met en évidence que, dans le sillage des mouvements des droits civiques et de Black Lives Matter, on assiste à un phénomène de « nationalisation » de la mémoire noire américaine aux États-Unis. La « fédéralisation » de la mémoire noire, sur un mode abolitionniste et émancipateur, vise à valoriser l’histoire des Noirs américains dans une logique compensatoire de réparation symbolique. Si au nivea

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Smoliński, Sebastian. "Bezdroża i długie trwanie filmu „noir”." Kwartalnik Filmowy, no. 123 (September 27, 2023): 240–46. http://dx.doi.org/10.36744/kf.1719.

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Książka Patrycji Włodek „Wszystko noir?”. O inspiracjach i wariantach – życie po życiu film noir (2022) jest analizą wybranych aspektów czarnego kryminału łączącą refleksję nad kinem klasycznym z omówieniem najnowszych dzieł gatunku. Autorka ogranicza perspektywę do kina amerykańskiego i szuka powtarzalnych tropów (np. femme fatale i homme fatale) oraz przykładów tematycznego i narracyjnego wykorzystania pojęcia gaslighting. Na szczególną uwagę zasługują rozważania autorki o filmie noir jako nurcie osadzonym w konkretnych przestrzeniach (np. rural-noir, Cal-noir) i podatnym na mariaż z innymi

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6

Coley, Rob. "In Defence of ‘Noir Theory’: Laruelle, Deleuze, and Other Detectives." Theory, Culture & Society 37, no. 3 (2019): 123–44. http://dx.doi.org/10.1177/0263276419881686.

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What happens when theory falters? A concern with the anthropocentric limitations of critical thought dominates contemporary cultural theory. For Joanna Zylinska, however, this concern often reflects a longstanding humanist anxiety, one that is today renewed in the form of ‘noir theory’, a reactionary scholarship that redeems the universalist human as the subject of reason. There is, though, more than one mode of noir theory, and a certain tendency of ‘noir’ affords the basis for theorizing another kind of universalism, a non-reactionary account of the real. This article takes seriously the all

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7

Klera, Wiktoria. "Wiersze noir." Forum Poetyki, no. 13 (October 10, 2018): 76–85. http://dx.doi.org/10.14746/fp.2018.13.26821.

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Artykuł dotyczy stosunkowo młodego zakorzenienia terminu noir, zapożyczonego od gatunku filmowego, we współczesnej poezji. Źródłami noir w wierszach są nie tylko dzieła filmowe noir i neo noir, ale też – a może przede wszystkim – te elementy, które do kina przywędrowały z czarnych kryminałów, znanych jako hard-boiled stories. Pierwsze użycie terminu poezja noir odnotowałam w artykule amerykańskiej badaczki i poetki Suzanne Lummis z przełomu 2012 i 2013 roku. W krajach anglojęzycznych jest on zdecydowanie bardziej popularny niż gdzie indziej. Choć w Polsce pojawiła się w 2010 roku antologia Żeg

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Sitek, Wojciech. "Na czasy kryzysu." Kwartalnik Filmowy, no. 96 (December 31, 2016): 244–49. http://dx.doi.org/10.36744/kf.2154.

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Sitek recenzuje książkę Magdaleny Kempnej-Pieniążek Neo-noir. Ciemne zwierciadło czasów kryzysu (2015). Stwierdza m.in., że współcześnie nieokreślone i wielopostaciowe kryzysy dotyczą każdego mieszkańca globalnej wioski, a swoistym przepracowaniem tej kwestii na gruncie filmoznawczym jest właśnie książka Magdaleny Kempnej-Pieniążek – pierwsza polskojęzyczna monografia poświęcona zagadnieniu kina neo-noir. Diagnozom autorki wiążącym się z fenomenem kina neo-noir towarzyszy w wywodzie wprowadzenie koniecznych uściśleń definicyjnych, typologicznych i periodyzacyjnych. Autorka zestawia stanowiska,

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Markhaichuk, Nataliia, Natalia Riabukha, and Volodumur Tarasov. "“BLACK MOVIES”: GENRE MEMORY OF THE NOIR FILM LANGUAGE IN THE SYSTEM OF AUDIOVISUAL TRANSFORMATIONS (1970s – 2010s)." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 63 (May 31, 2021): 57–67. http://dx.doi.org/10.26565/2306-6687-2021-63-07.

