Relevant bibliographies by topics / Kitsch art / Dissertations / Theses
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Dissertations / Theses on the topic 'Kitsch art'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Consult the top 47 dissertations / theses for your research on the topic 'Kitsch art.'

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1

Stewart, Sally. "Contemporary Kitsch: An examination through creative practice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2015. https://ro.ecu.edu.au/theses/1717.

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This exegesis examines the theoretical concept of contemporary kitsch within a creative practice that incorporates sculptural and installation art. Kitsch is a distinct aesthetic style. Once designated to the rubbish bin of culture, kitsch was considered to be low class, bad taste cheap fakes and copies (Greenberg, 1961; Adorno & Horkheimer, 1991; Calinescu, 1987; Dorfles, 1969). I argue, however, that this is no longer the case. This research critically examines the way in which contemporary kitsch now plays a vital and positive role in social and individual aesthetic life. Although there are
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2

Dalton, Karen Jeanne. "Kitsch and Southwest hybridity in the art of Ted De Grazia." [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001924.

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3

Cifuentes, Saravia Gonzalo. "Art-Glam Post-Orf." Tesis, Universidad de Chile, 2007. http://repositorio.uchile.cl/handle/2250/101671.

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Art-Glam Post-Orf es un título que se aplica a las obras que en esta tesis forman parte como trabajo práctico. Art viene de arte, Glam tiene que ver con un subconjunto del kitsch, es un kitsch mejorado, un kitsch de buen gusto. Post alude a las características postmodernas de las obras y Orf se refiere a orfebrería, mi mención, a partir de la cual se desarrollan las obras. Art-Glam Post-Orf es un título similar al de una revista, la idea es ironizar de un modo postmoderno con las revistas de arte y asimilar una revista de arte con una revista más pop. Las obras se caracterizan por ser técnica
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4

Muller, Lize. "The recurrence of 'pop' in contemporary visual art." Pretoria : [s.n.], 2006. http://upetd.up.ac.za/thesis/available/etd-09232008-151520.

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5

Kaya, Devrim. "A Research On The Possibility Of Distinguishing Kitsch And Art Using Philosophical Hermeneutics." Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/12605433/index.pdf.

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This thesis tries to distinguish kitsch and art with the help of philosophical hermeneutics by reading it in the light of Derrida&rsquo<br>s interpretation of Hamlet in Specters of Marx. It defines kitsch as experience in order to go beyond both of the two main approaches, namely, the one that sees kitsch as an object and the one that reduces it to the behaviour of the subject. It tries to show that kitsch is not just an aesthetic problem, but also, a political one.
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Niederberger, Christina. "The quest for Heimat : discourse on Kitsch in the realm of art practice." Thesis, Goldsmiths College (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514339.

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7

Pasdelou, Sabine. "Du japonisme à l’asiatisme : une céramique de demi-luxe pour tous (France, 1861-1939)." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100112.

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L'épanouissement économique des manufactures de céramiques françaises tout au long du XIXe siècle et au début du XXe siècle est propice à la revalorisation des valeurs industrielles au sein des arts décoratifs. Les industriels s’appliquent à fournir des produits de qualité à moindre coût, à toutes les classes, grâce aux améliorations techniques et à l'abaissement des coûts des techniques décoratives. À partir des années 1860, les productions japonisantes participant à ce phénomène se diffusent dans les intérieurs bourgeois et entrent dans un cadre plus général : celui des productions céramique
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8

Brites, Nuñez Blanca Luz. "Le Kitsch : forme et couleur : composante du goût architectural des groupes populaires urbains au Brésil." Paris 1, 1986. http://www.theses.fr/1986PA010535.

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9

Svedbäck, Kerstin. "Konst eller Kitsch? : Konst producerad i DDR speglad genom utställningar efter 1990." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97643.

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This thesis explores how art produced in the former GDR has been looked upon, handled and exhibited after the reunification of Germany in 1990. Swedish Art History has paid little attention to art in the GDR. The debate starting in the 50s between the spokesmen for abstract art and the defenders of figuration restrained for a long period the ability to look upon art from the GDR without prejudices. This led to a rejection of all figurative art in the GDR and sweeping judgmental attitudes, like it´s all “kitsch”. Comparatively few artists in the GDR however, painted in the style prescribed by p
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10

Madsen, Viktoria Marie. "TASTE - An investigation on taste and class in relation to - kitsch, art and commodified luxury". Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-46105.

