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Journal articles on the topic 'Kipling'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Kamovnikova, Natalia. "“Once, Twice and Again!” Kipling’s Works in the Russian Twentieth Century Retranslations." TranscUlturAl: A Journal of Translation and Cultural Studies 12, no. 1 (August 6, 2020): 140–56. http://dx.doi.org/10.21992/tc29484.

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The article traces the evolution of the image of Rudyard Kipling and of the role his works played in the Russian literature and culture. The study is performed on the material of Russian retranslations of Kipling’s poetry and of The Jungle Book, which followed different patterns and contributed differently and at times even dissonantly to the construction of the image of Kipling and his literary legacy in the Soviet Union. Strong competition of big independent publishers in the Russian Empire ensured multiple retranslations of The Jungle Book in order to cater for the demands of the wide reade

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2

Brearton, Fran. "Yeats, Dates, and Kipling: 1912, 1914, 1916." Modernist Cultures 13, no. 3 (August 2018): 305–22. http://dx.doi.org/10.3366/mod.2018.0214.

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This article proposes that W. B. Yeats's ‘Easter 1916’, intertextually linked to ‘September 1913’ and ‘Nineteen Hundred and Nineteen’, is also a subtle response to the political and sectarian quarrels of 1912–1914 as manifest in Rudyard Kipling's poems ‘Ulster (1912)’ and ‘The Covenant’. It examines the ways in which Kipling, and those in Ireland who reacted negatively to him, drew on the Easter sacrificial rhetoric later to be associated with the 1916 Rising, and illustrates how Yeats's poetry during and after the Rising may be read as implicitly engaged in a quarrel with Kipling's aesthetic.

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3

Habibullah, Md. "Kipling's Manipulation of Religions in Kim: A Document of his Imperialist Position." Victoriographies 13, no. 2 (July 2023): 192–209. http://dx.doi.org/10.3366/vic.2023.0492.

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Since the publication of Rudyard Kipling's (1865–1936) Kim (1901), most critics have agreed that the novel falls into the genre of colonial fiction. But they are divided into two groups – defenders and detractors – regarding Kipling's treatment of religions in the novel. The defenders celebrate his accomplishment and sympathy in depicting the devotion and attraction of the Victorian Era towards Buddhism. On the other hand, the detractors blame Kipling for fictionalising the confrontation between pragmatic Western rationality and Eastern mystical irrationality. Against this backdrop, this artic

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4

Ghosh, Bishnupriya. "THE COLONIAL POSTCARD: THE SPECTRAL/TELEPATHIC MODE IN CONAN DOYLE AND KIPLING." Victorian Literature and Culture 37, no. 2 (September 2009): 335–57. http://dx.doi.org/10.1017/s1060150309090226.

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Such Enlightenment, the narrator tellsus facetiously, is effected by an elastic religion known as the Simla Creed, alive at the edges of the British Empire where he, an unnamed Englishman, is stationed. An amalgam of occult practices, the creed stretched itself and embraced pieces of everything that the medicine-men of all ages have manufactured (63). So Rudyard Kipling mockingly observes in this satire of British Victorian forays into the marginal sciences of occultism, Spiritualism, and Mesmerism. An early Kipling tale, “The Sending of Dana Da” (1888) is one of Kiplings first engagements wit

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5

Shehata, Abdel Kareem. "The "Demonic Other” and the Colonial Figures in Kipling’s The White Man’s Burden and Taher’s Sunset Oasis: A Comparative Study." International Journal of Language and Literary Studies 4, no. 4 (December 29, 2022): 12–26. http://dx.doi.org/10.36892/ijlls.v4i4.1066.