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The issue of “genre memory” in the noir film language is one of the most relevant problems in the modern study of “black” cinema evolution. In spite of the fact that in the recent years, noir has significantly expanded its traditional artistic “cover”, the study of features and ways of its transformation is one of priority vectors of the research. In the context of audiovisual transformations of the early 21st century, noir is represented by at least two genre constructions (post-noir and neo-noir), which also need to be studied in areas related to “diffuseness” of genres and “hybridization” o

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10

Dominkova, Petra. "Melodrama noir: Beyond the Forest and Leave Her To Heaven." AVANCA | CINEMA, no. 14 (January 5, 2024): 615–19. http://dx.doi.org/10.37390/avancacinema.2023.a552.

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While at first sight, there is not much in common between the genre of melodrama (or romance) and film noir, there are films that may fit into both categories. My presentation will focus on how is it even possible when, for instance, the requirements for the female characters are radically different between melodrama and nfilm noir. On one hand, we need a woman that – quite necessarily – suffers and is being manipulated by others (melodrama; as discussed, for instance by Sarah Kozloff in Overhearing Film Dialogue) while on the other we have a woman that is often a leading character and is the

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Korzhukova, E. S. "Non-detective space of the Spanish noir: “The Invisible Guard” by Dolores Redondo." Linguistics & Polyglot Studies 9, no. 2 (2023): 134–45. http://dx.doi.org/10.24833/2410-2423-2023-2-35-134-145.

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Spanish noir is only gaining popularity among the Russian audience, although it is quite famous in other countries outside Spain. Several works, mainly by foreign authors, studied this kind of black detective, certain features of the genre. However, in the context of the non-detective novel space of the works by the Spanish writer Dolores Redondo, such studies do not exist yet. That is why a comprehensive analysis of this phenomenon in the novel «El guardián invisible», 2013 («The Invisible Guard») from «Trilogía del Baztán» (Bastan Trilogy) seems to be relevant. The purpose of the study is to

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12

Sztąberek, Maciej. "Jean-Pierre Melville – zapomniany stylista kina gangsterskiego." Media - Kultura - Komunikacja Społeczna 4, no. 15 (2020): 71–85. http://dx.doi.org/10.31648/mkks.6246.

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Artykuł jest poświęcony stylistyce kryminałów wyreżyserowanych przez Jeana-Pierre’a Melville’a. Głównym celem autora opracowania jest przybliżenie najważniejszych i najbardziej rozpoznawalnych elementów filmów reżysera, które sprawiły, że dzieła te wyróżniały się spośród innych utworów tego gatunku. Analiza dotyczy wykorzystywanych przez Melville’a gatunków i nurtów filmowych, w tym: filmów gangsterskich, kina noir oraz policier. Autor zwraca również uwagę na poruszaną w omawianych filmach tematykę, konstrukcję bohaterów, a także stosowane przez Melville’a chwyty, które miały za zadanie uniezw

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13

Włodek, Patrycja. "Phyllis, Cora, Laura, Gilda… Kobieta jako przedmiot w „film noir”." Kwartalnik Filmowy, no. 74 (June 30, 2011): 94–106. https://doi.org/10.36744/kf.2943.

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Czy kobieta w film noir – nurcie popularnym w Stanach Zjednoczonych w latach 40. i 50. XX w. – była podmiotem czy raczej przedmiotem? Ze względu na niezwykłą tematyczną złożoność film noir, przejawiającą się m.in. w wielości schematów fabularnych i typów postaci, zarówno męskich, jak i kobiecych, nie jest łatwo jednoznacznie odpowiedzieć na to pytanie. Analiza czterech filmów (Podwójne ubezpieczenie, Listonosz zawsze dzwoni dwa razy, Gilda, Laura), w których ekranowa obecność bohaterek określona jest nie tylko przez ich rolę w narracji i silnie nacechowaną erotycznie stronę wizualną, ale też p

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14

Stewart, Tyson. "The Future Is Noir: Alienation, Resentment, and Cyclicality in Indigenous Futurism on Film." Wicazo Sa Review 38, no. 1-2 (2023): 142–58. https://doi.org/10.1353/wic.2023.a965100.

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Abstract: There is much potential for Indigenous science fiction and futurisms to articulate a decolonized vision of the world. "Indigenous futurisms are narratives of biskaabiiyang, an Anishinaabemowin word connoting the process of 'returning to ourselves,' which involves discovering how personally one is affected by colonization, discarding the emotional and psychological baggage carried from its impact, and recovering ancestral traditions in order to adapt in our post-Native Apocalypse world," writes Grace Dillon. If Indigenous futurisms today are the most prominent vehicle for biskaabiiyan

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Chambers, Claire. "‘Burminggaon? Nottinggaon? Biradforrd?’: British Asian Noir Depictions of Bradford." Forum for Modern Language Studies 56, no. 3 (2020): 259–79. http://dx.doi.org/10.1093/fmls/cqaa017.