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This thesis takes a closer look at the phenomena of taste in relation to kitsch, art and luxury, analyzing a visual campaign, by the luxury brand Louis Vuitton. The visual campaign is made by Louis Vuitton to promote a collaboration with the postmodern artist Cindy Sherman. In her art Cindy Sherman is stepping away from modern aesthetics turning towards nostalgia and, anti- elitism. In a provocative act she brings in traits of kitsch and other pop cultural references to her art and exposes it to a conflicted art world. Using the well accommodated theoretical framework by sociologist Pierre Bour
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11

Yeo, Mun-Ju. "Kitsch et photographie : étude historique du kitsch et de son statut dans la photographie (XIXe et XXe siècles)." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100037.

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Apparu vers le milieu du XIXe siècle comme jargon dans les cercles artistiques munichois désignant une image de piètre qualité, bon marché, le mot kitsch s’utilise aujourd’hui non seulement dans le monde de l’art mais aussi dans la vie quotidienne toujours avec un sens fortement péjoratif. Considéré en général comme « mauvais goût », « art sans valeur », « camelote artistique », ou « art vulgaire », le kitsch n’est pourtant pas un concept qui demeure seulement dans une dimension esthétique ou artistique. Les divers phénomènes historiques du kitsch, émergés dans le contexte de la modernité, com
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12

Glyde-Bates, Alexander. "Critiquing Classical Kitsch : a portfolio of compositions that critique the 'popular classics' of Western Art Music." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/419650/.

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This portfolio of compositions and accompanying commentary explores methods of engagement with iconic works from Western Art Music as an embedded, contingent aspect of a wider contemporary Western culture. The primary aim of this portfolio was to create a set of compositions that concretely engaged with well-known works from the Western Art Music canon explicitly as works and not as quotation. Secondly, it aims to find a set of methods for treating these historical works that not only engages with their materiality, but also with aspects of cultural association and reception that have accrued
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NEVES, Pedro Pinheiro. "A estética da banalidade: a obra de Jeff Koons entre a arte e a mercadoria." Universidade Federal de Pernambuco, 2016. https://repositorio.ufpe.br/handle/123456789/17749.

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Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2016-08-26T13:26:11Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissert_PedroNeves-BC.pdf: 3756247 bytes, checksum: 84de28e55cf673d131d6e73a61e075bd (MD5)<br>Made available in DSpace on 2016-08-26T13:26:11Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissert_PedroNeves-BC.pdf: 3756247 bytes, checksum: 84de28e55cf673d131d6e73a61e075bd (MD5) Previous issue date: 2016-02-24<br>Esta dissertação analisa a obra do arti
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Ambrosini, Chenivesse Victoria. "Art populaire, art contemporain et pratiques politiques au Moyen-Orient : entre orientalisme et Révolution égyptienne, 2000-2014." Paris, EHESS, 2015. https://tel.archives-ouvertes.fr/tel-01168383.

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Art populaire, art de la subversion, à l'échelle locale et internationale. À partir des années 1990, l'art populaire, ainsi dénommé par les artistes contemporains d'Egypte et du Moyen-Orient, désigne une pratique antiélitiste qui détourne les esthétiques populaires, s'ancre dans le pop art et l'irruption de la vie quotidienne dans les représentations. Parmi ces esthétiques, le kitsch est emblématique. Entré dans l'art au début du XXe siècle, de nombreux artistes du Moyen-Orient s'en emparent bien qu'il concentre une critique esthétique et éthique. Il s'agit pour les artistes de produire une su
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15

van, de Wijdeven Petronella Johanna Maria, and n/a. "From art souvenir to tourist kitsch : a cultural history of New Zealand Paua shell jewellery until 1981." University of Otago. Department of History, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090429.162501.

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This cultural history of paua shell jewellery redresses the lack of visibility of such objects as a significant part of 20th century New Zealand material culture and provides a basis for a more balanced interpretation beyond its stereotyping as tourist kitsch. It questions why quality paua shell jewellery made before the late 1960s failed to gain recognition with most New Zealanders until fairly recently as anything other than tourist souvenirs. Over 1,500 items of paua shell jewellery, mainly in private collections, formed the basis for this multidisciplinary research project that incorpora
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16

Welander, Malin. "PIN IT UP! : En studie av Pin-Up-bildens visuella utveckling under 1900-talet." Thesis, Växjö University, School of Education, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1164.