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In 1899, The British poet Rudyard Kipling directed his poem, The White Man’s Burden, to the United States on the occasion of the invasion of the Philippine Islands. In his poem, Kipling mainly encourages the States to occupy the Islands. Kipling also draws a portrait of the colonized peoples. In 2007, the Egyptian novelist Bahaa Taher published his novel (Waht Al Ghoroub), Sunset Oasis. In his novel, Taher presents a group of Egyptian, English, Irish and Circassian characters who live in Egypt during and after the Urabi Revolution (1882). The first aim of this paper is to show the main feature

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6

Gadylshin, Timur Rifovich. "Features of R. Kipling’s Work in the Naturalist Prose of F. Norris." Litera, no. 10 (October 2022): 95–105. http://dx.doi.org/10.25136/2409-8698.2022.10.39055.

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The article focuses on estimating the influence of Rudyard Kipling’s figure on the works of his younger contemporary, the American Frank Norris. The author comes to the conclusion that the English writer fundamentally determined his literary follower’s development vector. Kipling who has become extremely popular among American readers raises Norris’s interest toward neo-romantic short story. The early stage of Norris’s work is noted by Kipling’s powerful influence and the article reveals common plot, compositional and stylistic elements in their works. The writers are united by artistic ideals

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7

Mufti, Nasser. "Kipling’s Art of War." Nineteenth-Century Literature 70, no. 4 (March 1, 2016): 496–519. http://dx.doi.org/10.1525/ncl.2016.70.4.496.

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Nasser Mufti, “Kipling’s Art of War” (pp. 496–519) This essay looks at the British empire’s most ambitious years, when it saw Britain and its settler colonies as belonging to a global nation-state, most commonly referred to as “Greater Britain.” The apex of this imperial-national imagination came with the outbreak of the Second Anglo-Boer War, which jingoists like Arthur Conan Doyle and Rudyard Kipling celebrated as a civil war because it was seen to be a conflict between the “blood brotherhood” of empire: Britons and Boers. Hence the characterization of the Boer War as “the last of the gentle

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8

Marcu, Nicoleta Aurelia. "Kipling and the Age of the Empire." Acta Marisiensis. Philologia 1, no. 1 (September 1, 2019): 1–7. http://dx.doi.org/10.2478/amph-2022-0010.

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Abstract Rudyard Kipling was always a writer of his time yet strangely not of it. Born in an era of uncertainties, the age of Victoria, when the British Empire was the dominant power in the world, he died in a time of fragmentation, on the eve of the Second World War, at a time when Britain could neither compete with her rivals, nor ignore the rising of the anti-colonial tide. A controversial literary figure, Kipling was both acclaimed and sanctioned for being the voice of Anglo-Saxon imperialism. His literary work was a political and ideological response to a historical reality. The writer is

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9

Han, Bianca-Oana. "Nicoleta Aurelia Marcu (Medrea) - Kipling’s Vision of India and the Problem of Split Consciousness– Pro Universitaria, București, 2021." Acta Marisiensis. Philologia 5, no. 1 (September 1, 2023): 1–3. http://dx.doi.org/10.2478/amph-2023-0097.

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Abstract The book ‘Kipling’s Vision of India and the Problem of Split Consciousness’ signed by Nicoleta Aurelia Marcu (Medrea) elegantly captures the duality triggered by Kipling’s process of internalization of the two perspectives that defined him as an individual and as a writer, torn -or completed- by being part of the empire, and country of origin. Belonging to both these worlds, Kipling simultaneously identified himself as part of the two worlds, that shaped and framed his personality. The book before us maps the turmoil in confrontation and completion generated by Kipling’s dual quest fo

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10

Walters, Alisha. "A “WHITE BOY . . . WHO IS NOT A WHITE BOY”: RUDYARD KIPLING'S KIM, WHITENESS, AND BRITISH IDENTITY." Victorian Literature and Culture 46, no. 2 (May 16, 2018): 331–46. http://dx.doi.org/10.1017/s1060150318000037.