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Abstract In this article, I examine noir representations of Bradford, that important West Yorkshire city which, as one British-Punjabi character’s mispronunciation suggests, has been transformed by South Asian Muslim migration. I examine a trilogy: M. Y. Alam’s Bradford noir novels Annie Potts is Dead, Kilo and Red Laal (1998−2012), and a tetralogy: A. A. Dhand’s Streets of Darkness, Girl Zero, City of Sinners and One Way Out (2016−2019). These novels explore the biradari or kinship system evoked by Atia Hosain’s character in her neologism ‘Biradforrd’. They also focus, among other matters, on

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Ostalska, Katarzyna. "“A right kind of rogue”: Lisa McInerney’s "The Glorious Heresies" (2015) and "The Blood Miracles" (2017)." Text Matters, no. 9 (December 30, 2019): 237–58. http://dx.doi.org/10.18778/2083-2931.09.15.

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The following article analyzes two novels, published recently by a new, powerful voice in Irish fiction, Lisa McInerney: her critically acclaimed debut The Glorious Heresies (2015) and its continuation The Blood Miracles (2017). McInerney’s works can be distinguished by the crucial qualities of the Irish Noir genre. The Glorious Heresies and The Blood Miracles are presented from the perspective of a middle-aged “right-rogue” heroine, Maureen Phelan. Due to her violent and law-breaking revenge activities, such as burning down the institutions signifying Irishwomen’s oppression (i.e. the church

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Mandal, Aratrika, and Somdatta Bhattacharya. "Shadows lurking under: A study of uncanny built urban spaces in Forbrydelsen." Journal of Urban Cultural Studies 11, no. 2 (2024): 149–69. https://doi.org/10.1386/jucs_00086_1.

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This article analyses the complete seasons of the Danish noir television series, Forbrydelsen (2007–12), to examine the uncanniness of the urban built environment in Nordic noir television. Of the crucial actors for the Nordic welfare state model to guarantee a good life for its citizens, a large-scale urbanization drive is one. So, while urban space is an outcome of human activities of the postmodern, globalized, technologized world, such transformation also produces spaces that are bleak and unsafe, invoking the rhetoric of the uncanny architecture in the places that were once regarded as re

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ENE, Edem Ekpo, and Otosi Fidelis BASSEY. "THE AFROFUTURE MAGICAL REALISM TROPE AS A TOOL FOR BLACK FEMALE SELF ASSERTION IN NNEDI OKORAFOR'S AKATA WITCH." ŃDUÑỌDE: Calabar Journal of the Humanities 17, no. 1 (2020): 89–103. https://doi.org/10.5281/zenodo.5221692.

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Black identity and culture over the years reechoes in the literary circle as a discourse that demands serious investigation. Right from his first contact with the white man in his home and subsequently in the New World, the black man"s identity has always been brought to question. Redeeming his identity and culture and asserting same without the hegemonic epitaph of the racial white has been an engaging business for the black man. This paper entitled “The Afrofuture Magical Realism Trope as a Tool for Black Female Self Assertion in Nnedi Okorafor"s Akata Witch” interrogates the pla

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Wentz, Margaret R. "Gift of King Hussein I and Queen Noor Al Hussein." Mayo Clinic Proceedings 79, no. 12 (2004): 1566. http://dx.doi.org/10.4065/79.12.1566.

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Nilsson, Maria. "A Faster Kind of Photojournalism?" Nordicom Review 38, s2 (2017): 41–56. http://dx.doi.org/10.1515/nor-2017-0413.

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AbstractThis article examines factors influencing the editorial processing of photographs, the impact of photojournalistic practices on those processes as well as perceptions of images. Perspectives on visual gatekeeping and the news value of photographs were applied to a newsroom and interview study with a specific focus on photographs for the main news section of a Swedish newspaper. Findings identified routines, publication formats and resources as key factors, with some challenges posed by mobile publication formats and a focus on routine news. Photo editors were found to have a key functi

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Dobrev, Atanas. "Loki, Thor, Odin: Norse Mythology and its Role in Nordic Noir Literature." Филологически форум, no. 19 (2024): 165–72. http://dx.doi.org/10.60056/philolf.2024.1.165-172.