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<p>ABSTRACT</p><p>INSTITUTION:</p><p>Institutionen för pedagogik, avdelningen för bild musik och kulturpedagogik, Växjö Universitet.</p><p>ADRESS:</p><p>Växjö universitet, 351 95 Växjö</p><p>TELEFON:</p><p>0470-70 80 00</p><p>HANDLEDARE:</p><p>Hans T Sternudd</p><p>TITEL:</p><p>PIN IT UP! – en studie av Pin-Up-bildens visuella utveckling under</p><p>1900-talet</p><p>ENGELSK TITEL:</p><p>PIN IT UP! – a study of the visual development in the Pin-Up-genre</p><p>during the 20th century</p><p>FÖRFATTARE:</p><p>Malin Welander</p><p>ADRESS:</p><p>Stallvägen 48:305, 35256 Växjö</p><p>TYP AV UPPSATS:</
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17

Cope, Katherine C. "The Kitschiest Gnomes: A Brief Examination of the French Group Présence Panchounette's Activities, Disdain for Conceptualism, and Implementation of Gnomes (1969-1990)." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1273002518.

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18

Chassagneux, Yvon. "De l'art brut à l'art singulier, genèse et analyse d'un paradoxe social et artistique." Thesis, Saint-Etienne, 2011. http://www.theses.fr/2011STET2151.

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« Quel est le point commun entre un fou, un poète, un artiste, un curé, une personne handicapée mentale et un facteur? L'Art Brut bien sûr». L’Art Brut (les anglophones préfèrent la notion d' Outsider Art) et sa déclinaison actuelle, l'Art Singulier apparaissent comme un sujet qui dépasse largement le cadre artistique et l'invention de Jean Dubuffet en 1945, pour s'étendre au domaine de la psychologie et de la sociologie, en « touchant » la société toute entière. Ce phénomène social et artistique, dans sa diversité, ses manifestations et ses paradoxes, interroge tout autant la sociologie, que
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19

Maisonneuve, Anna. "Les formes du merveilleux en art contemporain." Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30073.

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Historiquement, si l’on effleure succinctement l’histoire de l’art occidental de ces derniers siècles, il n’y a guère que les romantiques et les surréalistes qui ont clairement consenti à employer un tel vocable. Plus encore, le « merveilleux » était en quelque sorte leur fer-de-lance, l’ingrédient ultime capable d’accompagner et d’accomplir une quête collective, dont la visée constante était d’échapper à l’étroitesse rationaliste. Une étroitesse rationaliste, alors affectée, conspuée et invalidée par un contexte : celui de la modernité pour les uns, celui de la Première Guerre mondiale pour l
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20

Bourdois, Cyril. "1434-2000, le double portrait Arnolfini de van Eyck : introspection plastique d'une oeuvre peinte et interrogations sur ses contemporéanités." Paris 1, 2001. http://www.theses.fr/2001PA010580.

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La problématique est dans la liaison entre théorie et pratique, selon ce plan : -" Ce que l'on peut dire " (vie du tableau depuis 1434, composition, modes de réception esthétique du temps de sa création. . . ) Quelques questions liées à l'interprétation des détails, génèrent deux hypothèses (Giovanni Amolfini et sa femme ou Jan van Eyck et son épouse en protagonistes de la scène). En dehors de cela, des épigones marginaux proposent une lecture plus ouverte. -" Ce que l'on peut ne pas dire " (composantes de l'oeuvre (perçue au XXème siècle) : objets peints mais aussi ce qui se cache derrière, d
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clark, jared lindsay. "One Million Paintings 2005-2007: A Thesis." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/935.

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I assist discarded collectives of objects to volunteer themselves for inclusion into the privileged legacy of flatness – assuring them they can be transformed into Painting. Reducing my interventions - often to mere arrangement - respects the possibility of this transformation while frankly retaining the objects' original functional identities. Every surface of any object is a readymade painting – especially flat ones. By stacking objects and aligning their surfaces on one privileged side into a flat mega-surface, I am composing and collaging – even building – a painting. With my amateur inter
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22

Lamprecht, Andrew Paul. "Curating the reviled, beloved and quotidian a retrospective of Vladimir Tretchikoff." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1002203.