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Rudyard Kipling's final novel, Kim (1901), begins with an intriguing – if paradoxical – description of the eponymous Kim, or Kimball O'Hara: he is an “English” boy with an Irish name and Irish parentage who speaks “the [Indian] vernacular by preference” (1). While the narrator hastens to reassure the reader that Kim is both “white” and “English,” Kim is also “burned black as any native” and speaks his supposed “mother tongue,” English, in an “uncertain sing-song” (1). If we are to take Kipling's assertion at face value, that Kim is, indeed, “English,” then certainly this is a kind of Englishne

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11

Potnitseva, Tetiana M. "THE VOICES OF THE WAR (“EPITAPHS OF THE WAR” BY R. KIPLING)." Alfred Nobel University Journal of Philology 2, no. 26/1 (December 20, 2023): 121–33. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-9.

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The article is examined R. Kipling’s “Epitaphs of the War” (1919) appeared as a summing up of his experience during the First World War. The work reflects the writer’s feeling of tragedy and grandiosity of that historical event. Kipling himself witnessed many episodes of the war and survived his personal tragedy – the death of his son John in 1915. The article aims to analyze the genre originality of the epitaph in the context of R. Kipling’s anti-war theme. Although this part of Kipling’s creative heritage remains less well-known, it is attracting the attention of Ukrainian literary critics a

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12

Mercier, Christophe. "Pléiade : Kipling." Commentaire Numéro 76, no. 4 (October 1, 1996): 976–78. http://dx.doi.org/10.3917/comm.076.0976.

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13

Lefebvre, Denis. "Kipling Rudyard." Humanisme N° 291, no. 1 (February 1, 2011): 101–7. http://dx.doi.org/10.3917/huma.291.0101.

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14

Aravind, Padmanabhan. "Kipling revisited." Physics World 21, no. 11 (November 2008): 22. http://dx.doi.org/10.1088/2058-7058/21/11/33.

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15

Wenzel, Sarah G. "Digital Kipling." Reference Reviews 32, no. 5 (June 18, 2018): 11. http://dx.doi.org/10.1108/rr-03-2018-0047.

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16

Asfia, Ruhul. "East and West in Kim and Gora." Crossings: A Journal of English Studies 2, no. 1 (September 1, 2009): 23–36. http://dx.doi.org/10.59817/cjes.v2i1.393.

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The two novels, Rudyard Kipling’s Kim (1901) and Rabindranath Tagore’s Gora (1908), explore the different national and cultural perspectives of Eastern and Western writers regarding the representation of India during the British Raj. But the two novels have interesting parallels which are the focus of this paper. Kipling acquired this race-prejudice from his Anglo-Indian community and reinforced imperialistic theories in his writings current in England towards the close of the nineteenth century. He deliberately focused attention on those things in Indian life which would provide a justificati

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17

Moore-Gilbert, B. "I am going to rewrite Kipling's Kim: Kipling and postcolonialism." Journal of Commonwealth Literature 37, no. 2 (August 1, 2002): 39–58. http://dx.doi.org/10.1177/002198902322439772.

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18

Moore-Gilbert, Bart. "“I am going to rewrite Kipling’s Kim”: Kipling and Postcolonialism." Journal of Commonwealth Literature 37, no. 2 (June 2002): 39–58. http://dx.doi.org/10.1177/002198940203700204.

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19

Sullivan, Zohreh T., and B. J. Moore-Gilbert. "Kipling and 'Orientalism'." Modern Language Review 84, no. 1 (January 1989): 140. http://dx.doi.org/10.2307/3731974.

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20

Rocher, Rosane, and B. J. Moore-Gilbert. "Kipling and "Orientalism"." Journal of the American Oriental Society 109, no. 1 (January 1989): 141. http://dx.doi.org/10.2307/604366.

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21

Vora, Setu K., and Robert W. Lyons. "The Medical Kipling." Emergency Medicine News 27, no. 9 (September 2005): 32. http://dx.doi.org/10.1097/00132981-200509000-00027.