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This article aims to present the relationship between Norse mythology and Scandinavian crime fiction and its important role for the development of the genre while focusing on the novel The Hurricane Party by Swedish author Klas Östergren. Through the use of certain names, the novel makes inter-textual references to the mythology of the North. The murders and destruction are a kind of allusion to the actual Fall, which, in turn, precedes the rebirth of the world. However, it seems that there will be no better world, everything will repeat itself anew. A strong social and environmental critique

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Watson, Graham. "Julianna Grigg, The Philosopher King and the Pictish Nation." Northern Scotland 7, no. 1 (2016): 95–98. http://dx.doi.org/10.3366/nor.2016.0111.

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Schuhbauer, Judith. "Großes Kino in kurzen Filmen." merz | medien + erziehung 56, no. 1 (2012): 79–80. http://dx.doi.org/10.21240/merz/2012.1.23.

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Eine Woche lang präsentierten junge Nachwuchsregisseurinnen und -regisseure aus aller Welt auf dem 31. Internationalen Festival der Filmhochschulen München 2011 ihre Werke. Die 54 Regie-Talente kamen aus insgesamt 26 Ländern, um ihre Arbeiten ins Rennen um Preisgelder in Höhe von mehr als 40.000 Euro zu schicken. Von Montag bis Freitag, von nachmittags bis spät abends wurden im Münchener Filmmuseum 61 Kurzfilme in zehn bunt gemischten Programmen dem Publikum und der Jury vorgestellt. In eindrucksvollen Spielfilmen, packenden Dokumentationen und aufwändigen Animationen behandelten die Nachwuchs

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Turnbull, Gemma-Rose. "Navigating Socially Engaged Documentary Photographic Practices." Nordicom Review 36, s1 (2020): 79–95. http://dx.doi.org/10.1515/nor-2015-0031.

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AbstractAs Documentary Photographers increasingly introduce the collaborative and participatory methodologies common to socially engaged art practices into their projects (particularly those that are activist in nature, seeking to catalyse social change agendas and policies through image making and sharing), there is an increased tension between the process of production and the photographic representation that is created. Over the course of the last five years I have utilised these methodologies of co-authorship. This article contextualizes this kind of transdisciplinary work, and examines th

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Febel, Gisela. "How to shape Black diasporic identity in France by reading (about) literature." Journal of Global Diaspora 3, no. 1 (2022): 55–69. http://dx.doi.org/10.1386/gdm_00024_1.

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This article gives an overview of francophone African diasporic websites such as Africultures.com, africavivre.com and other digital magazines, networks and blogs that are present on different platforms. Taking recent novels, texts of literary criticism, reviews and comments as examples, I analyse in what way they share in discourse about diasporic and migratory identity positions of Afropéens (‘Afropeans’) (and differ therein from other readings of the same novels). Methodologically, I draw on Stephen Greenblatt’s concepts of self-fashioning and circulation of social energy as well as on Pier

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Mrozewicz, Anna. "Rendering slow ecological crisis in a popular medium: Hyperobjects and Sámi resistance in the Swedish-French TV series Midnight Sun." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 31, no. 40 (2023): 37–59. http://dx.doi.org/10.14746/i.2022.40.02.

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   The article examines the ways in which the slowly evolving and invisible processes of the ongoing ecological crisis can be represented in the format of a contemporary serial television drama. The author argues that despite heavy reliance on spectacular and captivating character-born plots, the long-form storytelling of new television narratives can be well suited to representing the complex and unspectacular temporalities of the ecological crisis. With the Swedish-French Arctic noir TV series Midnight Sun as a case study, the analysis shows how a highly spectacular crimina

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Lyau, Bradford. "Technocratic Anxiety in France: The Fleuve Noir “Anticipation” Novels, 1951-60." Science Fiction Studies 16, Part 3 (1989): 277–97. https://doi.org/10.1525/sfs.16.3.277.

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Following World War II, France embarked on a process of modernization designed to restore its place as a first-class power. The novels original to Fleuve Noir’s “Collection Anticipation” for the years 1951-60—and there were hundreds of them—reflect a diversity of attitudes towards this unprecedented technocratic revolution. Among the II French authors who wrote books for this series, only two offer visions pretty much wholeheartedly approving of technocracy. Inspired by Saint-Simon and under the pseudonym of F. Richard-Bessière, Francois Richard and Henri Bessière represent the technocratic or

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Spychala, Mareike. "Nostalgia, Masculinity, and Real Person Fiction: The Obama Biden and Bernie Sanders Mysteries." Crime Fiction Studies 5, no. 1 (2024): 98–111. http://dx.doi.org/10.3366/cfs.2024.0113.