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This thesis aims to contextualise my curation of 'Tretchikoff: The People's Painter' at the Iziko South African National Gallery by outlining the process by which I came to embark on this project and to examine the concepts of mass art and kitsch in relation to the painter. Mass art, in Noel Carroll's explication of the term, is art that utilises industrial processes of replication. Carroll argues that this leads to specific formal and structural tendencies in this art which have much in common with the pejorative concept of kitsch, or art that is lacking in taste or effuses excessive emotion.
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Soro, Vassilia. "Frivolité, inscriptions féminines dans l’art contemporain." Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080105.

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Une tendance esthétique peu valorisée de l’art contemporain consiste en la création d’œuvres caractérisées par une profusion de motifs girly (petites fleurs, pacotilles, coloris pastels etc.). Nous montrons comment cette esthétique mignonne se distingue du kitsch dont elle partage en partie le vocabulaire. A travers l’analyse d’œuvres de Lily van der Stokker, Martine Aballéa, Karen Kilimnik, Marc-Camille Chaimowicz, Sofia Coppola, ou Janaina Tschappe, notre recherche s’inscrit à la croisée de l’esthétique, de l’histoire de l’art et des études de genre. L'observation du contexte culturel occide
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Lynch, Sylvio III. "Morality and Aspiration: Some Conditions of Norman Rockwell's Four Freedoms." Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1577554501384163.

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Langley, Jessica Danielle. "THE AWW." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1360.

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Jessica Langley's work examines animals and nature through various media and form, including watercolor and oil painting, digitally manipulated photography, both large and small scale drawing, and various combinations of each. The work has explored narrative and emotional aspects to more mystical and ecological interpretations. The current body of work settles into banal and familiar interactions with animals, or more specifically the house cat and its accoutrements. Each element of the body of work engages specific concepts that developed out of the American landscape tradition and assimilate
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26

Herrerias, Cuevas Vesta Mónica. "Le masque social ou la representation de la bourgeoisie mexicaine dans le portait photographique (1854-2008)." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030058.

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Loin de la dénonciation sociale ou d’un exercice strictement historique, le présent travail cherche à comprendre comment se construit l’image du personnage bourgeois à travers l’étude de portraits de la bourgeoisie mexicaine entre 1854 et 2008. Le concept de masque permet de rendre compte du portrait en tant que construction d’un modèle de représentation sociale. La première partie propose un aperçu général des origines et de l’évolution du portrait pictural, de son influence sur le portrait photographique, des conséquences des idées humanistes sur l’art, enfin de l’histoire de la bourgeoisie
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Soro, Vassilia. "Frivolité, inscriptions féminines dans l’art contemporain." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080105.

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Une tendance esthétique peu valorisée de l’art contemporain consiste en la création d’œuvres caractérisées par une profusion de motifs girly (petites fleurs, pacotilles, coloris pastels etc.). Nous montrons comment cette esthétique mignonne se distingue du kitsch dont elle partage en partie le vocabulaire. A travers l’analyse d’œuvres de Lily van der Stokker, Martine Aballéa, Karen Kilimnik, Marc-Camille Chaimowicz, Sofia Coppola, ou Janaina Tschappe, notre recherche s’inscrit à la croisée de l’esthétique, de l’histoire de l’art et des études de genre. L'observation du contexte culturel occide
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28

Schrank, Brian. "Play beyond flow: a theory of avant-garde videogames." Diss., Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/42865.

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Videogame tinkerers, players, and activists of the 21st century are continuing, yet redefining, the avant-garde art and literary movements of the 20th century. Videogames are diverging as a social, cultural, and digital medium. They are used as political instruments, artistic experiments, social catalysts, and personal means of expression. A diverse field of games and technocultural play, such as alternate reality games, griefer attacks, arcade sculptures, and so on, can be compared and contrasted to the avant-garde, such as contemporary tactical media, net art, video art, Fluxus, the Situatio
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Atzenhoffer, Régine. "Ecrire l'amour kitsch : approches narratologiques de l'oeuvre romanesque de Hedwig Courths-Mahler (1867-1950) /." Berne : P. Lang, 2005. http://catalogue.bnf.fr/ark:/12148/cb39928320z.

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Mautner, Hendrikje. "Aus Kitsch wird Kunst : zur Bedeutung Franz Werfels für die deutsche "Verdi-Renaissance /." Schliengen : Ed. Argus, 2000. http://catalogue.bnf.fr/ark:/12148/cb389032516.