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22

Lee, J. "Kipling and Creativity." Essays in Criticism 62, no. 3 (July 1, 2012): 265–78. http://dx.doi.org/10.1093/escrit/cgs007.

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23

Brodsky, Frances M. "Klein or Kipling?" Nature 348, no. 6297 (November 1990): 122–23. http://dx.doi.org/10.1038/348122a0.

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24

Warren, David. "Chesterton on Kipling." Chesterton Review 39, no. 3 (2013): 217–20. http://dx.doi.org/10.5840/chesterton2013393/4127.

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25

James Kilroy. "The Stalky Kipling." Sewanee Review 118, no. 3 (2010): lxxv—lxxvii. http://dx.doi.org/10.1353/sew.2010.0030.

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26

Dobosiewicz, Ilona. "“An Unpleasant Book about Unpleasant Boys at an Unpleasant School”: Kipling’s Reshaping of the Victorian School Story in “Stalky & Co.”." Anglica Wratislaviensia 60 (December 30, 2022): 229–40. http://dx.doi.org/10.19195/0301-7966.60.14.

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“Slaves of the Lamp, Part One”—the first tale of Rudyard Kipling’s Stalky & Co.—was published in 1897, forty years after the publication of Thomas Hughes’s Tom Brown’s Schooldays, a book that created a pattern followed by other practitioners of the school-story genre. The aim of the following paper is to discuss the ways in which Kipling challenged the established conventions of the Victorian school story. In contrast to his predecessors, Kipling did not set his tales in an old, established public school; he questioned the importance of sports and games in developing manly character; and r

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27

Paudel, Yog Raj. "Cultural Assimilation: A Post Colonial Perspective in Kim." Kalika Journal of Multidisciplinary Studies 5, no. 1 (December 21, 2023): 126–42. http://dx.doi.org/10.3126/kjms.v5i1.60916.

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Rudyard Kipling’s Kim is mostly considered as a novel of advocacy for making colonizers stronger to rule the natives. It deals the native with a stereotypical perception of the oriental, particularly, of Indian people. This paper has used Edward Said’s postcolonial perspective of orientalism to analyze Kim. Emphasis is given on identifying the situations and expressions that are directed to cultural assimilation, trying to indicate that Kipling advocates for the English cultural supremacy and colonial significance in Indian territory. This research is based on primary as well as secondary data

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28

MacDuffie, Allen. "The Jungle Books: Rudyard Kipling's Lamarckian Fantasy." PMLA/Publications of the Modern Language Association of America 129, no. 1 (January 2014): 18–34. http://dx.doi.org/10.1632/pmla.2014.129.1.18.

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Scholars have long described Rudyard Kipling's The Jungle Books as a Darwinian narrative. Overlooked, however, is the way in which the text explicitly discusses Lamarckian evolutionary ideas, especially the inheritance of acquired characteristics. This essay contextualizes Mowgli's narrative within a fierce late-nineteenth-century debate about whether the Darwinian theory of natural selection or Lamarckian use inheritance was the main driver of evolutionary change. Kipling describes his protagonist's maturation to “Master of the Jungle” in thoroughly Lamarckian terms, as an evolutionary proces

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29

Abdul Hamid Khan and Salman Hamid Khan. "Kipling, Railways, and The Great Game." Central Asia 86, Summer (November 28, 2020): 141–50. http://dx.doi.org/10.54418/ca-86.78.

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The paper explores Rudyard Kipling’s perspective on the importance of railways in India which is the theme of some of his poetic and prose work. Coupled with this, an overview of the importance of railways and its military, economic and social aspects in Central Asia, in the backdrop of the Great Game of the 19th Century between Russia and Britain is also offered. This study attempts to correlate the significance of the Trans-Caspian Railway (TCR), founded in 1879 and the North Western State Railway in British India formed seven years later in 1886. It also takes into account the railways’ cul

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30

Canale, DJ. "Rudyard Kipling’s medical addresses." Journal of Medical Biography 27, no. 4 (March 11, 2019): 204–12. http://dx.doi.org/10.1177/0967772019835103.