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Published in 2018, 2019, and 2022 respectively, Hope Never Dies and Hope Rides Again, subtitled An Obama Biden Mystery, and Feel the Bern: A Bernie Sanders Mystery by Andrew Shaffer offer crime stories that feature the former President and Vice-President and, analogously, Senator Bernie Sanders as amateur investigators. Described as ‘[e]vocative of noir thrillers and bromantic buddy-cop movies’ on Penguin Random House’s website, the novels rest on a premise that, this paper argues, is carried not only by a liberal nostalgia for the Obama presidency and, in the case of Feel the Bern, small town

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Chiafele, Anna. "Corpi di scarto: la vita in discarica narrata da Elisabetta Bucciarelli // Corpi di scarto: Life in a Landfill Narrated by Elisabetta Bucciarelli // Corpi di scarto: La vida en un vertedero narrada por Elisabetta Bucciarelli." Ecozon@: European Journal of Literature, Culture and Environment 8, no. 2 (2017): 151–74. http://dx.doi.org/10.37536/ecozona.2017.8.2.1428.

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Riassunto In questo articolo si offre una lettura ecocritica di Corpi di scarto, romanzo noir della scrittrice italiana Elisabetta Bucciarelli. Bucciarelli descrive la vita all’interno di una discarica italiana in cui vengono scaricate illegalmente alcune sostanze nocive provenienti da un ospedale limitrofo. Partendo da alcuni principi cardine dell’ecocritica materiale, si dimostrerà che lo scarto è dotato di forza agente e, per questo, interagisce con l’ambiente e con tutti gli esseri, umani e non. In questo romanzo, Bucciarelli si spinge oltre l’immaginario catastrofico alimentato dal discor

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Kilpatrick, Kelly. "Gordon Noble and Nicholas Evans, The King in the North: The Pictish Realms of Fortriu and Ce." Northern Scotland 11, no. 2 (2020): 209–11. http://dx.doi.org/10.3366/nor.2020.0224.

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Schwartz, Camilla, and E. Ann Kaplan. "The female detective as the child who needs to know. Saga Norén as an example of potent yet dysfunctional female detectives in contemporary Nordic Noir." European Journal of Scandinavian Studies 48, no. 2 (2018): 213–30. http://dx.doi.org/10.1515/ejss-2018-0017.

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Abstract The global popularity of Nordic Noir, such as the Danish/Swedish production Broen, The Danish production Forbrydelsen, its U.S. and U.K. remakes, the Danish/Swedish production The Millennium Trilogy seems to depend on its insistent interest in a set of maladjusted female detectives. The by now seven seasons of the U.S production Homeland have a similar focus. In this essay, we argue that the struggle these female protagonists endure between extreme potency on the one hand and shameful psychic problems on the other is linked to how these female detectives represent the female position

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Sharpe, Donald. "On editor bias and transparency: Reply to Cowan (2024), King (2024), and Thurston and Noor (2024)." American Psychologist 79, no. 7 (2024): 901–2. http://dx.doi.org/10.1037/amp0001316.

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Anderson, Richard. "Two Kings: Empire, Abolition, and the University of Aberdeen’s First African Student." Northern Scotland 15, no. 2 (2024): 167–87. http://dx.doi.org/10.3366/nor.2024.0316.

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This article presents a biography and multi-generational microhistory of Nathaniel King (1847–1884), the University of Aberdeen’s first African-born student and a pioneering practitioner of Western medicine in colonial West Africa. Nathaniel’s father, Thomas King, rose from slavery to become a missionary and linguist in Sierra Leone and what would later become Nigeria. Nathaniel, born to survivors of the Middle Passage, graduated M.B., C.M. from Aberdeen in 1876, before returning to West Africa to become a prominent member of the educated elite in Victorian Lagos. The long-established historio

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Comte, Valentin, Léonard Schneider, Pierluigi Calanca, and Martine Rebetez. "Effects of climate change on bioclimatic indices in vineyards along Lake Neuchatel, Switzerland." Theoretical and Applied Climatology 147, no. 1-2 (2021): 423–36. http://dx.doi.org/10.1007/s00704-021-03836-1.