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Valle, Isabelle. "L'Oratoire en milieu rural kitsch religieux et foi catholique dans la province d'Asti, Italie /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37610512z.

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Iliff, Barbara Elizabeth. "Spirits like the sound of the rattle and drum : George Thornton Emmons' collection of Tlingit shamans' kits /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/6221.

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Laraman, Debra. "Re-fabricate evolving design through user interaction : exegesis submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Art and Design, 2009 /." Click here to access this resource online, 2009. http://hdl.handle.net/10292/810.

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This research project focussed on discarded clothing and textiles, as signifiers for the lowest exchange value in the fashion system, and sought methods to add value by up-cycling1 into one of a kind fashion garments. Opportunities to add value were investigated with three main ideas emerging which include up-cycling the visual appearance of the garment or textiles through restyling, user interaction, and creating a narrative for the garment. The practice focussed on developing methods to incorporate these concepts as a way of extending the life of low value textiles into items that could be r
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Trnková, Barbora. "Rozklad černé, technika nedůsledného překládání Světla." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2012. http://www.nusl.cz/ntk/nusl-232329.

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Im interested in the topic of praying machine, because I want to analyze aspects of photography and its functions. It's known, that the reality is manipulated by photography. Bud we can also say, that the relationship between reality and photography is neutral in fact, that the manipulation is made by our interpretation of photography. The change of the reality can be realized just in the dialog between photography and reality. Can it be, that the mechanization change into the will? Does it prays praying mill or the buddhistic monk, who rotates the mill? When he believes into it, is it enough?
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Fackel, Kelly. "Avon collectors: middlebrow aesthetic expression of the Twentieth-Century self." Thesis, 1992. http://hdl.handle.net/1961/4343.

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A thesis submitted to the Faculty of the Graduate School of Arts and Sciences of the George Washington University in partial satisfaction of the requirements for the degree of Masters of Arts within American Studies and Folklore.<br>In the United States there is a fairly large group of people who collection Avon bottles and other Avon memorabilia as a hobby. For some of these people this hobby is much more than a means of recreation; their collections are deeply entangled with their identities and affect their perceptions of the world. The act of collecting and the resultant, ever growing col
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Price, Justine Dana. "Abstraction, expression, kitsch: American painting in a critical context, 1936-1951." Thesis, 2007. http://hdl.handle.net/2152/3391.

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This following is a study on abstract painting: the critical reception and analysis of painterly practice--performative, experimental, dissenting--in New York from 1936 to 1951. By metonymy, this study also looks at the figure in the political realm via the critiques offered by socially-oriented critics at this time (some of whom were also art critics). As the boundless secondary literature on this period has noted, the painting of the New York School would "triumph" with "stunning success" by the late 1950s. In other regards, the subject of this dissertation is that of failure. The revolution
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KLOUDOVÁ, Martina. "Estetická hodnota výsledků výtvarné činnosti v návaznosti na proces vyučování." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-252380.

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The thesis focuses on issues of aesthetic values in art education at the first grade of primary school. The theoretical parts sketch issues of art and kitsch, origins of kitsch and characteristic features of kitsch and the question of kitsch aesthetic defektivity. In the second part I focus on the problem of determining the aesthetic criteria in art education, the issue of transfer of aesthetic values and artistic-expressive qualities of children's products all of it taking into account the ontogenetic development of children's creative expression. The empirical part focuses on exploring the a
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Muller, Lize. "The recurrence of "pop" in contemporary visual art." Diss., 2007. http://hdl.handle.net/2263/28145.

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Kolář, Vojtěch. "Mohou být videohry uměním? : analýza kritických a teoretických pohledů na potenciál videoher coby plnohodnotné umělecké formy." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-310192.

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This thesis is based on a detailed analysis of various topics related to the question of whether video games can be art. In the first place it analyzes the current academic discussion on this subject and confronts different opinions of both supporters and objectors of the idea, that video games can be a full-fledged art form. The second point of this paper is to analyze the properties, that are inherent to video games, in order to find the reason, why cultural elite considers video games as inferior in relation to traditional forms of art. In addition to features of games like entertainment, c
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Forman, Dominik. "Divný svět. Možnosti uplatnění tématu v pedagogické praxi." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-349468.