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Rudyard Kipling was one of the most widely read writers of prose and poetry during his lifetime. His wide travels—he was born in India and lived in England and The United States and made frequent visits to South Africa—led to many encounters with physicians and medicine. His unique addresses to the medical profession reveal his knowledge of medical subjects. His three major medical addresses concern medical subjects in contrast to most laymen addressing physicians, who typically speak about their own areas of expertise. The influence of Sir William Osler on some of Kipling’s stories is also ex

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31

Imran, Muhammad, Shabbir Ahmad, Muhammad Younas, and Samina Khaled. "Walls and Sexuality as Trans-cultural Symbols: A Study of Rudyard Kipling’s Short Story ‘On the City Wall’." International Journal of Applied Linguistics and English Literature 9, no. 3 (May 31, 2020): 70. http://dx.doi.org/10.7575/aiac.ijalel.v.9n.3p.70.

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This article aims to discuss Rudyard Kipling’s short story ‘On the City Wall’ (1888) from the trans-cultural perspective by analyzing the tropes of wall and sexuality. Kipling’s attachment to Indian culture and love for it is reflected in his fiction when he gives a detailed description of exotic locations and ethnographic peculiarities. The image wall is quite significant to express different expressions as connector, shelter, veil, and boundary while sexuality is mentioned to unite the different mindsets together at one spot. This article, further, traces that by using the tropes of connecto

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32

Rutherford, Andrew, and Harold Orel. "Kipling: Interviews and Recollections." Modern Language Review 82, no. 2 (April 1987): 460. http://dx.doi.org/10.2307/3728463.

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33

Pinheiro, Gil, and Rudyard Kipling. "Três poemas de Kipling." Cadernos de Literatura em Tradução, no. 5 (January 1, 2003): 27–42. http://dx.doi.org/10.11606/issn.2359-5388.i5p27-42.

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34

Webb, George. "Rudyard Kipling 1865–1936." Round Table 76, no. 302 (April 1987): 254–61. http://dx.doi.org/10.1080/00358538708453812.

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35

Richards, David Alan. "Kipling and the Pirates." Papers of the Bibliographical Society of America 96, no. 1 (March 2002): 59–109. http://dx.doi.org/10.1086/pbsa.96.1.24295945.

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36

Richards, David Alan. "Kipling and the Bibliographers." Papers of the Bibliographical Society of America 102, no. 2 (June 2008): 221–34. http://dx.doi.org/10.1086/pbsa.102.2.24293736.

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37

Sam Pickering. "A Cruise with Kipling." Sewanee Review 118, no. 4 (2010): cvi—cvii. http://dx.doi.org/10.1353/sew.2010.0048.

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38

Hashmi, Shadab Zeest. "Postcard to Rudyard Kipling." Pleiades: Literature in Context 43, no. 2 (September 2023): 113. http://dx.doi.org/10.1353/plc.2023.a912981.

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39

Fernandez, Jean. "HYBRID NARRATIVES: THE MAKING OF CHARACTER AND NARRATIVE AUTHORITY IN RUDYARD KIPLING'S “HIS CHANCE IN LIFE”." Victorian Literature and Culture 36, no. 2 (September 2008): 343–59. http://dx.doi.org/10.1017/s1060150308080212.

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When Rudyard Kipling offeredhis wry observations on officialdom in Imperial India to his cousin, Margaret Bourne-Jones, in 1885, he might have been toying with the kernel of one of his more perplexing stories on race and hybridity, written for his 1888 anthology,Plain Tales from the Hills. When Kipling actually came to address this theme fictionally, in his short story entitled “His Chance in Life,” he made one crucial change: he substituted a dark-skinned telegraphist of mixed race for an Englishman, thereby engaging with the illogics of character that hybridity posed for narratives on race a

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40

Roy, Parama. "KIPLING'S BESTIARY." Victorian Literature and Culture 45, no. 4 (November 8, 2017): 821–37. http://dx.doi.org/10.1017/s1060150317000237.