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AbstractIn this study, we investigated the consequences of climate change on bioclimatic indices in vineyards along the edge of Lake Neuchatel in Switzerland. Like in other vineyards all around the world, the typicity of wines and the phenology of vines have changed, particularly since the 1970s. Trends in the growing season average temperature and in Huglin’s heliothermal index show that the climate in the Neuchatel vineyards changed from very cool or cool to temperate during the last decades. Trends in the cool night index and in the prior to harvest cool night index both indicate that in th

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Triaud, Jean-Louis. "GIVING A NAME TO ISLAM SOUTH OF THE SAHARA: AN ADVENTURE IN TAXONOMY." Journal of African History 55, no. 1 (2014): 3–15. http://dx.doi.org/10.1017/s0021853713000820.

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AbstractThis article revisits the concept ofislam noir(black Islam) crafted in the context of French rule of sub-Saharan Muslims. For the French colonial administration,islam noirconnoted the idea of a degraded Islam tainted by animist practices and therefore different from the pure Islam practiced in Arab countries. This differentiation was a way to separate it from ‘Arab Islam’, which was considered a subversive model. This distinction was not entirely new for it had already a long history behind it. Arabic sources had often shown a high distrust of sub-Saharan Africans who converted to Isla

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Vetokhov, Sergey V. "Dimensions and Proportions of the Ptolemaic Temple at Gebel el-Nour." Oriental Courier, no. 2 (2023): 93. http://dx.doi.org/10.18254/s268684310025618-7.

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The paper focuses on the analysis of plan proportions of the Ptolemaic temple near the settlement of Gebel el-Nour (Egypt), the construction of which is dated to the period of reign of Egyptian king Ptolemy II Philadelphus (king from 284 to 246 B.C.). In an attempt to understand the possible logic of the dimensional and geometrical construction of the temple, the development of arithmetical, graphic and modular methods of proportionality is considered in the examples of structures from the Early Dynastic to Ptolemaic periods. Thus, during the construction of the largest Early Dynastic structur

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Nabeela Gul, Dr. Mubashir Ahmad, and Muhammad Ijaz Khan. "Exploring the Ways Through Noor in Fluent Zamindaar Personality: Mould Theory Perspective." GUMAN 7, no. 2 (2024): 259–66. https://doi.org/10.63075/guman.v7i2.810.

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Marriage is a social system that uses the patriarchal ideology to constrain the relationship of husband and wife; Therefore, marriage habits of patriarchy have reinforced male supremacy and gender inequality, this kind of phenomenon will give rise to conflict. Feminist literature, on the other hand, has continuously exhibits a married woman life say for example in short story of Qaisra Shahraz, Zemindar's wife. A married article is a log regarding everyday living because of using Simone De Beauvoir's, within The actual A few Love-making. In addition, the study employs a qualitative approach wi

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Panglipusari, Dwi Lesno, and Nur Jannah. "PENINGKATAN USAHA STICK KEJU “CAMILAN MBAK NOER” DI KOTA SURABAYA." Prosiding Konferensi Nasional Pengabdian Kepada Masyarakat dan Corporate Social Responsibility (PKM-CSR) 6 (November 18, 2023): 1–7. http://dx.doi.org/10.37695/pkmcsr.v6i0.2065.

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Permasalahan Mitra saat ini belum paham bagaimanan memasarkan produk camilan stik keju ini untuk menghasilkan profit yang memadai. Pemasaran yang dilakukan hanya menjual produk apabila mendapatkan pesanan. Produksi Stik Keju yang diproduksi ini hanya terbatas bahan baku yang digunakan setengah kilo perhari. Belum adanya pembrandingan untuk produk stik keju ini. Segmen pasar yang masih terbatas pada pesanan tetangga. Tidak adanya promosi, Bahan baku pembuatan kue menggunakan bahan baku yang berkualitas sehingga pangsa pasar yang dipilih belum merata di segmen rendah karena harga cenderung mahal

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Aritonang, Arthur. "GERAKAN MODERN ISLAM DI INDONESIA 1900-1942." Voice of HAMI: Jurnal Teologi dan Pendidikan Agama Kristen 5, no. 1 (2022): 54–56. https://doi.org/10.59830/voh.v5i1.42.

