Relevant bibliographies by topics / Kinyarwanda poetry

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Academic literature on the topic 'Kinyarwanda poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Kinyarwanda poetry"

1

Nzabatsinda, Anthère. "‘Traduttore Traditore’? Alexis Kagame's transposition of Kinyarwanda poetry into French." Journal of African Cultural Studies 12, no. 2 (December 1999): 203–10. http://dx.doi.org/10.1080/13696819908717850.

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Books on the topic "Kinyarwanda poetry"

1

Kayumba, Charles. Ibyîivugo: Ingeri y'ûbusîzi bunyarwaanda bwô haambere. Huuye [Rwanda]: Ikigô cy'Ûbushaakashaatsi mu by'Ûbuhaânga n'Îikoranabûhaânga (IRST), 2009.

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2

Musare. Musare: Le poète le plus fécond et le plus riche en apport historique. [Rwanda]: [publisher not identified], 2005.

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3

Sekarama. Sekarama: Personne et oeuvre. [Rwanda]: [publisher not identified], 2004.

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4

Subira ku isoko: Imivugo nyarwanda. Kigali: [s.n.], 2007.

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5

Poètes de kiruri au Nyaruguru. Kigali: [publisher not identified], 2003.

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6

Indinzi. Kigali: Éditions rwandaises, 2004.

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7

Poètes du clan Ababanda. [Rwanda]: [publisher not identified], 2004.

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8

Poésie traditionnelle Ibisigo. [Rwanda]: [publisher not identified], 2005.

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9

Poètes du clan Abasinga: Abene-Nyamurorwa. [Rwanda]: [publisher not identified], 2005.

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10

Poètes du clan Abanyiginya. [Rwanda]: [publisher not identified], 2004.

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Book chapters on the topic "Kinyarwanda poetry"

1

Brower, Lowell. "Mice, Cows, and Real Rwandans." In The Art of Emergency, 280–308. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190692322.003.0012.

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As an alternative to NGO- or state-initiated arts, this chapter explores traditional oral performance genres mobilized by Kinyarwanda-speakers from DR Congo resettled in a Rwandan refugee camp. Storytellers and poets find ways to unite their communities, obliquely re-narrate their histories, endure amid “emergency conditions,” and assert their agency in an environment otherwise bent toward defining them as passive refugees and victims. Close linguistic attention to the moments and manner in which these stories and poems are performed reveals that oral traditions are not simply sources of automatic authenticity in which to couch development messages, but rather the very means by which substantive demands for development can be articulated and promulgated. Like any other foreign intervention, arts projects initiated amid humanitarian crises would do best to begin by listening to local voices.
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