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The animal turn in studies of nineteenth-century imperialism has been a long time in coming. Scholars seeking to yoke together questions of nonhuman life and the domain of the colony have come to acknowledge, at long last, that the imperial landscape was not a purely human one. Only now, suggests John Miller, has the considerable scholarship on empire and the natural world made an impress upon Victorian literary studies (479). The animal turn, however, is not new in the scholarship on Rudyard Kipling. For Kipling, empire never was simply an affair of human beings; more perhaps than any other w

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41

Kemp, Sandra, and Harold Orel. "Critical Essays on Rudyard Kipling." Yearbook of English Studies 22 (1992): 339. http://dx.doi.org/10.2307/3508451.

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42

Rowe, Timothy, and Gillian King. "Paleobiology: Homage to Rudyard Kipling." Systematic Zoology 40, no. 2 (June 1991): 244. http://dx.doi.org/10.2307/2992262.

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43

Jadhav, Swapna. "MANOHAR MALGONKAR - “THE INDIAN KIPLING”." International Journal of Research -GRANTHAALAYAH 4, no. 2 (February 29, 2016): 62–65. http://dx.doi.org/10.29121/granthaalayah.v4.i2.2016.2813.

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Manohar Malgonkar a versatile Indian fictional writer represents the life of pre independent and of post independent India that has left heavy memories of events which changed our nation’s history and society in the most profound ways. His novels “ Distant Drum” (1960), “Combat of Shadows “(1962),” The Princes” (1963), “A Bend in the Ganges” (1964), and “The Devil's Wind” (1972) witness a wonderful knock of weaving plots of singular originality. His themes such as the army life, the aristocracy, commonality, partition of India, violence, sex, hunting, betrayal and revenge actually provides sco

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44

Brantlinger, Patrick. "Rudyard Kipling, Writings on Writing." Cahiers victoriens et édouardiens, no. 74 Automne (November 14, 2011): 210–12. http://dx.doi.org/10.4000/cve.1388.

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45

Leier, Mark. "Kipling Gets a Red Card." Labour / Le Travail 30 (1992): 163. http://dx.doi.org/10.2307/25143625.

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46

Evans, Jon. "Managing Mr Kipling′s Way." Journal of Management in Medicine 6, no. 2 (February 1992): 5–10. http://dx.doi.org/10.1108/02689239210013248.

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47

Eliot, T. S. "The Defects of Kipling (1909)." Essays in Criticism 51, no. 1 (January 1, 2001): 1–7. http://dx.doi.org/10.1093/eic/51.1.1.

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48

Rome, T. "Paleobiology: Homage to Rudyard Kipling." Systematic Biology 40, no. 2 (June 1, 1991): 244–45. http://dx.doi.org/10.1093/sysbio/40.2.244.

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49

Thompson, Ruth Anne. "Kipling as They Knew Him." Children's Literature Association Quarterly 12, no. 1 (1987): 54. http://dx.doi.org/10.1353/chq.0.0085.

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50

Paudel, Yog Raj. "Rudyard Kipling’s Oriental Perspective and Representation in Kim." Kaumodaki: Journal of Multidisciplinary Studies 4, no. 1 (April 9, 2024): 75–84. http://dx.doi.org/10.3126/kdk.v4i1.64563.

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Rudyard Kipling has been judged as an advocate of imperialism in his novels, particularly in Kim, where he implies the message that the Britishers are the finest race to rule the land they have colonized. He has set his novel in India from the colonial and oriental perspectives. This research article, in general, is a study and analysis on what oriental perspectives Kipling has represented in his description of the land and characterization of the Indian people and how he has shown English superiority on them in the novel. The research is based on primary and secondary data. Discussion and ana

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