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Buku ini ditulis oleh Deliar Noer yang merupakan seorang sejarawan dan pemikir Islam. Isi buku merupakan disertasi doktoralnya yang berhasil dipertahankan di Oxford University dan di kemudian hari diterjemahkan ke dalam bahasa Indonesia. Buku ini merupakan salah satu buku bacaan sejarah yang direkomendasi oleh pembaca untuk dibaca oleh kalangan akademisi atau peneliti, masyarakat sipil termasuk pemuka agama di Indonesia. Mengkaji mengenai Indonesia tidak terlepas dari peran serta umat Islam sebagai agama yang paling banyak pemeluknya di Indonesia bahkan di dunia. Dengan demikian setiap kali ki

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Knight, G. Roger. "A Colonial Port, a Caledonian Wedding and the Scots’ Diaspora: Callum McLean (1903–1990) as Businessman in Surabaya and Laird in Aberdeenshire During the Inter-War Decades." Northern Scotland 12, no. 1 (2021): 33–54. http://dx.doi.org/10.3366/nor.2021.0233.

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The Aberdeenshire-born Niel Malcolm ‘Callum’ McLean was an individual who rose to prominence in European mercantile circles in the colonial Indonesian port of Surabaya in the interwar decades of the twentieth century. In discussing his life and times, the paper reflects on a number of larger themes, pertaining chiefly to empire and to the Scots’ diaspora, understood not only in terms of dispersal but also of return. McLean, it argues, was a new kind of ‘expatriate’. Thanks not least to improved global communications, he was able to maintain a presence not only in ‘the East’ but also on his nat

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Eburne, Jonathan P. "The Transatlantic Mysteries of Paris: Chester Himes, Surrealism, and the Série noire." PMLA/Publications of the Modern Language Association of America 120, no. 3 (2005): 806–21. http://dx.doi.org/10.1632/003081205x63877.

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This essay examines Chester Himes's transformation, in 1957, from a writer of African American social protest fiction into a “French” writer of Harlem crime thrillers. Instead of representing the exhaustion of his political commitment, Himes's transformation from a “serious” writer of didactic fiction into an exiled crime novelist represents a radical change in political and literary tactics. In dialogue with the editor and former surrealist Marcel Duhamel, Himes's crime fiction, beginning with La reine des pommes (now A Rage in Harlem), invents a darkly comic fictional universe that shares an

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Seppänen, Janne. "Community Photographs." Nordicom Review 26, no. 1 (2005): 49–62. http://dx.doi.org/10.1515/nor-2017-0246.

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Abstract The research subject of this article is formed by a project with the title Two Pictures of My Town. The project was carried out during spring 2002 in the town of Tampere, Finland, when town district or suburb communities, and in one case a sixth-form class, were asked to ‘get to the bare essentials’ of their town district and present them in two photographs with short captions. The following research questions were asked: What kinds of visual orders can be found in the paired photographs? What kind of politics of representation is included in these orders? What kind of identity work i

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Bachrin, Alifia Herika, Irma Surayya Hanum, and Eka Yusriansyah. "Perlawanan Tokoh Utama Perempuan terhadap Budaya Patriarki dalam Naskah Film Dua Garis Biru Karya Gina S. Noer." Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya 8, no. 1 (2024): 35. http://dx.doi.org/10.30872/jbssb.v8i1.12720.

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Budaya dan tradisi masyarakat telah menormalisasi segala bentuk opresi terhadap perempuan, karena pemberlakuan budaya patriarki yang menganggap status laki-laki lebih tinggi dibanding perempuan. Berdasarkan kenyataan ini, terciptalah gerakan feminisme sebagai upaya memperjuangkan keadilan gender, salah satunya termanifestasi dalam naskah film Dua Garis Biru karya Gina S. Noer yang secara khusus menonjolkan perjuangan tokoh utama perempuan dalam menggaungkan keberadaannya lewat segala bentuk perlawanan terhadap budaya patriarki yang dialami di masyarakat. Penelitian kepustakaan ini membahas ben

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SandviK, Kjetil, and Anne Mette Thorhauge. "Professor Nukem." Nordicom Review 29, no. 2 (2008): 177–92. http://dx.doi.org/10.1515/nor-2017-0184.

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Abstract The experience economy, that is, the creative and communicative turn in today’s social, cultural and economic structures, implies, as explained by Pine and Gilmore (1999), that consumption is embedded in a communicative format that conveys some kind of experience to the consumer. The consumer in turn becomes more than just a passive user - he or she becomes an active participant in the experiential/communicative design. As such, the mode of consumption in the experience economy is an interactive and play-centric one. And the computer game embodies the very core logic of this experienc

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Raynaud, Claudine. "Biofiction à la première personne : La Rose dans le bus jaune d’Eugène Ébodé." Études littéraires africaines, no. 44 (April 10, 2018): 57–72. http://dx.doi.org/10.7202/1051538ar.