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Forman, D .: Curious World. Possibilities of applicatiom of the theme in pedagogic practise. [Diploma thesis] Prague 2015 - Charles University, Faculty of Education, Department of Fine Arts, 79 p. (Attachments 7 artistic realizations - oil paintings small and medium size) The thesis is based on a comprehensive comparsion of major interpretation avant-garde art and the modernist thinking, which determined crucially interpretation of the most important events in the art history of 20th century. This work brings together three major confrontations looks at the intentions of selected representativ
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ZAHÁLKOVÁ, Jana. "Rozvoj kulturních potřeb, výchova ke vkusu a možnosti motivace v rámci pedagogiky volného času (starší školní věk)." Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-85600.

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MLS, Pavel. "Vnímání výtvarného umění ve volném čase dětí a mládeže." Master's thesis, 2009. http://www.nusl.cz/ntk/nusl-51161.

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The subject of diploma paper was anallysis of perception children and youth related to visual art. In the first chapter of theoretic part diploma paper I explain definitions related to the subject, i.e. that is fine art, aesthetics, culture, kitsch and relation of this species to the human being. In next chapters I acte problems, definition, delimitation of the odd time and I explain possibilities of transmission visual art to children and young people. The theoretic part of diploma paper is dedicated to possibilities of confrontation children and youth people with the visual art through vario
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KOPECKÁ, Linda. "Rozvoj kulturních potřeb, výchova ke vkusu a možnosti motivace v rámci PVČ (mladší školní věk)." Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-49476.

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My final thesis describes ways of development of cultural properity, trainings of mind and possibilities of motivation in frame pedagogy free time specialized on a Primary School. Theoretical part contains and explains terms culture, palate (taste), elegance, arts, motivation and free time. Also specify primary school education, creative discourse, in this period and shows the use plastic art in public nursery like one of the key options of spending free time. Practical part focus on a project of plastic arts divided into creative activities realized in the public nursery of the pupils of prim
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徐上婷. "A Case Study of the Use of Art Museum Kits by Primary School Art Teacher." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/86774645738078300370.

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碩士<br>國立彰化師範大學<br>藝術教育研究所<br>95<br>Elizabeth Patton had said that “Museums need to respond to the changing society around them. They need to make themselves and their resources more accessible to the public upon which they generally depend for their support. If visitors can no longer travel to the museum, the museum must become the visitor.” (1985).So, the difficulty of bringing students to the Art Museum makes teacher's will retrogress, why not advance voluntarily the school on the Art Museum? The “Kits” in my study are one of the media that museum goes to school voluntarily. Distinguish betw
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Nováková, Kateřina. "Hra, hravost a hračka ve výtvarném umění." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-296692.

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My thesis concentrates on the game, the playfulness and the toy. At first, I was searching for where these topics were most common and how they effected our lives generally. I presented some of the definitions. Then I worked more with these definitions and I put them into a connection with the art and the padegogy. Later I made a separated point of the role of the game, the playfulness and the toy in the visual art. I introduced some artist, who have been using the topics of mainly the game and the playfulness in their art work. The toy was presented more like the theme of the art works. The f
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Pech, Milan. "Výtvarná kultura Protektorátu Čechy a Morava." Doctoral thesis, 2012. http://www.nusl.cz/ntk/nusl-309502.

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The thesis deals with fine arts in the Protectorate of Bohemia and Moravia. It analyzes Czech fine art during the Nazi occupation of World War Two, concentrating on its official component that has not yet been deeply researched. The author surveyed archives, press and literature of the period. The aim was to identify key themes in the public discussion about artistic issues and to trace developments in the legal status of Czech fine art under the occupation. First, a brief portrait of the historical context of 1938 to 1945, accompanied by identifying several pathological phenomena that occupat
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Steigerwaldová, Kristýna. "Původní zdroje inspirace v českém umění 1980-2015." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-344479.

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Main focus of this work is to compare and map the evolution of primal sources of inspiration in Czech art in the years 1980-2015. It brings the overview of the authors, who adopted the elements of visual reality, and describes the ways how they used it in their works. Highlighted are the authors whose works are influenced by some of the following topics: commerce and kitch, pornography, comic books, graffiti and street art, folklore, culture of natural nation and childs drawings. Reasons and motivation of the authors for using these extraordinary ways of expression are also clarified. The main
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