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La Rose dans le bus jaune (2013) d’Eugène Ébodé est une « biofiction » à la première personne qui met en scène Rosa Parks (1913-2007), figure légendaire du mouvement des droits civiques. En choisissant de raconter à la fois le quotidien de Rosa et la journée mythique du 1er décembre 1955 qui conduisit à son arrestation, le roman rejette au second plan des figures historiques comme Martin Luther King Jr et réécrit l’histoire américaine du point de vue des marges. Le genre de la biofiction permet une reconstitution des événements, mais prend certaines libertés avec les faits : Ébodé crée le pers

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Rowan, Jamin Creed. "The Hard-Boiled Anthropocene and the Infrastructure of Extractivism." American Literature 93, no. 3 (2021): 391–416. http://dx.doi.org/10.1215/00029831-9361237.

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Abstract This essay suggests that hard-boiled crime fiction in the United States has developed the kind of “deep infrastructural ethic” that John Durham Peters says is present in much modern thought. The essay attempts to illuminate the genre’s infrastructural ethic and its corresponding affordance for environmental critique by tracing its expressions through a sample of significant texts in the hard-boiled and noir canons, and by concluding with a sustained reading of Paolo Bacigalupi’s The Water Knife (2015). These readings demonstrate that hard-boiled narratives enable readers to perceive t

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Mäntymäki, Helen. "Polar Bear in 'Fortitude'. Affective Aesthetics and Politics of Climate Change." Ecozon@: European Journal of Literature, Culture and Environment 12, no. 2 (2021): 150–65. http://dx.doi.org/10.37536/ecozona.2021.12.2.4391.

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In the first season of TV Eco Noir crime series Fortitude (2015) the polar bear appears as a sticky object that embodies an ambiguous affective charge as an icon of global warming. This article discusses the ways in which the polar bear evokes viewer affect in the series through two discourses. The first one relates to violence, essentially present in crime narratives, and how the human and nonhuman animal are positioned in relation to global warming, violence and each other. It lifts up questions of place and belonging in a local and global context and detects how the polar bear is constructe

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Rookmaaker, Kees. "Early photographs of the greater one-horned rhinoceros (Rhinoceros unicornis) in the wild." Pachyderm 62 (October 30, 2021): 98–104. http://dx.doi.org/10.69649/pachyderm.v62i.449.

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Despite recurrent obstacles in photographing animals in the wild, there are a few early examples. A dead rhinoceros shot in Assam by Wilfred Dakin Speer was photographed in 1862. An image of a living rhinoceros in Nepal was published in the Illustrated London News of 1906. This was followed by black and white photographs taken in 1909 by Victor Brooke of a rhinoceros attacking his elephant in 1911 during the tour of King George V in Nepal, and in 1923 by George Miller Dyott for the Vernay-Faunthorpe expedition of the American Museum of Natural History in New York. Those taken in 1932 by the Sw

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Bonin, Bernard. "Une « boîte noire » à manipuler soigneusement : L’analyse des coûts et des bénéfices sociaux de l’entreprise multinationale." Études internationales 16, no. 2 (2005): 261–79. http://dx.doi.org/10.7202/701835ar.

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This paper assumes that the analysis of the social costs and benefits of the MNE is not only possible but also necessary. This kind of analysis is not easy because there are different rival theoretical models, because of the oligopoliste market structures that characterize multinational industries, and because the often clashing interest of home and host countries. However the author is able to identify the main costs and benefits for each group of countries. The home countries are often able to export products and factors, and to import steady flows of cheap raw materials and intermediate goo

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Haanshuus, Birgitte P., and Karoline Andrea Ihlebæk. "Recontextualising the news." Nordicom Review 42, s1 (2021): 37–50. http://dx.doi.org/10.2478/nor-2021-0005.

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Abstract This study explores how an extreme far-right alternative media site uses content from professional media to convey uncivil news with an antisemitic message. Analytically, it rests on a critical discourse analysis of 231 news items, originating from established national and international news sources, published on Frihetskamp from 2011–2018. In the study, we explore how news items are recontextualised to portray both overt and covert antisemitic discourses, and we identify four antisemitic representations that are reinforced through the selection and adjustment of news: Jews as powerfu

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